polischuks, what kind of people are such polishchuks hardworking people they sing, they themselves compose folk songs by common labors. we get our harvest, our joy, our satisfaction in the city, this was not the case and we will show, the entrance hall, the edge of the views of the belarusian woodland. here at this place, where i stand, my father's house stood, and here everywhere around there were swamps of any rich. this is a river. uh, rich here and flora a lot of vegetation. eh, the yellow capsule and water lilies also grow, we recognize from histora and vesok and cities. yes, well, this has been very, very many years and many historians. they say that this is a mass grave

from the time of suvorov, look at the policy project on the belarus 204 tv channel . elena viktorovna what were the most unusual

circumstances in which inspiration visited you, when i was a student at the st. the naum motive came and i realized that i should remember it, and then a song was born from it. this is such a good one, by the way, the song is my guest all my life lights up the stars. and she also saves, consoles, gives hope and inspires love. today i have a guest teacher composer and the chairman of the belarusian union of composers elena otroshkevich elena viktorovna good morning and i'll start with an unexpected

question. who do you know more like dad or mom? very expected questions, it looks very much like dad, but over the years it becomes more and more like mom was such that when he sees you with mom, they say that you look like mom. and when he talks to dad about dad, of course, they also say that i look like my sister, but in character. by nature, perhaps i'm more of a mom. and what is it expressed in? well, my mother is 90 years old, she is a person of such a heroic past. and this is expressed in the fact that she taught me never to complain if it’s difficult for you, therefore, probably, my mother herself was like that, she went through the war, and in general, she taught me this, but musical talent. from which of the parents you passed on me, not my mother, not my father did not do it. uh, never trash. mom, in general, sings well. my mom says it's from my grandmother in one of her interviews. you said that you had a sister as a child

all the best, does this mean that for the sake of you children, parents had to deny themselves a lot. i'm convinced they denied themselves a lot, even though my dad was the chief engineer of a paper mill. uh, mom is also in general, uh, executives. and i always thought they were good. they made money, but in our family it did n’t matter, because uh, well, other values ​​were in priority not financial, but some spiritual ones. if the children needed something, then it was necessary questions were not asked for the first 6 years of your life you spent in kazakhstan what do you remember from that period? oh, you know, i remember myself at the age of 5, when my mother took me to the talented youth club, and i remember myself in this club. eh, i was 5 years old, and the senior representative of the musical group was 35 years old. this is where we

trained. uh, let's say some kind of theoretical uh subject, but the most important thing is the first thing i started to study. it was an accordion. uh, i played the accordion after 6 years kazakhstan your parents. still, the tea-makers decided to return to belarus. and that's it there you found a commission that came to look for gifted children, how it went. this is also a very interesting story, because , uh, it was not so easy to get in and be selected to come to the music school. i remember that three girls were selected and offered to come to the introductory campaign, which was held in the city of minsk , respectively, so time shows that i was the only one who arrived. but the exam itself, which, uh, the selection was me in the morning, my mother gave, so, until the evening, one boy is waiting to come out joyful happy other boy, says to mom. hey, mom, you know everything's fine. they told me, don't come again, yes, but i'm still

gone and gone. here she says that at about 5:00 pm all of a sudden i'm going downstairs, i was such a puny, thin haircut, she says, tortured, because i don't remember how that day went. well , that's all, from me, something wanted me to be and some songs to knock something. you still don’t understand what you could do with me all day, well, i spent it. the whole day, for such tests, you were listened to and invited to study in minsk at the music school at the conservatory you were only 8 years old. that's how your parents decided to let you little girl go to one capital. well, they decided i'm grateful to them, my mother never had it. you know such fears of difficulties. it seems to me that she believes that her daughters, and i and my sister are the eldest. we always gave everything, probably, such was the situation, and at that moment it was not enough that she gave me to another city. hmm i then

spent my first 10 years of life. hmm in a boarding school. that's because, well, the parents in another city 200 km. inter was not formulated at first. that is, there was no boarding school. there were just four children, four parents and six months until the internet opened. uh, our parents took turns looking at us. here but nevertheless. that's exactly this life, e.g. in a hostel, but it tempered and nurtured in me, as i consider one of the good qualities is a sense of justice. this is a very important point for me, a sense of justice and devotion and decency. i know you called yourself a boarding child. and, by the way, what was the most difficult thing in this life? well, like any little girl? well , for example, go to sleep. uh, in a dark room they are not afraid of anything. those were the hard ones.

yes, but at first, and then, in principle, i always went to study. i was very happy and hmm, i understood that this was my fate. yes, this is a wonderful period, and therefore there was no difficulty. i knew that i needed to study. eh, it was n't hard for me to learn. i promptly everything. by the way, i love cinema very much, and at that moment i went around all the cinemas. well, when it became older than the city of minsk, i had such a hobby, the hobby of employment in the music school was great, but it was musical education. actually a school. yes, we somehow surprisingly had not only brilliant teachers in musical disciplines, but also in general education, and yes, the employment was great and i, in principle, was brought up. hmm. here in this period. so, well, if you have too much free time, you still have

to do something with it. how old were you when you wrote your first composition. i was 11 years old. and i wrote it. not even so much it was not even music. it was a poem. i don't write poetry at all. but i remember that it was a play by my capar and my teacher, others mikhailovna volodina, she said, lena , so that they better remember. that play, write here, some kind of text i wrote such a funny text after this text. she offered me to write a waltz. and after the waltz, she, uh, sergey mikhailovna is mine. she suddenly saw that it made sense and took me to kina dmitrievich tesakov and actually began my composer universities. he, uh, for some reason decided that this girl should be dealt with. me and another classmate of mine is rodion glebov. we ended up in the classroom together. e. hmm to some dmitrievich and then, when they began to switch to the megokovichi department. we were already fully

engaged in extracurricular activities, and even then he educated us. here is the desire, uh, to choose precisely the professional direction of composing, even when in the ninth grade i was transferred from the piano department to cerebral. uh, such a significant person in my life, margarita sergeevna minenkova. she took the course. she asked me just a girl, will you come to our music department? i say, and then i can become a composer. that's exactly what you need, that's our department for which she is grateful? here you have it for now let's live i'm signed here. have you forgotten, or what, and why are you so puffed up?

yes, it's not my fault that lenya traded you for me. who are you? i'm helping here. just spread the dirt. call please ambulance. my heart stopped from the hospital, they called and said that the bones from luka were displaced. what does it mean that we can’t collect money for this trip for 3 years? do well say what you want. so that you tell

me all sorts of ears, lips of history and do not climb into my life. watch the series i never cry this weekend on belarus 24 tv channel. recipes of ancient belarusian culture obtained from housewives from belarusian outbacks, we will be ready to make a pie with sharnitsy. let me set up the oven template. oh, combined with fantasy and innovation professional chef. the ingredients are practically the same so the technology will be a little out of me and we will make forwards. well, i really want us to have them today, well, just super tender, we will have a cake that looks like a cheesecake. well, he opened it open, like a big belyash. it will be

open and can amaze even the most fastidious gourmet. raise, watch the culinary historical project belarusian cuisine on our tv channel. smart , erudite, inquisitive guys, as far as i remember, she then lived in 20172, therefore she is not from our time. i chose the option, right? well, why not beautiful words beautiful feelings will find answers to all questions. well, i have several of these testimonies. well, most importantly, i answered. no , i was incredibly lucky, because today i went to literally one class of world history. this lesson was, just about china . on which mainland is the highest

waterfall in the world located? okay question i don't remember what i went for breakfast. do you want an intellectually entertaining show? i know on tv channel belarus 24 met with her future husband when they were in their senior year, and they chose their husband. you yourself it's true, it's true, my husband and i are from the same place. but if my parents lived there after moving, then he, in principle, is from these places. so we met him at a disco, then it was dancing. i had a girlfriend. uh, she came to visit me sometimes and had to do something. she had a great desire to go to these very dances.

i didn't have this desire. well, i kind of can't e do anything when i'm asked. so we went with her to such dances. eh, here we are, no one is inviting. so i say, come on, well, what are we missing. come on, uh, and i took off my glasses. i didn't see very well back then. eh, here i am, so, uh, the young man i wanted to invite. eh, it's not the same blind-sighted my girlfriend. she already invited him. and i'm already in the middle of the site. well, as i say to my husband, well, he invited the one who was left with his back ? oh well, that's fate is not fate, after meeting. you almost immediately left for leningrad to enter the conservatory. and when further developed your relationship. you wrote letters to each other, called from the post office. no , he went into the army. and, accordingly, there were some letters, then there was some period, when, well, as if everyone had their own

period. i have here one of us, probably someone suffered. uh, someone had no time for these sufferings, and then fate again hit us, as it turned out to be very durable for life. why is he working on you? he has a technical specialty. and in principle, if not for the family, he finished, uh, bemha, in this academy he was offered um to go to graduate school. but these were the nineties, very difficult. after st. petersburg, we arrived in molodechno with two children. one by one again the hostel. i am 26 years old in general female experience, so that you can understand. here in one room he is a student. uh, the paycheck somehow doesn't come on time. yes, here. well, although, if he had done this, if he had made a choice in that direction, i would definitely support him. therefore, it somehow happened like this. you already mentioned that after

the conservatory you turned out in molodechno, that means they got married. on this test of the distances of your family ended. no not ended because i uh husband was a student. he had to travel to minsk and return, but these were some difficulties. and then, when, in fact, uh, i began to educate myself professionally, if i'm curious, i was on maternity leave with two children for a total of 2.5 years. and this, again, is the genes of my mother, there are no serious problems. that is, i came out of the decree when we his youngest son was only 8 months old. i went to teaching work, and then later for some time. uh, you know, it was such a difficult period when the dominance of tender may began, and with each as they say, with each loudspeaker, and with my education for such a long time, i ask myself a question. what's going on? why did i end up like this? uh, how did the

composer suddenly find that uh exam? you don’t need to sleep, and you write music only when you feel this need for yourself, that is, it’s like, somehow, suddenly some kind of hole appeared in life and here is my teacher, hmm, people’s artist hmm soviet union e. boris alexandrovich rapov sent me a postcard and in it he congratulated me on something hmm and wrote lena do you write music write me it is given. i supported this postcard and said, you should do this, and therefore, despite the fact that the husband has small children, there is still a student. so he left and started working. then i started to travel in minsk. i because the first creative contacts began. here is a meeting with the conductors of the meeting. e with performers. uh, participation in some festivals and so on, so i started driving. this is how

breakups happened. at what point did you realize that it was time to move and conquer minsk, i realized that, probably, as a composer, it would be more comfortable for me to be in minsk. i’ll explain why, because i realized i’m leaving in the morning, i had, for many years, a day off monday when i determined to myself that it would be a creative day. i was going to go to minsk, i had meetings. and when i realized that i can’t fit in one day, that i’m already running like crazy with bulging eyes and you understand that i don’t i didn't manage to do everything i wanted to do. perhaps it was such a moment that he said. well, try to somehow reconsider all this. how did your family react to the upcoming changes. the first thing i thought of, i thought about this move for the sake of the child. i have a musician son. he works at the opera theater as sasha, and i

realized that he gave a musical gift. i wanted him to go like me. study, but that he did not live in a hostel. and that i was already there, uh, he went to the school crap. they took homemade cream from me fine. they realized that everyone needs this in 2006, you became the initiator. e opening at the minsk college of arts. uh, new specializations. this is pop vocals, your initiative was supported immediately, or it still took some temporary persuasion. i was a little. otherwise, i moved to minsk and hmm vladimir vasilyevich taran, uh, the director of the college at the time he hired me already. he said rubbing his hands. well, great. now we will open a pop department, to which i told him. you know, i not yet ready. i must mature, i must understand, and i must just be psychologically

ready for this. i liked the year so that in a year i could come to him again and say, well, now i'm ready. you are satisfied, i am satisfied, because i see the result. and this is my life, which for some reason is spent on this department. they are writing superfluous and not superfluous, absolutely compositions and so on. i understand that i have pedagogy. she occupies a very significant part of my life and this composer who is up to free time for the sledge of music, it gets here, if i have it, i'm just happy that i have it, you understand? i start to create and write there, therefore, when i am asked a question, where do you draw inspiration from. i would say so in my spare time. here it appears. and you understand that you want to be immediately in this process. among your students, a huge

number of well-known names are performers who represented our country at eurovision at the slavianski bazaar, for you personally. which of the criteria for teaching success is the most important credibility? then some kind of spark that runs between the student. i'm into vocal art. we talk about music through the heart, soul, and voice. this is the spark. this is the interaction. and, of course, trust and this moment of sacrament when you are in the office one on one and between you and a human student only her majesty music is probably still very important criteria. eh, that's the relationship. this is punctuality and decency. because if there is no decency, then nothing will be discipline

exactingness, i am a demanding person, but i never raise my voice, but if irina viktorovna is annoyed, and i don’t get annoyed often, then for some reason my students understand this very well. here i can see everything in my eyes. here they are either joyful or very pancakes there, what is it? in 2002, the composer vladimir martynov published a book, the end of time composers, where the author outlined theses, which, in his opinion, proves that the historical role of the composers is a thing of the past and musical notation of music, this is chronism. and what do you think about this statement? it's not true, because music is eternal and i'm just the same pterodactyl who

still writes music in black ink on music paper. contact is very important to me. the first time you understand with paper, the tools that are in your hands and so on. and if, in general, to transfer to me, it is for me specifically now , uh, absolutely happy moment. i just don't have enough time to write what is expected of me well chapters. for the composer and looking at my colleagues who somehow go behind me already in some of these sometimes seems crazy projects, but they are carried out somehow. eh, these projects are tangible. and here is one of the last we are now engaged in adaptation. here is polotsky's joke. eh, this is our historical one. here is a musical memory, uh, which says that our culture began long before the great october revolution. that's exactly the joke.

we're now adapting specifically to hmm a certain composition. uh, the opera house for an apartment and many, many others have thoughts, which you want to do and, uh, but you say, or rather, someone there, says, let him say. yours what do you listen to modern music? when i come home from work, or rather, i get into the car with my husband, we work somewhere nearby. uh, i'm getting in the car, and i'm begging you, please turn off the radio. i don't listen. here is what comes from the radios. it's elementary because i work with this music during the

working day from 8:30 to 5:00 in the evening and the guys bring me this different music, this is western music. this is local music. that's why i don't even listen that much. how many works with this material. so i try to see him for some uh, well, as i am very pupils. you know, you can be the second mozart, but you shouldn’t be the twentieth mozart, you know, and in pop music, uh, it’s generally so personified, either you are there alla borisovna pugacheva or you shouldn’t repeat it. you understand, that's why you need to look for your own path, and therefore we always try to find our own path, and in the family circle you argue about the musical taste, they don't, i don't argue, i don't impose. but when my husband says something, you haven't shown me anything of yours for a long time, and i

understand that there is resentment in the voice. i understand that, in general, we are on the same wavelength, and somehow we probably have similar tastes. no, we don’t argue with us, uh, i don’t waste time on this nonsense. it is true that when creating a composition, it is better for the author not to be distracted by other works, it may be true, everyone has their own process. uh, my process, just the same, i can have, at the same time, several projects lie. and if we assume, exhausted itself in this direction. you just know here is blurred perception. you switch to something or even move away from writing music, so, well, at least,

it happens that i understand that you are my inner. that's an impression, and i shouldn't waste it on something else. you know, like a poet who takes published, uh, a collection, and you know that, uh, 5 6 7 8 9 10 poems, they will be approximately in the same key. these are the keys to the state in which this poet was. that's why, and since i try to write different. so varied and and so on, then i'm afraid to transfer what is found here to transfer to another work. it should be different, and it should be in contrast to the fact that there is only this reason, but when the image is found, when the key is found, and you are only engaged in, how to somehow correctly say the embodiment of the idea. here, when you dress, this is the texture, when you give it a shape, when you think, and who will perform it. and how will it be done? and with what composition, at this stage, already hmm, nothing will bring down. what time of day is for you

most productive? oh well, my schedule is like this: i come home from work at 5:00 pm. well , again a little later, then i die for an hour and a half from the fact that i have no strength for anything. uh, here, and then i shake myself off and productivity starts from nine in the evening until 11:00. this is my time when i can sit quietly at the instruments. so the mouse, so as not to interfere with the neighbors, if something needs to be played , something to view, probably in the evening. it has always been like this, and when the children were small, by the way, in one of your interviews you recognized that it is much more difficult for a woman to make a career as a composer and connected. this is with some everyday nuances with some expectations of the society. and how did you manage to maintain a balance between career and family. well, thanks in large part to the support of my family and friends. uh, thanks to the support of my husband, of course, who

never expected any special borscht from me. although she has it all to do, which are nearby. uh, not really waiting for a housewife. eh, but we are united by some internal interests, and so on and so forth. that's the most important thing. the most valuable thing is that music and composing have never been a career for me. for me, music and composing here will be the meaning of life in my album. i have more albums. e since then. i have a lot of things mixed up. here are interleaved family photos of my creative friends of my colleagues, it's all inseparable. here it is such a period. and here it is gossip and makes up this really semantic basis, our program is called the meaning of life for you. what is the meaning of life, life itself

, and in those joys that are joys and the sorrows that she brings, i can analyze my day. and if in the evening i go to bed satisfied and i’m not a worm, something didn’t work out. and i'm in this, as they say, i'm not to blame as the problem is that something did not work out, yes or it did not work out, but it's okay. i 'll fix it tomorrow. here i feel like a happy person. i love going to bed. i love to fall asleep. i love waking up. this is probably the meaning of life elena viktorovna, i somehow read your statement that you you want as many people as possible to admire good music. i want this wish of yours to come true. thank you very much everyone, good luck, love

good music. this was the meaning of elena's life from roshkevich. in the hands of the book, the book was throated sideways, sideways, choking with the skin word zus, their manifestations of human creativity are the most wondrous and worthy of respect, it is books in books that live thoughts of the past. reporting to expressly improve the voice of people, a person is

experiencing from where the reeling is bringing together a generation of prices, not bypassing our dry belarus 20 shakira enchanting the world of music, what could be better every note, every chord, this inimitable finest matter that speaks directly to the soul of a human feeling in a pure, almost material form. today. we will introduce you to two amazing musicians and teachers who not only passionately love the great art of music, but also teach their students to love and understand music and open up to them a whole world of high feelings and passions of thoughts.