hello, my name is vitaly grigorievich kulbakov, i am the chief conductor of the presidential orchestra of the republic of belarus. hello viktoria popova, elena slav and i am visiting. today we have

the chief conductor of the presidential orchestra. vitaly kulbakov. hello vitaly. thank you for coming to us . have a good day after the rehearsal. how long does a rehearsal usually last 4 hours 4 sets of 45 minutes. this is in the morning. of course i love the morning rehearsal. well, you can, of course, move the schedule, but i love the morning rehearsal. it's from 10 to 2, let's say some kind of concert or some. he's kind of wow. well, that is, but in general, in principle, well, 8 hours a day it's normal to rehearse. well the orchestra will debut 4 hours the rest uh, 3 hours each musician, like every uh athlete. uh, the musicians are training, that is, they are mastering some. well, the new skills play from here , the gamma plays, and musicians, when, uh, we discussed your candidacy, we wanted to invite you very much, i immediately remembered that all the uh

newspapers were clogged with headlines at one time. i learned to play the trombone. it seemed you. well, as if there were materials about you, that is, you mastered the trombone and in general you own many instruments. i have mastered. uh, in my life a lot in wind instruments. i started with such an instrument as a carnet, this is such a small pipe. this is a pipe. well, a slightly different form of factator, then i played the viola in the wind orchestra, then uh on those holes, that is, we grew up the instruments with me, they say later, he uh in con. history entered. i, as a baritone player, to the head of the department then volkov nikolai mikhailovich i buzzed all ears saying. i want to finish. uh, the conservatory, like a boriton tromba player. and so they advised my teachers and said, here you will play a bach concerto on the trombone. uh, at the end of the year. we will transfer you to the trombone. i took the notes, went down we then practiced in the basement of the conservatory. this was the

place where they practiced, the wind players stood next to each other. through probably through 2 m. each played his own. but in this each of his e, everyone worked on his own on some kind of work. and finally after 3 months. i am the concert came. mach for viola, with orchestra. i performed it, it goes about 20 minutes. this is for me trombone this is a new practice coming out of the head of the department. he says, well done says, but we joked, can you do it or not? wow , he says, you will do it. here the conservatory graduated in two instruments. a baritone trombone that is very common in brass players. as professional vocabulary is correct, probably, musicians who own wind instruments come to the fore. and mikhailandberg was a bitch. and i know that your marketer is also a conductor. maxim rasokhov also owns both instruments. how do you explain this phenomenon? but you remembered the late mikhail yakovlevich, we studied at

mikhail yakovlevich with one teacher. this orleans vladislav stepanovich he brought up very many students. this is the late tikhonovich fiberg. babarykin kulbakov. such names. that's out of this class. why horns, precisely, because, well, a little offended a little, probably, in your program you have a program. say no small e string players string players. you understand employees - this is a group where they sit, for example, their first discounts maybe eight 10 12 people can be on one melody, and the wind player is the person who is responsible for one melody. that is, each of them has his own part, let's say a group of trombones. this is the first, second, third, fourth trombone in the pop symphony, and on the action of each depends on the product that is acceptable for the trombone group. someone who plays us briefly, that is, on the third trombone. this is the first third, uh, trombone is tonic, let's say, the first step, that is, we will not notice the loss of a

violinist during, uh, some concert, but tramway drivers are always heard falling out, of course , well, i think that the violinist will not be that little fly in the ointment. well, it will fall out. let's remember that you have been in the presidential orchestra since the day it was founded. well, it's curious how it has changed over the years. you notice some changes in 2002, when the presidential orchestra was formed - they were students , graduates from the country's leading musical universities, then it was the best musicians of the country, but as an orchestra it was not yet formed, that is. uh, the first uh, the first performance, when i can mark, when it was already a strong team. it's probably been about four years since 2007 . we played. uh, leonardo the secret of visayan history uh nask, uh, nask played uh

rhapsody, that's when i felt that it was the team that had already been formed and had already grown stronger. that is, as a serious unit, that at first the orchestra and the conductor are always enemies. walks rapprochement oh, man, that's how in your case came from this team. i, uh, came to the orchestra. i am two twentieth january 2003 since 2006. eh, i'm already like a conductor in this band. this is for me in 2019. i'm that the chief conductor, that the conductor always performs approximately the same function, always the conductor is, uh, the title conductor, let's say, well, there are different situations, let's say the main one fell ill. there is always an understudy, that is, a person whose person will come out and help. that is, we were always together in tandem, always aware of all the events that took place in the orchestra quite often take the rap. i refer to these interviews

willingly in one of these interviews. now i would like to emphasize one big phrase and then ask you to comment on it. let's see. when i create some kind of project, i always worry, but before a concert, when i enter, the first step on the stage, i will show the team, i take the first wave of the conductor's baton, and everything disappears and then some kind of miracle happens and magic begins. my name is vitaly kulbakov, and i am the chief conductor of the presidential orchestra of the republic of belarus. but this magic

vitaly, i can't believe that it just happens every time. but there are no hacks, there are no hacks in our team . we bring everything to 100% readiness. not even 100%, 150% readiness. we were preparing such a project, music from different films is soundtracks, that is, the most interesting is the most recognizable music, and i'm getting closer and closer to the performances. this is bad. this is bad. this is bad. it's bad, but here we come to the performance. i go on stage, wave my wand and everything is snail, of course. uh, we haven't aired this one yet. eh, with this concert is still being prepared. there is a editing going on, of this performance, but already some look on instagram in social networks. and what did i think so? why was i so flustered? all same well and zaparivaet

musicians. of course, i'm a pushy conductor until i get it, until i get what i want and i don't back down. there are different conductors, but a musician who achieves his goals, and then, when we are together as a conductor and a team, we get some kind of product. do they understand, why did the conductor come and what did he achieve? he is the opposite, but realizing that, let's say, somewhere, mocking the conductor, somewhere i'm making fun of what we were trying to achieve. i've got a product that we are doing a common thing. they, on the contrary, come with gratitude. and when the conductor comes, for example, just to serve time. well , of course, it's not a joke, there are different situations in my practice, i'll tell you when we performed in 2008 together with dmitry the late dmitry hvorostovsky. he came to the team for the first time. uh, it sounded like aria, he didn't even say hello. here the music was on, the conductor, damn it, he conducts, he comes in and starts

singing immediately ends, aria and he screams. ah. this one is screaming, they don't understand what's what happens, so he asked for water still musicians, well, we met for the first time. so you say, the conductor comes to an unfamiliar clicker. here the soloist comes in unfamiliar, he forced uh, focused attention on himself. that is, he screams. that's what i focused on anyway. what to expect next? he is such a good day his good evening and yes, yes, during the repair about the wand, the conductor, a sacred object, as many people think, but i know that you do not always use it. you preferred some time and it seems to me to conduct with your hands like valeria george rehearsals. i am birds. i don’t take it, in general i have a pencil with a stick, for example, but it comes, basically. these are arrangements of some works coming new arrangement, of course i'm prepared. i listened to her and corrected some mistakes, but uh , when playing the piece,

some remarks arise, let's say something . one e continues to be clocked, for example, the work has ended. we have returned to this point corrected, that is pencil. this is my tool. well, it looks like a wand. but you are talking about a common myth that a conductor must stand. e with a wand on stage. yes, and what other stamps are there in some kind of oderejers. where did you get the stick from before the conductors, as if, well, there were no bands. it was the first violinist and the first violinist was. eh, bow. and so he showed us . the pace was on fire. he showed everything. well, then in the process it turned into such a specialty or your colleague valery gergiev. how do you feel about that he was fired from his post as chief director of the munich panic orchestra. in general , the whole story georgiev did not lose much, he

has and now the brainchild is the mariinsky theater, in which, probably, it seems, 300 members of the 300 orchestra. he has things to do. well, to be honest, i'm not a politician, but i think that the decision of the munich theater is due to something, but not musical, uh, this is a musical talent valery georgiev is a world star, how can you refuse something this team was led by a person with history with a repertoire of magnitude. uh world star and opera and symphony music classical music. well, this is nonsense, but probably the munich symbolic orchestras will lose more. what will get. you said before recording that you listen to music in the car. it will be in the evening. uh, concert by belko nikita a. here, in preparation, i listened to his phonograms,

for example, the preparations have gone on for 2 months already and they are listening, for example. i am in the car. this is not an audition. this is work. this is work, of course, work and e hostage. uh, listening to this euro-music is all my family. they say, even say, why does dad go to your concerts. we already know everything in headphones. you can catch the going pauses, as i do not like to listen to music only if necessary, here to listen to something, let's say. eh, somewhere some note needs to be corrected and it is necessary that no atmosphere interferes in order to listen well. and so i like , uh, turn on the center somewhere , turn on the music somewhere in the car, i listen to different music. you can see that our team is working in different styles in different genres, let's talk. i wanted to finish it with the president's orchestra with the theme, and in front of turkey in the team. this is always interesting to our viewers. and you have worked with

bareikin for many years. yes, as today, in what kind of relationship they remained, that is, uh, whether your long-term cooperation turned into friendship, or whether it is such a category as friendship, i can determine for myself personally, but i personally should not have many friends. in general, one friend, i will not reveal the secret of who this friend is people, here, for example, when in any moment of the day or night. i can call any problem, and he'll snap, even if he can't solve he, uh, this man can help me eat one. well, i don’t know the version, it’s not common, so, on the contrary, but in the orchestra, somehow, well, to maintain friendly relations. there are some corporate. well, maybe individual instruments are resting together and all together, and conductors, respectively , there are also plans in the orchestra, for example, there is a low one. so i came out of trams. they gather their uh, their own like a slide. there is trumpeters, let's say we have six people at the moment. six trumpeters

have their own circle of interests. we also have a corporate life within the team. we go out a lot. we work in the palace of the republic, we have a working union. we are leaving for the last time. we were in the berezinsky reserve. well, probably five maybe with an orchestra, which, well, for some family reasons, could not leave. yeah, so completely the whole team was a russian disease in the team, the famous russian disease. at we have a fragment of the film. let's take a look and discuss lunkin the conductor. maybe one second. i own my business. they 've been going really bad lately. well, not so good. this is all due to the fact that i spent a long time last year in the hospital due to an accident. well, you remember, speak, it might seem to you that i have recently become worse at work, it doesn’t seem to me. i hear you are doing

worse. this is just the result of the fact that i was sick. if, due to frequent illness, musicians disappear with a rehearsal , such facts stink, no, we carefully select in team, but due to illness often illnesses, well, there are different situations in life. uh, many of our uh my colleagues, that is, who are already 20 years old, uh in the orchestra, and uh, have children, it’s clear that there are a lot of bands in the orchestra, which is acceptable for both moms and dads in uh in the team works, well, it’s clear that, let’s say the child is sick, they come to me and vitaly grigorievich says well. who is waiting for you in front of the concert, who do you need? yes, and no less, we have all the prices within the team, everything is decided, for example, i looked, i need let's say a trumpeter. uh, subscriber maria is our accompanist. rastring bow group and

trumpeter i look, if we assume, our uh, six trumpeters, if we need four for a concert. well, of course, let dmitry go on sick leave. let him look. well, well, it's understandable. maybe no one will replace mom, but dad, well, let him try, well, in general, they never fired people, but people because of illness. no, any leader. there is a small list. but you understand this, it must be or completely disagree . not only the conductor. this is a collective management. all if there is an opinion, just did not fire, of course, at the end of the contract. let's take a moment. let's break, i remind you, we have a telegram channel. say silent, where can you leave? comments and suggest guests we're in touch. on the air , say the program, do not be silent at a party. our conductor is vitalikbabakov. you have already mentioned that the

life of the presidential orchestra is participation in various events, including theater projects. and i'm wondering what cooperation with the wonderful gives you vera polyakova's theatrical team, which, well, in general, we will not tire, as it seems to me, they pamper the audience with premieres, and mine are similar to each other. we are not tired either. uh, just this year, all these structures, where we work and work together. hey, it's everyone's birthday. this is 10 years old. e 3d format, where artistic director vera polyakova celebrates 20 years of the presidential orchestra and 25 years of the palace of the republic, where we work together on a small stage. just recently, our fifth premiere, the fifth performance, probably took place. already together joint showed the viewer. on may 11-12 two performances took place. of course, with each

performance, we use more and more of some technical means, er, both in music and in theatrical performances. that is, ah, it was a very interesting work, because almost all the music was written by daria garbuznyak, these are composers from moscow in the process of staging and writing the production. so, when we started staging, playing notes, she was present, i was present at the staging and many such things are technical tricks that our string guitars used. i don't even know, in principle, what. write symbols and signs in music. that is, this is such a performance that, uh, was molded, here and now there was the cherry orchard. it seems to me that this is all the same. well , it looks like a kind of circus work, a few of these participations in theatrical projects of protocol events. no, well, it's like

there is no such depth of musicality here, such academicism. you are absolutely probably right. that's completely wrong, because to every musician who plays in e, when we also started chekhov's three sisters. there was a composition of nine people, and each new one i began to disassemble the work. that is, we have not yet met with the theater. i began to disassemble the work with the full composition, and at my rehearsal base and each of the musicians. i wanted to participate in this performance, moreover, our string musicians, let's say they go and look at their colleagues and see how this project is developing and everyone tells me. and i can participate in the next performance. you understand, here is our uh, guitarist and proud. when there was a premiere on the big stage, the orchestra was not only, as the musical arrangement of this performance, was, as a character. we were moving. i asked some questions. i answered some

questions from the actors. that is, we are already in such a tandem with the theatergoers and the guitarist, playing says, i am for a minute. he says he ended up in a movie in some kind of bubble, but a musician should not get involved, this bubble. he may miss his game and he says, i say cut off the head says it's not a dream. you must and continued the next number, because you can even oversleep. they, that is, musicians, already live with these herbs. this life, let's say, if the actor is playing , let's say it's very obvious bright dramatic. uh, the game and, let's say at this time the violin plays the violin in the same way it adjusts from this performance, but full house and shortage of tickets. we can congratulate, probably, you and the third form. well, in general, new formats for you. uh, interesting hmm interesting to understand them. it is interesting to watch some videos to look for what colleagues are doing

somewhere far abroad, because, well, the academic staff. it seems to me that it is not entirely applicable to the presidential orchestra. we are far from being academic, i don't know genres from styles in which the team hasn't worked yet. we, we are already inventing these ourselves, in order to be interesting to the public, interesting to the viewer. we already invent these genres and styles ourselves. well, i think the orchestra wasn't on skates yet. this is the river yes during the performance of the light and music fountain orchestra and played on the pontoon. the work was interesting. uh, i checked the ministry of emergency situations that is. they filled such big tanks. will this titanic go under the water, that is, there was a check. well, a serious plan in monitoring. that is, there you understand, we are in the open air. secondly, it is water. thirdly. it works like a fountain for every musician, in order to work with the

ensemble you need to hear it. i worked, it was easier for me, i had ear monitors. i heard everything the director says everything the host says about everything that happens. in the orchestra, and the musicians they sat in the open the air turns out on the water, because after all, in the titanic you filmed a real orchestra, as far as we know, there are real people there. i mean, the whole musicians starred in the episode, but they were joking about this topic, for sure, but i don’t really understand, uh, but the sound itself. that’s how it goes into which dome, because everything is very fragmented. you can hear it from the shore. then there is no sound the director rebuilds. he us each musician individual microphones. he collects everything. i'm like a conductor, i can of course influence the balance. uh, but the sound director has generally first priority the right to change, he can do it the way he sees it, of course, argue or not, of course, we bet well, it’s clear that you are sick? no

, of course, talented guys work for us. this is vladimir violin. this is evgeny tselkov. i know everyone has a good quality in the sound of some kind of how something suffers and under each project. i choose the director, the one who will be special, and you have already mentioned the concert that will be today nikita belko came to him the same concert. yes, anna trubetskoy, we discussed with you that you serve in a car in front of concert, uh, their song, well, in general, we note that a few hits of our young artists are curious. how do you answer your question? what is the reason? yes, we opened the project with a new name. this is the second concert today with nikita belko, the first concert took place in the small hall, uh, together with anna trubetskoy, who will represent belarus at our slavic slavic bazaar. the

e concert itself, unlike other concerts, was like e, so a little autobiographical. this is a concert. eh, even though they are young people. this is a concert summing up some stage. that is, at each of them already have some kind of luggage some kind of list. that is, what they did at the musical stage in belarus that is, many of them also have victories at international competitions, participation in various television festivals there are no songs, that's what we will present three compositions with him today at the tic-tac-toe concert. uh, interesting composition, well, in a modern style, of course, uh, for me personally it's like that. well, superficial, but young people like it. she gathers a big big circle to listen to something like this. well, that is a given. i have a brother

calls. eh, the song is what i see, yours is not here. somehow a little bit, it's always a pity for arches of strictly sounding and well-coordinated work. e people and the conductor, when all this is tic-tac-toe and i always, uh, i remember miraculously, as it were jarring from the fact that in musical programs. i was not talking about us just now, in general in russia in russian tv projects, when the orchestra is sitting, they are forced to play along there, well, relatively speaking, that's what you can play on the synthesizer. so you think there are different projects, for example, these are all live projects. you can't even fool the audience there. you are in our small hall, you are sitting very close to the musician, that is, well, how can you fake an emotion? well, i can say we were, uh, at the festival in the city of sochi, we exhibited and began to perform. he says that you will play live. he says, of course, we will play live, they have lost the habit. well, there are, for example, there are standards, many tv channels have standards if you work. you are not

shown live on television. i understood from your mood that you would not really like, probably delve into political topics, but nevertheless i can’t help but ask, because the topic, let’s say, is about academic, this concerns vladimir spivakov and who, as i understand it, emotions, probably refused the order of francis skaryna, which he presented to the president. lukashenka e. what do you think, well, why this act? i think that everyone at that time was subjected to some kind of emotion, for example, i teach my children, but i never believe what is presented to think correctly to process information. uh, i even have my eldest daughter says, uh dum. uh, everyone she says she thinks with her head, that is, she thinks with her head, you can always pause. i, for example, as a leader. if someone comes to my office, i immediately had such teachers, i immediately say no in my head. and then sit down and prove,

why should i believe you ? and one more great quote, what is called theodor curensis, you know? you are such conductor, as how his work is treated very well. now, if you like him, i also think, so he says, i think that the main thing in music is compassion for a person and its function is to treat the disease of society, it does not do it very successfully. here you agree with your colleague, partly agree to take on academic music. yes, uh, how many samples of the world's artistic culture? look, of course, she heals the soul, and she teaches to some. well, it evokes some emotions, but there are different types of music, for example, there is

music that music and a cannot be called today, it is in 2 years. i'm not even like that. well, in general, be democratic about all types of music, like, well, mix something, let's say classical music and you can not classical music. it's always already mixed. it's not news, as in fact, cellos with uh heavy metal there or some gothic music with uh accordion. well, yes, there are a lot of options. well, for you , if we talk about the fact that i understand that you are a person who is still carried away, carried away by everything this story with a new theatrical format. you have something, maybe in your head, that attracts you, that you saw somewhere, maybe some project that you have not yet implemented with your collection in the studio . tell me. i have ideas. and when i first became the chief conductor. we gathered our, well, the relationship of the administration to the team. i say take a leaf.

write it down we ended up writing off the three sheets, he says, not realizable for your age, but still from the healing properties of music. well, there is it is a common observation that conductors live long. you've had covid three times, and uh, we know if the scene heals or not? well, you understand. e, what movement does the conductor perform when he conducts with his hands? basically works like this like this, i work correctly. but uh, they say scandinavian, nordic walking, in fact, in fact, the same movements. i have four hours a day. no. the same movements of the five atoms 6.7 days a week of art would also believe art. it's all in the complex complex therapy works. at us on duty can hold hands like this for a very long time . yes, that is, it is for trained. in

the static they are, we are not engaged. we have different movements going on all the time. the music spurs every move. well, how do you have poison, like the music of a conductor, so every movement, let's say if i make a sharp wave, there will be the same answer from the orchestra exactly the same when i come to the orchestra, and let's say, as they say to me, you are in a bad mood come to the orchestra. we will play it for you when i watch the conductor. we i always want to see some kind of emotionality here. yes, there someone moved for this. hooray at someone's glance at someone's waist starts to rotate. yes, you have what kind of movement is most characteristic of you, look, what a concert, i ca n’t even see the last concert that was recorded and i went to dance. and it went, it has already become my kind of chip went. yes, yes, the first one, but i think you have eyes. eh, from the side i know better what you have for your chip

. for you somehow how to light up. just like the last photoshoot that took place. it was at the concert that they showed me photographs, well, some of you i didn’t even post so different so different there is fire. but look, yours said, and the peasant was not led by a professional during the performance. the cherry orchard. nearly failed in action. that's what i've always wanted to know. well, well, in general, he caught himself in time, let's say so. but when you fall into ecstasy, are there more such works? yes, i remember the same spivakov's memories. i read when it’s right, how the blood is already draining from you very hard execute. yes, and uh, well, all the time i wonder how you don’t fall into this black hole, you don’t know how to fly away for your leader’s emotions, but i direct i direct i lead everything, and it’s not always completely controlled by almost 100%. that's what you

saw in the interview, right? there is some kind of magic, i fly out too, it happens. so, what are the joint projects that were in the presidential orchestra. there 's a lot of just a view, probably put the whole story on pause, there, uh, you already talked about hvorostovsky, michel played a lot artists scorpions uh, morricone is wonderful and and with tamara gverdtsiteli i want to show a fragment. let's see. chief conductor of the orchestra of the president of the republic of belarus vitaly grigoryevich kolyabakov movement of the eyebrow, yes, it is like that. i'm just what . that's where all the people in masks were. it seems to me that we have passed this stage. yes, i

forgot this covid a little, but it made a big gap. here in your work in yours. well, we didn't really feel it. even at concerts, we immediately focused our attention as soon as came to view at online concerts. we did two concerts. well, to be honest, in practice. it didn’t come in, because in april , in april, several concerts of this kind were played online, and then opinars went, that is, it was open to the air and we had a lot in soligorsk slavyansky bazaar and alexander i ’m surprised, oh speaking to the fact that everything is gradually returning to the format. uh, my colleagues need to make such an observation that uh , very young people who are sitting on tik tok. yes, for example, you were talking about her morricone and film of my childhood commissar katani octopus yes , where is the music at the end. uh, how it kills the rakotan and it means, well, in tiktok, sobbed , sobbed, sobbed, sobbed, that is, well, how would they really like it all. and

here's how to ask a question. and where is this one here? well, somewhere sobbing school switch where it is. have us why some music forces? well, right here to shed a tear for you, for example. i can't even say, not only in music. watching some kind of movie listening to music, but there are some that hurt. here is the music offends finds this is the point let's say even in the play. that's when we create a performance, even when we create a performance. here, there are some moments. i don't know how to explain it. uh, explain in words, and sometimes there is a performer, for example, there are performers you listen to. here is one composition. he wrote down, for example, if you listen, you don’t understand. why do you get goosebumps and hair stand up. well, in a good way, they stand on end. e, let's say it breaks through a tear and you don't understand once you listen, the second time you listen, i can't even explain it. and at you as for the music at the very tears? close, well, as they say? yes, very close, let's say. even in this project,

let's say there is, but the song is there, uh, tamara has a girl. you have already survived a soldier, let's say, sometime, when we create it is the musicians who create that atmosphere, then a dynamic line, let's say to some kind of break, let's say, well, there is a moment, let's say he likes it, because he is married to a trombonist , in my opinion, there, and there she had such a thing; she herself wrote some kind of play for trams, and there i was very struck by the beauty of these tools. our orchestras, unfortunately, do not have such equipment. tell me right or not, it's great when all these lumps are mastodons, where they stand at the console of the kestra, when they still, let's say, morricona came with his conductor, the conductor conducted the entire program. and morricone. so he sat and listened to enjoy his music, and on the day of the concert, samarikon stood at the console. well, you're impressive, yes, well, it's stupid that so much music was

written, moreover, music was written in the 20th century. they are already masterpieces. it is not necessary. uh, lay down another 100 years to appreciate and understand your music. now we will take a short break and very soon we will return to the conversation with vitaly kulikov and i remind you that we have a telegram channel. subscribe there are our videos. leave comments. we're in touch. and we have a conductor. vitaly kulbakov vitalich, we will show you in one picture. it 's kind of like a quiz. and you tell us, uh, do you agree with it or not? well , i would change it a little, the roles of the athletes would be the first violins of the athlete. yes, you have a fight. yeah tuned uh orchestra, ah 440 da la-40 lads. are you a brother or yourself. here is an independent with the lads need to change. eh

yes, double bass jazz, it is not good good in both academic and jazz murders. need to be worked out. look, i looked like a conductor. i looked at all the musicians did not see. the main scent. yes, sometimes. yes, that's what it's called for short. well, to my left. i mean, that is, you immediately in the violin, right? in the violin the girl is sitting there, all the girls almost have you? well, some nickname do you know what the musicians call you collectives? i'm afraid that then it did not become a name and there are different situations. uh, before every concert. e, here it gets, for example, if the host of his e, concert, we come to some kind of palace of culture, there you give your presenter a text to him, and you show him how it is necessary, where are the starting points, how to read the name,

surname and still every time mine the surname is either shortened or letters are imputed. and there was a moment, i will not say. what word was said, but very funny. i am 30 seconds. he stood behind the stage did not go out, because he was waiting for the musicians stop smiling, and there, while we had a concert, the woodwinds were sitting. they are all here on the stretch turns out, and then i go out, and waved my hand. and the same sound will turn out on a stretch. you have already mentioned that you have the best of the best musicians. and you can say now it’s difficult to get into your team, but you have to go through a selection competition. uh, just recently. we have a competition, we got string instruments. uh, restoring our woodwinds. that is, we get here it is required. well some the instruments are required, we will literally in 2 weeks hold a competition for the orchestra

, we need a competitive audition, that is, submit the documents in full form and pass the competition. it's that there are a lot of people in the place or no one at all. you have to meet the requirements. first, it is necessary with the requirement. that is, we have a competitive commission. yes, this is 10-12 people who listen and make a decision. that is, we also conduct an interview, that is, everyone can ask the competition commission a question, you still don’t answer my question. is there a shortage of people now that musicians come to you. uh, that is, if the prestige of the profession is falling, i ask you understand, let 's say there was a period of very few voltranists. now somehow the situation has changed a little, the prestige profession used to be, when i studied at the conservatory at the music school , why did they become musicians, because the musician was at that time in the late nineties. it was touring. it was possible to see the whole world, for example, well, now this

covid one somehow closed it a little touring activities, that is, you can tour, but it is faced with such problems, it is organizational problems that now organize some kind of tour, it is very difficult to be. the fact is that there are certain mods for instruments, because i remember, apparently, with you, for example, of one generation. i remember those kids strapped to the cardion straps. it was a very fashionable instrument. here is the whole story. there, all these things at the same time were fashionable at another time. cello suddenly. yes, that is, here uh, well, i understand that the fashion harp probably ca n't be, it's too expensive, too cumbersome, an instrument for an elite instrument. it's inexpensive bulky. here, let's say in moscow, and de with frames, this is how you see the artists, because they all play in elite restaurants. that is, if there is fish in a restaurant, they all play, why should they work and there must be some kind of harp-samogod harp. it seems to me that this is something greek, very

greek. there are different types. there is a small harp. there is a great academic attack. it i wonder how the kids are? here, let's say my daughter goes to the tenth music school, as they are trained. they don't learn. she is big. there are small children there. it's just that you're talking about that prestige to fall. but i've heard from young people that, on the contrary, uh, composition, for example, composition, not uh, composing art, yes, including raising, because it turns out to be sold. uh, well, music on the internet and making money from it relatively speaking, anyone can call themselves a composer to write something worth. gotta intellect undoubtedly. i can say the prestige of the profession. here i am when i appear at various competitions as part of and let's say, i see that i have grown a lot in the vocal school with our public. yes, because there are different, uh, many different competitions, which are precisely in the vocal competitions of various uh state commercial competitions and, uh, man, giving

let's say to some teacher. eh, parents. he wants to achieve e results, so that he is very nobody, in the sense i will pay for my own for my child. it must bear fruit. and here and because of this here from this diversity. our vocal school is on the rise. i think that now i'm listening, for example, and children, well, not children of children, but 10-12 years old. i think that in just a few years we will have a very strong, vocal school of technique, certain well-established examples of the world will appear. well, you know, the nineties, there wasn't much to see, except for the fault of houston, which, well, not everyone could live up to. and who was there? well, this is so interesting. well, it's clear, uh, i'll give you a chance. here, let's say, two rounds, yes, in some kind of competition, uh song in russian song in english our children sing in english as if they were born in manhattan or in new york imitation by imitation. i mean, they don't understand it better, but that's bad.

why do n't they sing our kind of folk belarusian russian to a russian melody like that? well , maybe there is a soul in that music, that is, even if they don’t imitate, everything is emilysmatic, and here they seem to be like, well, i’ll just go back to the concert okay trubetskoy when she sings some kind of traditional there is no response from young people to a belarusian song in the audience when it starts to imitate this imported merismatics, and immediately there is a movement, a pleasant wave among the listeners is just what is fashionable now - she performed a folk theme at the beginning of the concert. uh, look, what category of the hall, age category, is this vitali also wanted to ask you, we discussed everything, except for

the tough choir. there are also people in education about this. eh, well, why i, probably, not everyone who gets into this department dreams of becoming a maestro and, in general, being a little bit. eh, the maestro is a little bit up to the age of the whole orchestra. here you are to this. that is, there is a little in your hmm e work a share of such a removal of a little non-snobbery, i want to say, well, maybe not even dictatorship, but rather something like that. well, you understand that you will cut out one. but this is just a team, it is a little er, at some distance from you, to be honest, i can’t imagine without a team. i'm some kind of some part of this team, well, an authoritarian dictator, these are the words, well, of course, inherent in every leader. well , i ’ll tell you how it is without this life situation. yes, let's say, as we argued with one of my musicians interpretation. here, let's say some fragment of the work. i say, ok, i

will give in to you, but you must take full responsibility for this performance. no no no no no no after i made my own project. doesn't depend on anyone implemented projects. this project turned out to be of high quality, that is, the musicians realized that they could follow me. then, perhaps, the musicians. i realized that i can be called the chief director. and in general you know the philistine. it seems to me that he understands very little about the profession of a conductor, because it seems, well, what is there, lord, well, three -quarters and at school. there, and four, too, everyone can support, but you, i understand, know the sound of each instrument. like what, where is the whole procedure? that is, you keep it all in your head, of course, of course, even here. e, with over the years, some skill has been developed for me, for example, i take a procedural sheet. i look, i look into a spacious sheet. me even some moments. well reading procedures on the piano gave me some highlights. you don't even have to read. and

i already have an image. i see graphically hooks hooks, uh, on musical countries. i see what is about to happen , i hear, of course, i see, and what if your orchestra is here. you said put before the fact, we want to give you the name of some well- known belarusian figure. there 's a composer culture, who would you like to wear energy is an interesting question, because the presidential yes of the republic of belarus and if it were, let's say, some new other, like the academic team, but i think that igor mikhailovich is better than legs. i have many different composers i love, but igor mikhailovich brought such a contribution to the culture of belarus, which is probably known throughout the post-soviet space. we only have a few of him in the team. there were several of his solo concerts during his lifetime, probably a work of 60. this is

only about those that we know and which are already sounded in our team. uh, i remember working on many concerts, when his son andrey brought the notes, handwritten notes in most cases, we handed back. now family. they will probably hand it over to the archive. there is so much material there for a poetess who had a melody, a melody, this was the most important thing for him. this song can be sung by everyone. here is modern art. here we are discussing yes, contemporary art. many songs. well, you can’t sing at the table with a guitar. unfortunately, this is what we should strive for. here soon. we collectively think we will have such a project. i think we will implement my e in the fall. we'll take everything better. that's it, that the belarusian-russian songs created by the ussr are those songs that were written by the blocks of that time and we will create a very interesting project. we are already contemporaries

of a large list, yes, which you wrote when taking up this position, vital is great to you. thank you for the conversation for your indefatigable energy optimism and home such. i have two children. uh, the eldest daughter is 11 years old, the youngest. my oldest daughter is 4 years old a pianist, but she also does vocals, she is already the winner of one competition, she took second place, and the youngest is still growing up, but is already pulling the guitar around the apartment. thank you very much, we will definitely come to one of your completed projects in the near future. we are waiting for you in the evening. and we elena slav and victoria popova say goodbye to you today. goodbye. the guest is finishing our organ, as usual, so vitalikbakov, dear friends, is speaking now. i would like to invite you to spend

time with us tonight. as part of the project, the new name nikita belko will sing for you in the small hall of the palace of the republic of all of you, we are waiting and wish you all at this difficult time, the health of the world. listen to music, listen to high-quality music and come to our concerts, we will wait. to eat this in the morning, so that there is enough energy for the whole day. for breakfast, i always recommend eggs, fatty fish porridge, well,

many, many products that are very cool for breakfast. athletes prepare their favorite dishes and share the secrets of the profession. today we'll have a quiche with an idea and cheese, but don't worry, there will be kish. i never overeat at night, so i always enjoy breakfast. that is, here i wake up right, and my mood rises, because i understand that i am looking for breakfast. well, then it was time for a choice. i decided for myself that without sports without the fitness industry. i started anywhere we generally shaping today already. i think that young people have not even heard and do not know what it is. there is a ban in the house in my house there is always a ban, because i have a husband at home, see the culinary project breakfast of champions on tv channel belarus 24 professionals from all over

belarus are here. here is my tool. yes, let's go. here we all go to bed. here are the shelving. these are all materials for preparing for the republican olympiad. and we are ready to take any object from scratch. and in general, before its delivery, their work is an art. if at least one object has preserved a photograph of even some part of the interior, then the interior is considered to be restoration, if there is no photograph or description, then this is just a restoration of more than 90% confidence. we can say that somewhere in the middle of the uh of the xix century. this hall looked exactly like this. it’s very draining work - this is every centimeter, every millimeter is tucked away with a scalpel, especially when it comes to teaching and raising children, there is a moment such that the child wash it 3-5 times to read, i ask, i did

n’t understand anything that i for this, i put a deuce to teach never with him. if the child is playing around, it's okay. he cognizes the world for you to do something difficult. and you want to create, reminding yourself for sure if i give up, it will become easier to crawl and overcome difficulties, see the one day project on belarus 24 tv channel. we follow the sports life of our country, hockey. we have rallied the family very much, rallied the friendship, let's calmly go our own way step by step, we will try to continue to please the fans in such a way and help to keep ourselves in shape. this is a full-fledged workout that will exhaust you to the fullest and

after which you may literally crawl out of the gym 80 years old you are 82. you can’t sit at home and with maximum concentration on effort. we exhale. the main advantage of the curved bar is that it takes the extra pressure off the forearm making heavy weight exercises more effective and safer than lying on the couch. do not miss all the most relevant sports projects on our tv channel. the government of belarus approved a plan to support the economy, it is aimed at the stable operation of the real sector, the preservation of jobs and people's incomes, so among the main points of this large-scale document is support exports and expanding lending to those who sell abroad, reducing customs duties for imports needed by our enterprises, as

well as building new logistics for deliveries. grodno is preparing to host a forum of regions of belarus russia is actively preparing working the fourth section was discussed in minsk the fourth section will be devoted to innovative developments of scientists of the union state . an exhibition of scientific and technological achievements of innovative products will open there. conditional's palace this year is ready to open its doors to visitors. after restoration, when a solemn event is planned. we are waiting for the opening in december on the second floor of the neo-gothic castle. finishing work is already underway near kosoy in bialowieza. a new tourist route will appear in the forest. and its length is 180 km along the centuries-old forest , it will be possible to drive through it by car , bicycle or walk. watch the program of events on thursdays on our tv channel. belarus 24 here every day is filled with interesting events countries of the world

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edge digital technology development operation belarusian experience in the military-industrial complex and construction in the palace of independence meeting with the governor of the nizhny novgorod region more ready to build a permanent nato base on the eastern flank. in the alliance itself, there are disagreements on this issue. an example of true patriotism and disinterested help for decades