the main thing is to create an image of everything, as in life there are actors who go from the inner to the outer, and there are those who go from the outer to the inner. let's say i go from the outside to the inside. all i, well, i generally put on make-up gave you figuratively speaking, i enter my character's phantom before the performance and only after the performance i leave it. a family is a strong union of two loving hearts, and in order for a family ship to easily sail through the waves of endless happiness, the skeleton of this ship must be strong and the founder of happiness must be created with their own hands, such as, for example, furniture that the groom made with his own hands as a gift to the bride . well, what if we have to deal with the replenishment of the human race with hook-hands, a family boat can easily break abyt, and happiness, like furniture, can fall apart overnight?

pretty. there they broke down, probably six times, and there, at the bride and groom, i also had the mechanism remade. well, at least now it works reliably. he really likes it. our decoration is our place of existence. very lucky with this performance, because the scenery was served to us quite early. we managed to settle them in and play with them during the rehearsal. probably a castle. moved and funny and sad. lust through the tears outside. we have such experiences, we have real everything for real, when there is a real conflict, when there is an acute one and it is still put on. it's in such beautiful images in this that this, i don't know, magic is created. that's

it comedy and comedy drama at the same time, when a responsible touching and solemn event is easy turns into a farce. oh-oh-oh, the comedy looks easy and fun, but in the end it makes you think about sincerity and family values. for me, it's very serious. i 'm not going to make any comments here. yes, i'm trying to cheer up this sad wedding. as far as i can, but i do it quite consciously and seriously, and the transition to this dramatic poignant note is enough for me. it just needs to be brighter. family customs so there is a comedy comedy comedy, then, like a tub of water on the viewer, we pour it like this. when

bitter is not a wedding toast bitter from everything what is happening on the stage, especially bitter from the fact that a hundred years have passed, and nothing has changed, solid stereotypes and hypocrisy literally every person who comes to the hall has his own experience of his wedding. or let's say how he imagines his future wedding, therefore, it seems to me that this material is eternally staged on the verge of slight insanity. the scenery costumes for the role of rita's music and tempo, but it is felt that the actors are celebrating the middle-class wedding sincerely and with pleasure. favorite episodes, final episodes. i

wanted to say final where we lay down at the bed is beautifully honest, here is a decent feast, but what is a wedding without a fight? come here. this is all a bit exaggerated. yes, we kind of show a little salt of what is happening. yes, in such a vividly expressed moment, philistinism and vulgarity are still relevant. but when it is shown on the theater stage in a caricature form , it becomes a little easier not to be vulgar, for the sake of vulgarity. we came out here and showed you something. and when it is justified, when it is the context of everything, it is lived and it is necessary and

it follows from this will be created, the picture, of course, this is necessary. well, this can not be called vulgarity. this is life, lord, a wedding, the most important and happiest day in the life of a newlywed. a bourgeois wedding is not special and not an actor. but what kind of wedding without guests can you not wait for when the groom will hand you invitations to the celebration, and citizens of comrades can easily purchase them at the theater box office of the brest drama theater, despite the covid. wear masks and come to the theater sit at a distance of this as a social distance through the seat through 2 seat seats. enough for everyone come. we miss you very much.

hello, my name is marianna morenkova and today the focus is on another masterpiece from federico fellini, giulietta and perfume is one of the biggest desires of the faderiks, fellini was able to work freely to shoot his own movie and not spend precious time begging for money from producers, but influences italian cinema not to the detriment of their plans, the classics managed with difficulties after the resounding commercial success of the dolce vita producers. more and more wanted to see the name feline in the credits, but did not want a feline film, however, let's go to 1964 faderico

filianino. so famous that the dream of big budgets and absolute freedom of expression literally in his hands the idea to shoot an abstract picture of juliet and perfume was born in a moment of howl and crisis. the story claims that the master's fantasy began to work after an experiment with a banned substance, juliet and perfume became the first feature film by directors in the colors of the races. from each frame it helps the viewer to penetrate even deeper into the essence of things, sometimes imbued with compatibility the main character, and sometimes her obsession with herself, and white-white as a hint of the purity and naivety of juliet, who, through self-knowledge, is trying to decipher for herself the meaning of what is happening around her.

yes, sir, my husband has left. just senora. he said that he did not want to excite, because yesterday you went to bed late. and he also said that he would not dine at home, and his niece went with the nanny to the sea. the idea of ​​\u200b\u200bthis ribbon has been hatched by the filine since the days of the triumphal road. and this is at least 11 years, nevertheless, the master released it only after the most complicated existential picture 8 1/2, the maestro admitted that juliet and perfume he thought about his wife and for her and such an offering to his eternal companion juliet masini. wear red, in my opinion, light

rubber is better. i will decide. which wig is best. excuse me, signora, but the color is ashen. although this is good too. what shoes will you wear? i'm already wearing some shoes. rubber. i sent money to my parents and didn't buy you a present no matter another time. i don't see any effect in this much more spectacular, so i don't see it anymore this dress. throw it away. it's take it, love story, how ready is the script for the movie together. they lived 50 years and died 5 months apart. he dedicated his films to her over and over again gave leading roles. she devoted her whole life to him, giving up her career in hollywood, and dying asked to be buried along with a photograph, forever loved in her hands and line. juliet of the store, the most enduring couple in the world of cinema once falling in love with her deep voice wide open and

brown eyes. he gave her star trek to his clients, and samina's debut role in the road opened the way to hollywood, but she chose to stay close to her master. i was good to you everything that was good filet with her. he lived according to his own script. rosa aurata name like a line of a poem i also spun flowers my garden in cordoba was famous holy grateful creatures. they brought me good luck. when do flowers feel love? they bloom, so they bewitch. you are undoubtedly overflowing with love. they knew each other so well that getting their fifth oscar is a long way off.