q e blesses the people. uh, the euphrosyne of st. eurasian of polotsk rests on a staff, which, in principle, is quite traditional for a bishop. here and uh, here are these three steps, they are a little uneven, because the lower step is lower the upper step is lower, and the middle step is made double height specifically in order to write the metropolitan florata there in the belarusian language, the weight of the monument is a little more than 4 tons, together with a pedestal made of mansurovsky granite was made and the balustrade behind the monument was made from mansurovsky for granite were made strada, which is on the entire cathedral square in this way. uh, the monument has become such an integral continuation of the entire collected area, not separately, a worthwhile work was made specifically for the installation of the monument, the foundation, to the right of the monument there is a bronze tablet written mitro from filaret vakhrameev, the first

patriarchal hero of belarus behind the wheel of belarus and then a quote that vladyka filaret was very fond of psalm 129 too. a site that has already been created, and on the site and there he will get acquainted with the personality of vladyka philaret. this idea came up. at our parishioner, photographer ksenia knaus, and the purpose of this site is to collect everything related to vladyka’s life before his departure for eternity and after that, photo materials

video materials of vladyka’s speeches vladyka’s message well, uh, memories, including me it seems that this will continue, people send some materials, some photos that were previously unknown. this is the purpose of this site to continue perpetuating the memory, vladyka filaret was pre-installed, that is , everything was installed, and then there was a moment that it had to be fixed completely and this, of course, is very much like we imagine, they brought it, installed it, and left. well, it actually took a whole day. i saw that people here they are, they just walked, they stop their things and someone is standing by. you asked to whom the monument? i say, and at the metropolitan

filaret he says, a worthy person. yes? here, well, they fixed it somehow, that yes, that’s right, that they erected a monument, but parishioners of the cathedral, which some remember, still vladyka philaret of 78. they just stood on the cathedral square and did not leave. until the monument was covered with a cloth at such moments. understand? what is done is, yes. it was somewhere fast yes, somewhere filled with excitement and emotion. but when it is so appreciated by people, then this is the most important thing, uh, in the work. we are aware that the work is not easy, complex , uh, many months, but it is completed and the monument to vladyka will now be located at the cathedral to meet people walking bless the cathedral. and this

, of course, is a very important moment, and in the life of both the church and the state, one always remembers the kindness of water in relation to other people and in relation to me in particular, too, because i also experienced the full mercy that came from the lord his care his attention. so i also remember how he once went somewhere on a business trip. he said, so you were there. i say no, it wasn't. well then, get ready to go, you need to expand your horizons, vladyka filaret is here on earth er, perfectly showed that how alive the continuity is in his writings. in many ways, he tried to imitate his holy philaret in a merciful way. vladyka filaret was known for his such-and-such breadth of soul, love for every person, attentiveness of care. and

we really lack these qualities in our time. and i think that the creation of a monument will just help, so that, uh, they remember vladyka and imitate him, good qualities, each to the best of his ability, it ’s also good, when people go to the cathedral, they will see vladyka and leave the cathedral work. you see the water, because again, the uniqueness of the ministry of water is keta, and in its fruitfulness in the first place. well, and in those many years, when literally several generations grew up under his spiritual guidance.

the live sparshna program is a project of a protea that manifests folk art, and the boss of a person was the status of the ezdurka-cultural chestnutness of belarus since the nineteenth of june. authentic folklore group of stars, goats. the most distant zayoy near the spruce region, 2 km

and the boundary with ukraine near the swamp, today only 14 zhiharrol on lobuhat and a selection of already zlynov bulldozers live here. family farms under the nickname goat well, what kind of rob you? here, no one is spinning on this nickname, on the contrary, the ikea zhyharestki may give these nicknames to the horaces, so eight yes bolsheviks buter, but the bolsheviks went the goats came up to drive people from neighboring farms and gouge out a serious quieter clock program to tie up collectivization. on the right , because you are in your twenties and thirties, krymusov, the goats of the father moved to their lot of folklore collective. whose songs were included in

the list of non-material culture of belarus and became the stuff of the republic of orphans of such pirosalents was both the mother and meat spivachka valentina fedosovna lyaukovskaya. during the settlement, i sent backstage such parents were sent on my own. yes, dad took it somewhere, there were five of them, dad took less, and the older ones sent in the rosary. so my mother lived in one aunt, and then moved

here, two aunts died there, and so she found her soul mate. they are there for you to regulate. and my mother was here like that and they were already married in the thirty-third year, the war began. so they took dad to the front. old man valentina of lyalkovskoy yasha managed to call the hut and went to the front. gthatka was caught, the length is standing here, please sit down valentina fedosovna. the war broke out and it lasted the whole summer. i think up to seven. here he was in the forest. the smoking was cut went in the same clothes. let's not go to find

a pity at night, then we sowed barley with our hands. until the sacks were worn overnight, so that there were such cute self-made mills, so that the children of the year were screwed up. in 1943, the fascists burned a cart of goats and abounded with kalyatsid zhers. today, here you can find a hoarse ole daglebzheny pomp with nicknames and milamika and children. in the coals, the germans and policemen committed atrocities against the belarusians without any kind of casting and i’m sorry for only one

lipen day in 1942. fascist kats, burned down near the spruce region, 11 branches at once with jihars. zeleny bor zagadti polovka the cocoon is round, the swamp is a khatyn for a year and a half , and during the course of the german occupation near the spruce region, the tsalka was burned down, 56 ° threw the kalyatrokh of thousands of belarusians, even more for 700 hulks. the byelorussian soviet socialist republic was taken away by the nazis from slavery. the heart of valentina fedosovna, leokovskaya, modsnab to cheer for the father, for the mother and for himself, hurts oleg, to calibate daddy, i want to sing the mother, but it helps. eat

in the groin i'm

just a little white youtube bed. give the palatine to you prayer man. yes, and i'm sorry, i'll put you a prayer to nick. everything they must be, but i'm worried about my sister, my mother pops up. and i'm learning to inject and in this way, and my mother danced well. and even if scared and all these songs

were literate people, but they composed songs of life and about love, and so unfortunate songs, all sorts of songs from the collective, and when they mixed up a lot , 20 people and women and men, all fashionable vociferous healthy yak sing, then only ukraine chula. kolki song betrayed her husband 100. or maybe more than one song could stretch for 15, 20. that no one if, ​​and nowhere lyrics zhemchuzhin did not write down and the men drank from memory. no, the soul sleep motives are all the same

song. recipes of the ancient belarusian culture obtained from the hostesses from the belarusian hinterlands with sharnitsa call me to put the oven. oh, combined with the imagination and innovation of a professional chef. the ingredients are practically the same so the technology will be a little out of me and we will make dumplings. well, i really want us to have them today, well, just super gentle hands look like a cheesecake. well, he opened it open, how big they can amaze even the most fastidious

gourmet, see the culinary historical project belarusian cuisine on our website. on the channel , 45 kilometers from the island, there is the republican landscape reserve sorochansky lakes. jump, they are beautiful. they are always waiting for the artist to fall a little, as it were, guards are like that people are arranged. do you have a family, five parents? what is your name? oh, it turned out with

svetlana borovskaya on our tv channel. the repertoire of songs of the kozlovsky folklore group is rich in songs open on the windy voice, as the voice flew to the swampy areas to the forest expanses and surveying the weight of the wet and panyanochka, where are you goose. kohl talala. oh, at lesya on uresi, a shmat

song of merry ones, giving everyone these songs to lay ginseng with such a spirited, yak-branch, names of a pioneer, we give up, and you still have time to fear the kozlovsky team. bioniya mikhailovna is dry, a bunch of songs, i brought goats to my mind with a strong wardrobe trunk, the heat of a carriage of new leftists, i went to marry a kozlov lad from a swamp weight. in 1960 lyova was not

at home pionia mikhailovna and vladimir barysovich for fifty years they’ve been knocking off the rims. they’ve just kicked out this song, rehearsed it all night and she caressed him, calling my grandfather on

you his perchish, beloved spoons, they don’t throw themselves on the sweeper, and he stands in the garden under the apple tree here peony mikhailovna and oh, vladimir barysovich and from hemming and sleeping and giving a dream and a mother. our village was called a new farm , i have not left for a long time. people rozhanskaya derevenka was there and i gave birth to myself, there i remembered a block of songs in 2016. the grandma of the stars of the new farms was called flowing this

by meat, and kolya was an officer on the right in greek, the fokla rips off, that a shmat song for the repertoire of the kozlovsky team , dumb, native stars of new lost, other stars, sits, third stars, bear abo, oak woods were brought. hob i tried to knock down all the chanshillas in one manner, yakim on the onion nazga yes, japan on the elements of burdaning, and the overgrowth of la-m, more less people of the new bourdon ghettomat vote one to shmat, vote and someone is escorted by the full law of singing one voice, terminating the underlying melody, while others - hour by hour spit out or everywhere, tearing off only one note, third voice. now the fourth voice is tearing off another one and that miser, just like that from only one note of them, and so on. well, it’s

applied, so i manage to manage the peoples in the caucasus in such a rank sometimes, tamanya, cold notes of tonality are added, which come in handy, slander with a melody? glorify the text

of tubuk yana, not only subordinating to shoot down the first

alep, subordinating to shoot down the walking amal skin kind of song this means that pershi, the dumb right to stray, but forget the text about friends, not about prosperity, who do not have time to rise for some hour, squeezing out their note, turned on music. well, i didn’t have to repay, very much up to 2 rubles, or i’ll clean up khaki here, then just across the field. but life was more fun. and now, and now i'm rich. and then she met people. he hides too. good. so this

team of officers did not exist until 1981. and i'm eighty on foot. sofya ivanovna arrived at the goat's house, shatila. and she didn’t just come, but borrowed in the garden for the gatchis of the kozlovsky village club. hated sofya ivanovna organized. it’s a pity for the tires, which archaic folk group? the hated sophia ivanovna pearls toured the whole world with concerts, they were asked to shmat once in minsk, where they performed with conservatives, pirate students and speakers at a professional studio. i didn’t record my album more than such a simple pearl to a bright zalukha useful, the carts repeatedly ripped off the festival diplomas of the homogeneous artist of belarus mikhail the fool nevsky

, we didn’t have time to lull and i know the nurses shot for a parodyon, the smoke of the program for us came down on a poroz. huts us arranged, only i was her husband, nikolai mikhailovich . there lived a lot of people here and all of them were good, melodious, but few of us were already leaving. with a flea collective at the table, a detachment of a person and a third hope, clementine goat. alina

herself is not from tulle, but from ukraine, from an adjacent carriage, the ash-tree near the goat got married and drove from 1973. they went drunk bloom new fun with children, four grandchildren to the copter in ways, one knows how to sing from a friend, she came to the team more than once to learn. i am sofya ivanovna asked the media of the late nineties kalihurt, went to remember

diclement on the skin that in ukraine, native vyoss managed the same songs as here, in the same manner and the same new one. the world is talking to me to say not in belarusian not in ukrainian, yes, we have such people there. the village club was started from the team, at the table three useful people were walking, people came up from the first kozlovsky team - this is galina morozinka. and valentina kovalenko, the skin friday of the troops, is already on the stretch for 3 years, and they come, the goats, take the sleeping ones, and i'm carried to the neighboring agrogorodok, the club is undergoing

improvement in vocal skills there. we sing with them. they teach us from nikolaevna what we can sing there, you know, this is once a very heavy song, but we try to sing them. young underground on the river, i will quickly take a look, give underground on the metro river. well done.