warm and what about captain potapov? what's unpleasant, right? what happened there potapov died oh-oh-oh, brainy was the kingdom of heaven to him, not banal, somehow all his mood swings of emotions are unexpected, but very well, very definitely pleasant. so, too, i can not expect that this is how he will react at first. it seems to us, at first it seems to us that it will be the same. here they suddenly illuminated his usual image . some kind of malice of the lungs and aggression and really a thief arises. and by the way, he is already a thief, played at one time, and just a thief, and the killer is a killer. eh, in the film, life passed by, at the end of the fifties he littered here

. one can recall uh, hmm, some graphic episodic characters that were equally interested and assigned in nuanced displays on the screen. sorry ivan sergeevich parfenov, his wife managed to avoid many mistakes that lie in wait for people for a long time, living together, their relationship was built on mutual trust and larisa alekseevna was never jealous of his work, and nikolai ivanovich never wringed his hands about the fact that it was his wife who was the guiding and guiding force in the house. responsible employee of the moscow council of family life she knew how to get around sharp corners and was a real diplomat. grandmother she received twice as much as grandfather had a state dacha, which was

given to her grandmother at work by the prosperous. they never were, although they saved up for old age. apel for old age in order to just ride around the world, then to see something, but this plan was not destined to come true. in the early nineties, all the savings of the parfyonov family were lost as a result of the financial crisis; all the money that had been saved for years for old age over the years of vigorous activity parfyonov gave more than 2,000 concerts, having visited the farthest corners of the ussr and abroad, he starred in five seven films a year, but a dream from a happy and comfortable old age, and remained dreams. 3 years before the financial collapse, he left the theater of the moscow council, which, for 53 years of service, parfyonov accumulated a lot of grievances. i see him, he is gloomy, just his face is so gray, all this and all. what happened? what

is he saying? yes, i went to ask for the role. why am i afraid to say now? what role just need to remember that a serious big one? so what was denied? i’ll leave you for weaker people and less dramatic circumstances were enough to bend under the weight of fate, but parfenov was not like that, he didn’t break, you know, he didn’t break anyway. he he held on, he was cheerful. he supported my grandmother said. let's live nothing . he used every opportunity to earn money, despite his age, he continued to travel to meetings with viewers throughout the country. and he played his last film role when he was already over 80 by that time more than one generation of viewers loved him. and some roles were included in the golden background of soviet cinema . now the artistic council of our program will begin

discussing the fourth role of nikolai parfyonov. this role of the head of the train from the musical fairy tale directed by konstantin bomberga. wizards this role is usually referred to not as a trainmaster, but simply as a conductor character. parfyonov is bewitched, a magic spell is cast on him, thanks to which he is convinced that the ordinary moscow worker ivanushka, whose role is played by alexander abdulov, is none other than a high boss. we are waiting for you, we are worried, even warned, and why it is clear that he is playing it. that's just such a conductor in this train, it is

he and no one else. of course, attentive and all such you know the ball. here is what is called a parody of such, uh, soviet a person at that time, which means that such, like, such a correct boss who has power and which can also be implied over other people like this. with this, it means square, although the artist himself is a completely different wife, this is his mask. he is very anxious. he says, i ask you to release this, comrades, and he himself is worried and says, i warn your interests faster, she really, this is interesting to him, he is afraid for himself. it seems to be taking care of the passengers, expelling them. as they say from the compartment to the street, but worries that for himself, for his own skin, he played such a self-seeker and such a quivering

conductor. you see, here he is, notice me. i have a very strong evidence base in every role. here he is constantly trying something, so to speak, to defend his opinion, his right, his vision, so to speak, his conviction. and this is the credibility. here is my main, probably, word in relation to him. he is very persuasive in all of his these e, demonstrative here of his component of parfyonov in his life, not for the first time, plays the role of a conductor, it’s enough to remember, and we can’t sign it, yes, and in many other paintings that are not so famous, but a conductor who kills himself with his petty power. that's perfect. here is the character of a parfion in general, because if there was an ordinary person in front of him. of course, he would have finished him off like these unfortunate students here, uh, or in any case, people who are sitting in the kp who are being kicked out quite calmly, because he thinks that abdulov is a big shot. to him they said that this is a big man, everything, and he

will creep in front of him in full . and here he says, uh, one word is required. sit down why? and this is one place for me ha why true, i myself don’t know why it’s supposed to be in this buzz. and here is this thrill. he plays wonderful, in general, the word is supposed to be unconditional. uh, this could become the key word of the slogan, but of the parfyon image, as soon as we touch so hot tea for you. in 1998, nikolai parfyonov's wife larisa alekseevna fell and broke her hip in the hospital where when the doctors arrived, they diagnosed me with atherosclerosis of cerebral vessels. i had to refuse the operation. the heart would have given way 21 days after the injury. she died. we came here to pick up things to

dress her there. we're grandmother there left the last letter addressed to him, including i cried at school. he cried, but the funeral. eh, and, probably, this is how the person was deeply worried. uh, the death of the only loved one, that he read poetry at the coffin. read poetry nikolai parfyonov outlived his beloved wife by only a year he died on christmas night in 1999 at the funeral were only close people in the theater at film studios about his death. no one knew the urnus with the ashes of the actor for a long time was kept in her apartment by the sister of nikolai ivanovich , then she buried it in family magic, where, after 7 years, she herself rested. it was said that when the old women in the morgue decorated the coffin with the body of parfenov on

tv, they repeated a comedy with his participation for family reasons. so the last fragment for today will discuss our dear council. this is the role of troshkin from alexei's comedy koreneva for family reasons. in this popular comedy in the late seventies, nikolai parfenov played the deputy head of a large enterprise, his boss is played by galina polskikh, only two short scenes with his participation became unforgettable and for a long time troshkin was the hallmark of the actor. data with you irregular working hours, my dear. listen, i don't understand you, well, why don't you

understand? i don't understand, are you at home? no cases? what about you, were you elected by the soviets? well, what does this have to do with it, why are you mine became interested in family circumstances? no, really, women are women, like a call, fu, somehow the iphone takes them all away from here. and you, and you, what, i'm here, please, in front of you a teacher and a student. here is a student nikolai ivanovich parfyonov and here he is, he says, his mother tells him the teachers brought him somewhere, his mother scolds him, and he begins to teach the teacher there was no book here, there was not and did not read. i'm not doing this, please. come on, don't tell you either. you tell us about it. and you and what about him after all, he comes in and immediately looks at her at her at galya, he looks like that aha sort of.