throated side by side, choked with a skin word zus, their manifestations are a man and creativity is the most wondrous and worthy of respect, it’s books in books that live thoughts, passed, memos expressively improve people’s voices, and everything that a man of the trunk haunted on the sides of them to be a dream of pandering. staggering bringing the generation closer to the stage, passing behind our big-eared belarus 20 enchanting world of music, what

could be better each note each chord is unique is the finest matter that speaks directly to the soul of a human feeling in a pure almost material form. today. we let's introduce you to two amazing musicians and teachers who not only passionately love the great art of music, but also teach their students to love and understand music , open to them a whole world of high feelings, passions and thoughts lucia leonardovna. lastovka was born and raised in moldova since childhood dreamed of playing in a symphony orchestra and her dream came true in belarus she not only managed to make a brilliant career here, but also raised a whole school of artists who successfully perform at the most prestigious music venues around the world marina

panchenko is from russia after school. she came to minsk to do it. she graduated from the academy of music and successfully works as a teacher, belarus for our heroines has become a source of inspiration and a place where their dreams come true. when i was at school in chisinau, i

had wonderful teachers and the first 8 years. i studied the violin and i was interested in the accompanist of the symphony orchestra in chisinau and the viola group always stands out very well. and so he came and said you know, if you want, here is our marquestre not at school, alts you said yourself that you like alts maybe you will switch to this and bring your alts to play, and immediately agreed. here is the environment in which children grow up and the formation of direction depends on it. and i really liked it. e play. but of course, like all children, other children play in the street, play with dolls, play with their girlfriends. and i only had a mother at home . she is a housewife, and she followed that. this is very important when someone is directing,

because all children want to play, carefree themselves on the street or in the yard in the garden. this is my destiny. my sister is much older than me by 9 years, and she took me to all the concerts of the symphony orchestra. the most interesting. that's what i liked so much in my destiny, when i came to concerts of symphonic music, i clapped so that my hands were swollen for 3 days, well, i entered a music school. she worked successfully there. we had many concert festivals and i attended many concerts. and that's when the fourth year began. i somehow thought. although we had i also had to work out a direction to the village somewhere, but i wanted to play in an orchestra, because from

childhood i fell in love with the symphony orchestras. it seemed to me that there, in general, demigod e plays so beautifully. and in my spare time, i came across a newspaper in which there was an announcement that musicians were needed for the symphony orchestra in minsk. the fact is that our chisinau orchestra had such a well-established composition, in which, as it were, it didn’t shine, at least after after the conservatory they didn’t always take it, and after schools, then this is not the same rank simply. and i come to the teacher, i say, alekseyan kentich avrosov, by the way, a wonderful teacher. here imagine such an announcement six saltos for a group of six saltos for a group of a symphony orchestra. he says, well, go ahead. your program was ready for another 2 months before the government. go. play around, get some air, get to know what kind of city it is

and then we will decide. and this is how my parents came to minsk. eh, they took my idea very adequately to go to minsk and play and that’s all, but they didn’t even assumed. what could be the end of it. and when i returned, uh, with uh, decisions that they took me to the symphony orchestra. that was a tragedy, because as if we had all the conditions and care, and my mother could not imagine and were very against it. but i said, mom, i want so much that no matter what you do, i will still go.

i was born in a small workers' settlement in the tula region in russia since childhood. i studied music, but the music school, however, i got to say, it was my personal, my brother's and my initiative. just us parents argued with brother. they didn’t even know that we went to take exams at a music school when my grandmother asked what instrument to write an application for. naturally. the first thing that came to my mind was to say the piano, to which my grandmother told me that the piano, most likely, parents, are unlikely to be able to buy, because such an instrument is expensive. i didn't

care. i wanted to keep up with my brother, and so i said, well then, grandmother, write an application for the violin when she came to take exam commission, they were very surprised that i voluntarily came to the skri. usually everyone is persuaded to go to practice with this instrument. they were even more surprised when they found out that there were no musicians in my family , since mom and dad worked at a chemical plant in the shchekino district in the tula region. well, then, when they checked my data, it turned out that, in general, my given ones are quite consistent and i can be fully taught to violin, and in the winter on winter holidays. my mother and i came here to minsk for a consultation with a local teacher. of course, i was immediately struck by the city itself and the friendly people, but the academy of music, of course, is just a temple, such a building with columns. he could not fail to impress me, so naturally. i already dreamed of enrolling

in it, but this year was the year when the olympics were held in minsk, riga, moscow and leningrad. the exams were a little later. both my teacher and my parents are afraid that i might not enter minsk and stay, in general, as if with nothing. they sent me at the beginning to rostov-on-don. there was a branch gnessin institute of moscow i arrived in rostov and realized that this was not my city. i don't like him. i passed three exams. and after i realized that i would most likely pass, i would do it. well, i couldn't stay there. i took the documents , went home, and a month later i went and arrived in minsk. let's take the exams here.

here we are at home, every time i come to the philharmonic i worry. hello, for some time during the rehearsal, i also visited a non-naughty woman. she worked at this place for 32 years, talented

are born and may not be anyone, learn nothing, but there are capable people who love music and want to learn, and they become diamonds. i can judge by my students, who have a very large number. here's yesterday. i kept count, on purpose, 48. my college graduates graduated. they all do good jobs. many of them work abroad. this is the role of the belarusians, who glorify their homeland for some reason. uh, sometimes they think that it is not necessary to go there, that we are not needed there. yes

, of course, they are needed, but capable people are needed everywhere. my students are three students of different ages 22 19 and 17 and there the jury was the international italian igor caretti of the rest. i don’t remember the last name , it was from hungary and from germany a very famous teacher. and they literally know after every performance. they turned to the hall and applauded along with the audience. here, what could be better than an advertisement for belarus , the school is strong here and has different instruments , and the fact that our viola school is so developed. this is also very good. when i

made the schedule, that's who finished me, i gave a general list of a bunch of accordion players, violinists , pianists, for three or four years there were no artists. and that's how i started working literally almost everyone, when i worked, i always had even four graduates there. you know, no, nationality depends on talent on how, in that country, in this or that country, they relate to the creation of such talented people, we have created all the conditions , all the conditions. and now i will introduce you to my favorite teacher, from whom i studied at the academy of music, this is lechi leonardov on swallow. she still teaches at the academy

of music and here at the gymnasium college. good afternoon fly or leonardovna. finally, i have come to you. we rarely see each other, yes, yes, sometimes at concerts, but here it is very rare indeed. the pedagogical process does not allow you to have much free time. how are you? how is your creativity developing? well, i work with artyom as a hat, like in a private school. eh, it’s true that you can’t find it with ice somehow in a music school, of course, it doesn’t work on the violin, but i have a lot of different students from 5 to 45 years old, it’s good that our specialty is in demand and our school is developing art, for example, quite uh, since childhood, it has been studying me since 5 years old, even now my grandson has been for a whole year, he is 6 years old. he has been studying preparatory for a whole year and in all

professions now both the choir and specialties and solfeggio, and then, gradually, until the fifth grade, one selection. then uh before going to college. we have a college gymnasium, entrance exams again. and so, when a person graduates, he already receives a professional education with a qualification, qualification, an artist of an orchestra or an ensemble artist or a teacher of a music school. well, then here's a straight road, as if sometimes goes abroad. sometimes it is very interesting to join our conservatory and then another 5 years of study. here are the people. ah, the young ones are older. they want to study in music. it is very difficult to professionally forgive all this consistently like this. and we have very good fundamental education. already after our education, even college, already quite independent musicians can play

, uh, without problems, but treat leonardo but i worked with other teachers. it so happened that i had to change teachers. and, frankly, the relationship somehow did not develop very well. i had understanding. and, well, that's my nature. first of all, i understand that the problem is in me, i began to think that i was stupid, i was not capable. and that, perhaps, i need to change my profession. and so, when leonardovna's treatment appeared , and she has such a technique in general in the style of attitude. she is like a mother, she is a mother for all violists now in general for all violists of the republic of belarus, in my opinion, she mom and for students, for sure, and this kindness. that's softness. this is acceptance, this is all the time the desire to help in any internal. i will never forget how you warmed up my hands before the exam rubbed. because you also explained to me that yes, you are now in stress, therefore, you have

blood circulation. eh, weakened blood does not flow to the hands on and there some kind of scarf gave and warmed. you see, this is a purely maternal, kind relationship. it is impossible not to appreciate and forget. naturally. every teacher, because a part of his hearts every every student is tired. thank you very much, leonardovna treated me. i was very glad to see you, i will definitely come to your concert and bring your students too. in order to become a good real teacher, you must first of all love children. here lechi leonardovna is my teacher. she helped me after graduating from the conservatory. she helped me get into my first

music school. and when i called her on the phone before the first lesson and spoke, i was so worried. i'm so afraid, i don't know how to communicate with these children, how to teach them. she to me after that she presented several books and one, the smallest booklet. i remember her for the rest of my life. it was called learn to love children. here's how it all starts.

what i got in belarus for all the time that i lived. this is a fairly long period of time. any musician from any country of the world can envy me. after all, i was in america and played a concert, and there belarusian music was played at the conservatory. i had a concert and my work was praised. even here the listeners had such a small interview, and i asked the hall. what did you like the most. there, for an hour of music, they said that the work of yevgeny poplavsky i say why you liked it, because it is spiritual, you can feel the nature of belarus and it’s hard to even enumerate the state of the soul. how many countries i personally traveled with different

compositions, most of them, of course, with my chamber orchestra, sweden finland, and this is not something that we traveled once. we went there many times and for a month. uh, finland norway next france germany holland england next spain italy to have it for a long time and in such very solid festivals. so, what a very interesting life was the nature of belarus , even the climate. he somehow contributes. everything is so bright, and, of course, in any story there are some specks and dark sides, but since i was minding my own business. i met, mostly by 95%, only good people, and i can say that i

have already become a full-blooded belarusian, because many nationalities find their shelter here. for the years that i live in belarus, she is for me with the first day it became native for many years living here, i can say with confidence that this is my second homeland for those who do not have such experience. i keep saying that you have no idea. what kind of gold do belarusians carry in their souls. although outwardly we are very similar to russian belarusians, belarusians are very different in their mentality from other slavic peoples. first of all, very reasonable measured people here speak in merkomny. here's a better word. it's just not in russian that it

's hard to find a similar word here merkunny they before something to do. they think, they weigh. these people are very hardworking, very friendly. well, the fashionable word tolerant does not really accept everyone. belarus has given me a lot in terms of my development. i became a musician, i became a music school teacher, and i met a lot of wonderful people and still meet. we cooperate with them. we remain friends with them, because, uh, music teacher - it's not easy, teacher, the lesson goes individually with each student and the teacher comes into such close contact with the student with his family with his parents that then these relationships last a lifetime. and this is

what belarus gave me a lot of such contacts. after these culinary projects, you will run to the kitchen, that there is strength, we will have completely experimental dumplings. we have not prepared such things yet. after all, it is impossible to sit back when you know so many excellent recipes, vegetables can be absolutely any, broccoli, brussels sprouts, green beans are perfect. you can also add zucchini eggplant pepper pits. you

can not throw it away, but cook a delicious broth from them and freeze, and then use it in cooking various dishes, i love cottage cheese madly and eat it every morning. i have some kind of cream that the body needs cottage cheese in the morning, watch belarus 24 tv channel and cook with us.

live main news at noon with you pavel azovik. hello and check out this issue. emphasis on import substitution in sochi will be the talks of the president in belarus of russia from the restrictions. only suffer european citizens with a call to stop the sanctions madness was made by a deputy of the european parliament from croatia