we have a victory to distort falsify. we don't have to invent anything. we just need to remember our history of the organization of the reconstruction, treated the guests with real soldier's porridge, held a competition for the best performance of songs in the war in the year of historical memory, the organizers promise there will be many similar events throughout the region. improving the procedure and services development of digitalization exchange of experience today in minsk the ministers of justice of belarus of armenia signed an agreement on cooperation guests came to our country to learn from the experience of belarusian colleagues in areas such as the digitalization of services, as well as to highlight the developments on the constitutional reform, which is also overdue in armenia, the parties exchanged views. discussed issues of rule-making activities and enforcement of notaries and the bar. all this work is aimed at making citizens feel confident in the legal field. there is, of course, experience that interests us in belarus as well; this concerns the issues of administrative services, which you have

already set up very well, and we are now starting to armenia, then provide exactly the same services , so that in one place, uh, we have general services, we have digitization experience, which interested in our colleagues, belarus, uh, and we will continue. we have very large portfolios of ministries as a result of communication reached a number of agreements, including a long-term agreement to consider the digital bed. well, you, of course, the most important outcome was the agreement, and further interaction between the ministry of justice of the republic of belarus of the republic of armenia, we have good interaction and interaction directed towards improvement. i would add to the structure of the activity of the ministry of justice that belarus is actively working on converting administrative procedures into electronic form. in the coming years, it is planned to add about

450 more procedures to this format. procedures. all this will allow citizens to literally receive the necessary services without leaving their homes. comfort at affordable prices in minsk in brest for the first time opened a fair of the famous uzbek knitwear the size range is presented from forty-fourth to seventy-second for buyers selection of tunic dresses for leisure and at home. the main feature of uzbek knitwear is that it consists of natural 100% cotton cotton is hypoallergenic , it does not cause any reactions and is suitable for both children and adults. i like the quality, i used to buy them very much and now i am very pleased that manya bought myself shirt t-shirt. next to the knitwear there is also an exhibition of shoes for the problem foot, beloved by belarusians. all models are made of genuine or pressed leather with the author's design. i really liked it, firstly,

good choice, first, beautiful. that's cheap compared to convenient. secondly, the service is very cultural, i advised everyone. they are waiting for buyers in minsk at 20 vsevicha. this is the house of culture with a window also in brest in the ice palace at 151a moskovskaya street. the fair will run until june 1 inclusive. the national festival of the belarusian song of poetry molodechno 20 22 will be held on june 10 11, the grand opening will traditionally take place in the city amphitheater this season the festival is dedicated to the year of historical memory of the 140th anniversary classics of belarusian literature, yanka kupala and yakub kolas, as well as the seventy-fifth anniversary of the founders of the ideological inspirer of the festival, mikhail finnberg, the central event of this festival will traditionally be a national competition for young performers of belarusian pop songs based on the results of regional qualifying rounds. 21 vocalists will take part in it, from all regions of the country. at the final tests.

artists will perform compositions accompanied by an orchestra rehearsal before this stage of the competition are already in minsk. most of the laureates of this competition, who participated in molodechno, work in our orchestra . perhaps, in a few years, they could also get into our orchestra and take their rightful place. in addition to the opening and closing concerts of the planned concerts, the music of belarusian composers, the masters of art of the generation of the xxi century and the jazz kaleidoscope, the novelty of the season, is a creative project meeting at the piano belarusian romance with the participation of our composers as well as soloists of the bolshoi theater of belarus, the festival will be timed to exhibitions of performances, creative meetings. the fight is not on sports grounds, but in the cabinet of politicians, this is the reality of modern world sports the belarusian federation of basketball regrets that the

sanctions decisions to eliminate our teams from international competitions hurt first of all innocent young athletes, second. this is an element of elimination of competition. we remember, how last week the uk rejoiced that they would get a chance to go further in the world cup qualification without a match against the belarusians. and if there is still a chance for the country's women's team to compete in prestigious tournaments in the autumn for young, three-on-three basketball guys, in fact, by decision of officials, or they are deprived of the olympic dream, both personal rating and rating, respectively, of teams and the rating of the federation are taken into account, that is, yes, about selection for the olympiad can already be forgotten last year. our team at 17 youth became at the world cup took third place and the same guys. this summer they were supposed to participate in the final part of the world cup in 18s and the rating of these players

is quite high, you can call ilya milashevsky, he ranks fifth in the 18th world ranking. yes, i’m not spoiling the seventh flank 12, that is, the guys have a very big potential. and if you continue to work and test them somewhere in various tournaments, then over time you can grow a very worthy replacement for the national team, but for our athletes, this is definitely a disappointment and injustice, which i will say. so we have a team of girls that is on the basis of the women's olympic reserve school this year. they are capable. we could fight for the first and third places at the european championships, and it is clear that some countries do not want to lose to the belarusian national team on the sports grounds, so the decision also affected the youth teams, but we see that here the international olympia is like a trendsetter. the committee, which at the same time recommended, on the one hand, to remove everyone, but

did not make such a decision within its organization, turns out to be pressure on the national federation and on the international that they, in turn , be disqualified or suspended, but could prefer to remain on the sidelines. why because we know that according to the olympic charter according to the charter of any sports international federation. sports must always remain out of politics, because functionaries do not suffer, even, in principle, coaches do not suffer as much as athletes suffer, because the age of an athlete is short. however, according to assurances from the belarusian basketball federation , the country will not lose a single capable player, moreover, five states have already expressed their desire to play sparring with our teams. after all, the belarusian teams are highly rated both in the world and on the continent, but the main work. in the near future will be conducted on the development of young athletes. the broadcast will continue sports news. the results of the day at my colleagues panorama at 21:00. good evening.

victoria azarenka started with a victory at the roland garros grand slam tournament, however , the parisian court in the 1/64 finals submitted with difficulty the belarusian met with the romanian anna bogdan, the first two sets ended tiebreak. the first victoria lost the second won. although the opponent in the twelfth game was already serving for the match, the decisive third of the net belorusskaya was much more confident 6.2, meanwhile barbara kritchikova became the third roland garros champion 3 6 in the mba last night was the third game of the western conference finals in dallas basketball players. the mercs lost to golden state 100-109, the highest scoring player of the meeting lukadoncic and his active 40 points and 11 rebounds steph curry scored 31 points. 11

assists score 3:0 in favor of golden state confrontation

ekaterina nikolaevna hello, thank you very much for taking the time for our conversation, it is very remarkable that we are now in the bolshoi theater exactly where the bolshoi theater is inaccessible to the eye of an ordinary viewer, because, uh, for spectators the bolshoi theater is a stage. this is hall ah. main entrance. yes, this is the

building. uh, but other moments are inaccessible to the viewer. and what is the bolshoi theater for you, if you just answer this question, then the bolshoi theater is everything for me today. and to be specific, of course. this is, uh, a huge complex that includes both creativity and production, which is subordinate to this creativity, so here are all the necessary components that are needed to ensure that that wonderful product in the form of ballet operas in concerts stops on stage in full from uh, from the beginning to the end , work at the academy of music and work in a big way is different. yes in your functionality is different. yes, of course, it is fundamentally different, because, uh, despite the fact that you are in charge here and there. eh, all in all . but there are, of course, the most important accents related to the fact that there you are obliged to ensure

educational processes in literature, and here, in the center, of course, creativity, and creativity, outstanding people of our country and singers and dancers, conductors of ministers, therefore, to ensure this existence so that we can really see, uh, firsthand, the beauty of what these people are doing in a direct sense create wonderful words, creativity. uh, here, this is my obligation today. here, given your education and the title of professor and doctor of science. e musicologist. you are both a leader and a person. uh, so deep understanding in art. hey, you can make some adjustments. well, i see, for example, that you have a screen in your office where you observe the creative process and somewhere there are some nuances. you can, yes,

correct, in principle, uh, no one refuses the leader that you expressed his opinion about what is happening on itself, because well, let's say so today, i am directly responsible for the quality of the level. what is presented, but on the other hand, you understand me myself, it is simply incredibly interesting to be really involved in this process. today i am a member of the artistic council of the theater with great interest. i participate in what is being discussed. e, of course, is interested in promising premiers who will be here, and those invited, eminent creative personalities that we are waiting for our performances. so i tell you that i do not separate from one another. for me. this is such a single whole you are now so responsible. the position of general director of the bolshoi theater is, but on the one hand, this is

your logical career advancement. a. well, it’s still interesting how things have developed since childhood. how did you even come to this? how did you get into creativity in music? i know that your parents are creative ah, musicians are professional professors. children do not always follow in the footsteps of their parents. how did you get on? the question is multifaceted, because it also concerns such professional maturation, that is, education in a family of musicians. this is still a special example, a unique example, but on the other hand, you. asked about what i usually do not think about. this movement in life is a professional movement. what does it pour into? because these steps they form so organically, as if you just, uh, walk along

them, because uh, there is a fact of service that is very important for me, there is a meaningful moment. e self-realization. there is a feeling that this really. e is strong. and now, if we return to the complex, because your question was put forward, then i would probably start with the fact that e parents in a number of cases. perhaps they do not fully read it or treat it with such serious attention. what is the baby doing? that's what interests him, not even his parents at all. here in the family of musicians it becomes such an organic part of life from the sounds that you hear from absolutely everywhere, if the parents are musicians, then they play the instruments clearly. they are listening to music. it was we always have records, radio and television. where did you go? academic music, of course,

i hear what was offered to me. i, for example, all fairy tales. written for a ballet for the opera by classical musicians, i recognized very early childhood, because they were adapted from such a series of fairy tales, and i listened to them with very good music and today , uh, when well, the opera house saw cinderella friend. all this was remembered in this context, so this upbringing is so momentary, that is, she is so built into ordinary life, that it seems that another life simply does not exist. you have attended the bolshoi theater since childhood, as a little girl. mom took you with her. that's how you felt then. would you like to be a ballerina on this stage? no, it’s not like i’m a ballerina. yes, here you must have got somewhere, i drew a large number. i have had drawings as a

child. e ballet. e feet in pointe tutu. uh, this is probably what i saw, but i just wanted to be in the theater itself, that is , on this stage right here. uh, because well for child, of course, this is a fairy tale, we are now entering the stage from behind the scenes, the bolshoi theater. i understand that you have already been and being a little girl. and when they came here with my mother, i was never there for me. this is very exciting and to show to viewers and to convey these sensations of goosebumps , because even after excursions you are here. do not enter specifically on the stage, not allowed to step and now is being prepared for the

next scenery is being prepared for the performance of romeo and juliet so you really holy of holies. that is, here, i think, we need to remember this moment. oh, so to speak, with a slight sense of irony, you can say that i was on the stage of the bolshoi theater and belarus in that part that, well, maybe you know that someday here and really dance no, dreams come true dreams come true. yes, that would be amazing, and i know in your time when you were a little girl looking at the stage and trying to imitate pointe shoes. uh, doing amateur painting. remember these times. remember the red ones and this is the place, it is attractively incredible, both for those who are in the auditorium and for those who are studying. and he wants to come here dreaming about it, because here begins, the

miracle that artists strive for, how they learn to be facial, so to speak, yes, to please us all with the stage, but here is the very feeling of being here it is, apparently unique. and your parents saw in you, uh , talent, zeal, the desire to be a musician at different stages, uh, observation, about how much i can do. in the sense of this words? yes, i have time to comprehend to be formed in this and gradually. after all, i started as a pianist and studied at the school at the conservatory for 8 years exactly as a pianist, so, and then my mother , nevertheless, from these observations of her own, this choice was her amazing and intuitive. and some such, apparently, she felt.

so she began to fascinate me in the region. uh, studying music stories about music i uh, listened to her philharmonic lectures. i was present that she took me with her to the radio, where she hosted chamber music evenings and talked about music, and i realized that i it is very interesting. it was probably such a decisive one in my life. and i am very easy and fast. i went, therefore, the path and indeed my entire subsequent professional life was connected with musical science. well, my father played the cello, and you chose the piano. eh, there was certainly some other instrument present, but there was never a craving to play the guitar, for example, you know, there was a guitar. they bought me a guitar, and where is it with seven strings? yes? eh, well, that is, how they bought it simply. well try because that mom was very fond of russian romances, romances in general

. she composed and sang well and i do it today too. and in general, i get pleasure when i have the opportunity, i tried to study a little bit according to the tutorial, of course, nowhere. and i didn't go to study, because at our school they didn't teach the guitar, but at the piano it was the only main instrument. and there we were, in general, we achieved such a serious mastery, again we didn’t try again, just for no. sing only for myself when i'm already became the rector. and i began to attend exams and especially the entrance exams for vocalists, my colleagues at the conservatory, they know this, and now if they listen to it, they will understand and confirm that this is the true truth. it was the only exam for me where i understood that it was difficult for me to express myself. about a-a potential here is a young man. to what extent his voice is really of interest to professional operatic art, because

i understood that it was some kind of system. uh, absolutely unique uh, how can she develop and when suddenly people's artist and honored artists answer my questions. here , what is it? was that interesting? he says wait there. there will be such a voice later that you won’t believe it, and then make sure how right we are. and this is true, therefore, in this area. no matter how professionally i have never interfered, i have great confidence in people who are generally involved in teaching academic singing, because this is a unique instrument that we carry inside yourself. and here is your creative path since childhood. yes, parents support, but nevertheless, they didn’t tell you, maybe we won’t master some kind of earthly profession . no, there have never been such conversations, because, you know, it never

stopped for a minute. e stay in this profession. i go to, for example, rehearsals in the apartment that dad created three composer's union. yes , i just know once again, i was in some indescribable delight. here it is, until now this delight i sat on the carried with with some toys and four adults gave birth to some amazing action , discussed something, then they took me by the hand. and we were going home. i heard a lot of this, so you understand such conversations, even they simply did not exist. i think we just lived in our own artistic environment. your husband , too, a creative person was recently awarded. uh, francis medals, congratulations to skaryna. it really is such an achievement. and so you said that you were so involved in music and how you

met your spouse. he remembers me earlier than i did him, and he remembers me at the age of six. and i, of course, at 7 years old. that is, we are odnoklassniki about you studied. yes, we studied all 11 years at the school at the conservatory in the same class. we have known each other all our lives, and the children, like your creativity in the same way, it has grown all very organically. and uh, eldest son. e became a cellist because my dad wanted me to do the cellist, but he understood that it was difficult for a girl to be this , so when he had a grandson. eh, our eldest son, then, of course, here he made every effort to ensure that, and hmm, here alexander became. uh, in general, talented, very interesting performers, and also graduated from our school at the end. and the younger one here was one nuance, which we, of course, uh, can, here is the very case when, perhaps, we are a little bit of such a strong-willed decision. he grew up absolutely

cello music. he listened to the elder, so, of course, he only wanted to play the cello. it was such a desire, still becoming an adult wonderful violinist. here he did not fail today, yes, that's where a certain moment to remember that we once exercised our parental rights and we reasoned very simply that it would be wonderful if a trio of a real piano trio was organized, that is, raya violin cello. and uh, i even said somewhere, i even saw such a poster. e, where could there be such a piano trio, and i , for example, would speak in a speed word at this end. somehow immersed the listeners in music, well , you know, life disposes differently, and today we clearly understand perfectly that family duets in general any trioquartet and so on. this is a very complicated business. they were in charge of the academy of music. this is already such a serious

position as a leader, and not just a team. and this is the students and the teachers. it's a farm somewhere. yes, when did you come to this position. here, remember yourself. how are you? how did you feel yourself? to put yourself in such a place. no , well, they started talking with you that yes , these steps, they, as if without an inner feeling, were passed by me, because i came to the conservatory. i am her graduated from the pyatigorsk transformer, because the times when we taught at school , these were soviet times, there was a very definite state policy of training personnel to improve professional personnel, namely in the field of musical art in the russian federation in the best universities yes, there were three of them moscow conservatory of the st. petersburg conservatory and gnessin academy was then a

musical and pedagogical institute and graduating graduates, as a rule, it was three people who were sent to tapped, selected and sent, that is, the belarusian side. here i was preparing for myself, uh, a future specialist. with the obligatory return so that he works here, here, i am such a vivid example of the implementation of this state policy, because i really was not subject to distribution when i graduated from the st. ussr and already here the next direction to graduate school has turned out, therefore. uh, you know, graduate school. so you you become a candidate of sciences and come to work, of course, a candidate of sciences is offered. at the university, the only university where professional musicians are trained in our country today is the conservatory of the academy

of music, and that's how it is. i just came as a teacher of truth already with a ph.d. and then there are all the steps , you understand, they are from the pedagogical teacher to the senior to the associate professor there, the head of the department, because i defended my doctoral dissertation, then the vice- rector. here there was some kind of seam from such mm scientific-pedagogical to administrative but all the same, i was a projector for the scientific work of international relations. it was so interesting to me myself, because i wanted to know how this sphere is developing among our neighbors in general in the world. that's why i didn't even notice how these five years flew by. and then there was an offer to head the university , but there, not only music and i had to do it, i must say, but not music at all in some cases, but i’m happy there that

i managed to help a number of talented people. and when i was offered to head the background of the president in support of talented youth, all meaningful professional parameters were combined here. you know, when you see in general, well, like the whole section of our talented youth, what they do, what they are interested in, what are the problems? well, it happens that young talent is here. uh, sent for an internship and then something like this happens somewhere. well, maybe i could stay there or everything returns back to its nest, no, everything here is very different to turn around very everything depends on if we are talking about students now, yes students, because there everything that concerns academic mobility, that is, exchange, when students go to one university and students from this one are already coming to us. give exchange programs. here they are usually no more than 3 months old. here the guys are well aware that they

are studying there, but at a certain stage they did not hide e, the guys talked about the fact that they were offered to stay, because it was not by chance that i told you to our school at the concentrator at one time - it was a real powerful such a systemic structure, and it is aimed at training a professional musician. and this quality is preserved in you throughout your life and our partners cannot but feel it, in which today, in particular, if we are talking about neighboring states bordering us at that moment, this system has already been destroyed and getting such of the class of guys, of course, it was a great happiness, which the steps of higher education have already passed. and you yourself were not offered anywhere, but they

offered me to stay and, for example, to teach. well, that was during graduate school. i graduated and i was one of those graduate students who defended their thesis within the term of study. and i was offered to stay to work in every territory of russian music of the st. petersburg conservatory, but i already had a family and uh, in general, it seemed to me that i could do a lot here, and i'm needed. here i am now on a purely intuition and then this is the case, but now i understand that probably nothing happens. just. yes, i didn't accept it. offer is back, minsk

we are now on the ninth floor, there are workshops for making soft decorations. here's a little more detail. i see that there are just some tapestries here and that what is happening here

is a drawing being prepared for the premiere of the month of july examples of an italian composer, love potion, that is, only now we are starting, so you see only sketches, but this is painstaking work , a man, probably , manual, and many, probably, do not imagine that it is performed in this format on the floor. well, and here the captain's bridge, from which the artist- director can already see what is obtained as a whole, yes, and first it is fabrication , and then they are worn on such a special basis, which are also wonderful masters. here, uh, this workshop makes fabric by hand, accordingly, it is purchased according to, uh, those proposals that the production director makes, then all the volumes that are needed and then. it is already cut into the desired format. here you see the masters are working in order to give them the necessary.