i am her story. nature culture faith once otshushesh and do not get more. what inspires you besides music? life love and dream is the most important thing of every person 's dream. the future, but the lives that are available

to a creative person. most importantly, we are his guests all his life accompanied by music, it seems he had no other choice. how to devote yourself to his majesty the muse and music. today my guest is honored artist , artistic director of the belarusian state philharmonic society yury geldyuk, yury nikolaevich good morning. kind. you were born in a musical family, your dad is a violinist director of a music school. mom is also a music teacher, so learning music is the desire of your parents. or yours, too, first, of course, your parents, because they apparently intended.

this fact of my future fate before i myself realized that i love this music, but it sounded in the family, dad really played the violin. uh, after the war he came to minsk, he was sent to work in grodno for about 30 years. he was the director of one of the most my opinion is better than the music schools in belarus at that time, and now this school named after yuri vladimirovich seminyaki, by the way, is a great friend of dad. because in the family we had wonderful traditions, since dad was a musician. he was also a good arranger, but you wrote all the time helping local composers. and my mother also taught music, yes , she was a primary school teacher. and when i

went to school in 1959. it was a long time ago. it was school 45 at the same railway on dzerzhinsky's street. grodno where we lived and away, then she became the tenth high school. mom was there one time my teacher. i remember how difficult it was to learn from my mother, because the responsibility was huge, but she taught me how to write quite beautifully. study competently and in general, i go to school for all classes, except for school 10. i graduated. in general, i did not have fours. i had all excellent. well, perhaps, the music school also helped to this extent, your brother, e victor and sister lyudmila also connected their lives with music. unfortunately, my brother passed away. yes in the past year. and my sister also works. hmm

, the grechaninov music school in moscow is still taught, and in childhood there was no competition between you. who plays better, who is more often praised, these were family concerts. so, when guests came, papa always loved, well, they didn’t really love, and papa, he says, we’ll play together there, sometimes we played a paperclip together, here are his students and his friends and his e our guests of our house there was always quite a lot of music good, by the way, your parents helped you in your musical studies. sometimes yes well anyway case, of course, followed the success and heard that we are the most important thing, so that we already understand, when mom was at home, it was possible not to study so carefully. here you could read a book, and at this time something to play. here or read.

the three musketeers was also like that, but under dad. hmm, it was impossible for your parents to scold you in childhood for bad marks in music school, if i had such, i didn’t have bad ones. i never thought so at a music school. we have already realized that we will be all in this profession. yes, that is, we already knew that we waiting ahead, it was necessary to learn. only i know that when you were 14 years old, you decided to move to minsk in order to study at a music school, at the conservatory it was difficult to start independence at that age. i don't. i'm lucky. the fact is that i had a wonderful teacher in grodno who spoke and yura you need to study in leningrad for 11 years, where great musicians studied. let's go

there and see. i was waiting for exams at the age of 11, i smoke leningrad and, in general, i succeeded so that i could take the broads said far away. i should know that you didn’t take me to minsk somewhere nearby. herman is a very adviser at the conservatory and i took the second exam, and then i said. well, where will he live? well, we have here far across the road through the international and there is our boarding school, in which our children live, who came from others. cities i saw two-story beds here i will not be treated. well, dad

said, let's go home, you will always study at our school near the house, and that's it. maybe he was even glad to be there, probably that i'm so hmm i didn't really feel like it and thanks. here again the meaning of life accident of course, and we went to the station on foot directly from gum through from the school through lenin quietly. he says let's go. here in the house of sovietskaya 19 grigory romanovich screen lives here. we went to sovetskaya 19 friends to sergei grigorievich and whether they were grigorievna, the target said, well, what's here, we have two daughters still studying at this school. here, well, put it behind the closet by the bed. i would love it, it

's absolutely amazing, and it was an apartment the utility is now generally difficult to find such an opportunity, this is the point. so i was in the family, naturally, i was looked after with her or as for my son, i yuri nikolayevich and what was the most difficult thing in this independent life for you to catch up with the level of eleven at that time, because the school, grodno was all still did not reach the school for gifted children at the conservatory and, of course, the school was with very great authority among the musical world of that time. and, of course, to catch up, in terms of level. it was very important, but i managed to do it in a fairly short time, i myself began to travel as a representative of these schools. here

, together with their colleagues with students, go to concerts in different cities. after school. you dreamed of entering the moscow conservatory. he went and passed his exams . uh, excellent in my specialty, but, unfortunately, in history i got a three. but, apparently, i had no directions. it was necessary to take someone else. probably this is also a happy accident or unfortunate, and the only direction in the whole country from the min-cult received your classmates. yes, kristina poplavskaya it is clear to you, then she was a child prodigy. and also no. i didn't really worry, because we were. together with vladimir kuzmenko, they entered the conservatory there. well, it happens that, despite the fact that i successfully passed something, but without an exam, we were then accepted into the belarusian

conservatory. you did, after all, enroll in graduate school at the moscow conservatory well , really, after graduating from our conservatory. yes, that is the fundamental difference between the schools. uh, our music schools from in principle, there is no moscow school, because we, as it were, were born from this school, because the moscow school and the russian performing school. it also gave a huge ground for the development of all the national music schools of the former soviet union, including belarus

we will show all the important and interesting cultural events festivals brought together hundreds of authors from different countries and sometimes the exposition occupied several galleries the child takes klin he does not even know what he will do. and then it turns out a very beautiful product. but, when you paint from nature, nature prompts itself and it turns out that it is an accomplice in your creativity. we will always be aware of fashion news and trends in the cultural life of the country or, for example. how abstraction behaves in ceramics is beauty, it is in everything and people are human. this is also part of the nature of fashion for

culture on belarus 24 tv channel. it is easy to create your own paradise. yes, this is probably one of my favorite surfinia surfinia red, it blooms very profusely. she is very, very bright in the sun. here they are burning right and you look at the extraordinary the color is salmon pink and it feels like the artist took the palette and just painted it, agree. here is a brief instruction for you to never stay too long, we pack the seedlings in our suitcases and go to the country. if so, then i want hot africa and many, many colorful daisies, and remember. if you approach the matter wisely, you can get tremendous

pleasure. so rule number one, never look at those names screaming there siberian enhanced super-duper powerful mega-titans, anything like that, look at the root of the greenhouse. don't look at the packaging. and watch the content, when you use the straw the crop is much better, watch the project of the same name on the tv channel belarus 24. choose the profession of a musician, you dreamed of teaching or you are more of a manila scene. it somehow happened by itself, because i was surrounded by music teachers, starting from childhood, including my parents. brother and sister, and nevertheless

my teachers, who not only played, were engaged in performing, but also conveyed their own mentoring abilities, so this is hmm swimming from my flesh is self happened by itself. in principle, i came after moscow, there was no opportunity for the place of the belarusian academy of the belarusian conservatory to work and vladimir vladimirovich lornikov. he said, here you will work in an eleven-year-old. in this very one, they brought me very small children, who should not only have been given to adults, but who will immediately give you a better understanding, so i had to try to strive to ensure that they became on a par with those who

are considered the best students. did everything justify, uh, from your childhood expectations about career as a musician, probably not. no, everything cannot be everything, because everything depends on different specialties. and i was lucky since i was in school. on on was, one might say, in love with his future wife and 20 years old. i got married. i have olga parfenovna. soviet ph.d. musician, theorist. we are with him at the same desk at the music school. and now, in the sixty-eighth year, we are husband and wife. family, you know? it's also school stuff. uh, such uh, feelings remained, so i didn’t really worry, i didn’t enter the moscow conservatory, for example, i was drawn to minsk again in such a way

when i was in graduate school. she often came to moscow and so on. after that you were in moscow, you returned to minsk and went to teach at the musical lyceum college. was that exactly what you wanted at the time? of course not, didn't it turn out that i already have a conservatory, what should i teach, how good is a conservatory from a professor? yakov sahak than einstein how it is, but great happiness to deal with talented children and see how they grow up, how they are from simple songs and simple little compositions suddenly begin to play some serious piano pieces. and when you watch it all liked him. in general, i still work at this school and now, being a

professor at the conservatory and axerin, i reserve the happiness to communicate with one of the talented future musicians, they say thoughts are material. because very soon you got the position of the head of the department , you were 28 years old. how did it happen? well , some place was vacated in the conservatory as the head of the accompanist department skill. it was e in general, er, the department, which was an elective, but the accompanist, after all, not all become soloists themselves, piano pianists participate in all chamber and local instrumental ensembles. no piano. the life of a singer is absolutely impossible and therefore

the accompanist's chair. she teaches not only to play new companies, to accompany. so be someone's partner. it attracted me very much and still attracts and interested me. your career has been great taught performed solo and in tandem with gennady zabara. and suddenly you received an offer to become the artistic

director of the belarusian state philharmonic society. you immediately agreed to this offer. i didn’t want you to like the master’s class very much and my department was wonderful. ah, musicians. i had no idea that i could manage to be some kind of artistic director or boss. there are some over the artists and so on. i can’t imagine it now after 39 years of my work with the belarusian philharmonic. eh, somehow chief. i have never been. i served in the arts, served in the music and continued to serve. that is, there were some internal fears. yes, there were, of course, and your fears, so to speak, they were justified. no, no, these were internal fears, but i knew that i was going. a generally familiar atmosphere where

concerts are played, where programs are prepared, where festivals are held. it was interesting. it was supremely interesting as professional. and it was my new one. life a whole new life. why are you still, it was i who made such a decision , it was difficult to refuse. you see, when they said it was necessary, you understand, something needs to be changed in this, i was lucky, because i was surrounded by very interesting, uh, people , directors of the ministers of culture, who, in general, were pleased with the development of musical culture. e of belarus and what was the philharmonic, when you first crossed its threshold as an artistic director, a good leader, wonderful musicians, were

already created there. uh, the song of the dew fish, and so further. the first thing we did was make friends with everyone with vladimir georgievich spent with him. uh, creative conversation. by the way, he called me, work is also the first thing we decided. let's get disconnected. the academy for academic music is pop art, because you can't make money with pop music, and a symphony orchestra, and they began to work for themselves and the state began to really help academic music, and then thank you ministry of culture. we started buying instruments then, we started buying grand pianos, you know, and we started buying began to think about how to develop. it is true that there are no analogues of our philharmonic society in the entire post-soviet space, what makes it unique is the philharmonic society, one symphony orchestra and a concert

venue are enough, on which some kind of philharmonic action takes place, this can be the organization of a good tour, a good managerial point, which can e be a world meanings of the philharmonic, for example, the outstanding berlin philharmonic is first of all the symphony orchestra and the belarusian philharmonic is unique in that it philharmonic groups that were born they were many genre. different directions of music in the sixty-eighth year, yanchenko and oleg created the chamber orchestra, which still exists in the uh capella screen came to us under our roof under our wing of the philharmonic at one time. uh, the oldest one of the oldest bands. and what else, chamber choir, in my opinion,

the chamber choir created the belarusian harmony, the national orchestra from zhenovich in the family represented uh creativity. father of the orchestral and sinbal, thanks to our philharmonic society, regional philharmonic, creative teams appeared in other cities. here is the connection with the academy of music, the connection with the conservatory, the connection with young performers. she gives some kind of refreshment all the time. smart erudite inquisitive guys in 2017

, therefore, they are from our time, i chose the option. yes, why not beautiful words beautiful feelings will find answers to all questions. i have several indications for one lesson was just the same located the highest waterfall in the world. i don't remember that i went for breakfast. what do you want intellectual entertainment show? i know on the tv channel belarus 24. if you want new dishes on your table every week, she is ready to take a minimum of time. we

will need the fillet cut into a medium cube of spice. you can add absolutely any, i still have cloves here, they and allspice. i will also add to search and plan recipes you won’t have to do everything for you . curry is also queen victoria's favorite dish, she ate it almost every day. i would call this dish lazy pilaf, because now we will prepare all the products and quickly fry them. i love adding spinach. because spinach cheers us up . and improves appetite mini kebabs are ready to serve. i will have them with rice. watch the culinary project for a week on belarus 24 tv channel and cook with pleasure. over

these 40 years, the philharmonic, of course, has undergone huge changes in the repertoire and personnel policy. yes, the building itself. in general, experienced such a global repair. it was a difficult time, i understand, so i wanted to know from you how the philharmonic changed your life for all these years. she became a home. you just had to spend the night there almost almost spend the night almost. it seems to me that you are there for the philharmonic 9 nights yes, your home, and she became, in general, uh, to protect. uh, the interests of the artists, the most important thing is to feel their need, as a musician, who is in general in demand. that's a dude too. and how does home relate to your hard work.

which is already chronic. i have actually the same character and olga parfenovna, savitskaya, she not only teaches. uh, she also hosts concerts. uh, masterpieces of organs of music, it is all the time in music. she writes creative works, and therefore i step over a huge number of scattered sheets at home. not wanting to break anything, then the reason that this is very important. there is another creative work going on, she is a theoretician and a theorist in demand , it is also very important that we also help each other. we can say that the song music connected us, it's about you, of course. of course, maybe so, what you most regret in life is hard to say, in general, i can’t say that i regret something. i am happy

person in life. i can't say there's anything else i wish for, but of course, uh, there's always something truly missing. few. e hmm i would love to. so that we continue to develop, so that there is peace, so that there is peace and the only opportunity is to compete at music festivals and at international music competitions and sports competitions. i love football love sports. i like to watch yes, all our matches, and as a child we played football. well, of course, who did not play the boys. the truth should have been this musical the school is most proud of your students

of your family. that, in general, we are lucky for me, that we are like-minded students in this sense, students who have always made me happy and are still happy now, here are those who live, who always have some good intentions of tradition, and they go out to pop, they are in demand yuri nikolaevich our program is called the meaning of life, what is the meaning of life for you . this is the most difficult question of life - is it a happy chance that should be cherished, like the apple of the eye of life, for the reason that it is given? this is a huge mystery, how is it for every person happens. this is when in

life it is sunrise and sunset. this is the smell of lilac. it's hmm, it's a forest, it's a river. this is dad. mom, this is a beloved woman. it's a lot. these are children. this is a wonderfully perfect phenomenon, therefore, in life there is always. eh, the most important creative life should be for every person, and every person is a creator of every person. this is, uh, not only the creator of his own happiness, but he also creates something for other people. in any profession therefore, and music makes you feel in other individuals. also some human happiness, and this is the feeling.