no one has the right to mock pushkin, but no one has the right to mock a person. is it possible to mock the apiary? why put on the well-known classics today and if you put on how and what to consider as a director's mockery, and what is the actual and modern interpretation of the answers to all questions on the stage of the mogilev drama theater, the lady director igor kazakov is on vacation, it seems to me that we are mocking pushkin here, that is. uh. here in general there is such a kind of madness, and who is to blame for this madness of the world or is to blame for in relation to a person or a person in relation

to the world, who brings whom mockery of pushkin no, i think that it’s just that the classical work has become more voluminous, such performances should be. and how theater should be different. it should be anything but boring, then i am for such a theater. however, not all actors were equally enthusiastic about the upcoming production. i didn’t want to immediately participate in it at all, that is, it’s absolutely a production that, well, i don’t particularly like. pushkin do not like this story. i am like that. well, okay, i hope you know, no matter how about me i wo n’t participate in them, and then through the prism of blaslavsky, and then there will always be cossacks from above, i think, well, something will obviously be interesting, and then we began to work. i realized that this is ketch this is a comedy, this should be taken lightly and lightly everything went. that

is, there was no such excitement, or fear fantasy based on the textbook story of alexander sergeevich pushkin, textual growth and fantasized by the playwright and dmitry bogoslovsky, she did not limit her directorial fantasy to the mogilev stage igor kazakov unexpected and very modern dialogue with the classics or big theatrical crazy. for me, this performance was called in general. well, as you know, complexity is, on the contrary, interesting. it's, on the contrary, cool to overcome some of your fears of something with every day of rehearsal. i walked, i stepped on my fear of many difficulties, many overcomings. you pass in order to get a big beautiful holistic story. the director offered not

a banal retelling of the famous story on stage postmodernist game with an intricate system of rules by strong and rivals and with serious stakes, the gamblers did not immediately select a certain number of people. just not assigning roles, and i don't remember. how many, probably a week we just read and completely different roles, and he, i don’t know, i did n’t ask him how he determined who would play whom by ear or how or maybe for some other qualities of talent, maybe in this version of the queen of spades, the main character. herman lies in a psychiatric hospital, he is exhausted, insane and obsessed. herman hardly understands where is reality and where are the fantasies of an inflamed brain. and that everything around is like a lunatic asylum and the labyrinths of st. petersburg streets, or even worse, that there is one's own consciousness, you begin to understand and understand that not only herman is insane, but everyone around him. he composed yes of the last

day, that is, even on the last day, and now the premiere, something has changed, something has been rearranged. something has been bought. it was great. i mean, it was so creative moment, which, well, i think that the whole team had to work, it was interesting to co-create. well, the concept, of course, was the general one, of the performance, of course, was in his head. that's because even if we offered something like that, and it didn't fit into what he needed. it's simple, well, thanks, uh, offer another. that is, it was co-creation, but with, let's say, its tough vision. the whole performance. to build a world on the theater stage through the eyes of a crazy world of gray and oppressive difficult task for the workers of the theatrical backstage artist sculptor the more difficult the more interesting when a person knows how to make

when it is no longer creativity. it's already a craft. but when a person does not know how to do it, then this is creativity. it's kind of like love. maybe every show. it is always something new to invent and something to fantasize and somehow invent. and, of course, these here, for example, also a finger made of hepal, which was supposed to work like a real human. to do all this motor skills. that is, inside it was necessary, of course, to insert some kind of spring mechanisms and some kind of fishing line somewhere , so that it all worked, and so that it was interesting for the viewer, and so that it looked spectacular from the stage in order to the performance took place and the audience saw it. the queen of spades has a huge team of professionals in all its glory, for example, there is not only a make-up artist, but also a hairdresser-waste specialist in the manufacture of wigs. initially, wigs were made from just artificial hair. just white long artificial hair. he is uncomfortable, he gets confused, he clings. this would be a huge minus for both the actor and us, because

my mother had to take a very long time. after each performance, comb each wig. and there are about nine wigs. these are for well, and the idea came up to make from ordinary twine. three and let the participants in the theatrical madness immediately relate to gambling, sleep it, before playing cards with fate, you must at least tune in to watch the repertoire. yes, you have the queen of spades here and there, you already have in advance you start somehow to fire, because, well, you won’t go in with a dry foot and it will be somehow. well, not really, so now it’s probably even more difficult even than it was when there was a rehearsal moment, because it’s already somehow difficult to escape reality during this period, the actor maxim chernyak

feels sorry for his hero a little and even justifies the player in the shower . herman held back for a long time and did not play cards, but in the end he won not only fortune but also himself. as far as i can remember forever. i wanted to play negatively, because, well there is always a story nearby, there is always some kind of versatility, there is nothing the same there. you know good things always happen. well, good, but kind there is a bunny, or there is a cat, well, he is kind and that's it, that is, there is no any depth there, but near it in such a clean there is a story there is a tragedy. it's sad to watch how he ruins his life for some just chasing some ideals that, well, led him nowhere. it would seem that herman is the main character and all attention to him, but in this queen of spades there are several more unexpected characters in one ward with german van gogh brodsky britney spears chadayev. the only thing that unites them all is that they were in a psychiatric hospital.

the performance is built on a fine line, a parody of reality and clashes of kitsch illusions in two acts. laughter through tears or comedy in the hand of tragedy. present, the closest of its interest-free limits and the future for me personally are my roles. this is probably when the door opens and from there the light and chaadaev creeps in to this color. here is a window of some kind of release, or something, it turns out, a psychiatric hospital. everything is like a crazy world in life, or we are crazy in this crazy world, instead of grieving over the fate of chaadaev with homeric laughter, it was necessary. unfortunately , the viewer needs some kind of comedy with birch bears. that's a little bit from this, not always, not always, but there are moments of feeling that something is coming. well, what

can you do? the actress elizabeth short accepted her young heroine and did not immediately understand that they believe that the role of the meek, obedient, submissive and intelligent liza is still relevant today ; often modern young ladies continue to live not their own lives, but according to conservative and far-fetched rules surrounding lisa still loves the old woman, she is sincerely upset by the realization that it was her fault that the old woman was killed through her fault. and this bathroom scene, like a farewell, this is a memorial service for lisa - this is a way to ask for forgiveness. well, i didn't want to. i didn't think it would turn out like this. i , too, wanted love, i wanted salvation. i also wanted to be loved throughout the performance, the actors change clothes and change their roles. whether it remains unchanged

along the doctor, although conditionally the doctor conceives this game, and here he plays all the roles for bullying the actors distraught from theatrical action, watching with bated breath, trying to figure out the medical history of the heroes and diagnoses, but the patients are still. it's a pity, cruel treatment, after all. art requires sacrifice. i say, no, it doesn't require anything. i want to survive at least, - he says, not only did they drown it and beat it up, it’s gone, but in winter, when you play if we still have a pocket open, it’s very windy, and that is, everyone was worried about me, because well you never know suddenly the sheets so the actors brought something else. they brought me honey in jars , ginger lemons, that is, well, because they were very afraid for my health. and to me , on the contrary, it was in a cafe. i think you will take away the most basic chip right, which is so very cool when it dips you. i think, give me the opportunity to at least bathe in this performance. no, leave in any way what is interesting it. well, i

liked it, plus it’s such a move that they dip you, and it kind of starts to see all the craziness gradually it gets creepy. you understand that everything is not so clear. and it seems that you begin to guess what the author wanted to say. maybe it's time to see a doctor, or at least self-medicate the fear of reliving this whole story again. here in this, roughly speaking, such dirt, but cool dirt. that is, it gives me great pleasure to play this performance. when talking to the queen of spades, of course, it is impossible not to talk about the mystic and easily cope with the disturbing gloomy aura of the sinister story and not think about fate, villains, did the evil lady intervene there was a lot of the mogilev production, especially when we were rehearsing the last scene. ah, when they grab this deck and at the end i had several times

that it really was the queen of spades in my hand, that is, well, i just grab it. well, that is, there is not just that i look at the cards, that is, here she is all the time and we are like that. well, once the rehearsal was the same, the second one was already stopped on the third one. that is, they said, come on, we will not rehearse now. everything is because something here is not clean. to me it seems that the queen of spades itself appears in the hand of the spectators of the house of spades to be left without private. not just theatrical gambling after modernist games require unraveling. it's not enough just to watch a performance, like a blah-blah-blah scene, when they just talk, but the viewer should. it seems to me that this is a success, if the viewer still feels goosebumps, goosebumps do not lie. the queen of spades has been on the mogilev stage since october. once elizabeth was lucky to visit not only the stage, but also in the hall as a spectator, she felt the madness of the theatrical queen of spades on herself. i am sobbed through the whole performance. i was sitting in

the hall. just help him please. these decorations, light, music, effects are all superimposed on each other, and in general create such an atmosphere that well, emotions are simply impossible to contain. in general, therapeutic recommendations, art and shoka can definitely be seen with your own eyes. the big task is to provide the population with tasty nutritious vegetable products throughout the

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