have you seen lisa for a long time the other day asked to help with the organization? this good guy, petya , you know, i like him too. you go come to us. aunt marina got bored, let's walk a little more, then we'll eat and go to bed. i'll try as i promised. victor is growing up so smart, yes, very hello. the children

have arrived. wow, show me the start of sales in all bookstores in the country from friday. li sister let's go say hello? hello and what is this interesting thing brought to us, sister? liza let's see this book was written by your sister. this is a story about everyone us.

i don't have enough all around my head, i don't have enough rest.

never

in the history of art can an end be put , and the 17th century will still be studied for quite a long time and the exhibition that our viewers will see, in some cases, can even be called such an experimental one indeed. the first such large-scale exhibition, which would present a work of the 17th century in such a quantity. why the golden age, probably not only because the golden backgrounds shine on our icons, because the 17th century was special period. it really was the culmination of creative forces. the fact is that it was during this period that the efforts of artists were the efforts of individual icon painters. prior to the centers of orthodox brotherhoods, a special spiritual saturation and artistic perfection of the belarusian icon was formed. the 17th century in the history of belarus is extremely complex and, in general, even this has some contradiction, because the endless wars of the cossack uprisings that we know the swedish

flood, how it entered into history. under that name. e hmm everything, it's like not contributed to the development of art completely, but, nevertheless, especially the first half of the 17th century is really distinguished by outstanding achievements in this area , first of all, because the masters inherit the renaissance and here you just need to remember a little history. it must be remembered that sigismond was the first to marry the milanese princess of bonnisfort, who comes to belarusian lands and brings with him all the painters, artists, architects and xvi century, italy this is the renaissance and local artists. they saw these european samples and looking at them, of course, they absorbed something in themselves, yes, that is, they also processed. eh, even on the basis of what has already been in the belarusian icon is very strong. folklore moment all hmm innovation. yes, all

renaissance traditions come to belarusian lands not indirectly, not through some territories, but with direct carriers directly, but enrich it with new achievements of western european culture, which come here with catholicism and a little bit penetrate into orthodox iconography, and subsequently no longer infernal, which almost 90-95% are occupied by the main cultural space in the middle of the century. this is the time of the war with moscow, yes, the russian-polish so-called war. of course, there was already not enough construction of new temples of misunderstanding of some high multi-tiered iconostases. it was a time of great anxiety. e, restless for everyone, but the orthodox brotherhoods of orthodox brass did not stop their activities, there were quite a few. we are now talking about the commonwealth and therefore the most famous in

lvov, vilna is closer to us in vilnius. e, u we had a very powerful, serious brotherhood in mogilev in pinsk, and so on and so forth. they do not stop their activities, and if they do not have the funds for the construction of huge complexes of serious magnificent, then some kind of icon, renovate or order a new one to replace the local row of the iconostasis. for this, they had the strength of mogilev in the 17th-18th centuries. first, it was a very developed trading city in the seventeenth- in those centuries it was equated. this is the only city that has been equated with the capital of vilna of other such was not, and in mogilev there was an orthodox brotherhood - this is a community of laity and clergy. and come these brotherhoods existed at orthodox monasteries. in mogilev, the union was not accepted by the inhabitants. mogilev in 1618. they didn't let a uniate archimandrite into the city.

kuntsevich is also a well-known fact. that is, of course, here they are - this is their orthodoxy, they protected and buried, and in addition, in 1632, vladislav the fourth. ascended to the throne. he organizes, forms, probably, or rather, it is correct to say four orthodox dioceses and one of them is mogilev mstislav, that is, the center is the center, the city in which there existed under the monasteries of the brotherhood of the church, which really were certain icon-painting centers. masters are already starting to leave their signatures a little more often than before, dates appear, if not even on the front surface, then sometimes on the back, and this already speaks of the changed self-awareness of the icon painter who has grown up about the changed self. he already feels himself not just a grain of sand in the world, but a person who is capable of such an important serious

an act to create an icon-painting image that people will come to pray to worship and expect mercy from him and hopes for the best we are now just the same we see icons from the mogilev region of the 18th century. this is a beautiful icon of the mother of god adigitria, this is the old testament trinity or i am a prophet, and the dormition of the most holy theotokos begins to penetrate into the canvas of the belarusian icons of the mogilev region. uh, the elements, the scenery elements of the still life, and you can notice what a gorgeous still life is on the table? the icon of the old testament trinity is cups and some plates, knives, kelikha, and a bunch of grapes, bread, that is, the artist places a really quite developed still life on the table in front of the angels from the monumental images of the savior of our lady nikola e, and she is from chrysostom and other saints. uh, the masters go to the image is not what they

go. they often turn to the image of plot works. yes. uh, these are holiday icons, as a rule, this is the protection of the dormition of the mother of god. this is the nativity of christ and the nativity of the mother of god. these are plot images, plot compositions, to which they refer to great interest, because e allow e, these compositions to convey to them the outlines of the details of everyday life, of that time gold or silver was used. further, the icon was decorated with very massive frames with decorative overlays, which were called stones. this is another distinctive feature that appears under the influence of western european art. further , belarusian icons are characterized by narrative ethnography. what does this mean? the fact is that belarusian icon painters introduce elements from

surrounding life, this is utensils, this is furniture, and the clothes of the characters. in addition, this is a feature of this mogilev. yes, this desire for patterns, the desire for ornamentation, the ornament covers not only the background of the icon, but also these details . and what else is important to note individuality, but hmm the characters begin to acquire specific features, that is, we do not see their strict canonical lilies, as on the icons of the 16th century, the portrait characteristics are somehow individual. features and of course, icon painters in the xvii century, they tried to convey some spiritual movements, to convey some seized everyday situations. this is what really distinguishes the belarusian icon and makes it recognizable, of course, the most significant icons of this period and related to this version of the belarusian icon painting are presented in our exposition. this is the nativity of the mother of god, you are

commissioned by peter and all of her through the voices of 1649. these are icons of the so-called malorita so-called or brest as it is now, maybe we will rather say the masters, many of which are dated to the middle of the 17th century. exactly. here they are just full of everyday details, details of narrative plots that were typical for this time. here we are already talking about national traits, and the outlines of which are shown by the servants in the scene of the nativity of our lady of the carriage. eh, baby carriages, but these belts of which babies were transplanted in their time, that is, a person who is especially well acquainted with the life and ethnography of this time. he just finds those recognizable hmm rare details of objects characteristic of that time this time has not been preserved at all, it has not been preserved at all , and we only see them on the works of painting, as they were, and according to

them we can already recreate the life of that period, the everyday history of everyday life , there is such a term, yes cultural, which is now important for us when restoring palaces and manor and some household complexes. e, here, this is the invaluable heritage of the encyclopedia of life of that time what is the belarusian icon of the xvii century. the assumption icon of the 17th century characterizes such a feature of the mogilev region as the desire for patterns yearning for carnatics. yes, christ was crucified, the mother lived in jerusalem under the protection of her beloved disciple. christ john the theologian and when i come to her the time comes to move from earthly life to life. archangel gabriel appears to her eternal and announces this all, but before his death. the mother of god wished to say goodbye to the disciples of her son, and they all miraculously gather around the bed with the body of the

mother of god, and christ himself appears here, who takes the soul of mary into his hands and is on the icon. how can you see the soul the mother of god is depicted as a spilion baby. why is it considered that she was as pure and innocent as the soul of a newborn child and here, of course, we need to talk about the influence of western european style and already the influence of art, baroque, when the artist seeks to show the depth of illusoryness, an architectural landscape is being built. that is, of course, these stylistic features of the work of the 17th century are very well read in the existing churches of belarus, very little has been preserved, it must be said we know little of them at all from that time. how many of them were according to archival data on inventories and how few of them survived. if we talk about the collection of our museum, no more than 150. this is probably not even one, but 0 1% of what, in principle, was

created on belarusian lands, we have very few monuments compared, for example, with the same ukraine or russia culture of belarus with a rich history, we are located in the city of berezino in the center of crafts and its famous for the whole, belarus museums of a wooden spoon. here such an ancient craft, which is well within the power of every master 20 years ago and is not subject to already a thousand and modern art of a new generation. we are at the republican theaters of belarusian drama or your field is the play stone to grow, and it is overgrown with current, of course, because this performance is to live. and about the man you

lived, you will live on it. fashion for culture on belarus 24 tv channel share useful information about holidays in belarus a double church in grodno is certainly a hallmark of the city, and it is open almost around the clock, but we advise you. guess the time when there is a service here. feel the atmosphere let's plunge into the history of cities and villages. new faith called nest parishioners who defended their rights in every possible way and only with the advent of vladislav the fourth vase to the throne. orthodox prayers resounded here. this is a frog in relaxation. the locals call it that, well, this is for all the townspeople. an example of how you need to not only work, but also relax and explore local

attractions. now it is a museum, and i will note absolutely free, you can come and see and see here that there are a lot of small antique objects and believe me it will drag on it will drag on for more than one hour of reconciliation, you will look at this and make peace with someone important for yourself. it flows here. this spring, unique for the locals , they say tsar peter himself drank water from it. travel with us to belarus 24. for real lovers of the garden, we promise it will be fun and very informative with us. we share secrets. uh, always pay attention to the color of the root system in the plant, everything that is light white, yellow green - this is a living thing, we are conducting experiments. every year we replenish our collection. we test varieties and leave those

that are most suitable for us as successful , suitable for yield, taste preferences, and so on. and how often cacti bloom, and how to push them to bloom seeds processed with small juice come off much, better. they start growing faster and the seedlings turn out stronger and we enjoy the result. but this is a real miracle of nature. it seems to me that this variety has collected all 5 shades that can only be hydrangeas. watch the dacha program on belarus 24 tv channel. on the icons of the seventeenth century, in principle, here, as well as on the icons of the 18th century , icon painters studied certain tasks. what task did the icon perform or be in

the iconostasis system? or she was called to stand separately on pillars or on the wall of the temple and, of course. uh, if this is an iconostasis, then icons, that is, the iconostasis consists of several several rows, a local row is a must. uh, the image of the savior and the pagomother. and now we see with you a separate great virgin mary jesus christ festive row. here it turns out. we have plot icons . yes, these are scenes from the life of the virgin mary jesus christ, the complex of the shersher iconostasis. this is a unique collection. in our museum. this iconostasis was taken out by the scientific expedition of the museum in 1963 to the shtetl. shireshevo known since ancient times, it belonged to queen bonnie from the creator. it was in possession. the polish king sigismund ii, and before that they owned, ilinichi, from the connection associated with the magnate e with the worldly

castle, primarily for the berezinsky and so further and the town flourished approximately until the 17-18 centuries, for now. uh, the little sheryshev church didn't. it is already so more modest in terms of those scales, but the fact that the iconostasis of such a high level of professional painting has been preserved there. he says that the patrons of that time paid great attention to this temple, because a highly professional master ordered such a painting. highlight gilding silver plating. all this required a lot of money. if we are talking about the material component. well, you can count to put it mildly, yes, the boards, uh, on on the territory of belarus, this linden is most often used the material that is somewhere in the row. yes, we did not have cypresses in the territory, yes, and therefore linden is a very soft tree, it is good to use both pine and spruce. levkaz is

chalk and glue. and, of course, gold was quite expensive; gold leaf and crafted gold were used. but gold leaf is the thinnest sheets, if i'm not mistaken, there is a thickness of 100 meters, it's very much like a hair of a leaf. they were already pasted on the poured boards, but they were very expensive pigments, colorful. that is, these are the substances that give us color were pigments that were made from semi-precious stones. such as malachite lapis lazuli were imported pigments. and, of course, they were quite expensive, and let's say to use such pigments to buy such pigments for an icon, well, a rather wealthy person, that is, a person who funded the funds. for us, the writing of an icon from such materials should have been quite well provided for, literally a miracle, this complex

survived with us, because soon the church was soon dismantled. after the iconostasis got into the museum, moscow specialists began to work with it, strengthened the painting, cleared it here, and there was silver and gilding, a very complex technique. and the fact that several masters worked here 3-4 masters. this was established by our specialists, who carefully studied the painting style, the coloristic style , the technique, the technological research , and the holidays were also held. here they are shown exactly according to the calendar cycle, and not so, as has traditionally been shown in such a narrative rolling motion of events. this is a rare case for belarusian iconostasis rows. at the exhibition, we also wanted to show what place in the temple this or that icon can occupy, and this

small complex of icons, and reconstructs the local row of the iconostasis, according to tradition, the royal doors are placed in the center of the local row. why are they called royal symbolic entrance to paradise it is believed that the king of glory jesus christ passes through them on the holy mountains and the way the icons were painted according to the canon also image on the royal doors. it has also always been strictly canonical, who is always depicted in the lower four terminals, the image of the four evangelists is given. mark matthew of the bow, and john sometimes instead of the evangelists or together with them, their symbols are depicted. matvey is the angels or the man said, so when he wrote the gospel, the angel mark himself whispered to him, this is the lion of the strength and power of the bow, this taurus is a sacrificial animal. and john is the eagle, the bird, youth, the flight is striving. souls were sometimes the symbols of the evangelists attributed to the to christ, a man, since in the humanized lion

defeated all his enemies, the taurus sacrificed himself in the name of people and the bird ascended into heaven incorruptible to the left and to the right of the royal doors, images are always placed. the mother of god of their christ is bogomatiodigitria and christ almighty and very often on the royal doors, and the image of the savior not made by hands is placed - this is one of the earliest iconographic types, and in the image of jesus christ we try to recreate the location of the icon in their order, as they at one time were in the iconostasis. still. it is an unshakable system that is to be avoided. uh, any exposition builder fails to save one side. our lady on the other side. apostles. always turned to the image of the spa. and the holder, e, the mother of god, as a rule, is next to the zhitins with festive scenes and so on, that is, the images of the stolins are

images of the holy apostles of this particular region. i consider it very worthy to be represented by a work from a small temple in the skin of an angaratka, if in brest works the graphic character, light-facedness, prevails. e, such clearer e, outlines with a dark contour of faces above the eyebrows under the eyes of the noses, then here on the table, nothing is softer, such a smooth painting, but it really is done by melting. this is such a very liquid, paint, tempera, and sometimes even oily, which covers the imperial layers of belarusian icon painting. mixed media painting technique is often used. and here we see volume. eh, here we see whether absolutely others are softer spiritualized and filled with such a special characteristic.

they live every character in the picture apostles distorted gorodok is distinguished by its individuality by its originality. it 's not just age differences. this is exactly the hmm mood, the state of the intellect, the attitude to what is happening two icons and the resurrection of the descent into hell demonstrate such a phenomenon in belarusian iconography as the parallel existence of iconographic schemes borrowed from both eastern and western european iconography. and here in the plot of sunday is the descent into hell. this is a very bright and very interesting manifestation of the first monument. uh, sunday's descent into hell. it comes from e, lahla, stolin region a, and it just characterizes. that's right, byzantine. on the graphic diagram e that we remember christ and having lowered the spirit descends into hell, just like his death on the cross. he atones for original human

sin and the first one, or rather, whom christ brings out of hell, were adam and eve, and now they are shown on the icon. uh, christ a shining mandor or a two-tone blue-blue stands on the defeated gates of hell and look how the icon painter depicted these defeated gates, chains of locks, then how he he imagined this and christ holds hands, that is, he leads adam and eve out of hell , the righteous old testament prophets are immediately depicted. that is, this is how the resurrection was depicted in orthodox iconography. yes, in the byzantine old russian, western european painting interpreted this plot in a slightly different way. it's sunday there. christ was interpreted by his historical inter as the rebellion from the grave, and here is the second monument that comes from the pinsk region, he very clearly illustrates. this is exactly the

phenomenon in the center of the icon on the lid of the coffin the resurrected christ is depicted. and in a shining mandorra in robes with a resurrection ensign in his hand to the left and right of him, two genre scenes of the appearance of an angel are introduced, to the myrrh-bearing wives and an angel who supports the lid of the coffin, but this would not have been a belarusian icon if it had not combined in imagine these traditions of the west and the east look according to the western european tradition, christ is represented on the lid of the coffin, but according to the eastern tradition. we already have christ, we do not place him here, on the fallen gates. hell is depicted by the archangel michael killing the devil or the devil, again, according to tradition, i will give left and right and eve, that is. here it is belarusian icon connected the west showed. the current and everything on one icon surface is extremely rare. i would say a completely unique phenomenon of the belarusian icon painting of the iconostasis of the iconostasis of

the zhirovichi monastery of the assumption cathedral . e was, built, a multi-tiered iconostasis and for him there were painted icons e, unknown to us, unfortunately, the master, but these are icons that testify, and such a culmination of the development of e, belarusian painting. e of this centenary the centuries that we speak of in this exhibition are images. i would say renaissance forces. powerful, extremely highly spiritualized in this case, this is a complete

illustration of the plot. in full dress. usually these are the shepherds who discovered the image of the mother of god. in this case, these are the images of bishops, perfectly corresponding to the apostles, which surround this wonderful central work. in the second half of the xix century. the crane monastery became orthodox and the backgrounds were closed, with solid gilding, only the figures of the apostles remained. well, in 2009, with the blessing of metropolitan philaret of blessed memory, these works were transferred to our museum. the restorers saw what was under the golden background. i absolutely another author's layer. they opened these backgrounds and the apostles found themselves in their own, so to speak, frame, that is, in that situation

on those backgrounds, in what landscape, as they were once conceived by an unknown master, and they received their full organic embodiment. these are practically incorporeal beings. how do the apostles appear in most icons of iconostases. these are absolutely living active ascetics. these are the people who carried the word of christ to the whole world, who convinced the orthodox faith of all people and with great success to them. it worked. this is an extremely rare case of the belarusian icon of the press of such a high combination of achievements of european artistic culture. and here is this local understanding. non-interpretations of the types of saints on the icon were strengthened by our restorers, as i said cleared. these complex works were carried out under the guidance of. e. arkady

samolovich of the tongue of our restorer of the highest qualification. we are all extremely grateful to them for the revival to a new life of these works and certainly. they became adornment of our exhibition is the quintessence of the entire exposition. and that, as it were, the final stage, which here to us a high spiritual upsurge allows the viewer to appreciate this age of the golden age of belarusian icon painting

without leaving home. you will plunge into the atmosphere of culture and creativity once more than one difference roma will visit unique exhibitions. in the first year. we have implemented. uh, such a project was shown by graphic techniques. and here is the topic of such a twenty-second year. it became a fashion illustration. get acquainted with the belarusian traditions and rituals and be satisfied species sans gave birth. you are like the share of a new family was happy and iron caring. oh, watch cultural

projects on belarus 24 tv channel. how long have you been holding a book in your hands? they leafed through page after page greedily, tasting every word of all manifestations of human creativity, the most surprising and worthy of attention. this book within books lives at home, the voices of people are distinctly heard from the past times. everything that mankind has done has been preserved, as if by magic on the pages

of books, reading a person survives centuries. reading brings together generations valuable past for our present.

we follow the sports life of our country, which we have very strongly rallied, rallied our family, rallied friendship, we calmly go our way step by step. we will continue to try to please the fans and help keep ourselves in shape. this is a complete workout that will exhaust you to the fullest and after which you will probably literally crawl out of the gym. you can’t sit at home with maximum concentration on

effort. we exhale. main advantage curved bar in that it takes the extra load off the forearm making heavy weight exercises more effective and safer than lying on the couch. do not miss all the most relevant sports projects on our tv channel. when i first came here, of course, this greatness immediately impresses you very much. it takes something like this. oh, what a heavy pear. oh shit, don't push it. yes, they are two mistresses. we ate what yeast looks like. you don't know by chance grease points red caged studio. they husband you accidentally cook cherries. maybe the mother-in-law is coming. you know,

comrades, that boxing is slowing down in twenty-fourth place. you see everything turned out, look good satchel.

yulia pertsova is with you on the news air now. hello. in these minutes, after a five-year break, the tv top is returning to the big stage for the first time, the show will take place in the minsk falcon arena. tv stars are already coming here. known, leading journalist and regional media this year, half of the tested applications for participation came from local television and radio companies with their long-awaited for belarusian television workers for the last time. she was awarded in 2017. all the details in our next editions of the tv version of the event. our channel will show tomorrow at 18:00. alexander lukashenko called on the eu countries to unite and act