er, mostly helped us start a family, because without them, i wouldn't have been able to finish my studies. e get. yes, that's education. they never even said. we won't help, spin as you like. they always don't worry. we will help you. you have someone to count on and will study and work. we will help you give birth, and we will only be happy. in belarus, all conditions have been created to start a family, have children and not be afraid that you will not be able to at least raise them while you are on maternity leave. being here i wanted to create a family to give birth to children, and i was not afraid of anything. i mean, i kind of felt safe.

we follow the sports life of our country, which we have very strongly rallied, rallied our family, rallied friendship, we calmly go our way step by step. we will continue to try to please the fans and help keep ourselves in shape. this is a full-fledged workout that will exhaust you to the fullest and after which you may literally crawl out of the gym for 80 years, 82. you can’t sit at home and with maximum concentration on effort. we exhale. the main advantage of the curved bar is that it takes the extra pressure off the forearm making heavy weight exercises more effective and safer than lying on the couch. do not miss all the most relevant sports projects on our tv channel.

panova tatyana nikolaevna founder , artistic director of the creative workshop of variety art khvilinka, today i would like to talk about children's creativity about children's music about children's perception of what they do directly in our team. hello, good afternoon. thank you for coming to us tatyana nikolaevna khmelinka next year, this is the team to which you leader will

celebrate the anniversary, 30 years is an implausible figure in my opinion. and looking at you. and in general, i remember the history of our entire stage for you, what does it mean 30 years. you know that implausible, i would not say, probably it would be implausible for a person who would have expected this figure. oh , here it is. that happened. here is 30 years of my team and what a fine fellow i am, i never it wasn't. for me, the school season is replaced by the academic season, the creative season is replaced by the creative season. this is a natural pattern of my work and the only thing in this figure i how cool is one moment i will not dissemble. this is what at one time i really wanted to have my own team, and i really wanted it to live , survive and justify my hopes and my creative aspirations. that is, you do not belong to the type of leader who celebrates the anniversary, there 25 years ago 27 years ago. do you know that

i celebrate these anniversaries my 25th celebrated we did 20 we did 15 only because kids need to feel meaningful and hmm not randomness of the structure in which they are involved in the groups they attend here, well, to say that for me personally these are milestones , which i now oh-oh-oh, it is necessary. everyone should feel that we have been here for so many years. no, i don’t have this, in principle, i love my job very much and for me everyday life is much more important than everyday life that prepares our holidays. and if on weekdays 30 years ago to be transported, and it was the school studio. you taught that at school everything is about the aesthetics of the choir, the staging of voice singing. you know, a good practice, amazing in terms of communication with children, amazing practice is the singing teacher. especially if they are not singing children, definitely, definitely. i am very grateful for this period of time. in

general, uh, well, i’m such a person who, at the age when i graduated from the university of culture, and then it was the minsk institute of culture, that was the opportunity. e. well, let's say the choice of distribution, because i was a red graduate student. so i was offered many interesting structures such as, say, children's music schools, as a choirmaster in a choir at a music school. and yet, being an adventurer in the good sense of the word. i considered it necessary to go to the city, then not yet a city. and the city, the village of sokol ah, in which only just appeared e, with the excellent director vasily, gennadyevich, ananko, a young school appeared, which opened with an aesthetic bias. so i remember very well his first question when i asked him came with my mother. my mother was very worried about this choice. here is me. mom is also a professional musician. she says,

my god, where are we going at all, here. well, there are good schools in minsk. i say mom tell me it's curious. it's interesting to me because, uh, i was driven by something that i really wanted to try. i am individual in terms of musical e, environment in terms of belonging, or not belonging to the musical world, as a teacher. here, so that they don’t lead me, but try to learn how to lead myself. that's why i'm coming to school. i took the whole load. which young specialist could take? i started my day early in the morning such a find for the director for the director. yes, all the more it is necessary to explain to our viewers, who do not really understand where sokol is located and then it was well, the edge of the forest, in fact, a very new microdistrict. well, actually, we could actually teach at the center and, in general, you would probably also be lucky, because a person is active, what i'm talking about, there are active people many, where in the regions in the regional centers in the clubs. uh, rural agris, towns, and so on. hmm, not everyone succeeds, they kind of

invest their souls, but they gather a team, but few people, probably, manage to reach well, the fame that you have just to make a brand, you know. you are probably the most important thing. what i am now telling my children, because i have my children, whom i have already raised, is my employees are young colleagues. this is anya semyonova choreographer. this is ekaterina shumskaya. in addition, she is a belarusian pop singer. uh, besides that, she also a teacher of the creative workshop and show theaters of velinka. i teach them, probably what i taught. e, the kingdom of heaven to her, my teacher did not teach me this at one time, it was lyudmila efimova, e, the late head of the screen hoof. she always told me, learn to be persuasive. learn to be persuasive and learn to be alone with yourself to understand that you do not lie

to yourself about what you want from the pupils. this is probably the most important thing, because i have always been. here believe me 30 years. to me it was always alone with a comfortable. i never allowed myself any transactions, being alone with myself and i understood that i was comfortable because i was honest in my work. and this conviction that you are right in your business, how do you conduct it, how do you do it? well it's worth it to dress these kids - it's just hmm so absorbent. they feel it so much that sooner or later any artificiality collapses. and if the teacher is not literate, if the teacher is not sincere, if the teacher, most importantly, is not kind, if this is an aunt who i decided to make a name for myself here, the children feel it very much, so i never had a goal to make a name for myself. i

never considered myself as a creative unit. we have a slogan at home. i have a son. he also works in this environment, he is a sound engineer, and we always say that it’s up to me. yaroslav the first child i had. this is my team. i really treat this as a brainchild, and we don’t have a concept of business in the family. this is our business. this is our creative work for the velinka, and i will by no means and never call it a family business. - this is the work of our life. this is our family member, having a mother, having a son, having a husband. like my companions. like my colossal main associates. i can safely say that there is something that we have created all together. with my idea of ​​personal professional interest. this is our common single big our big creative child, who will soon be 30 years old. you have already

noted that with you the kids from the very first steps to 30 and above, perhaps there are and some of them have become famous, so a small task for you is small let's see. performance of your collective of the fourteenth year, and you will tell me later. uh, what are these girls doing with pleasure now. uh-huh girls, be bolder, tell

us beautiful words and give us gifts that make your head spin. give tits to our shoulders the police. well, remember? all, of course, more than that we communicate. tell me here is the chicken in the center, what is it like yarotskaya, which, by the way, i hope to repeat the fate of ekaterina shumskaya katyusha on the right of my side liza is now a teenager. yeah, you know about persuasiveness. here she really convinces by the way she treats , uh, by the way i taught her to think vocally. i am very pleased that the youth

variety theater considers it necessary to invite her even to adult projects, but it is impossible from her. here they pay news. there is some kind of charisma. she is very musical, she is very sincere, what we talked about above, that's what i tried to teach her. i think i managed to do it and i'm very pleased that she never did. katya did not imitate. she goes in its own way. she is a very bright vocalist now, but the girl. who danced a little further. yeah, today it’s anna andreevna semyonova, the choreographer, that the theaters are great. but you didn’t say about another vocalist, which is katya lisa and anechka anya, unfortunately, did not go into music. she was very musical. that's like a child, but she has been like this since childhood as a mathematician. here is how it happened. she went to the exact sciences. she studies at the belarusian state university. here she is visiting us. i love her very much. she happens at all our concerts. you know, after all, the most important thing is that i do not have a star factory. i

don't have a production center. i have that children's team that, first of all , gives, and the joy of creativity, due to this, creates a vocal and dancing cool childhood, and you make them good, kind people and very relaxed, who will not interfere with mathematics, all the more and even the communication cable is uninteresting light in general. and, of course, decent people, because there are some principles on which the work of the team is based and, perhaps, the success of the thirty-year life of the team, because i have a big role. i give decency in my work , family decency, personal ability to answer childhood performed by havinke let's live

happily famous song, in my opinion, in the late eighties it was written here in general the question. uh, the repertoire of children's songs, it turns out, has not been updated much since those times. no, this question was asked very often at the

master classes that i had in my practice when i was a member of the jury, but at international competitions of forum festivals. ah, probably the secret lies in the fact that, but we should also have our own classics in children's musical creativity. and here it is, but we still play haydn, no matter how wonderful the classics are, based on the classics, in particular, belarusian classics today. yes, there is a classic. i am very happy that uh hmm my children know this word and know the differences in the academic pop music and understand the presence of the classics in composers as in the children's stage. so in classical music, your children know who the current is, sure, let's watch the video. big and comment to submit. this is the top of the best videos.

you see , this whole story is somehow dissonant for me with our children's groups, that childhood is on the stage on the roof, then i went to the dressing room and twerk, stronger and that's it. the rest is like

this. well, in general, there should be sincerity on stage too. it seems to me that you know some kind of sincerity on stage in particular, because we really pay a lot of attention we talk a lot, we communicate a lot, and uh, i always try not to to force, but to teach to want to read and expand m-m. well, let's put it this way. hmm , a vision of what surrounds and therefore it's not a secret that they, of course, are also in this tiktok and watch, but uh, i'm very pleased that they are happy to sing this children's classic, they really like this music . i'm driving their trips, i'm on a break when there's a rehearsal break. i see that they sing, what well, they sing, here are our children, they

sing the repertoire of the collective. but come on, here it is. a. here, come on, this is cool here moment. and here the melody is super, and here is the text. i like it, you know, so i'm very proud of what u are today. parents are grateful, they emphasize this very much. believe me. i don't find the answer right now. e to look beautiful. now i'm telling you how it is. i constantly hear the gratitude of parents. eh, for the fact that we enrich them intellectually, that we speak to them, i speak to them in a language they understand. they know that they are comfortable with us, that they can discuss something with us. yes, it's not a secret for all the years there have been different situations, when sometimes i had to say, well, you think, here, let's talk with you. you think, we will return to this topic. well, probably only in this way the team, firstly, can live for so many years and have, by the way, long-term participants,

because we are proud that our children go to the team for six to ten 12 15 years. that's why for me there is no such break in the pattern, and thank god i think that this is not the case for them either, after all. quite often it happens when parents bring their children. e assuming a child? maybe either just dance, or just sing, or sing and dance, but unfortunately, this is life , and given that we still make music, and in music there is such a thing as a kiss by god, whatever one may say, here we are honestly we see that the child is inclined more to coreography than to the ox. we talk about this absolutely sincerely and honestly and offer to sing, for example, in the team we have such an optional group for ourselves, where children do vocals for their own pleasure. but as concert players they perform on stage, like young artists. they perform on stage as a dancer, such situations happen. and

by the way, quite often, but we are honest in our professional manifestations and in the fact that the child really succeeds in what he can do with high-quality beautiful things that will give him pleasure, as a young artist, you know, i noticed when the program is low your performances, but rather that you have guys who look. well, uh, not exactly grown-ups, but they look, straight teenagers high. there are guys there in general, who, in general, well, not just for proposals in the sense that you know tatyana nikolaevna well, somehow, to be honest, let's sing if it's already childhood, well, let's do something with him there with rap with break with twerk, that is, they offer a little bit. well, here's how to combine this culture of tik tok with what is with the traditions of the team, of course, we are discussing all this. moreover, i want to tell you that i have never had a chance, for example, to make a choreographic production or we analyze vocal material with vocalists. i wouldn't ask them. you like it. i never have a moment of planting a repertoire, no matter how much i

like the song. no matter how much i like the dance that the director brought me or that we do ourselves inside the workshop, i am definitely interested in their opinion and i am definitely interested. and here's how you see it, but from myself, moreover, we have the concept of internal such master classes. here's your material. go think, bring it as you see it, how you can embody it, so im interested, so by the way, no, pattern break. let's see the visiting card of the female team team the song "school and led", this is a cool

bone artificial strategy. it can be combined. here is this topic. yes , here are the rays of the legs. we saw honok dear to the heart of the masters. and today you work with contemporary authors, with whom? of course, i really love the music of valera shmata. i am very pleased that we are cooperating. and i am very pleased

to work with seryozha with a dry line, we have wonderful songs by these composers for children. they like something. you are not the right word. not the word, how much you like it, and again, it all goes well. look here. here is the song take apart at home, i always say, before i say feel. well, after all, hmm vocals - this feeling is different in this specificity. yes, genre affiliation, but hmm in relation to some human emotions and i am in children. this is very cultivating i bring up that given that vocals are a feeling to let through yourself uh-huh to miss in order for the muscles to work in order for you to work let's say the whole volume of the arsenal of the knowledge in which you are laid at the muscular level, for this you need to fall in love. we cannot force ourselves to smile so that the smile is sincere, so sincerity is very important. and if you paid attention, there are very emotional velinka on the stage, they always act as actors with their faces. uh,

they act out with their body movements what they sing about and what they dance, that's why we always give everyone the opportunity to listen to make out the material at home, they bring it. well, not even ever homemade exercise. they just get acquainted with it and we discuss it, and of course, i will not hide there are moments when there are some requests for corrections. and here. here, let's see, right here, maybe let's release some interesting vocals, but this is our creativity. now we hmm probably answered all the questions. let's not take too long . we have a telegram channel. say, do not be silent, where you can ask your questions, as well as offer us guests we are in touch. on the air say again, do not be silent at a party. we have tatiana panova tatiana over 30 years old. i understand that one of your main stars is katyushunskaya. uh, amazing calista, how to start at all, well, in a nutshell, she came as a four-year-old

child. you probably know thanks to katya, given that there are now 26, and the team is 30. that is, you can correlate that, probably, this is the beginning of all the activities of the team, practically, er, the entire path of the team. most of the years before her eyes. yes, grandma brought her in. she just loved to sing. she fell into the hands of my mother, because my whole family works for filinka. here is my mom mikhailovna panova led the preparatory groups and continues to work with the children to this day. my mother remembers this phrase when she said to her grandmother, who very timidly asked, say any hopes we have of staying late so that she can sing and my mother is a teacher for their flight. mikhailovna said, she says, you know, this is our child, and the concept of our and not our child is based on what we started the

conversation with. this is honesty. this is sincerity. this is an open mind. it's open family by relation. e to accept the teachers and the methodology that you, with which you work, or not to accept the acceptance of the teams that you give or not to accept katya happened, because it happened due to this sincerity of a madman falling in love with music, the ability to overcome some internal moments. after all, it's not a secret. in children. there is a concept of transitional age. this is the only, probably child, except for my son. about who. i didn’t understand it at all, what if i understand it. it was not so much in character, nothing betrayed in her this breaking. yes she was everything years are flat. she has been a hard worker all the years. let's see, let's hear it. forward i wanted to love

you, but i won’t fall anymore, a star is falling more joyful hands hold you, but i won’t anymore . i know that you have a special technique for teaching vocals, in principle, education in the depths of the team. you probably know what kind of music your children listen to, that is, conditionally speaking, and they prefer billy or there, or conditionally speaking, some russian-language things. tell me in a nutshell, in principle, what you are tuned the most, probably a feature of my vocal technique. she

is. here again, in the conviction, first of all, that you are a choice. your choice is not random. what happened to katya , the child felt that this was not an random choice, that she likes it. she loves it. she wants to move in this, and moreover , i can honestly tell you, they didn’t think at all. in the family, katya will become a professional musician. that is, they didn’t just love hlilinka, but it turned out remarkably well, so, probably, uh, we can safely say that the sincerity of what you give to children is the conviction that you are right, that you give them, but there are children from you, so the most important thing is knowledge. if we talk about the vocal technique, i can safely say that i am proud that no one sings by ear. all my children are notaries, they know everything. not just solfeggio , not just notes, but therefore they talk about such composers of such a level of such musical

education as valera shmat. i'm not ashamed, and the mountains, yes, that, coming to us, uh collective or bringing children to visit him and i can be sure that they open vocal parts, they own the instrument. they can play. they understand what a vocal pack is, what a vocal chord is, and another advantage of the group among the vocalists is that they have such a m-m. uh, presence, except for a big pile of notes like this, uh, which is enclosed in a vocal folder. they each have a vocal vocabulary, that is, children know the terminology children, speak vocal slang, that dancers in their field, that vocalists, but as a vocal teacher. i am now talking about the vocal side of this issue, therefore, in my methodology, probably the most important thing is well, the first thing that a beginner kalista should mean is how the voice works. what muscle techniques are used and probably the most important thing is

certainly not a denied thing, but in the professional methodology of a children 's vocal teacher. uh, hmm, this is the protection of the voice, the hygiene of the voice, the opportunity to survive the mutation and then , uh, having gone through this mutation, become such artists, but if nothing ekaterina shumskaya, then in any case of being an accountant economist. understand that you can competently own your voice. you are not ashamed of your voice. you love him, and you can sing to show yourself worthy of what, by the way, the guys do, e . well, plus to all this. uh, i understand that there are certain requirements for the image and musical taste, because, well, in your team, the child must be a child. definitely. we try to keep them children. for me, this is very important, and therefore the children's repertoire in the team is definitely children's. and in general, you know, i believe that a

child, if you say childishly, yes, he should drink in the language in which he is able to think. and that's why here, for example, we don't have an english-language repertoire. we have a repertoire in the belarusian language , native in russian is the language in which they are able to think, because only in the language in which you are able to think. you can convey that palette of emotions, feelings, uh, in accordance with your age, but for me by the way, the issue of age matching childishness is always very painful when i am on the jury. you are uncomfortable starting time in this sense is not inviting to the devil. in this regard, probably, an inconvenient member of the jury, firstly, i really look at the correspondence of the repertoire. the age of the child. this is very important because it's no secret that now with access to various music videos on the internet. uh, hmm, any child is at the age when you want to imitate, yes,

uh, when you want to imitate, when you want to understand that, well, i don’t quite a child. yes, and it is important to understand this. undoubtedly, accepting this is simply without this there is no normal teacher that you do not accept, because if i deny this, it will be a conflict, and as a result, relationships are broken and not even relationships are broken, trust with the child is lost. that's why hmm nonetheless. i am for childishness and we try to support this childishness in them in the choreography that is staged in productions in vocals, as i have already emphasized the choice of repertoire. well, i would like to discuss this topic with you. you were in the jury of the recent competition of the children's slavic bazaar, and we had, uh, visiting conductor kulbakov not so long ago. he talked about the fact that in the adult competition there was already no one to choose and from e contestants, that is, trubetskaya was a cut above. i want us to listen to it and then discuss what it is about her that makes her head and shoulders above everyone else. let's

see after all. it will not start, but

adults and children you yourself say they want to imitate, they choose english-language songs, in my opinion, this is exactly the case when anya imitates well. yes, some branded the sound is not typical. this sounds fashionable . uh, in the understanding, apparently, of her director herself. explain to me why she is alone in her row and where all the talented children go when they cross a certain age line. that's the thing with this. i just come across this when children lose their desire. well, i played there as a child . popel, you know, it doesn't matter who he will be. it's not necessary that he become an artist. but if, in principle, the child loses this desire. i often come across this. eh, on the example of others teams. there you see a bright child, time passes. it's like he's disappearing. yes , like andrey of course yes, in my opinion, andryusha became, by the way, an actor, he serves all three stages and

plays a very interesting video. he found himself and found his lowest wonderful remained in creativity. but, probably, it’s very important just at the stage of transition from adolescence to a significant adult, firstly, to understand what you want to blame around everyone on the right and left, that they didn’t see me, didn’t watch. i was not lucky. probably this the easiest way and always i say this to children when they grow up. you yourself will determine what you want, if you are going to sing further, the first thing is to be able to competently grow up vocally and dancingly, the second in this growing up. you need to stay interesting, and that takes intelligence. well, i agree with you absolutely more, which you have already emphasized more than once. you do not have a star factory or an envelope for the release of vocalists on the belarusian stage. this is quite understandable and in the nineties. uh, i understand that including your creativity on your work

influenced by competitions, which were very popular then. morning star. we all remember, maybe now there are not enough of them, including among children's e some groups, i'm not talking about festivals. well, some tv moments. i don't know why they aren't there, but maybe there's a reason for that. i just mean that it is clear that when you watch a show of some russian or foreign channel and when well, russian in particular, the child suddenly starts deep. uh, on the lower front they don't track, guys dragging internal. i mean, what is it? well, it is like, well, the so-called show business. in our pop your view, in which direction is it developing? here we are, as it were, completely fenced off from this such western from western history with their vocals with these vocalizations there with belting with growling, there and so on or openly with us. we all continue to sing about here, well, let's start with what you said, growling was a titing. i can add with kat, more precisely, a strobas, and a lot of everything,

what is interesting is fashionable, but informative is not a secret branded in terms of sound clips, very good sounds good. sounds at competitions and on stage. nikita belkov concerts of the palaces of the republic confirms this, when he laid out all this arsenal, he was in ecstasy, of course, of course, but still let's talk about if we are talking about competitions about the life of the competition in e. ve well, let's say so in the musical society. yes, i can safely say that very often, unfortunately. she has people who organize commercial contests. uh, in my mind maybe not often, maybe i'm saying the word too often. well, let's say that there are more loyal cases when commercial competitions are organized by people who are absolutely distant. yeah, depending on what this competition represents and what your goal is, as an organizer, you understand what i'm talking about, that

is, it's one thing if you want to make money, like you watch jury members and professional people are invited. but when you see that there is no purpose for what is it for? why is this being done? after all, any competition, it must have a goal, that in the city of minsk and in in principle, in our country there are a lot of points. he 's an ensemble of commercial commercial structures of some kind of solo singing, and er, it's not a secret. we all people. we all own information, when by chance even the news feed. some kind of video or fragment of an open lesson may come across there. eh, trust me. i often grab my head. yeah, i often grab my head, because for someone this is the concept of children's pop singing. here they gave a microphone in their hands, and such an a la karaoke option, yes, they clapped here, they stomped, mom money paid. eh, the child goes to work. yes, it's no

secret that such children come to me often such children come to me. we were doing. we are pilgrispol, i don’t remember anything. uh-huh and what knowledge do you know, and what knowledge do you possess? a hmm what is a diaphragm? what is it, were you taught to breathe? no, but i sang some songs, i don’t remember. well, here's something out there somewhere you understand, after all, if it exists, it is another matter, well, maybe you like it in terms of taste. yes, well, maybe you don't like it. can you accept or not accept vocal school? some kind of teacher, but what happiness when it is, and therefore the presence of some small point commercial competitions, which somehow, in my opinion , there are many now they are different and i was on the jury of various competitions. i will not hide and there were moments that sincerely resented me both in the adulthood of the children and in accordance with the repertoire. well, you know the world is now crushed. for these niches, every instagrammer who has a

home studio can invite kids to study with her, but so-so in such a world we we live. let's have one more performance before we go on pause. let's look at quilling. it's may 9th. they arrived at the monument. and ruslan berezovsky katya shumskaya is a soloist. we also remember how our great-grandfather got it. a victory that is not forgotten no one has forgotten. we know these words from early childhood. and if we are asked when all our lives we will answer with dignity to live. which

our children brought us a good song sasha turned out to be such a question here. when this concert was going on, i was all there working on the site and heard and read opinions such that your children work with a cold nose, like there is no involvement. here they do not understand, what they sing about victory day there does not respond to them in any way. i was embarrassed to read this. honestly, because i saw how these children. they say how their parents worried about them. well, here are your words, when you meet such criticism reaction hmm you know that my reaction is absolutely adequate. uh, because first, uh, everything. program today our meeting with you today is faced very often. and hmm with my word

persuasiveness in their work conviction in their creative principles. i know what i 'm doing. believe me. by the way, here is sasha sukharev's song. and hmm, we weren't just talking about the war. we don't just tell children that we should sing it now because we don't. we are very developed. children. we have very well- read children. they well understand the content of the text that they convey in this a huge role, by the way, the belarusian classics also played, saying, uh, starting from sasha sukharev, i can say that i am very pleased that being fellow students at the minsk institute of culture at one time. we are now colleagues of sasha's, pisyun, there are a lot of lilinkas in the repertoire. i would like to take this opportunity to express my deep gratitude to him. here and uh, they talk about coldness. and the attraction by the ears to some material

that children embody, no, this is not the story of a hop. maybe it's desire. to hurt more painfully, but to hurt me more freely is unlikely to succeed, because i am convinced that our children are sincere, real literate a and today. i can safely say that i will continue my idea that our classics belarusian musicians, poets, late valery ivanov, late eduard zaritsky. ekaterina shumskaya grew up on these classics, lisa yarotskaya grew up on these classics. thank god lisa managed to catch eduard borisovich during his lifetime, we were very friendly. we communicated very creatively. believe me, people who are classics will not give their material to the team of artificial content to the team. naturalness to us behind the scenes, that there is such a thing as

competition, competitive struggle, and it is not always fair, but i would like to thank the parents who then that very evening stood around the perimeter of this concert and got sick from their children and come at night. yes , to stand to listen to it is worth a lot. i think they are very responsive. i take this opportunity, i want to say a huge thank you to them, first of all, to my long-term parents. imagine, i have families in which children are now already specialists, for example, the bank is convenient, and the younger sister, who is now 11 years old. she goes to a team, that is, a family with i am over 16 years old. that's why a huge thank you to my dear families. e for the fact that they ride with us. they go on trips, they attend festivals and competitions. eh, now the remark has begun. uh, such a festival as a result of the country, which began

to go. we are honored to take part, for me. this is a huge honor. i take this opportunity to say a huge thing. thank you for inviting me to this wonderful festival. we were now in rechitsa, from which this festival began to walk. you know how nice it was to see in t-shirts, greats of the brand with the brand of our team parents who just arrived by their cars as spectators from minsk are worth talking about. thanks to parents. let's take a break for a while, i remind you, we have a telegram channel. say, don't be silent, where you can ask questions suggest us guests we'll see you. on the air again, say the program, do not be silent at a party. we have tatyana panova tatyanika, but we have already discussed you do not belong to that person who will tie up all his diplomas on the walls, because there are seven of them, it seems to me, no, this is how much for 30 did you have years? well, what are the expensive ones, but i understand the desires, yes, here is an exemplary one - this

is important. well, of course, the team has gone through a long history, hvilenka is both an exemplary title in the history of the team and a well- deserved title. the collective of the republic of belarus , the khvilinka amateur theater song, was now a creative workshop. you know, each award is very significant for me. i am a very grateful person for appreciating my work and a very grateful person to my parents for appreciating work. eh, their children. as a departure with them for some competitions festivals the team has repeatedly taken part in many competitions and abroad. and, of course, the wall. we don't have enough. we value every award. i was interested in one of them - this is the medal of the ministry of internal affairs, the former minister of internal affairs, yuri khadzhimuratovich signed it for you. tell the story of this award. well, probably the most important thing about the history of this award is that we are very happy that we have

the opportunity to be invited to the holidays that are held. uh, in particular in law enforcement agencies and you know, i think maybe, uh, i will say very deeply, maybe , uh, it seems to someone that this is not playing some kind of video where children perform and the leader does not convey any meaning to this. i always attach importance to the concert venues on which my children stand, and it seems to me that a performance at thematic holidays is a police day performance. e. well, i'll say now, maybe so, in principle, in general. yes, in the right - in the thematic holidays of our country, this is march 8 and independence day coming. e, being invited, and in law enforcement agencies. it education of patriotism. this education of love for the motherland is an extension. eh, well, the intellect of a child in understanding what the profession of a

policeman is. there is a profession of a firefighter very often visited the ministry of emergencies. my parents, by the way, a. there are employees hmm of the ministry of emergency situations and in particular the institute of the ministry of emergency situations, therefore this is a moral upbringing this is a patriotic upbringing and we always therefore with great pleasure. we respond to the offer to speak at thematic holidays and we are very proud that, well, somehow, hmm, i am very pleased that it lasts and lasts more than one year. and we are invited and we like what children sing, what your children, judging by the video, they like to perform with famous artists, yes, they have this and ruslana lyakh well, and a lot of people who have to be next to the stage will have favorites among them or not , and you know very much, probably, they love all the artists, because , thank god, they have developed thanks to our,

maybe work with them. this is such irrepressible cool such hmm creative curiosity, but how it will be but how it will be in tandem, and how will the studio, and how will be on stage, but will it be possible to do so, so that later you can hear that we have succeeded , you understand, because every child. he is tuned in his child psychology to the fact that well, if he is not appreciated, if he is not praised, then in any case, some kind of remark, but it will slip through, therefore taking the opportunity. i want to say a huge thank you to the artists of the belarusian stage ruslan alekhno, we have known each other for many years. and i, uh, always with such a very emphasized accent even at parent-teacher meetings. in communication with parents , i say that this is the creative friend of our team, with whom we have come a long long way in its development and in our development. he knows the team is different. uh, in terms of the composition of the children, he also remembers the katyushunskaya as a baby, you understand, so tatyana is here,

let's answer the most important question, probably our conversation. here they are children. they are spontaneous they are lively they are fascinating they are charismatic. when they grow up they are academic on the stage, but it’s too academic , and the light version of kobzon yes, if you are talking about boys, if you are talking about girls, uh, don’t i know, lime or well, it probably still depends on the content in a person. it seems to me that this is our stage environment. she doesn't assume. special uh, some twenty-five-year-old man too directly on the stage. still, it's, well, how would we have such traditions. yes, i don't see. eh, who was there us was a fast walker who jumped. eh, i'm average. yes, such a one, yes, he was remembered by girls with a bunch of long dresses on the floor. no, just call them. well, there was a period when they were called by the same

names of dogs and looked, respectively. maybe that's why i tell my kids. for the growing children, for the sake of god, try to feel in yourself how you want to express yourself. this must be unconditional in the first place. iditno. aesthetically. but your inner content. this is your reflection on the stage. maybe that's why it turned out well for katya because you look. and for the three colors on katya, this is also typical. well, you know, maybe more, because i did not set out to raise soloists, but if soloists floated into your hands , i think you would not refuse, but this is also such a piece of goods, probably not, the soloists are a piece of goods, and uh, probably, such a creative little thing is that we, these absolutely absolutely ordinary children, are making little young artists in love with the works of a goodie, you understand? i don’t have

a casting, i don’t like this word at all. i do n't have a competition. i have a concept of the relation to the child. if i see that there is something the slightest in him, for which you can cling to, they don’t come to me. children kissed by god, they are all different, but i am not at all ashamed of the exit creative result. what comes out of it? our job is to create a happy creative childhood, you understand, so that they enjoy being in this environment, get developed, become sociable , become interesting personally, but at the same time they certainly have that set of knowledge in the field of choreography in the field of acting in the field of vocals, with which it is not a shame to apply for admission to university culture to college of arts to college. glinka, this is probably the most important thing, you understand, we are

not the only artists. we raise people who are pleasant to communicate when they become adults. this is a wonderful finale tatyana nikolaevna thank you very much for the warm welcome. we elena slav and victoria papa say goodbye to you today. goodbye. goodbye ends our program, as always a guest, and today the guests are tatyana panova, i was very pleased to be a guest of the program today, probably the most important thing. this is our future, these are our children, and i am very pleased that we have connected my life with the pedagogy of music pedagogy. i really want our young artists of all collectives of our country remained, most importantly, sincere children and in love with what they do.

the culture of belarus with a rich history, we are located in the city of berezino in the center of its famous museum of a wooden spoon throughout belarus, such an ancient craft, which, well, is beyond the power of every master 20 years ago for a thousand and modern art of a new generation. we are at the republican topical overgrowth,

of course, because about a person in this i usually kamensk, just the first to dance at a certain moment when you live like, you will live sorry, watch the project fashion for culture on belarus 24 tv channel. belarus 24 here every day is filled with interesting events of the country of the world, details from eyewitnesses and direct participants in the events. visit our website belarus 24.by everything that lives, modern belarus today and now current news releases, live broadcasts of the most important events of the country, interviews with people who surprise us and inspire us with their own unique projects, and national features of the culture

of modern art. subscribe to our youtube channel channel belarus 24 and be the first to watch all episodes of programs at any time from any digital device anywhere in the world where there is internet. we wish you a good viewing and see you soon.

in the palace of independence, a meeting on improving the information policy of the armed forces continues shelling on civilians in stakhanov, two temporary women died, less and less willing men are trying to avoid being sent to the front and leaving ukraine in europe will have to be delayed.