240 e for a budget out of 100 for a paid form pediatrics 180 e for budgets 50 for a paid e, dentistry 90 for a budget 60 for a paid medical and preventive work 120 for a budget and 30 for a paid and e, pharmacy 50 for a budget or 30 for a paid 50 places from of the general budgetary admission is transferred to a target competition in a breakdown of regions one of the same innovations of this year target places have been allocated for the city of minsk for admission to the belarusian state medical university applicants must provide certificates of the ct in russian or belarusian language to choose from chemistry. biology applicants from russia, kazakhstan, tajikistan and kyrgyzstan can enter the university as foreign citizens. or on a par with belarusians, having previously written centralized testing. and this is the latest news to this minute. see you at 19:00. they are ready to surprise and win, as the

football award is called, which is betrothed to the player who scored the most beautiful goal in the current year at the same time football experts. in which belarusian city is the hockey club of the extra league lokomotiv based? they will show their best qualities, what is a tit? well, a stable expression zenitsa. finish this musical musical yulianna i would listen to lyosha. it seems that it has already let go after the fly agaric will fight for victory. and the title to be better. i think in soviet times. the dacha was six. still, if i'm not mistaken and thought that in a graphic editor this tool would also be called an eraser. watch intellectually entertaining shows on the belarus 24 tv channel.

hello, the program shots of life is on air, which means that today we have another studio wonderful guest, the history of his life, his work and the mass of unique archival material. they say that among creative people, composers, poets and artists are closest to god. after all, they draw their inspiration from space. and here's how true it is. today we will learn about the architect of the artist, teacher dmitry maksimovich mokhov. well, when

i was younger, maybe i was still, i traveled on the roofs of the wagons, the dick of the kimokhovs traveled, such an artist could have been measured for a long time. oh so talented good? how beautiful it is more. you insults in general really for the artist cannot be like carpentry at home. yes come visit and see all the party conferences were held in the theater. and at this time, no performances, well, they earn money. the car of the soviet union and cinema and the performance still begins with a search for dramaturgy, my happiness is that i still did everything that i love.

dmitry mokhov was born on july 27, 1943 in the village of maslyanino, novosibirsk region, studied as an architect, graduated from the art faculty of the theater and art institute in minsk in the seventies headed the architectural and restoration department at the ministry of culture of the republic of belarus 10 years was the chief production designer of the minsk theater-studio of the film actor worked a lot outside of belarus geography, the performances he designed includes russia lithuania azerbaijan kazakhstan uzbekistan his creative about 300 productions based on shakespeare's plays, brecht's molière, goethe's chekhov, bulgakov and other authors, dozens of solo exhibitions layouts, sketches of scenery, costumes and photographs dmitry mokhov, member of the belarusian union of architects, artists and theater figures, professor. monumental

decorative art of the belarusian state academy of arts, we have prepared for you a lot of interesting material from our funds. i think it will be of interest not only to you, but also to our viewers. and i want to start, you know, with an unusual question. when i walk down the street, children often shout after me, look, grandfather. lenin went. i don't know what i look like grandfather. lenin and when i was young, they told me mar- well done such leonid robert, i designed and built the malakhovka house for him. and he brought somewhere from the urals a bas-relief of karl marx well, about 60 centimeters in diameter, and screwed it to a brick wall. so who are the

guests there? naturally, yes, who is this, and this is what the architect who is building my house says to me, if it weren’t for the prose of life and this is the need to make money. here's what you would do for the soul. well, i usually sit at night when there is nothing, like seems to do. i am restoring 18th century fliants of old books. nineteenth. i'm a book lover in general. and now, when i worked in almost all theaters of the soviet union and for premieres, whom i could invite. i basically invited the directors of the god of mystical stores, and they would always know for me what to cook for me on arrival, but there were such unique literature, but broken there in the army in nets. i brought it as waste paper, and when time passed. i suddenly

revived this book with my own hands. these are leather bound spines. here if so look back at your great creative life, which first of all influenced the choice of your profession, when in childhood i already knew for sure that i would be an artist for sure and at school everyone knew all the holidays of the wall newspaper, and there, well, as expected, if you you draw, and i was very lucky with my teachers. and of course, i was so lucky to have the first basic education. this is architecture. i think thanks. this basic knowledge is already like cinema to me, because architecture, but it was not in vain that they used to say that this is the mother of all arts, because this is also a synthesis, this is a synthesis of fine arts and technology, they say, architecture is frozen music. there is such an expression. yes, an architect is a

space, an artist is a graphic artist, let's say he is a sheet. this is the line - this is the tone of the painter - this is the color of the sculptor. he is already going into volume as an architect - he has already gone into space, and an artist of theater and cinema. he went even further. i suggest you watch very rare footage. and i wonder if they are connected somehow with your life or not. let's see interesting, right? let's talk about our rivals, because in order to defeat an opponent you need to know. so what is a mathematician and what is mathematics? mathematics is the point from which the

perpendicular was lowered and finally, glasses were hung up. the first team of kvn has something to do with you. by the way, on the basis of the polytechnic institute, they organized there then the biat captain was an amazing team, our strong team beat the gubkin moscow oil and gas team. it was 66 years old. wasn't there bus specialists. well, let's go to a regular subway and the driver in the subway said that a belarusian team was traveling in our train, which only played the moscow team with the entire composition. and he turned on the siren, the driver was a belarus moskvich. well, maybe the fact is that everyone watched kvn then. you wrote the lyrics yourself. we

composed all this ourselves, but our group was wow one institute of neurosurgery in new york leads a former member of the team roller billiards makes freeways in europe with these multi-storey interchanges. hey grishka. nikiforovich in the village is also some kind of physical and mathematical centers. these are all former members of the belarusian kvn team of the sixty- sixth level around the world. yes, you came to the belarusian cinema in the sixties sixty-fourth sixty-fourth year was committed by a young man boy. what was your job? i built the scenery of the prison, then this interior of this castle, inside, which is this cable-stayed structure. but usually he shoots a double, a double, a double, a triple, and the

gallery must collapse. and how to restore it? it second double? yes, for the second take, and remember , there used to be such a toy, a donkey, such a tile from below, you press. i really loved this toy, such a thing, so once i relaxed and fell, yes, i fell, and in the scenery too, if you use a powerful winch. and let these cables through all these beams, and when the director gives the command, that is, the winch is removed the prong at the bottom, so the mats were laid, there were such powerful ones that caught the artists, well, for safety reasons, and this whole structure collapsed. and in 3-4 seconds, she turned the lion cub. she will restore. this was my epiphany it then. yes, this is it, the city of alik is a painful knight in real iron armor, the banner took a hot one, and the wind blew in the wrong direction and it was burning, the banner

turned it around, and it crashed from the wall right onto the pavement, but they thought everything, but they already began to separate these iron armor, and the actor screams, you see the blood is removed, it's real. well, you can’t do that. possessed, i was surprised to learn that you not only started your work on this picture, but also on the famous alpine ballad, and slava kubarev was the production designer, and i he was a decorator, we left now, yes, dombai on may 1, but there is on september 1 we lived there, i rented a house. there on the river bank. slava and i got up early in the morning and wrote songs every day, because there was nothing to do. it's all there in nature. what's the stage designer? skym nothing to do with

this. forget about it, it doesn't happen, forget it. he also forced a tree from one mountain to transfer a tree to another mountain of a tree, and he, well, stones could no longer move, of course, and he loved it very much. uh, the cable car long long were such driveways. yes , continuous lyubshin runs along the river bank, and the border guards, not from nalchik , angered a flock of shepherd dogs, yes, to such an extent, and they should, when he had to drive up with a camera, it’s easier at that time, the border guards should have a flock of angry shepherd dogs, released two the engineer from the film went to weigh to make an accurate calculation of the deflection line and puree, the moments are called weighed 200 m of film. for

the swamp, he does not need sheep dogs. and you shepherd cries, well, he turned white. he just hugged camera. and, of course, saved the speed. he just crashed into this flock of shepherd dogs at high speed. and so they would have devoured it, along with the film, tore it apart, because an angry flock of shepherd dogs. that was alpine, right? well , who knew that the film would become a cult film, because it was bykov but in the cinema, you probably know more than me that a good script can make a shitty movie. but in a bad scenario, even a super director will still not be. you know, i had a case in practice, for which i am still ashamed, and at one of the film festivals to me a man came up, and, uh, started

asking me about belarusfilm. well, i look like that, i think, well, i don’t know this person so i didn’t answer him very willingly, then i say. who are you he says? well, i'm shavkhat abdusalamov and for me then. it didn't say anything. so , to my shame, i came home and got into reference books and suddenly i find out that this is an absolutely amazing artist who worked from tarkovsky, yes, and worked at our studio. i felt so ashamed. i think, lord, here is the lord, gave me a meeting with an amazing person. i didn't use it. and i i know that he also played in your life, an amazing role is the film christ has landed in grodno. that's all under construction. that's it, i built it. we didn't even have mokhovaya street there. this is under yalta, a place.

downgrading is called carried. i do not want to say echelon of building materials from belarus for the construction of the city. and this is kovalchuk karavanchuk hmm the composer of this film. yes, yes, he was also a composer in the city of masters. and over there is a body kit to this day. we are still thank god he is alive, we call back the cathedral, in general, in kind size was built from wood. no ravitsa mesh, smeared with plaster, well, a complicated film and unhappy from the very beginning, it was unhappy from the very beginning and how much was cut out then a gorgeous frame and what kind of month it was in yalta when all sorts of things come? gathered in one place and artists in the cinema. it's a little different than in the theater, but the theater is a

thousand years old. and the cinema there is 100 television and even less all the basic knowledge of directing the acting skills of artists, they were laid in the theater, and then they were supplemented, changed and pumped into the cinema 1970 on the legends of rustami and then it was like the tajik war and the world of tishevkats invites you to make costumes. who will build all this? as he says, there is such a kid from belarus, which means flies. let's call. and i just graduated from the institute in the sixty- eighth year. you have protected the otralki. these are my drawings. these are my developments, that is,

i prepared for the construction of these are the scenery, and the costumes. shavkat would be salamah the main artist. well, dear, the picture i want to tell you, it was all real copper brass velvet pan velvet silk leather central asian countries, rich horse teams, all this i did sketches. all these weapons were made according to my sketches, daggers and tahmina queens. i have them all, i have all these life-size sketches in the seventies . suddenly you are the head of the restoration workshops at the ministry of culture. what do you remember about this work, then they organized special scientific restoration workshops and appointed me the head of the architectural restoration department. first object. i made slutsk braga, refreshment and the second major object was a

complex of baroque architecture in vitebsk, the town hall and adjacent buildings. here it is yes here it is the town hall is unfortunately, the buildings are made of new original brick, which has stood all the wars. all centuries, or just about a few decades ago, the adjoining buildings were destroyed and according to my drawings, then the buildings were made. this is the slutsk gate. correctly? it's your? yes, this is my object. yes, when i removed the plaster layer at the top, i i see the roof was not like that. but this one found traces of tiles and somewhere there was a fire 100 years ago. and i tapped all the walls. i found a bookmark. when i took it apart, you see, the roof is already, what it has become, i took apart

the bookmark and the fire of a hundred years ago just smelled on me. i found the original one and the marches that went along the vault. that is , it turns out that this is also not the original brahma. the same roof. i returned. the one that was stained glass. i found fragments of glass, and there i restored the stained-glass window, then restored it. here with right side. in the same place where there was a firebox, a fireplace and warmth went in all this one, they took it. i have a chic big project preserved architecture cinema restoration. and how did the theater of the legend rustami appear in your life my parents were still alive from tajikistan. and i always, wherever i go, always, my roads have always been through novosibirsk. well, in order to meet my parents, i come to

novosibirsk, the city where i spent my childhood. and i think, let me go, there's nothing to do . i'm going to the theatre, red torch. malyshev alexey alexandrovich chief director novosibirsk theater, red torch, he then conceived 17 moments of spring. he says, look, i get it, it's cinematic. but as it seems to you, you can try it in the theater. here it is also necessary to launch shalymsky maria according to plan, guest director. you also grabbed him, too, at the same time. i think, aga maria, my mother's name was maria. i think it's good, coincidentally, the first performance will be on behalf of my mother, everything is there, well, i started 1970. this is my first attempt at the theater successfully amazing this director in me then

grasped with a grip. and if you once did something with the director, it's good. yes, he gave me a job for 2 years in advance. think about it, i never looked for a job, why did i have 10 premier years, well, are you such an omnivore? did you refuse anything? or just want to make money? no i was so wondering if the cinema had to oh how long to wait for the results. here the curtain opened. i saw the fruit of my labor. these were my scenery. these were my costumes. what buzz do you get? if at least once you managed to do it. you already you're a drug addict on the needle, you already can't live without it. but i'm wondering that the artist's salary did not depend on the number of sketches on the interesting ideas that you brought to the theater. no, no, no, the number of sketches

can be even one. they may be, in general, empty space, as according to peter bruh, well, this must be explained. why is this so, but the same 800 rubles. the same ones, when i looked at our funds, then the first very early funds with your last name, where the production designer dmitry mokhov is written, these were these shots. i want, so that we even look, because i worked very little on television. let's see. karpilov viktor grigorievich bernard alba's house this is a studio here in the russian theatre, and it was probably a recording, but it's in the russian theatre, we don't have scenery in the pavilion. this is a significant performance of the karpils for me. for obukhovich he staged her benefit

performance. these are her daughters. now it’s grannies in russian, and then this performance throughout the soviet union, especially when women are unemployed, and there are five young daughters and the old actress alba that is, it's just like a closed space was written for theaters. i want to see. i haven't seen it at all. and don't tell anyone about it dress her in all white. here i first understood what light color sound is. it was this 75 74 year. well you after that was another performance. yes, it's dedicated to the centenary, yankee kupal let's see, i did

n't think it survived. the gifts of the first construction sites of the five-year plan are scaffolding, these are all construction sites. my main task was kupala's office. i see it for the first time. plays. yes, this is where the pavilion was built. here are my universities. this is my school and what i am now working with students. it's me, i didn't finish any sorbons there. i want us to see some more, uh, footage and that i picked up some rare footage that is related to

your work. let's see. the pantomime ensemble rukh of the youth theater i ask you to attend the premiere of the play simon music the occasion for the poem and the cup of kolosa gettapersha the great work of the ensemble on the professional stage was staged by the director vladimir kolesov and all the performances he did with me the first was simon-music. this katowitzky played the role of simon, this was his best work. and how many performances you staged with my hand a lot, and these were the best years of the kolesovsky theater of pantomime, the theater was ready, but fate did not work out, and these are all his

performances. these were my sets, my costumes. you know, i was surprised when i found out that you are not only a production designer at a performance graphic designer. you also designed the costumes for the heroes of these performances and did all the sketches. i was this for me suddenly. and a whole block of cutting development is also attached. what kind of fabrics is the selection of fabrics - you need to know all this, and you know all this, i know all this. but how else, you know, i picked up a cut from a? sketches of costumes that you did for different performances. let's see, once upon a time there

was a russula composer from the theater and kuba kolos boris nosovsky, he then finished directing hymns and began to make children's musicals to make the first musicals appeared in belarus rubychik stage what do your children do? both are completely different. daughter is the eldest she is so modern

a cool architect, and her son is also an architect, but he is an orthodox, believing person. he is mainly engaged in temples, monasteries and building, but belarus did a lot and there are six children in the elizabethan monastery. he has six grandchildren. you have more bone injuries than me already. for more than ten years you have been the main artist of our cinema studio theater for the first 10 years. let's take a look at some of your performances.

who is afraid, good scenery, small, stage, stage parameters do not matter. i am me as an architect, he already said, i just should take into account. that i work in such parameters, i happened to work, in general, in such sumps of my favorite directors. there they were exiled somewhere far away in exile. and he was sad there. he, i survived, and i had to do performances with him. i flew in on monday, on tuesday. i was all garbage dumps around the theater, then i closed in a hotel

and made sketches of costumes and scenery during the night and day. on friday there was a dress rehearsal in costumes and scenery, and on saturday there was a banquet, the surrender was the surrender. well , the first 10 years you worked with boris ivanovich lutsenko no, he led, but as a leader? he is also a very complex person. oh , of course, i suffered with him, and he is already nothing . we are already finishing. so he went crazy with his head there, he decided a new one. this is what needs to be changed. i'm telling you maison to change the price, go from there, go from there. and i still need three cubic meters of wood. i need 25 meters of velvet, i need this. well , what are you art. let's see a fragment of the performance of the famous play by boris ivanovich hamlet

it's impossible and you did hamlet two three times three times, even three times. the first hamlet was film actor, second. we celebrate the 250th anniversary of the volkov theater in yaroslavl. it was a terrific hamlet. it was just a fantasy, and then he became so stunned by these hamlets. in the same year, we return from yaroslavl and let's go to the russian theater, we make the scenery for me, that's all.

look here. there is another one of the most difficult tasks of theater artists. the action is written in the play there, high in the mountains, this does not mean that these mountains should be drawn or piled up, but the viewer should feel that the action is taking place high in the mountains. here to find equivalents of living space according to the given dramaturgy. and it helps him to find such concepts as a metaphor, an image, a symbol. it 's hard to find, and you designed 10 performances a year. how to find an image they immediately

read in each other immediately an image is born not immediately it happens right away, but sometimes you stumble upon dramaturgy, and there is a problem that has tormented me as an artist for many years, but i did not come across such dramaturgy. and suddenly it hit and this is 100% success, that is, it works right away, but it happens that it is painful and long and sometimes you think to refuse altogether, and that's it, that is, there are different situations. it cannot be said that this is a conveyor. this is a piece goods. see. so, when a knife was stuck in the back of the holostometer, boris lutsenko would have rushed blood. he pressed this trampoline, the artist, and the artist opened his mouth, bowed his head, and there the red silk ribbon untwisted. and it worked much stronger, and in the taganka theater

, abramov's, in my opinion, when a man naked to the waist mows hay on the stage, but you run into fake grass. this will cause me just laugh, if he mows, hay, i told you about the sound clearance clearance, i have the lower backrest with the upper backrest. here is the bottom backlit of the top. they give a veil. here is a man with a scythe took a step of 10 pistols of the lower control switch off the swath. in the shroud, he takes another step. the swath expands, how to achieve this, that a person mows hay and the swath expands, what a props and a master should be. it's all bullshit. it's all just a ride in the field and that's it. that's why i

fell in love with the theater even more. you have been for many years do you teach at our academy? why do you want to teach students first of all what my directors taught me, and i specifically not only tell them, but also show them. what do you think is the level of professional skill in our students who enter their creative life. he 's professional enough to have kids who are just cool. i live two editions, released artists in the artists' cinema . they didn’t go anywhere, one girl, one big one, someone in russia, someone left, someone’s publishing house, and their graduation work. these are applications for a full-length

feature film. i have many students. they pass through my hands, and not only there is a cinema theater. by the way, i have sound engineers and directors of puppet theaters and directors of musical theaters and directors of drama theaters, they are all i am the only such specialist left in our academy, they all pass through me and are children are very talented. let's see the footage. i think you will be pleased to see them. well, rare shots. hello hello and so it's in the academy. this is my american. and what is he does? we did a diploma, defended a diploma in the twentieth year. and this is me all the time when we were working on belarusian dramaturgy . i took them all the time, uh, to a live playwright. i was actually very happy when i realized that i had chosen the right

author. this is vadim's grandpa from america. he has a very big scientist. and we were received very well by him once upon a time. i think maybe back in soviet times the americans caught him and he runs some very famous institute there, which is working on life extension. and this is his grandson. and he when i came here to belarus and said, this is the country in which you have to live when we were in practice. vadim really enjoyed making storyboards. although we are already finishing the storyboard. he starts to work. he reads the material, takes a sheet of paper and scribbles these storyboards like an automaton. here is the layout of the package under hit it. here is this blue piece of sky with birds and

here in the landfill there will be small islets of emerald greenery, that is, blocky color blocky blocky lakes emerald greenery - these are, as it were, colors, well, belarus and when he reached the diploma, they decided that now this is not dudarev's dump. not just a piece of land is littered. these are rivers, oceans and space. i say, come on, make a dump. and the only student wrote his script. well , it's an american snap made a movie. you once said that you did your best work in the theater outside of belarus outside of belarus because the director, because you were invited. yes, they not only invited me to earn money, but my directors invited me, and

i already had the keys to the returns apartments. be only the chief artist in our theatre. well , in confirmation of your words. i want us to watch the next shots of us, there was such a legendary performance, and we did it with mukhomov and did the performance. he just brought so many people to the theatre. here, people just watched the performances, then they came to my office. take anyone. i think that it was one of the strongest performances in abdurakhmanov's repertoire, there should be horses on the stage. well, different theaters , including the theaters of america, are different there solved these e horses. well, there were some other unabi abdurakhmanov playing horses that looked like horses with wire outlines. i don't know where he found them, but the most beautiful, the most

slender girls in uzbekistan, we put black tights on them, there were wigs, such long manes made of threads of artificial hair. they were high heels. and when they came out from behind the sparkling ribbon, the scenery was like a black pool of clattering heels and they understood that these were not horses and were fascinated - they were fascinated. just a reminder prayer, as was done. israeli embassy there put it sitting, it almost fell out of delight. moreover, two courses of uzbek young guys worked in my scenery, costumes in the

uzbek language of shakespeare's moliere salam aleichem, the second day they did not understand the scenery. they played this performance in russian, then they got on a plane and flew abroad and played it in english. uzbeks young children students talented talented there is this composer, he is called the belarusian musorskiy. and he has a very powerful ekshtein hara. he wrote to me that porridge in suits should not was. that's what director einstein is. it was

the day, of course, the news of the opera and ballet left. onegin still going on, too, your scenery and the costumes of my scenery. moreover, i did it in the eighty-fifth year, and then when the theater was repaired and it was necessary to repair it, and there were no such masters. you can remember, well, i don't know, your favorite scenery, which, for some reason, you consider to be the pinnacle of your creativity. i really liked boris vasiliev on 30 years of victory i first encountered boris vasiliev the writer. yes, and i did in the lists it wasn’t listed in action taking place in the catacombs of the brest fortress, and this performance, of course, i think it’s one of those. that’s

where this equivalent is, that’s where all these concepts of dramaturgy are, but the dramaturgy of boris vasilyev was so intertwined, that’s where i first came up with this flying regiment design, which was moving all the time on the stage. here is the beginning to the end. you know, we have cuts from your scenery for various performances. let's see the layouts and decorations. and this is morozko in the russian theater , my happiness, this is my happiness, my happiness. yes, and this is shalom aleihom, the memorial prayer. here is where the jewish embassy fell out. how was the

performance made? and this is also abdurakhmanov, we are rome and the woman is the devil, african love. here are the chandeliers for eugene onegin, these chandeliers are still used at all government concerts. and here are the sketches before making the sketches, such handwriting is done, and then, as it were, a conversation with the director. these are generally provincial jokes that will never come to mind in my life. this is the kolesovsky performance. you know i'm here interesting, you caught the golden years, belarusfilms and belarusian cinema. well, yes. well , today you are still connected with our

modern cinema. is it possible to return the viewer to belarusian films at all, if you return the directors? if you return the script, this is where it should all begin, then you can talk in the cinema and in the theater. by the way , see the same thing. that's who i was in our vakhtangov theater or there, in general, there was a crisis now. he raised the theater, it is and one of the best theaters, not like in russia in the world, and he still teaches. what does a director mean? means personality personality artists are sons of bitches and, of course, it all depends on the leader in the pack. i want us to look at footage from your latest will say so or but will you so penultimate films that you have worked on. romantic dinner skom

shore from the one i need i'm running with you, there in just a moment, my dear. but i had to go to afghanistan and what kind of afghanistan were those years then, and i knew that in mikashevichi there is a city mountains, afghanistan afghanistan filmed by mikashevich. this is a pigeon, this is a mother-to-be in the morning, all the freaks, all the morons, they even put someone in the clinic. well, islam sanych, of course, is the master of swearing on the court. this is this movie. if you shoot a parallel film, a movie, it would be a real real movie. i have

in my studio, you know what it is where the film is stored, but there is not a film, there is an object that is also directly related to your life. i want you to comment on it. you know fantasy i dont know. look at the unique camera. with what camera did you start your photography activity and when it was i started in 1955, i was in the fifth grade, i was taught by a hamburger konstantin and melevich, a photographer before the revolution, who was a photographer. yes, yes, and his visiting carriages of the prince are in a solid sign. his last work was at the first vdnkh, he printed a portrait. lenin was an ellipse of such a meter and a half in diameter, he laid out sea pebbles. doused with emulsion. he built pavilions and printed a portrait. lenin on the first

vdnh did not pay him. he couldn't understand how it works done, they paid and last years. that's how i remember him, he had chinese silk. he printed photos, well, portraits of familiar friends. well, i impregnated with an emulsion and printed portraits on chinese shock. this photographer taught me photography of the arctic ocean. chinese border baikal that is, you filmed a lot. oh, i keep the negatives in my suitcases. and i read somewhere that you were called a photographer, in my opinion, yes it was. i knew that this there won't be tomorrow. i wanted it for mine. well , if not children, then leave for grandchildren.

and this is probably from the exhibition. yes, yes, this is from the exhibition, which photographs were this, you see the grandmother, so that the wind does not blow away, she sheathed her house, like the skin of some animal, so that the wind does not blow away. here is a landscape, novogrudok, too, dmitry maksimovich we still have a lot of funds, but, unfortunately, there is not enough time and our program is not endless. at the end. we always conduct a flash survey. short question short answer. your favorite time of the year. i am i really do love winter. probably because i was born in siberia , it was written on the calendar that novosibirsk is one of the sunny cities of the soviet union, the sky is

so blue there. i have not seen anything like this anywhere else abroad, nor in asia, and such brilliant crisp snow. i remember reading poems to us frost 10-degree frost cracks the park's wallows for fun. we were happy to tell the teacher. maybe some typo. no, maybe we went to school up to 40 °. only then the tenfold suddenly bursts in the alleys of the park, and the favorite place in minsk do you have, maybe even today the golden hill where you live, right? your favorite vacation spot has become your favorite vacation spot. tell me your favorite drink, how can i tell you, when i was young, i probably had to buy vodka. and now, well, fruit drink from some berries for me.

suddenly becomes some kind of elixir, your main flaw happens to be doubting, a doubting person. yes, i have to feel it somehow, and most importantly, your dignity when i do something. here it is almost impossible to break me. what's the point life for you always a person faces a choice. and the most important thing is to choose the right direction. well, i have prepared for you. i don't know this from the solo exhibition booklets, but he's autographed. yes. and here, too, with an autograph and even a self-portrait. wow, that's it. thanks for coming to our studio. and i want to wish you, first of all, good health and more creative work. never mind. what book will you bind? will you make furniture for

the home or will you participate?

ether 24/7 project, in which in just 20 minutes you will have time to learn about the most important things over the past week, strengthen your knowledge of the belarusian language with our guides, go to the past , plunge into the world of charming edna and much more 24 hours a day, 7 days a week, we have things for you. i walk around and the natural richness of belarus can be shredded, and there is a place thrown into the lake with no coincidence. name god's wok, in spite of the lake tore off the wild with its brisket and the cinema injects the wolf into the maya lake, the shape of the

correct circle does not change for a long time woka sews people from heaven behind the right and a bunch of yashas of such ball chandeliers in belarus