tomorrow is your son's birthday, i'm sure you can take part in the races. why did you lie to me? no. i will forgive you. hello dad on tv channel belarus 24 about the weather in belarus, about the climate on the planet , our father is busy with his walkie-talkie to talk about the courtyard, as well as fascinating conversations with experts, the beach. kolya in the lakes of katashi, which near the kobrin region is called belarusian tunisia, which is reluctant to grow yoshta berries for planting it. in general, they use the same methods as for

planting, e.g., our garden plants, than not carelessly seasonal allergies. for example, when bracelets or belt buckles or metal buttons are worn, and together with touch , an infiltrate develops, the phenomenon of dermatitis develops. should we wait this summer for the invasion of mosquitoes, horseflies, occasions for flies at the beginning of the year, they may be less. well, then the number is still, well, at the age of allowing divers from the chamber bolts at the bottom. and watch the spaceship telebarometer on belarus 24 tv channel. seventies, suddenly you head the restoration workshops under the ministry culture. what do you remember about this work, then they organized special scientific

restoration production workshops and appointed me the head of the architectural restoration department. first object. i made the slutsk gate in stale and the second major object was a complex of baroque architecture in vitebsk town hall and adjoining buildings. here it is yes here it is the town hall is unfortunately, the buildings are made of new original brick, which has stood all the wars. all centuries or only somewhere a few decades ago of the adjoining building destroyed according to my drawings, then they made the hulls. this is the slutsk gate. is it yours right? yes, this is my object. yes, when i removed the plaster layer at the top, i see the roof was not like that. but this one found traces of tiles and somewhere there 100 years ago, there was a fire. and

i tapped all the walls. i found a bookmark. when i took it apart, you see, the roof is already, what it has become, i took apart the bookmark and the fire of a hundred years ago just smelled on me. i found the original one and the marches that went along the vault. that is, it turns out that this is also not original frame. the same roof. i returned. the one that was stained glass. i found fragments of glass, and there i restored the stained-glass window, then restored it. here on the right side. there , in the same place where there was a firebox, a fireplace and warmth went through all this gate. i have a chic big project preserved architecture cinema restoration. and how did the theater of the legend

rustami appear in your life my parents were still rusty from tajikistan. and i always go wherever i go, always, my roads have always been through novosibirsk well, in order to meet my parents, i come to novosibirsk city where my childhood passed. and i think, let me go, there's nothing to do. i'm going to the theatre, red torch. malyshev alexey alexandrovich, chief director of the novosibirsk theater, red torch, he then conceived 17 moments of spring. he says, look, i get it, it's cinematic. but as it seems to you, you can try it in the theater. here you still need to launch maria shalymsky according to plan, guest director. you also grabbed him, too, at the same time. i think, aga maria, my mother's name was maria. i think it's good, as it happened, the first performance will be named my mom's everything there, well, i started 1970.

this is my first attempt at the theater successfully , amazingly, this director grabbed me with such a grip. and if you once did something with the director, it's good. yes, he gave me a job for 2 years in advance. think about it, think about it, i'm never looking for a job. why did i have 10 premier years? well, you are at least an omnivore, you didn’t refuse anything from me, or just wanted to earn money. no i was so wondering if the cinema had to oh how long to wait for the results. here the curtain opened. i saw the fruit of my labor. these were my scenery. these were my costumes. what buzz do you get? if at least once you managed to do it. you are already a drug addict, you are on the needle, you already cannot live without it. but i'm wondering that the

artist's salary did not depend on the number of sketches on the interesting ideas that you brought to the theater. no, no, no, the number of sketches can be even one. they may be, in general, empty space, as according to peter bruh, well, this must be explained. why is this so, but the same 800 rubles. when i looked at our funds, then the first very earliest funds with your last name, where the production designer dmitry mokhov is written, these were these shots. i want us to look interesting, i even because i worked very little on television. let's see. karpilov viktor grigorievich bernard alba's house this is a studio here in the russian theatre, and it was probably a recording, but it's in the russian theatre

, we don't have scenery in the pavilion. this is a significant performance of the karpils for me. for obukhovich he staged her benefit performance. these are her daughters. now the grannies russian and then this performance throughout the soviet union, especially when the women are unemployed, and there are five young daughters and the old actress alba. that is, it’s just like a closed space was written for theaters. i want to see it, i didn't see it at all. don't tell anyone about this. dress her in all white. here i first understood what light color sound is. it was this 75 74 year.

well, after that you had another performance dedicated to the centenary, yanki kupal. let's see, i didn't think it survived. ukoldase at chervon and maratai, stumps came. petka vasya came zosik, asistasi and harmonica verge kept state gifts , the first construction site in five years. so it's a fox. here are all the construction ones. my main task was kupala's office. it's my first time and i play kupala. yes, this is where the pavilion was built. here are my universities. this is my school and what i am now working with students. it was i

who did not finish any sorbons there. i want us to see some more, uh, footage and that i picked up some rare footage that is related to your work. let's see. i request you to the premiere of the performance with imon music an occasion for the poem of yakub kolas gettapersha. the great work of the ensemble on the professional stage, staging the performance was directed by vladimir kolesov , and all the performances he did with me was the first simon music. this katowitzky played the role of simon, this was his best work. and how many performances have you staged with your ear? oh

a lot and those were the best years. e kollistov theater of pantomime was ready theater, but fate did not work out, and that's all his performances. these were my sets, my costumes. you know i was surprised when i found out that you are not only a production designer at a performance designer. you also designed the costumes for the heroes of these performances and did all the sketches. i, for me, it was unexpectedly still attached, a whole block of development of a cut. what fabrics are the selection of fabrics? this is all you need to know. but how else, you know, i picked up a cut from the keys of the costumes that you made for various performances. let's see once upon a time there was a

russula composer from the theater and kuba kolos boris nosovsky, he then finished directing hymns and began to make children's musicals the first musicals appeared in belarus rubinchik, by the way. what are your children doing? both are completely

different. the eldest daughter, she is such a modern cool architect, and the son is also an architect, but he is an orthodox, believing person. he is mainly engaged in temples and monasteries and builds, but belarus did a lot and there are six children in the elizabethan monastery. he has six grandchildren, you have more, i already have great-grandchildren as grandchildren. for more than ten years you have been the main artist of our theater studio for the first 10 years. let's see footage from your performances.

who is afraid? good scenery is a small stage, the parameters of the stage do not matter. i am me, as an architect already telling you, i just have to consider. i have never worked in such parameters, in general, in such sumps of my favorite directors. there they were exiled somewhere far away in exile. and he was sad there, he did not survive, and i had to do performances with him. i

flew in on monday, on tuesday, i'm all the garbage heaps around the theater, then i closed in the hotel and made sketches from behind during the night costumes and scenery. on friday there was a dress rehearsal in costumes and scenery, and on saturday there was a banquet, the surrender was the surrender. well, for the first 10 years you worked with boris ivanovich lutsenko. no, he led as a leader, he is a very complex person, very complex. oh, of course, i suffered with him, and he is already nothing. we are already finishing. here's a new one in his head. this is what needs to be changed. i'm telling you, they went to change the misan scene , from there. let's go from there. and i still need three cubic meters of wood. i need 25 meters of velvet

need it. well, what are you art. let's see a fragment of the performance of the famous performance of boris ivanovich hamlet it is impossible and hamlet was done, two three times. even three times. the first hamlet was a film actor, the second. we celebrate the 250th anniversary of the volkov theater in yaroslavl. it was a terrific hamlet. it was just fantastic, and then he became so crazy about these hamlets. in the same year, we return from yaroslavl and let's go to the russian theater, we make the scenery for me, that's all.

look here. there is one more difficult tasks of theater artists. the play is written action there high in the mountains somewhere else. this does not mean that these mountains should be drawn or piled up, but the viewer should feel that the action is taking place high in the mountains. here it is necessary to find the equivalent of the living space according to the given dramaturgy. and it helps him to find

such concepts as a metaphor, an image, a symbol. it 's hard to find, but you designed 10 performances a year, right? how is it to find an image immediately read to each other immediately an image is not born immediately it happens right away, but it happens you come across dramaturgy, and there is a problem that has tormented me as an artist for many years, but i have not come across such dramaturgy. and suddenly it hit and it’s 100% success right away, but it works, but it happens that it’s painful and long and sometimes you think to refuse altogether, and that’s it, that is, there are different situations. it cannot be said that this is a conveyor. this is a piece goods. see. that's when a knife was stuck in the back of a bachelor boris ivanovich lutsenko would have bled. the

artist pressed this bata, and the artist opened his mouth, bowed his head, and there was a red silk ribbon untwisted. and it worked much stronger, and in the taganka theater, abramov's, in my opinion, when a man naked to the waist mows hay on the stage, but you run into fake grass. it will cause me, just laughter, if he mows, hay, i told you about the sound clearance clearance, i have the upper back, the lower back here, the lower back and the top they give a shroud. here a man with a scythe took a step 10 pistols of the lower back were turned off about space. in the shroud, he takes another step. and the braid expands, how can it be achieved that a person mows hay and the swath is expanding, what a props

and a master should be. it's all bullshit. it's all just in the field, of course, that's why i fell in love with the theater even more. have you been teaching at our academy for many years? why do you want to teach students first of all what my directors taught me, and i specifically not only tell them, but also show them. what do you think is the level of professional skill in our students who enter their creative life. he's professional enough to have kids who just cool. i live two editions, released artists. cinema artists have not gone anywhere, one girl in prague works alone in warsaw

, someone in russia, someone left the publishing house, someone where their diploma works. these are applications for a full-length feature film. i have many students. they pass through my hands, and not only there is a cinema theater. by the way, i also have sound engineers and directors of puppet theaters and directors of musical theaters and directors of drama theaters, they are all i am the only specialist left with us at the academy they all go through me and there are very talented children. let's see the footage. i think you will be pleased to see them. well, rare footage. hello hi. with you hello and so it's in the academy. this is my american from america and what is he doing? we did a diploma, defended a diploma in the twentieth year.

and this is me all the time when we were working on belarusian dramaturgy. i took them all the time, uh, to a live playwright. i was actually very happy when i realized that i had chosen the right author. this is vadim inspections from america grandfather. he has a very big scientist. and we were received very well by him once upon a time. i think maybe back in soviet times the americans caught him and he runs some very famous institute there, which is working on life extension. and this is his grandson. and when he came here to belarus and said, this is the country in which you have to live when we were in practice. vadim really enjoyed making storyboards. although we are already finishing this with a storyboard. he starts to work. he reads the material a sheet of paper and spit these storyboards like an automaton. here is the layout of the vysyvalka under hit

it. here is this blue piece of sky with birds and here in the landfill there will be small islets of emerald greenery, that is, here are the blocky colors blocky blocky emeraldze lakes - it’s like these are the colors, well, belarus and when he got to the diploma , they decided that now it’s not dudarevsky dump. not just a piece of land is littered. these are oceans and space-connected rivers. i say, come on, make a dump in the wrong place, i'm risking it. and the only student wrote his script. well it's a grip american filmed. dump, well, somewhere in a private film studio and defended himself with a film. you once said that you did your

best work in the theater outside of belarus outside of belarus yes, because the director, because they were invited. yes, they did not just invite money to earn, but my directors invited. i already had the keys to the returns apartments. be only the main artist in our theater. well, in confirmation of your words. i want us to watch the next footage. we had such a legendary performance, and we did it with mukhomov also made a play. he just brought so many people to the theatre. here, people just watched the performances, then they came to my office. take anyone. i think that it was one of the strongest performances in abdurakhmanov's repertoire, there should be horses on the stage. well, different theaters , including the theaters of america, solved these e horses in different ways. well,

there were some other unabis of abdurakhmanov playing horses, similar to the end with wire contours. i don't know where he found them, but the most beautiful thing slender girls in uzbekistan, we put black tights on them, there were wigs such long curves made of threads of artificial hair. they were high heels. and when they came out from behind the sparkling ribbon, the scenery was like a black pool of clattering heels and they realized that these were not horses and were fascinated by just a reminiscent prayer, as it was done. the israeli embassy was sitting there, it almost fell out of delight.

moreover, two courses of uzbek young guys worked in my scenery, costumes in the uzbek language of shakespeare molière, salam aleichem the second day did not understand the scenery. they played the same performance in russian, then they got on a plane and flew abroad and played it in english. uzbeks young children students talented talented there is this composer, he is called the belarusian

musorskiy. and he has a very powerful ekshtein hara. he wrote to me that there was no porridge in the suits. that's what kind of director einstein was. it was a genius, of course, but you still left opera and ballet in the theater. unfortunately, onegin is still going on, too, your scenery and costumes my scenery. moreover, i did it in the eighty- fifth year, and then when the theater was repaired and it was necessary to repair it, and there were no such masters. you can remember, but i don't know, your favorite scenery, which, for some reason, you consider the pinnacle of your work. i really liked boris vasiliev on 30 years of victory i first encountered boris vasiliev the writer. yes , and i didn’t appear on the lists, it

takes place in the catacombs of the brest fortress, and this performance, of course, i think it’s one of those. here is the equivalent here there are all these concepts of dramaturgy, but they are so intertwined with the dramaturgy of boris vasiliev, and there for the first time i came up with this flying regiment , a structure that was moving all the time on the stage. here is the beginning to the end. you know, we have cuts from your scenery for various performances. let's see the layouts and decorations. and this is morozko at the russian theater

my happiness, this is my happiness, my happiness, yes, and this is shalom aleihim, a memorial prayer. here is where the jewish embassy fell out. how was the performance made? and this is also abdurakhmanov, we are rome and female devils, african love. here are the chandeliers for eugene onegin, these chandeliers are still used at all government concerts. and this is fore sketches before making sketches such handwriting is done, and then, as it were, a conversation with the director. these are generally provincial jokes, it will never enter your head in your life that this is this kolesovsky performance. you know, i'm wondering, you

caught the golden years, belarus films and belarusian cinema. well, yes, but even today you are still connected with our modern cinema. is it possible to return the viewer to belarusian films at all, if you return the directors? if you return the script, this is where it should all begin, then you can talk in the cinema and in the theater. by the way , see the same thing. here tommy us in the vakhtangov theater or there, in general, the crisis was now. he raised the theater. this is one of the best theaters, not like in russia in the world, and he still teaches, what does the director mean, then the personality, the personality of the artists are sons of bitches and, of course, it all depends on the leader in the pack, that's all. i want us to see footage from your last let's say so or well let's say

you so penultimate films on which you worked. roman coast from the one i need, i'm running with you, there in just a moment. your native busy had to go to afghanistan and what kind of afghanistan were those years then, and i knew that there are mountains in mikoshelichi granite quarry, in a quarry in mikosheleche. all scenes in the mountains, afghanistan afghanistan in the morning. all the freaks are all morons, some were even taken to the clinic. well, islav sanych, of course, is a master of swearing on the

site. this is this movie. if you to shoot a parallel, very little, a movie would be a real real movie. i have in my studio , you know what it is where the film is stored, but there is a film there , an object that is also directly related to your life. i want you to comment on it. you know fantasy, i don't know. look at the unique camera. with what camera did you start your photography activity and when it was i started in 1955, i was in the fifth grade, i was taught by a hamburger konstantin and melevich, a photographer before the revolution, who was a photographer. yes yes and his traveling carriages knyazev with a solid sign. his last work was at the first vdnkh, he printed a portrait. lenin was an ellipse

of such a metro and a half in diameter, he laid out sea pebbles. doused with emulsion. he built pavilions and printed a portrait. lenin at the first ministry of internal affairs did not pay him. he couldn't understand how it works done, they paid and last years. that's how i remember him, he had chinese silk. he printed photos, well, portraits of familiar friends. well, soaked in emulsion and printed portraits in chinese shock. this photographer taught me photography of the arctic ocean. chinese border boykal that is, you filmed a lot. oh, i keep the negatives in my suitcases. and i read somewhere that you were called a photographer, in my opinion, yes it was. i knew it

wouldn't happen tomorrow. i wanted it for mine. well , if not children, then leave for grandchildren. and this is probably from the exhibition. yes, yes, this is from the exhibition, which photographs were this, you see the grandmother, so that the wind does not blow away, she sheathed her house, like the skin of some beast, so that the wind does not give up. here is the landscape, novogrudok too. we still have a lot of funds, but time, unfortunately, is not enough, and our program is not endless. at the end. we always conduct a flash survey. short question short answer. your favorite time of the year. i really

do love winter. probably because i was born in siberia, it was written on the calendar that novosibirsk is one of the sunny cities of the soviet union, the sky is so blue there. i have not seen anything like this anywhere else abroad, nor in asia, and such brilliant crisp snow. i remember we read a poem frost 10-degree cracks the park's windrows, we have fun, we are happy, we said to the teacher. maybe some typo. we can't go to school until 40°. only then tenfold, suddenly three lentils of valeria, a park, and your favorite place in minsk do you have, maybe even today the golden hill where you live, right? your favorite vacation spot favorite vacation spot has become gurzuf

tell me your favorite drink, how do you say when i was young, i probably had to drink vodka. and now we have fruit drink from some berries for me suddenly becomes some kind of elixir, your main flaw happens to be doubting, a doubting person. yes, i must somehow feel it, as your main dignity when i do something. here it is almost impossible to break me. and what is the meaning of life for you, a person always faces a choice. and the most important thing is to choose the right direction. well, i have prepared for you. i don't know this from the solo exhibition booklets, but he's autographed yes and here, too, with autographs, even with a self-portrait. wow this is autoport

thanks for coming to our studio. and i want to wish you, first of all, good health and more creative work. never mind. what book will you bind? will you make furniture for the home or will you participate?

a further strategy to counter modern threats in the field of national security was discussed at a meeting the head of state, in particular , discussed the improvement of information policy alexander lukashenko announced the need to develop mechanisms to counteract countermeasures against information space. first of all, not a hot, hybrid war. this is a fight for the minds of the people. and

we have to protect our people the question is how? this is what we're going to talk about today. most importantly, we must be able to conduct counter propaganda, as it was called earlier in the soviet union, and today i do not refuse this. yes, this is counter propaganda yes, do not be afraid of this word propaganda we propagate better. we are agitating for better before the e departments in the central committee of the party and before the district committees, there were propaganda and agitations propagandized their way of life fought, agitated for everything better, as we understand it today, and this is happening, and above all in the west. they just laugh at us. yes, propagandists.

why do they laugh to confuse us, so there is nothing dangerous if we promote our way of life and agitate for it, but we must learn to conduct counter propaganda against the propaganda that is deployed against us we must develop mechanisms to counter countermeasures deputies on at the next meeting, 12 bills were considered. among them is a large block concerned the social sphere, the oval hall discussed changes to the laws on mortgage waste management and personal data protection. the bill on external labor migration passed the first reading, according to the developers. this law will create the necessary conditions for attracting highly qualified personnel to the country, according to forecasts, labor migration in belarus will grow , this process needs to be regulated, including the adoption of an appropriate law that will meet the current realities of the demographic situation socio-economic process, but also

than the investment project that he is implementing on the territory of our country in bill 19, of course, not all certain changes that will be aimed at making it easier for foreigners to work on the territory of the country are cancelled. the so -called permissive principles of attracting a large number of foreigners more than 10 people for economic entities and introduced the so-called general work without special permission for this relationship. burnt migrant workers, as well as against students who can work during the study period up to 20 hours per week. under the conditions of economic sanctions, the porcelain factory is also reoriented to new sources of raw materials. now the material for decorating dishes will be imported from russia by mastered and more technological production methods, thanks to the digital printing fraud , up to 9,000 products are processed per shift . in such machines less than 20 cis-wide dobryzh specialists, real innovators hence

the authority in the market, both internal and external we focus mainly on the central region of the russian federation or otherwise, we are negotiating with kazakhstan and uzbekistan. that is, there are small deliveries, we are trying and well, these residents of the minsk region are increasingly building and equipping their homes on the principle of one hundred percent electric mods. new feed -in electricity tariffs for heating and hot water provide a special decree of the president, the trend to reduce the cost of electricity tariffs for consumption in houses and apartments is being put into operation. bilay nuclear power plant, so most of the electric houses are built in the capital city by satellites. smolevichi is next in line for construction in the village of zhdanovichi in the year of historical memory, the kurgan of glory continues the exposition relay race exhibitions are held every weekend on the site near the complex, you could see retro cars from the traffic police, performances by cynologists , weapons from the military academy,

rescue and diving equipment as well there were master classes from the military personnel, field training in paintball, a field cinema hall and a photo zone, various interactive platforms. large-scale exhibitions. at the mound of glory on weekends it will continue until the end of summer. on the eve of children's day, an inclusive playground was opened in liozno, the project became the winner in the civil competition, initiatives for its implementation were allocated a cash grant in the amount of 14,000 rubles. for these funds, a swing carousel was purchased, convenient for children with disabilities . this is the first such site. at we must say in the district that three educational institutions are located in our building at once, so the playground is so bright for children, a real playground. volleyball and table tennis competitions are very important and necessary for us. and also darts and tug-of-war more than 400 people, united 15 republican spartakiad of cultural workers in the flock complex,

32 teams were represented, the profile ministry of republican and regional organizations for the first time figured cycling appeared in the tournament poster the organizers of the competition. became the ministry of culture, sports and tourism, as well as trade unions here spirit. this is the spirit of rivalry, but the most important thing is that people meet people communicate, get to know each other to a greater extent and develop. this is such a good team spirit. unity unity. after all, it is in such events that the truth is born in something. people are learning about sports more this year. we came for sports this morning from the headquarters building, but to belarus in moscow for the international forum the belarusian delegation consisting of more than 60 belarusian children, as well as such famous athletes as alla tsuper and elena zubrilova, went to the young olympians to

get acquainted with the advanced developments in the field of physical and special training for two days. psychology rehabilitation after injuries, as well as anti-doping programs, seminars and lectures for children will be held by leading specialists of the russian federation in the field of sports training. we will tell you about the unique miraculous icons, therefore, addressing the minsk miraculous icon with a prayer. blessed virgin, believing people are trying to arrange their lives. according to the commandments of god and the mother of god, she responds to our prayers. let's get acquainted with the history, she will expose the greatest shrines of belarus by how the church lives by the power of god by the power of christ and indeed during the great patriotic war. the temple was open. e for

prayer for worship. divine liturgy began to be celebrated in it even after the war. temple gradually began to restore let's talk about the power of the faith for which there are no territorial borders and language barriers. if we want to know jesus christ, then we must read his word and live by this word. most importantly, we will help. to find answers to various questions of the spiritual life that the human race needs now, of course, first of all, looking inside yourself, miraculously, it probably consists of when a person begins to change, watch spiritually, educational projects on belarus 24 tv channel, no one and nothing sing a thread. they didn’t care for her - it’s your mind. project team

to ask the most ignorant inknet, the rustogodil to joke and zanatat truncated. and what do we have with our traffic jams? for the variety, not only everything, but we listen, and whether the younger ones, in turn, have a new breath on the first peel and one more chance to live and how the fashion of music is changing. and it seems to me that young people will listen, they will just listen and get high, i guess.

embark on a cultural and historical expedition at the same time with a project on pirates on the tv channel belarus 20 shatyry. today is counted in the country of museums. we have in there are more than 152 museums in the country - this is the republican museum and it is a departmental museum. this is a museum of private collections, these sites that reveal to us the museum and in general , collecting in general, but various objects, such as from living animals to finishing with antiquities that we do not use today, but at the same time, we are interested in and comprehend history, how our ancestors lived all the distant times top five most visited museums. is it only the stolichnaya venues? well, probably the most

visited are the republican museums. and the top 5 are the brest fortress, and the museum of the great patriotic war, and the castle complex. we are here the reserve is not fresh, the national historical museum of national art together with the family stay away and regional museums. these are such museums as the grodno historical and archaeological museum. which last year also opened its doors to the old castle, and today we can visit this and the restored castle complexes, and which are also visited by the kosovo castle, which gives a great spectrum for tourists. not only get to know manor culture, but also provides an opportunity for tourism infrastructure. that is why it is a diverse platform, which today provide an opportunity to get acquainted with the history of culture and through educational tourism, which is actively developing in our country today. here is a large part of the exhibition, as a rule, but devoted to art and history. but surely there are such unusual museums that

even belarusians know little about. maybe tell about them. these are the museums, which is interesting, in general we have. here a large number of museums. and probably each museum is interesting in its own way, and if we take one of the most unique of these, probably. more than 5 years ago , a cat museum was opened in the city of minsk. uh, such an amazing museum, because not so much people take part in the administrative organizational work itself. how many animals themselves are cts who, having organized a space for themselves, live there and offer visitors a good time if we want to travel around the country, but we do not have the opportunity to go to far corners. in belarus, we can visit the mini-country museum, where in miniature we will get acquainted with our nesvizh castle with our worldly castle we will walk along the streets of minsk we will get acquainted with those architectural dominants that today adorn different parts of our belarus if we want not to visit

the premises, but at the same time get to know with the culture and history of our belarusians, then this, of course, is an open-air museum, our museum of boulders, which is also located here in the city of minsk, you can’t get around our museum of folk architecture of life. it would seem that, may be unique in it, but visiting it you can plunge. our belarusian village is the beginning of the 20th century, if we are talking about nature and we want to introduce our little ones, and the inhabitants of belarus, then, of course, this is the museum of forest and mythology zaslavle, if we want to get acquainted with history and ecology, then we, of course, will visit our polotsk museum -reserve and a unique aquifer of the beginning of the 20th century, as high as an 11-storey building, where the museum of nature, ecology of museums is located. they are very diverse. they offer a variety of a get to know different stages of our lives with various historical events with those items that have enjoyed our belarus over a long period of historical time. the end of

1926 turned out to be surprising morozka however, this did not paralyze life in minsk at all, the city was preparing to celebrate the new year. however. there were also those who gave up on the pre-holiday chores at a record minus on the evening of december 25th. at the newly opened cinema. culture gathered a huge queue, dancing in place from the cold, releasing clubs of frosty steam people patiently. they waited for decrees before the premiere of the first belarusian film, only a few hours remained. viktorovich

he created the first national film. nayabys, and the cultural event was spoken even in the outback, and the director yuri tarych instantly became a celebrity. later, some historians will call this date the birthday of belarusian cinema, however, his. history. it began at least 2 years earlier than december 17, 1924. in fact, it turned out some kind of paradox e with belarusians, that the date of his birth is considered not the release of the film, but the creation of an organization. so we started from some kind of bureaucratic moment. for 10 years, the first and only russian state film factory in the country has been operating in st. petersburg. in the same twenty-fourth, the famous mosfilm will open, it is these organizations that are considered the pioneers in the creation of feature films, belgos cinema for the most part dealt with the

chronicle, necessarily the norm. this is 10 minutes a month, and only in 1928 the first belarusian feature film studio. for us, indeed, it was a long-term miracle, that's because of such objective prerequisites. for starters, the actual postcards for production. in general, it was not, as it was in france in russia, where she was born as a result of the activity of a group of private entrepreneurs who saw in the invention of lugers and a commercial artistic perspective by personal activity, who laid the foundations of the film industry, there was not a single professional cinematographer. the first sound film of belarusians will be released in the same place in leningrad and the music for it will be written by dunayevsky himself, who also made his debut in the belarusian body. and this will only be the beginning, it is there, hundreds

of kilometers from minsk, that the story will begin. honest hollywood, belarusian lumières are better than no one else does, how cinema became a symbol of the era it was very difficult to get into the cinema, and for what prime minister the soviet union went crazy, not a single belarusian film of such a record stopped art for all the best scriptwriters the best cameramen the best artists better actors and roles for chosen ones, who remained behind the scenes. and why the relatives of idols are still trembling with horror, see all the secrets of belarusian hollywood

right now. muscovites and leningraders went headlong into the process, allocating pavilions to belarusian colleagues only in the third shift, they worked mainly at night, however, after 11 years the film studio would move to belarus, its first building is still preserved on the territory of the motorbike plant. thirties. the heyday of silent cinema, the comrade repeated his success, this time full houses. collected it painting. until tomorrow, and seekers of happiness, korzh sabers. and today film gourmets are reviewing

these years with particular pleasure. only approached the development of national themes while yuri tarich laid the foundations, just the development of emotional mentality. here in ukraine, art is in the thirties. these were comedies there. the famous bear, of course, the comedy, my frog, which came out in the pre- twentieth fortieth year magnificent people and smirnova a. then there was the creative war. had to put aside to be replaced by a fictional character. came real heroes, studio operators leave for the fronts for a chronicle in 1946, a film studio. it acquired a new name, which still bears belarus film, the post-war period. one of the most difficult for the belarusian cinema is the best camera, which was already the soviet operators camera cone automatic. she went through a lot of upgrades. basically to change

the drive. electronics technology developed , accumulators appeared, others appeared another drive, until the last synchronous drive appeared. it was possible to write symptons, but documentary films were chronicles. everything filmed. this is the camera soon the studio began to be quoted as a factory of highly artistic cinema, in the late fifties a comedy was released our neighbors directed by sergei with her story about life in a communal apartment and love ups and downs turned out to be so plausible that the film immediately became popular, a few years later the fairy tale city of masters was released vladimir bychkova, where one of the roles was played by the still little-known thirty-year-old savely kramarov, appetites are gradually growing, both film workers and the audience had to look for new genres discover names and release a truly high-quality tape in wide release. however , two problems surfaced here. there were no

personnel, no equipment, absolutely there were visitors who studied like a springboard. right here, they are doing something was iron anew. everything is fine. you know, there was practically no currency in the country and professional equipment was insanely expensive, because there was a production in moscow. there are, in principle, everything was filmed on our apparatus. for a long time, the film studio was located in red suit, and in the sixties on the outskirts. in minsk, filmmakers were given premises where the belarusian film is located and to this day the route of the first trolleybus has ended. there was such a wooden booth lying back to moscow, it was a wilderness, how did you once come up to me with bearded children and say that what are you doing there? i say, yes, i 'm doing music there, there the conservatory

ends this business for my own, these ones at the studio. come work with us. i turned out to be a very happy time, because in fact in fact, it was the renaissance of the belarusian cinematography. there was no acting alma mater in belarus, therefore, it was not by chance that in the sixties the whole color of graduates gathered in minsk. geek. the guys willingly came here for their first working experience, this city, as if with a magnet, attracted directors , cameramen, some left quickly , others lingered for many years, a generation that moved the belarusian cinema forward so powerfully that just this golden branch began to sharp. belarusian cinema in all respects and in technically, including the studio was superbly equipped with the best camera. uh, they were used here, well, naturally, and development took place in the context of the development of soviet cinema, the breadth of the screen and large-format cinema

. there was no time to search, it was necessary to shoot at all costs the editors, who, by and large , did the work of the producers worked for wear and tear the whole process of creating films from and to was on them wow, and rather the way it is for the customer, but the customer from central america then i’ll start looking for an author to this author they were looking for a director there was no talk of any competition and there was no talk of a belarusian film in those years, it resembled a greenhouse where, in an atmosphere of light and helping each other, talent gatherings regularly made their way. okay, daddy starred in this film, she is kamenkova. and this dress turns 60 this year. you see, it's

handmade, blouse. eh, sarafan, here are a few of them there she was small. here she played a girl the film was shot in the city of mozyr what exactly is a girl looking for a father is the absolute geographical leader belarusian cinema. it was sold for commercial screening in cinemas in eighty -three countries of the world; no other belarusian film of such a record was set by viktor turov. only finished a day through the graveyard many years later critics will call one of the best films. these are the diploma works of the director of the tour of one of those young filmmakers who have come to the belarusian cinema today. every time you look, uh, you somehow wonder how it was done at all, how it was put together, how slender plans the camera slid so easily, covering a huge space, transferring there from the far to the general, when they chose nature, when they traveled through the villages and there was a fire in one of the villages, a burnt house and a burnt

garden. and these heads of cabbage, which have practically become a classic shot, burnt cabbage, like black heads sticking out. here on this it was nobody planned it. that is, he didn’t burn this cabbage on purpose, as it happened. and then the operator grabbed the camera and immediately began to shoot. these shots of the tour will become the unspoken leader, the generation of the sixties, who raised the belarusian cinema, but a whole new level of painting. confession i come from childhood. the first independent work of the director is visual images that they cut into the memory instantly and forever, and this lingering beep is at work. usually such a sound symbol, but there it evokes a special kind of nagging water sad and at the same time bright story of two teenagers. igor and zhenya, told by gennady shpalikov, did not leave anyone indifferent

; died at the front, dad himself vitya with his mother and sister ended up in a german concentration camp. my mother also starred there, that is, a small role. still. this is our family history and you perceive the material a little in a special way, when your loved ones are there, a surprisingly subtle lyrical picture, and after a military childhood , vladimir vysotsky added not children's songs at all, he also performed one of the roles of a hair tanker. this was his first major film work, which really caused a whole wave of discontent in the ideological leadership. his hoarse voice annoyed many, and ma to performance was called defiant, that's why the main track they don't put crosses on mass graves. performed by mark bernes fraternal. the grave is not crossed, not widows, they do not sob, this furious baritone, vysotsky, who performed his songs, but this was fragmentary in the conditions. here's some advice. e at the end of the

movie. he only sings fragments of several of his songs; censorship gave the go-ahead on december 27, 1966. the premiere took place. a year later, the picture will win its first awards at the film festival of the baltic republics of belarus and moldavia tours will receive an award for the best directorial work, they are on urgant for the best female role, later the tape will be recognized as the best in the history of belarus, and by the decision of unesco, i come from childhood, it will be included in a hundred world films about the war. this is really a very powerful and serious film, and maybe then it appeared. this is the opinion that cinema is the work of many people, you say that cinema is more humane, it is modest, it is soft. you know it from a fairly large culture. in

which in just 20 minutes you will have time to learn about the most important thing over the past week is to strengthen the knowledge of the belarusian language with our guides , go to the past, plunge into the world of bewitching and much more 24 hours a day, 7 days a week, we have things for you. culture of belarus with a rich history, we are located in the city of berezino in the center of crafts and its famous for the whole, belarus museums of a wooden spoon. here is such an ancient craft, which is beyond the power of every master 20 years ago.