the legendary jazzman wrote arrangements for his orchestras and was led by the musical directors of his orchestras, simply wonderful arrangers and composers. vadim ludvikovsky yuri saulsky vladimir terletsky, but the musical face of all the arrangements, the strategy, the alignment of programs the fervor of the orchestra was created by a musician who, due to thoughtful modesty and such predestination of fate, remained in a role

that can be defined very sadly left in the shadows. the last two generations of belarusian musicians this name yuri berezovsky is not even familiar and now only two people are engaged in, as i would say, well, or something, propaganda of his work. this is a young conductor, the head of several orchestras, maxim rassokha, and i, who knew yuri davidovich, who communicated with him, about whom i wrote in my books, and about whom i am talking about today. each creator, as it were, is not separated from his era, in

which he lived, was born and created. such was the fate of belzatsky in the mid-thirties , warsaw well, as if the outskirts of capitalist europe, warsaw lived in its own pleasure. they generally adored cinema and cinema drew attention to him. it was a job for a young musician pianist juridizatsky. in the family of the musician david belzatsky at the end of 1909 on december 30, a boy was born whose name was ihunon, but quickly in

the polish environment they began to call him a hedgehog house on tvarda street, not far from the station, well, the creature is probably. unlike other streets, it was powerful. this house served him only for sleeping at other times. he spent at the higher musical school named after chopin and the professors who taught him piano classics. and they didn’t even suspect that since the age of 15 he has been playing in all sorts of cabarets. boil the gypsies there, and the floor is serena and most importantly, he is a pianist. accompanying silent films is not an easy job ; the duration of the musical sequence must match exactly with the duration of the on-screen action.

moreover, some accents were needed. and he mastered this ezhbilization to perfection, and this work as a pianist, and in the evenings playing in a cabaret. cook in all sorts of imprinted on the way of life of a young peasant, his way, his elegance, his humor. these were always irresistible qualities, her privates recently told. sveta's wife, you see, vuyachicha, says, this white coat of his with a fur lining volodya and here he had a ring with a large white stone, by the way, in soviet

times it was such a star, such a personality. and, of course, i was a witness when the female part of the film crew was on the film mikololka steam locomotive. sprinkled with jokes, of course, a beautiful, elegant bohemian young man, fell in love with a very beautiful girl. the girl was also from a poor family, but her relatives considered it to be an unequal marriage, not for an alliance. well, how can she be the daughter of a shop owner merchant, and he is some kind of pianist, well, young people had love, they got married. and guta was very beautiful at the age of 40. i saw her when she

was already over 70 gutta yakovlevs, she was still beautiful, in addition to working as a pianist , ryazansky, together with his relatives, created such a small publishing house of nods. at the end of the thirties, all of europe lives in tension in anticipation of the coming war, which is sure to break out somewhere somewhere, moreover, a trumpeter appeared in poland from time to time, who came from germany. violinist musician adolf rosner, who told horror stories about oppression, about exile, about a concentration camp where jews were exiled. well, warsaw did not believe in it. they even laughed at some upstart hitler, they were sure that propaganda that tells them that thousands of tanks are being built there. they spoke distant

it's all in the tank. die there with plywood. they didn't believe in it. all relatives, all native iguts and hedgehogs will perish in the warsaw ghetto, but the young bitans will not know about it. they flee in the only safe direction to the east.

brain training is considered successful if during it you used not only knowledge, but also, oddly enough, intuition, as far as i remember mistakes here. no, that is, under the beard. we have an assumption rams to our rams we will return. yes, what acid is contained in kefir, 1 2 3, my friends. well, how is it or well, as they say, a scissor strike of our intellectual projects on belarus

24 channel. belarus is not communal, forests are blocked rivers and lakes. necronotaya nature from what is not maxim to tear from the neck and i got off, these are people. we open for you. we carry traditions about generations and at once simmer, change our views on sound and robing - this is the light of yakmakhalevshu. belarusians are so pink ali their poisonous one love of the people's land belarus 20 shatyrs

bialystok at that time was some kind of bohemian whirlpool, there

three orchestras. henry howars jerzy of petersburg and the new orchestra, put together created by the ezhibizovskim, he understood. that the program should have multiple numbers , he understood that there should be contrasting numbers, well, let's say, so funny, sad , slow and fast, that some effects are needed, but the main thing he understood was that the pianist of the orchestra leader is even a composer. won't last 2 hours. attention, the audience, sitting, with their backs or sideways at the piano to the hall , ibilzansky realized that he needed, as he said , the red line, that is, the artist's name, surname, who would become a star, as they would

say now of show business, on which the entire program would be based. and he began to think about who could become such a star, and then berezatsky's gaze, as they say, fell on adolf rossner, who arrived from lvov with a suitcase, in which there was only a pipe and a shirt. and bilzatsky gave up his place as the leader of the villages only at the piano and began to create an orchestra under the artistic direction and with the participation of an enderober. this is how bilzatsky became the creator of the legend of the legend of soviet and world jazz

endirozner, but who pays attention to the person who creates all this turns the public's attention to the one who submits all this. find rosenrabizetsky in the shadows. bilzatsky understands that the program should be built on the appearance of eddie rozny. and he sits down to create this program. these were the most fruitful years of creativity, the state jazz orchestra of the bssr was born, as the belarusian government called it and

gave it this status, provided it with salaries with tours, good organization equipment, and put the words in capital letters to create a repertoire. here, the only thing that played a leading role was jebilization, of course, it was necessary to rely on something already familiar to the audience . before the war, the film was very popular, which was called the great waltz all over the world; in the ussr it was called the great waltz. and so the implementation takes the strauss theme and makes it for an island of different characters, then

the caravan theme appeared, invented by the trombonist of the duke and lington orchestra, khon teasel, takes this theme in a birch and turns it into a musical canvas, a musical picture from afar, some measured clatter is heard such a kind of percussion, then some kind of dervish hums something similar to a prayer in the semi-darkness, then the sound of a muffled trumpet appears. low light. this is a silhouette of roses. connected clarinet orchestra gaining strength full light. and

suddenly, like a mirage, some kind of arises. here is the power of all that terpetra for a moment, and again the caravan leaves again, the light goes out, again only the clarinet trumpet remains, the hair calms down. and now it’s not audible, the clatter of silence. the hall froze, what's next, and then the light flashes, the ediozer orchestra rises with its golden pipe. well, somewhere there , bivyazsky gets up at the piano, of course, rosner receives full fame and success, you can

imagine that somewhere the taste of october. maybe even from november 1939 to june 1940, a huge program was created in two parts, with which the jazz orchestra of the bssr, under the direction and with the participation of andy rosber, performed as part of the belarusian decade in moscow in the most prestigious pop venue in moscow and the soviet union in the summer theatre. create a piece sanlouis blues solo ederozner create

music tango and waltz for the duet of dancers slava yuliya create an arrangement by the little boy of the harris brothers create an accompaniment with a comic verse. pavel hoffmann, some more musical bundles, it all fell, as they say, on the shoulders of the jebilizatsky and that’s it. it was created for the decade of belarusian art. at the concert of the state jazz orchestra of the bssr, accompanied by the sale of thousands of postcards from a photograph of a smiling man even with two trumpets with programs, jazz lovers listened to

completely unfamiliar sounds in the soviet the music of such chords did not have such harmonies ; moreover, it was a whole revolution for the soviet audience. the orchestra of the cliff in the arena got used to the painting of varlamov's shushenka by the brothers. to see in suits, and then all of a sudden, the first section is white jackets and black trousers. how is it possible to have gold jackets, white trousers in the second compartment? how is it possible, if the soviet singers went out in ball gowns with a cut off and below the knee, and then they went out with alice with a cut almost all over the thigh , moreover, the musicians participated in all

interludes. they sometimes played without notes, sometimes they played. stand with your back to the room. i understand that all shows are tricks with costumes. there, all this was done by rosar, but there was music for 2 hours, originally arranged brilliantly. absolutely music. i don’t know if this is true or not, but they tell me that at one of the concerts of the decade, uchesov was with his assistant tramman. you see, they even called me surnames and like scientists said there, someone heard. well, maybe it's a legend. it doesn't matter how much. well, we can’t play like that after

this triumph after these performances in moscow the best venues in leningrad, kiev, minsk , large cities of the ussr for the caucasian republic , these were all the best venues for this best then in the ussr orchestras, life for the orchestra and musicians was seen beyond the cloudless happy rich. all this was created by benzatsky. well, the red line is not his. it's a little smaller in the shade in the shade.

in may 1941, the belzatskys gave birth to a boy , alexander well, at home, olik a, 40 days after his birth, the great patriotic war began. the orchestra was very lucky, because the vocalist zoya larchenko had some very the high patron in the ministry of railway transport and the

rosner orchestra were given a passenger truly rigid carriage and the orchestra during the first months of the war toured the soviet union while living. here in this wagon. there were also wives, bathtubs, irons , pots, pans, stoves, kerosene stoves. they were here all together writing new works. he wrote songs on the military theme, there were orchestral pieces. and that's it. it was necessary without the piano. without a piano, it was necessary to arrange, as they say, putting music paper on your knees and realizations. he wrote all this. all this wrote and immediately rehearsals. you imagine what a joy. at night or during the day in a shaking

carriage you composed it, and in the evening at a concert it is already being performed. the scheme was built something like this, a car that arrived in some city was driven into a dead end of the station, the musicians went to a concert, and the wives went to the market or to the store, otherwise they would cook food cards. in the evening. everyone gathered after the concert for dinner, and the car at that time was already moving to another city. and the same thing happened there. well, sometimes the tour could be one evening or two and three. a year later, i think. the charms of zoya larchenko,

had their effect and the second carriage fell out to the orchestra of discord, so one carriage had already become domestic, and the second had already become musical, as it were, instruments were stored there, notes were being rehearsed, concerts were held, mainly at recruiting centers where brigades were formed regimental divisions to be sent to the front. and now they were released, the minsk state jazz orchestra, the bssr almost immediately arrived here, somehow equipped the stage of the undestroyed, not blown up opera theater, the orchestra gave a concert there

prepares a new program, he writes a musical canvas with which the second section opens , sounds from a very popular film under the roofs before the war. paris was such a french film we had with this waltz and this waltz rolls the theme from shostakovich's symphony theme, there pim param-pam. and this theme severely replaces the parisian sound of the waltzstrauss of the tales of the vienna woods, and this theme from the seventh symphony of shostakovich, the theme of the invasion, again flows there and it crushes, the viennese wallis, the

germans occupied austria, occupied vienna and sound callsigns of moscow on the piano fields. ta-ra-ra-ra-ram and soviet songs begin to sound, which are replacing this german one. and so to say theme and sounds like this deployed. this overture, or something, is a victory, uh, music, and even this german, so to speak, gloomy one is defeated. this topic, this one, was composed by belzat, this record was not preserved, but, but on the june day of 1944. pay attention also there was a war, but the rosner orchestra was already invited to the recording house for zz, to record their entire program with the belzatsky hope that everything would be recorded on gramophone records, and then this circulation will go

huge throughout the soviet union, because he understood that there is not even similar music, as his orchestra performs. they wrote for 3 days, and one day the recording was interrupted, and why? the whole orchestra poured out on sadovaya, it was there nearby to see how thousands of tens of thousands of captured germans were walking around moscow. in november 1946, after a triumphant

tour of the ussr again after the release of the circulation of these records. i had them. my dad also bought these records. i listened to the already banned jazz, the eddie rosner orchestra, why banned because in november 1946, according to forged documents, he was with his wife rukominskaya and with two children. they wanted to run away to go to poland, they just imprisoned rosar after the arrest. the orchestra released a poster , the leader yuri belzatsky and in parentheses the former rosner, that is, so that people still understand that this is a former orchestra for the sake of the rosner, but, nevertheless, soon the orchestra, as they say, was disbanded and this former

did not play any role. here, in general, the life paths of the different and the realizing really diverged. immediately after the war, the gasoline donkey in bobruisk became a conductor. operetta theater playwrights kastus gubarevich, iosif dursky wrote the libretto, and the medical wrote the music , a cheerful operetta was born. the valley of happiness, there weren’t enough artists on the stage, and composers, who were free during the concert, took part in the crowd scenes, the composers who were free during the concert, the conductor from his otbilizatsky family put

his children luce lucium and e olika on the stage, and sasha alexander was soon invited to zaydsky as an accompanist at the opera theater , and he works there and they give him a room at the end of the building, but it’s impossible, as in his youth, again, where he works a lot. he even accompanies in the circus. eh, with some kind of klonov verse, he is lured into the belgus and the country and he composes. romansov zinaidetarskaya, but in the sixties, almost in the same point of minsk, two events take place. very cool, they changed his fate, firstly, he gets a large room already in the house opposite the

red church. the first event, and the second he receives an invitation to write music in films to the film studio, which was located in this red church for the next 10 years. he has written music for ten feature films. well, what is remarkable is that he is always in the credits paired with some other composer. the girl is looking for her father. mikolka steam locomotive, the street of the youngest son with vladimir pavlinka with evgeny tekutsky green lights with dmitry kaminsky love should be cherished with julius semenyako. why were there always

two surnames? because berezatsky was not, and until his death he never became a member of the union compositions. well, firstly, well, jazz, secondly, foreign polish musical education, thirdly, well, there were more, but as you can guess, but in fact the gasoline one received the sheets, and he was not only the only one who could in general, to write it all in the style of light, necessary cinematic cinematic music, but he was the only composer in belarus who, given his taper past, could accurately decompose the duration of the sound of a musical episode already orchestral.

the duration of the screen episode is not enough there were still some necessary accents in this, that is, at that time he was the only composer in belarus tina. of the ten films listed, i worked on three. and on none of them did i see composers who were then next to the mesalt indicated ptitra, and on one i always saw only the bilzat. the only one who invited the balsat one to write music. it was film director richard viktorov, he invited him to his film.

there is a sharp turn ahead. and there was also the contribution of a very peculiar contribution of belzan to the music for the film red forest, a where i also worked, i needed some kind of polish pre-war tango, which the heroine of this film, the cabaresh singer jadwiga , performs in this cabaret, and then they invited a belizet, he came to leningrad, and now the director gathered. vladimir vladimirovich korsablin sound engineer. georgievich tank director of the film seventeen navigators, i perched somewhere in the corner. yuri davydovich belzatsky sat down at the piano and two more

completely unknown people came. it was a student of leningrad university. very beautiful woman. edita piekha and ensemble leader. friendship, her husband alexander armorevichsky, they only just last year at the world festival of youth and students in 1957 became some kind of laureates there and, uh, their popularity is just beginning. and now piekha came to the edge. we all sat on the sidelines like that, and they spoke polish with turquoise. and they began to remember, because military warsaw and you are the very songs that you sang there, this is generally military warsaw for about 40 minutes. he played for her , she sang only for him. but

the problem with the director of the film is not perfect tulman, he then stayed with the close friends. for some reason, i was talking nearby, but i can’t pay you as a composer. we have an agreement with the composer of the film, nikolai kryukov. i have already paid him everything ryazansky says, well, it was just nice to talk to us, otherwise he says, no, i’m here what i can offer you. and if you conduct these markers, then i will pay you, as a seed message says to an artist for a conductor at a higher rate. well, everyone , and even in a cabaret in a restaurant, but what can be a conductor? here the conductor does not

need fog, but i have no other option. in general, they agreed that the realizations would conduct this tiny orchestra. and here is the beginning of the first panorama, so the cabaret where yure davydych is so. turning to the camera conducts. so four of these orchestra. this is all that is left, so to speak, in the visual embodiment of the wonderful musician yuri davydovich of bilizansky, who even here and in the cinema even had this fate. predetermined by his fate i repeat modesty to be in the shadows in the shade, chamomile mallow we wet over you.

the wind clogs the way, collects lanterns, shakes her head about her father, his daughter lucy says that, well, being born in a poor family , he worked in his youth in his youth anyway, where for a couple of extra zlotys, to invest in the family budget hard labor daily rehearsal work with the roznorovsky orchestra. post-war disorder is not the opportunity to write and

perform the music that he loved jazz. i believe that he is not an accomplished unfortunate person. well, in recent years, yuri davydovich led the orchestra of the belarusian the radio was so cute, and he finally fulfilled the dream of his youth. he recorded rhapsody blue by george gershwin. a blues-style rhapsody that he learned a long time ago, while working in recording studios in military poland, he recorded it a year before his death. in 2014, i received an invitation to the radio studio. from the conductor maksim

rosokha, unknown to me, who invited me to an evening in memory of yuri bizatsky. i came i saw lyusya there, yuri davidovich's daughter turned out to be maxim nikolaevich the wind instruments quintet learned several works without hellish works that i did not know, i interested myself. what are you like from where? yes, he says, i really liked this composer, in general, everything is completely forgotten , completely unknown already now and he became maxim dried up, as they say, dig and find more and more new works and mikhail nikolaevich told me that he found the score of bilizatsky jazz in the archive in the night , written in pencil with a title in

polish from a seal, vileika, regional philharmonic, 1940. he who seeks will always find, and all the time now the work bibizovsky in the repertoire of the orchestras he leads. manuscripts do not burn. well, as it turned out, the procedures, too . and now we must applaud not only those who are under the sun, who are the red line, but we must remember who created it is who stood behind this leader, who did a gigantic job, creating this idol is usually prepared for these

people remain in the shadows, but we must not forget them, and we must still look into the shadows. there may be humble people there. talented people whom we must discover to appreciate, to love and, most importantly, to remember the terrible friends will be led by glory

and freedom by the song of the squad of cannon happiness and you will always return. we are all years old, but we

must accept the fate of the famous belarusian boy in any case, because this phenomenal memory is musical. eh, a sense of rhythm and i was accepted into popularization. i always knew that i would be a singer, i always had no idea where i can still express myself to find her. here is the meaning of life, only on the stage of their eternal meaning is laid, it is in 3 minutes that you need to tell a story like this. well, i made the decision to be. in some world of my own, in this moment and i realized it and that's how you can express it to convey to the listener this emotion that is embedded in the song. this is it . basically, creativity. i teach young artists when they contact me or come on stage for courses. i say you have to go out and in such a way that you yourself like it, see in the program the shots of life on our tv channel change very quickly time goes by imperceptibly minutes days there is enough time

to stop and think about those who are waiting for us at this particular moment it is worth remembering about those. without whom we will be so lonely on this earth, it's time to say, you know, mom, i miss or listen to dad right now, without putting it off for later, you need to say, i'm here, i'm nearby. appreciate the time you spend with your loved ones.

dialogue on the future of eurasian integration, bishkek became the platform for the first eurasian economic forum tourism transportation and even folk crafts look at the capital's exhibition. let's be on trend. this is the area of ​​interest we are talking about notable events in the economy with you veronika hello, a great dialogue about the future in eurasian integration brought together business experts from ministers, participating countries, bishkek became the site of the first eurasian economic forum in the history of the news from the capital of kyrgyzstan scattered at lightning speed. further rallying of the five countries. today it is becoming increasingly

important, and eurasian integration is capable of to become a new geopolitical pole is in essence, and then the past in bishkek economic centers of gravity are shifting from west to east and the eurasian union should take a dominant position in the region and these ambitions are absolutely justified, the participants are sure for this country. we agreed to develop cooperation, build logistics, and help finance new projects. what initiatives will contribute to closer ties in the eu space why does the union need a single currency for settlements and when to be a common market gas, report by olga onishchenko what is not a speaker in bishkek, but the obvious message of changing the usual picture of the world further emphasize the importance of economic integration at the forum, they will even say that this is a new geopolitical pole of the disk the union is able to

transform into a major subject of the world economy. points of growth - this is the first . ah, business cooperation. this is also investment cooperation. we must set up new factories, set up new trans. eurasian companies in order to really solve all these issues integration not at the expense of administrative resources. and to make it really interesting, business will be interested in the success of our union, the participants do not deny the sanctions impact, but the sanctions did not affect either the goals or the task. the union only turned the eurasian view from west to east. another 2-3 years and commodity flows will be transferred to asia announces. logistics is already building new routes. another eurasian topic that worries everyone is a single electricity and gas market with common rules and approaches for all. and it's honest competition.