the wednesday picture is the image of a swan, an ambiguous and complex symbol that combines the elements of water and air. the environment is a visually poetic essay on the theme of the beauty of grace. about feelings, the noble appearance makes the swan a majestic and aesthetically attractive bird, which embodies grace in fidelity, morality, the ornament in the picture is a reference to ethnic roots. i know that poetry inspires you in your work. why poetry and what else inspires you, besides poetry, life itself inspires communication with people is vital. perception and my perception - that's all i convey. through the prism of my perception of it, i convey on my canvases there is an opinion that contemporary art is not entirely clear to the layman. here is your

creativity. understandable to the audience. and if there is feedback , there is feedback thanks to such events as artminsk, he writes a lot. here are people who say that they saw when you are working, now they like or dislike something , but this also helps me to be creative. at this show, athletes test their strength and dexterity is not physical, but intellectual . what is the name of the main trophy for which the team of the national hockey league is fighting, the national hockey league nhl stanley cup that's right, what is the name

of the german football championship? a popular soviet song about hockey, written to the music of alexandra pakhmutova in 1968, no matter what happens, they are not used to giving up. what club does french footballer kylian mbappé play for? psg oh , it was difficult. it was difficult. let's watch the video replay, watch the intellectual project. head game on our tv channel will help you understand tricky medical terminology. if there were people in the family with stones in the gallbladder, then the children there have nephews, grandchildren, and so on, the likelihood of developing stones will be higher, we will definitely talk about the danger of diseases

of the gastrointestinal tract, miscarriage , problems. three conceptions of a child. they can be related too. here with this disease we will tell about the beneficial properties of spinach - this is one of the richest vegetable proteins, you can add spinach to our products, increasing the volume, but not practically increasing the calorie content and share exercises that prolong the life of the joints, the advantage of this complex is the provision. because of what i’m stressing, which is especially important in this pathology, see the health program on belarus 24 tv channel. the exposition combines both classical genres and styles and modern art landscapes

portraits still lifes abstraction and experiments with modern fine art present a vivid panorama of modern belarusian fine arts at the festival presented and a new direction this year, the art of photography. why photography has become popular in our country and what is the primary form or content of visual art we learn from the belarusian photographer elena donbrova elena good afternoon. hello, you are a photographer and visual artist. here. please tell us about your activities as a visual artist. well, yes, i am a photographer, really very two creative unions, a designer and members of the photoclub members. well, i am my creativity got busy. in general, like a photo recently. uh, my first exhibition was also an

art-minsk. it was 2018, but, as it were, in general, from that time yes, such an active creative activity is what makes your work different from the work of other visual artists. they say, yes, that each creator of an artist has his own handwriting, but if he says, for example, about the festival of this particular year, then for the first time photography is presented separately by a large hall and photography is attached to a huge number of techniques, that is , there are both analog processes and digital processes thanks to this, i think the viewer. if it’s possible, to feel this difference yes , modern belarusian photography, what is it like and if there is a significant difference from photography, for example, of the last century well, of course, the style of the father, yes, and the approach to photography, if, for example, earlier the image of photographs was surprising and natural, as it were she exalted herself, as we can show for the first time. here is what we see, but a reflection of the

literalness of reality. that is, now, of course, a photograph, it is still it's a material, that is, like an artist that he first draws with a brush, he can also take , uh, a camera and make it through just such an image. what a statement of photography is modern. she, of course, is more versatile again in the techniques of execution, and unlike photography, of the last century, of course, and there the photographs were surprising. by itself, that a person can really get an image of reality at the moment, this no longer surprises us, that is, photographs are already exclusively means for expressing the artist's thoughts you have such conciseness of forms so enough. uh, there's restraint somewhere along the straight lines. that's it for this style. eh, like constructivism. that's why this particular direction. in general, such an impulse has already begun. yes, a very long time ago somewhere in the

early 2000s. i was very fond of kazimir, malevich or lissitzky, and the work of creativity. ahuet i was, of course, very inspired, but they were not aware. they didn't live in the digital age. of course not, i wanted to. try here to show how it will express. these are digital materials. of course like the simplicity like sayings. you know, as they say, so the line, it generates a thought. i think this here already everyone perceives and interprets the concept of thought in his own way. the stylistic and cultural and historical diversity of the native city is all reflected in the works of belarusian authors. minsk is so multifaceted, it surprises and delights, and its eclecticism and infinity of layers of understanding amazes admiring tourists and residents of the city. modern trend. every job.

your own qr-code has been assigned, just point the camera of your smartphone at the label and additional information about the works will be available to visitors. everyone can not only buy the works they like, but also support the artists by voting. after the end of the festival, the authors with the most votes will be awarded diplomas of the project partners. maria good afternoon. hello, you are a belarusian sculptor and your work is presented at the art minsk festival. here right now we are at one of them. please tell us about the concept of this work, and what it is about. this is one of two works from the e series, with you working with emptiness from very simple materials. it's just cold rolled ordinary steel, ordinary shaped pipe is applied by the most simple

techniques, and it consists of two large simple shapes. the iron ones are quite large, but the center of the composition and the artistic image. i laid not in them, but in the fact that between them in the void is not the one that is vacuum. and that emptiness, which is a black hole, well, such spectacular reception, perhaps, it may seem to someone that the reception cannot be the very image and i was very worried about it, but i alone am very tender, my beloved sculptor. he came and looked for a long time and said, mash, do you know what it's called? attractionism from the word attraction, in general, the sculpture has a soul. there should be an image of culture. maria, i can’t help but ask about another work of yours, and this is a joint work with a belarusian sculptor, and pavel voynitsky. tell me, these are

large-scale forged chandeliers. yeah get out nanki of incredible beauty, simply a yes and that's how this idea was born in general. here's a story from conception to implementation. and that's what inspired you to create this beauty - this place outside the city. this, probably, in russian suburb. this is how blacksmiths always lived outside the city, because the sound is dust, and smoke, and they lived on the territory on the green, in general. near the forest and here is an image of a very simple, very understandable tree, bird, shadow, dawn, sunset, in general nature. well , how to determine how trees were harmed up to 1000 ways, but how to identify belarusian trees? how to define our trees, and we came up with blacksmith's batting, but from what a blacksmith could make his iron dog in the same way as here, everything, it was decided not quite

directly. there, the center of the composition of the station is also the air there, the center, as the position of the shadow that these skills cast on the ceiling, contemporary art has become a real mainstream. deep meanings search for answers to age-old questions and bold author's solutions art festival, art-minsk pleases with its progressive format and no one will leave you indifferent be progressive. and follow the fashion trends of the cultural life of our country with you, as alina has always been not a war and remember to be cultured. it 's fashionable see you in a week before new cultural meetings.

these rosdors wrote arrangements for the legendary jazzman for his orchestras and were led by the musical directors of his orchestras, simply wonderful arrangers and composers. vadim ludvikovsky yuri saulsky vladimir terletsky, but musical face all arrangements strategy alignment

jarkestra programs were created by a musician who, due to thoughtful modesty and such predestination of fate, remained in a role that can be defined very sadly left in the shadows. the last two generations of belarusian musicians this name yuri berezovsky is not even familiar and now only two people are engaged in, as i would say, well, or something, propaganda of his work. this is a young conductor, the leader of several orchestras, maxim rassokha, and i,

who knew yuri davidovich, who communicated with him, whom i wrote about in my books, and about which i am talking about today. hooray for every creator, no matter how separated from his era in which he lived, was born and created. such was the fate of the belzatsky in the mid-thirties , warsaw well, as if the outskirts of capitalist europe, warsaw lived for its own pleasure. they generally adored cinema and cinema pay attention to him. it was a job for a young musician pianist legalization. in

the family of musician david belzatsky at the end of 1909 on december 30, a boy was born whose name was yakun, but quickly in the polish environment he began to be called a hedgehog. accommodation house on twardoy street, not far from the train station, but probably from varda. unlike other streets, it was powerful. this house served him only for sleeping at other times. he spent at the chopin higher school of music and professors who taught him the piano classics. and they didn’t even suspect that since the age of 15 he has been playing in all sorts of cabarets. boil gypsies there, and the floor is serena and most

importantly, he is a pianist. accompanying silent films is not an easy job, it was necessary to achieve an exact match of the duration of the sound of the musical episode duration of the on-screen action. moreover, some accents were needed. and he mastered this ezhbilization to perfection, and this work as a pianist, and in the evenings playing in a cabaret. cook in all sorts of ways left an imprint on the lifestyle of a young peasant, his elegance, his humor. these have always been irresistible qualities of a legal recently

recounted. even as you see vuyachich says, this white cloak of his with a fur lining volodya and here he had a ring with a large white stone. these are in soviet times. it was such such a star such a personality was. and, of course, i witnessed when the female part of the film crew was on the film mikolka steam locomotive, when the belizet arrived, they looked at him just with loving eyes, but offended ones, of course, poured jokes, of course, beautiful, elegant bohemian young man, fell in love with a very beautiful girl also from a poor family, but her relatives believed it was still an unequal marriage not for the

alliance. well, how is she the daughter of a shop owner, and he is some kind of pianist, well young was love, they got married. and guta was very beautiful at the age of 40. i saw her when she was already over 70, as if yakovlevna was still beautiful, in addition to working as a pianist, the ezhabizansky, together with relatives, created such a small publishing house nod. at the end of the thirties, all of europe lives in tension in anticipation of the coming war, which is sure to break out somewhere, moreover, a trumpeter appeared in poland from time to time, who came from germany. violinist musician adolf rosner, who told horrors about oppression, about exile, about a

concentration camp where jews were exiled. well, warsaw did not believe in it. they even laughed at some upstart hitler, they were sure that propaganda that tells them that thousands of tanks are being built there. they were talking long-distance it's all in plywood tankers. they didn't believe in it. all relatives, all native iguts and hedgehogs will die in the warsaw ghetto, but the young ones were backsides will not know about it. they flee in the

only safe direction in the east bialystok at that time was some kind of bohemian whirlpool, there formed three orchestras. henry howars jerzy of petersburg and the new orchestra put together created by the jebilizations he understood. that the program should have multiple numbers , he understood that there should be contrasting numbers, well, let's say, so cheerful, overweight, slow and fast, that some effects are needed, but most importantly, he understood that the pianist, the leaders of the orchestra, even the composer would not last 2 hours. attention, the audience, sitting,

back or sideways at the piano to the hall, ibilzatsky realized that we need, as he said, the red line, that is, the name and surname of the artist who i would become a star, as show business would say now, on which the entire program would rest. and he began to think about who could become such a star, and then the look of realization fell. on the one who arrived from lvov with a suitcase, in which there was only a trumpet and a shirt, adolf rosner and turquoise gave up his place as the leader, sat down only at the piano and

began to create an orchestra under the artistic direction and with the participation of the enderose, so bilzatsky became the creator of the legend of the legend of the soviet and world jazz enderose, but who cares the person who creates all this turns the public's attention to the one who feeds all this on these rosora plentiful in the shadows. in the shadows , zatsky understands that the program must be built on the appearance and he sits down to create this

program. these were the most fruitful years of creativity, the state jazz orchestra of the bssr was born, as the belarusian government called it and gave it this status , provided it with salaries with tours, good equipment, and the main words of our deeds are to create a repertoire here. the only leading role was of course, it was necessary to rely on something already familiar to viewers and listeners before the war, the film was very popular, which was called the great waltz all over the world; in the ussr it was called the great waltz. and now she takes the mesan ones, all the more so the trausa and makes

it for the orchestra in different characters. then he appeared. the caravan theme was invented by the trombonist of the duke ellington orchestra, hon tizol, belzatsky takes this theme and turns it into a musical canvas a musical picture from afar one hears some kind of measured clatter , some kind of percussion, then some kind of dervish

drinks in the semi-darkness something that looks like a prayer, then there is a sound behind the mute pipe. low light. this silhouette is connected to a clarinet. the orchestra is gaining strength full light. and suddenly, like some kind of mirage , this power of all that patience arises for a moment, and again the caravan leaves again, the light goes out, again only the clarinet trumpet remains. the voice subsides. and now the clatter is no longer heard. quiet, the room froze. what's next, and then the light flashes, the orchestra rises. eddie roser with his golden trumpet. well somewhere out there gets up at the piano, bilezat, of course, gets the rosner. fame and success in full measure

can you imagine that somewhere in the course of october, maybe even from november 39 to june 1940 , a huge program was created in two parts, with which the jazz orchestra of the bssr, under the direction and with the participation of eddie rozber , performed within the framework of the belarusian decade in moscow in the most prestigious pop venue in moscow and the soviet union in the summer theater.

create a piece san louis blues solo by eddie rosner create tango and waltz music for a duet dancers slava yuliya her to create an arrangement by her brothers. garis create an accompaniment with a comic verse. pavel hoffmann also some musical bundles, it all fell, as they say, on the shoulders of ezhilizatsiya, and that's it. it was created for the decade of belarusian art for a concert of the state jazz orchestra of the

bssr accompanied by the sale of thousands of postcards from photographs. smiling eddie rosner, even with two trumpets with jazz programs, listened to completely unfamiliar sounds in soviet music, there are no such chords there were no such harmonies, moreover, it was a whole revolution. the soviet spectator, accustomed to the orchestra and the morian cliff, saw the brothers painting varlamov's shushenka in costumes, and then suddenly the first section was white, jackets and black trousers. how is that possible? in the second part, golden jackets and white trousers, how is it possible, if soviet

singers went out in bath dresses with a slit from the ankle and below the knee, and then they went out with alika with a slit almost all over the thigh , moreover, the musicians participated in all internet, they sometimes played without notes, sometimes they played. stand with your back to the room. i understand that the whole show is costume tricks. there , roller did all this, but there was music for 2 hours, original arranged, brilliant. absolutely music. i don’t know if this is true or not, but they tell me that at one of the concerts of the decade, vse was with his assistant trombonist. they even called me by my last name, and it seemed that everything was said in the same way, someone heard it. maybe it's a legend, it

doesn't matter. well, we can’t play like that after this triumph after these performances in moscow the best venues in leningrad, kiev, major cities of the ussr for the caucasian republics, these were all the best venues for this then best orchestra in the ussr, life for the orchestra and musicians was seen further without a cloudy happy rich. all this was created by bizatsky.

well, the red line is not his. it's a little smaller in the shade in the shade. you had breakfast today. and by the way, by the way, no , i didn’t have time, it’s not a question, because i’ll feed you today, the most delicious breakfast, the breakfast of a champion. today mashul and i will cook tuna on pillows from the movie with berry sauce, as well as pumpkin puree, i was already salivating, how delicious it sounded.

come on with a glass of water with a lemon. in general, a buzz. well, this is how i get the perfect breakfast, after which i run to conquer the world. you knew that in order not to cry , it is necessary to moisten the knife with cold water before cutting the onion, so i will tell you more. i even usually myself and also an orange bulb and i'll take care of the pepper ready, let's send it to the pan, watch the breakfast of champions culinary project on our tv channel. questions that at first glance seem simple 50 kop. half a ruble yes, yes 50 kopecks. now , if you answered 30, you would go to build, and so there is no ball for your team 50 kopecks. this is how the candiber candiber will be, the very same

red. yes, a red candybober on his head. you still do not mean that a woman or a ballerina accepts the correspondence candibober is sometimes a very original answer. what is the name of? are these shoes? brogues brogies were some other options at your table. what kind of part of speech is this interjection. a particle answered at your table. why didn't you listen? that's why that you vasya because i actually, physical education and participants whose task is to answer true and not go to the construction site. love your work with love care until the desired result. watch the intellectually entertaining project tower on belarus 24 tv channel. in may 1941

, the boy alexander was born murderous. well, at home oleg and 40 days after his birth, the great patriotic war began. the orchestra was very lucky, because the vocalist zoya larchenko had some very high patron in the ministry of railway transport and rosner's orchestra were allocated passenger, however, rigid carriages and an orchestra. during the first months of the war, he

toured the soviet union while living. here in this wagon. immediately there are epics, baths, irons , pots, pans, kerosene stoves. they were here all together organizing. he wrote new works. he wrote songs on the military theme, there were orchestral pieces. all this had to be done without a piano, without roy uh-huh, it was necessary to arrange, as they say, putting music paper on his knees and berezovsky was all. he wrote this, all this wrote, and then rehearsals. you imagine what a joy. at night or during the day in a shaking carriage you composed it, and in the evening at a concert it is already being performed.

the scheme was built something like this, a car that arrived in some city was driven into a dead end at the station, the musicians went to a concert, and the wives went to the market or to shops, and to buy food cards. in the evening. everyone gathered after the concert for dinner, and the car at that time was already moving to another city. and the same thing happened there, but sometimes the tour could be one evening or two and three. a year later, in my opinion, charms. zoya larchenko, had their effect and the second carriage fell out to the orchestra of discord, so one carriage already became domestic, and the second became musical, as it were, there were stored

instruments, notes and rehearsals were going on, concerts were held, mainly at the recruiting centers where the division's brigades were formed shelves to send to the front. and now they were released, the minsk state jazz orchestra, the bssr almost immediately arrived here, somehow equipped the stage of the undestroyed or blown up opera house, the orchestra gave a byzan concert there prepares a new program, he writes a musical canvas with which the second section opens

, sounds from a very popular film under the roofs before the war. paris was such a french film we had and this waltz rolls theme and shostakovich's symphony theme, there pim param-pam. and this theme is harshly crowding out, the parisian waltz sounds waltzstrauss tales of the vienna woods, and this theme from the seventh symphony of shostakovich, the theme of the invasion, again floats there and it crushes the viennese walis, the germans occupied austria, occupied vienna and call signs sound moscow on the piano fields. ta-ra-ra-ra-ram and soviet songs begin to sound, which

are replacing this german one. and so to say theme and sounds like this deployed. this overture, or something, is a victory, uh, music, and even this german gloomy theme, so to speak, is defeated. cheno was belzat this record was not preserved, but, but on the june day of 1944. pay attention also. there was a war on, but the rosner orchestra was already invited to the zz recording house, to record their entire program with belzatsky, hoping that everything would be recorded on gramophone records, and then this circulation will go huge throughout the soviet union because he understood that there is not even a similar music, as his orchestra performs. they wrote for 3 days and one day the recording was

interrupted. why did the whole orchestra pour out on sadovaya, it’s there next to the dzz, to see how thousands of tens of thousands of captured germans are walking around moscow. in november 1946, after a triumphant tour of the ussr again after the release of the circulation of these records. i had them. my dad also bought these records. i listened to the already

banned jazz orchestra of edie roser, why banned because in november 1946, according to forged documents, he was with his wife rukominskaya and with two children. they wanted to run away to go to poland, they just imprisoned him after rosner's arrest. the orchestra released a poster , the leader yuri belzatsky and in parentheses the former rosner, that is, so that people still understand that this is a former orchestra for the sake of the rosner, but, nevertheless, soon the orchestra, as they say, was disbanded and this former did not play any role. here, in general, the life paths of the roznor and the civilized really diverged.

immediately after the war, the gasoline donkey in bobruisk became a conductor. operetta theater the playwrights touch gubarevich, iosif dursky wrote the libretto, and belzansky wrote the music , a cheerful operetta was born. the valley of happiness, there weren’t enough artists on the stage, and composers, who were free during the concert, took part in the crowd scenes with free tickets during the concert, the conductor from his otbilizatsky family put his children luce lucium and e olika on the stage, and sasha alexander, soon from balti, was invited to be an accompanist at the opera house,

and he works there and they give him a room at the end of the building, but it’s impossible, as in his youth, again, where he works a lot. he even accompanies in the circus. uh, with some kind of clone verse, he is lured to belgo from the country and he composes. e. romansov zinaidetarskaya, but in the sixties, almost in the same point of minsk, two events take place. very cool, they changed his fate, firstly, he gets a large room already in the house opposite the red church. the first event, and the second he receives an invitation to write music for films to the film studio, which was located in

this red church for the next 10 years. he has written music for ten feature films. well, what is remarkable is that he is always in the credits paired with some other composer. the girl is looking for her father. mikolka steam locomotive, the street of the youngest son with vladimir pavlinka with evgeny teplovsky green lights with dmitry kaminsky love should be cherished with julius menak. why were there always two surnames? because berezovsky was not and never became a member until his death. composer's union. well, first of all, well,

jazz mayor. secondly, foreign polish musical education, thirdly, well, there were more, but as you can guess, but in fact , balti received leaflets, and he was not only the only one who could write all this in the style of an easy necessary cinematic cinematic music, but he was the only composer in belarus who, given his taper past, could accurately decompose the duration of the sound of a musical episode already orchestral. the duration of the on -screen episode, moreover, there were some necessary accents in this, that is, he was at that time the only tina composer in belarus. of

the ten films listed, i worked on three. and on none of them did i see composers who were then next to the miasiatic indicated ptitra, and on one i always saw only the biltzat one. the only one who invited the bilzat one to write music. it was film director richard viktorov, he invited him to his film. there is a sharp turn ahead. and

there was also a very peculiar contribution of balzansky to the music for the film red lesen , on which i also worked, it was necessary to have polish pre-war tango, which the heroine of this film, the cabaresh singer jadwiga , performs in this cabaret, and then they invited the belizatsky, he arrived in leningrad, and now the director vladimir vladimirovich korsar gathered, sound engineer georgievich bak director of the film seventeen navigators, i'm somewhere there in perched in a corner. i sat down at the piano and two more completely unknown people came. it was a student of leningrad university. very beautiful woman. edita piekha and the head of the ensemble. friendship her husband

alexander armorevichsky, they only just last year at the world festival of youth and students in 1957 became some kind of laureates there and, uh, their popularity. just started. and in piekha she approached the piano. we were all sitting on the sidelines, walking along the edges, and they spoke polish with the biats. and they began to remember, because military warsaw and you are the very songs that sang there in this pseudo-war warsaw for about 40 minutes. he played for her, she sang only for him. but

the director of the film tulman has a problem, he then stayed with those close to him. for some reason i was there. he spoke, but i can't pay like a composer. we have an agreement with the composer of the film, nikolai kryukov. i have already paid him everything, or the hellish one says, well, it was just nice for us to talk, otherwise he says, no, i’m here, what i can offer you. and if you conduct these markers, then i will pay you, as a seed message says to an artist for a conductor at a higher rate. well, everyone is a man, and even in a cabaret in a restaurant, but what kind of conductor can be? here the conductor i need fog, but i have no other option. in general, they agreed that the implementations would conduct this tiny orchestra, and here is the beginning of the first panorama,

therefore the cabaret, where yure davydovich is like that. turning to the camera conducts. so four of these orchestra. this is all that is left, so to speak, in the visual embodiment of the wonderful musician yuri davydovich biliansky, who even here and in the cinema even had this fate. predetermined by the fate of his repeated modesty to be in the shade in the shade of a daisy, pouring on the wet over you. the wind clogs along the way, collects lanterns, shakes

his head about his father. his daughter lucy says that well, being born in a poor family , he worked in his youth in his youth anyway, where for a couple of extra zlotys, in order to invest in the family budget, hard labor daily rehearsal work with the roznorovsky orchestra. post-war disorder is not the opportunity to write and perform the music that he loved jazz. i believe that he is not an accomplished unfortunate person. well, just a few days in recent years,

yuri doby led the orchestra of the belarusian radio, he was so sympathetic, and he finally fulfilled the dream of his youth. he recorded george gersin's blue rhapsody blues rhapsody , which he had learned a long time ago, working in recording studios in military poland, he recorded it in a year at his death. in 2014, i received an invitation to the radio studio. from a conductor maxim rosokha, unknown to me, who invited me to an evening in memory of yuri biryuzatsky. i came i saw lyusya there, the

daughter of her ledovich, it turned out to be maxim nikolaevich with a quintet of wind instruments, i learned several works of benzat works that i did not know, i became interested, i say. what about where are you from? yes, he says, i really liked this composer, in general everything is completely forgotten completely unknown already now and he became maxim dried up, as they say, dig and find more and more new works and mikhail nikolaevich told me that he found the score of bilzat jazz in the archives in the nights , written in pencil with a title in polish from a seal, vileika, regional philharmonic, 1940. he who seeks will always find, and all the time now the work

bibizovsky in the repertoire of orchestras, which the pickle of the manuscript does not burn we, as it turned out, the procedures too and so we must applaud not only those who are under the sun, who are the red line, but we must remember who created who was behind this leader gigantic work, creating this idol, usually these people are destined to remain in the shadows, but one should not forget them.