for malt, because of respect, i walk on the wolf. belarus 20 shakira

after these culinary projects, you will run to the kitchen, we will have completely experimental cages. we have not prepared such things yet. after all, it is impossible to sit back when you know so many excellent recipes, vegetables can be absolutely any, broccoli, brussels sprouts, green beans are perfect. you can also add zucchini eggplant pepper pits. you can not throw away, but cook a delicious broth from them and freeze, and then use in the preparation of various dishes, madly in love with cottage cheese and eat it every morning. i have some kind of cream that the body needs cottage cheese in the morning, watch belarus 24 tv channel and cook with us.

pavlovich honored artist of russia of the premier mariinsky theater at the moment the main one will be mr. bolshoi theater of belarus to speak. we can about everything. hello. hello, i'm glad to see you, of course i'm glad

to see the national top tv competition in this interview format. and we are very happy igor to visit us first after we got the top, because there is a conversation ahead. eh, long interesting. in general, we try our best to make it interesting for the guest, for ourselves and, above all, of course, for the audience. thank you very much for coming. thank you, whatever is more convenient for you, so that we can contact you , because you have taken up the post. yes, nevertheless igor is still. my name is thank you big ego. igor took office in early may. and now you are the chief choreographer of the bolshoi theater of belarus. and help us figure it out, how your duties were distributed with the legendary valentin nikolaevich. simply put, which of you is more important for ballet. i never determined, uh, the importance and

mainness, that is, it was important to understand why i am here and in the format of a conversation with nikolaevich. you know very well that we are in the same space. uh, the moment wasn't more important. trust and when i realized that i was trusted in this, i did not see any difficulty, therefore, only in connection , reunification, some kind of movement of the path and the solution of issues is possible. and how did we find photo from your archive. yes, you are already discussing, maybe updating the repertoire, or there is still no talk about it, just the same, i didn’t think about anything. uh, that will somehow connect me in the near future with minsk and belarus, so then this is not what it was. it was just a joyful moment in the presence in minsk at the festival. e ballet summer, as for your communication with the corpse. damn, some excitement. perhaps you

expected that the corpses would not immediately be accepted or accepted somehow in a way that would not be very comfortable for you. well, firstly, i am in my city, the city that i have known since childhood, so there are some unrest. eh, i didn’t have it sooner, there was such a moment of interest. in interaction in understanding the process, the first month was spent on a detailed acquaintance with each of those who are now next to me, this is fundamentally important to me, because when you understand, uh, who is next to you, then you determine a certain number of problems. uh, problems, they always exist . decisions, if it is not a short-term process. well, if a casting is taking place these days, you are watching new corpse ballet dancers, does this mean that it seemed to you? what is missing? no, nothing seemed to me,

this is a natural process that takes place every year in any of the theaters. e, when the screenings are held for everyone who would like to change their place, and geographic creative, and so on and so forth, but since minsk is a little bit out of the way , but more closed, it seems to me, in the information space. i am pursued another idea, how to open the theater to the world and because we live in a beautiful city. we have an absolutely wonderful bolshoi theatre. e, in which the opportunity to visit is insanely beautiful, it gives the opportunity to also discover both the city and the theater, and it turned out to be absolutely amazing for me. uh, the fact that a fairly large number of applications really come to us, young ones, including already, uh, accomplished artists, which is fundamentally important, including applications were

from different countries, including citizens america in an absolutely amazing way. for me it's like this. uh, it was a pleasant moment, because you need to create interest in yourself. great, on september 28, the big one will already premiere. will your production of giselle be a traditional reading or will you play us? surprise well , first of all, it seems to me that any premiere is already interesting. uh, well, naturally . i was interested in joining the process. and this planned moment is already repertoire and i came knowing that this would be my first work and had not yet decided for myself. do i direct this offer with a move to minsk? i have already begun to work and actively, but i was looking for materials in order to make a performance that everyone is used to seeing as

traditional. eh, had some echo of his own, not that national, but belonging was important to me. why this particular performance? what can be done new from what is already new forgotten and at the same time. the discovery was such an important moment for me. eh, s already with the acceptance of e appointment. i saw in clovir. adan has a fragment of music, which is not used anywhere and it seems to me that it will become such a curiosity in the belarusian version of jelly is music. yes, a dance. i mean, you will not be a hooligan, i will not be a hooligan, because this is really seriously, these are the performances with the tradition that we observe them. eh, what we carry and want. eh, very much so that everything that is interesting to her once went to well, everything, and with different circumstances, so that it would return

in the play. it will. naturally, there are a lot of mystical moments that will be accompanied primarily by, uh, various special effects that are possible, and that allow the price of the bolshoi theater, they will use the span and raise it from the dungeon and here is the outside world. it will all come back to the show. this is fundamentally important, because this is a performance that is such a museum exhibit, but it does not exclude the interests of today's viewers. e different categories of age, as well as children of youth, e my age and also people who are used to going to the traditional theater. this only complements and, uh, some moments seemed interesting to me, for example, historical laid down that any imperial scene. this is the mariinsky theater the bolshoi theatre. they included the use of materials on an eight-piece, for example, they came out with their own goat. this is such an addition to the everyday genre. the horse

came out, listen, came out and now we are negotiating about the use of dogs in the price of hunting a donkey in the scene, and the departure of a village wedding, just the same about the fragment that i spoke about. lot, which was found in an unexpected way, it will be a completely new fragment already in my choreography, so i'm so looking forward to it being amazing. we are also looking forward to it. and if we talk about dance, after all, uh, it seems to me that some european corpses, including other eastern and chinese ones, are gradually abandoning academic ballet precisely in terms of choreography. i appreciate traditions, because without yesterday they happen today without today , tomorrow will not happen if we do not look at the experience of previous generations. of course, it is very difficult to build from scratch. we understand perfectly some rather long way, uh, these uh, such an important example for me is in a long journey and longevity in the profession, of course, valentina nikolayevich, who made

the repertoire policy of the bolshoi theater is very important. these are the performances of 99% of the performance and the original theater of the bolshoi theater of belarus , this is first of all nikolayevich, but we are talking now, if about giselle is one thing, but if we will let's meet with you after some time, this will be my performance initially, that is, invented by me, made by me, then, of course, i have a large number of ideas that i would like to implement, and this will most likely have nothing to do with classical ballet. you taught dance at the pool academy and i would like the audience to hear. what was your creative credo at that time? let's listen. i don't know such uh specification. is it possible, so to speak, orienteering and professional, as a kind of universality on the one hand in the theater to be a universal dancer in our time is very good, because today the modern repertoire. tomorrow

classical repertoire. as a rule, there is no time to reorganize and the erichmann dance academy. i took on such obligations when they release universal dancers, that is, they will be good, both in modern choreography and in classical dance. it is very difficult. and it will be difficult to know that it seems to me that there is a conflict in our bolshoi theater of experiments and classics. that is, it will be difficult for you to adhere to this universality. i'm not all for versatility. i am for a person in any profession. this is fundamental. important, because to find your face, recognizable in the global space. it's very hard. but i am for a compromise because in this fragment. i talked about the importance of having a base foundation and based on those. eh, main. you can move on in any direction. now time gives a lot of opportunities. and you can

use yourself in different directions. there are people who start dancing at the age of 20. this is one direction, but we are talking about a professional path, if we understand from the very beginning from childhood what classical ballet no further problems in terms of using yourself. it’s just that some people think that uh, experiments have gone so far that soon ballet will not be tutus, pointe shoes, or what we are all used to, and it seems that in this sense we want to provide this process, because modern dance - this is one thing, but ballet, after all , is another. i want to understand how faithful you are right there at the theater, which is about about. this, which is in the field of ballet. we are ahead of the rest the fact is that i have already said that it is very important to remember. where we are the first moment it is important uh brilliance of the tradition of this or that theater, because i understand perfectly well that other people's monastery with its charter. don't go, it's fundamentally important. and of course, expand a little further. uh, in order to have a further path, of course, yes, on the seventh of june,

the ballet summer forum in the big will open with efman's comedy troika, just the pygmalion effect of the st. petersburg state academic theatre, let's see a short plot and performance. pygmalion effect of the boris eifon theater, made according to the laws of ballroom dancing became a new word for the choreographer and the dancers of the corpse did not expect that it would be so difficult for the artist to feel this style, this technique turned out to be very difficult for the greek beautiful stats that revived her with their love inspired. hey. using the fman of his pigman, the prime minister of the corpse of olegabush plunged into the world of a sick dance, which required tone and drive, ballet technique. here a little. it has faded into the background here. the first is here. this is a ball technique. and, probably, you know some kind

of street folk dances. they realized that they were more accustomed to dancing on their fingers. what we are discussing, yes, with you here. is it important to preserve the classic pointe shoes or are we putting on understandable plot performances that will sell well, all this should be clear, because we just watched a fragment of the corpse of boris elfman, clearly focused on the choreography of one will be mr. this face. eh, this theater and since boris yakovlevich has no other choreographers in the theater. it 's important for granted, of course, yes, that is , it can and should be, but since we we know that boris klich is the author of his performances and has his own theater. he dictates the policy of his theatre. well, of course, it should be, of course, they said that the belarusian theater is somewhat mothballed. yes, that is, well, he did not say

that he said that he has his own face and he himself is ordinary in terms of information. well , when they go on tour, our big one. everyone says, well, we already saw this or zarif in the nineties and eighties and so on, that is, well, we are talking about the fact that this is such a thing in itself. yes, it is not a thing in itself. it's uh actual performances for today this month i watched a fairly large number of performances that were planned in the repertoire before my arrival, and you know yourself during your student years. eh, of course, something is forgotten. eh, and i watched all the performances with great interest. they are very relevant today. but of course, there are not enough new works, because thanks to new works it grows. e corpse. what kind of work? uh, any interesting multi-directional multi-genre - this raises an

artist, because coming, uh, to the theater. you you know the repertoire policy clearly, after some time you are faced with the fact that you have danced all the time and to lead the artist further, you need to create works for artists, including since the minsk theater had a lot of diverse works for artists. there was no such moment here. eh, such a problematic moment was not, but still, even knowing by myself. i clearly understood that in a certain segment. you understand that there are already limits, and not those words, first of all for artists, first of all, and you agreed to some certain possibilities already exist in the theater, and since in minsk there are more problems with this, the theater has been trying to stage something for a long time. yes, everyone took the artists, they sighed, yes there, that finally there is a breath of fresh air. i mean, and you also worked with him the two of you on the

swing plan it. now as a new chief invite. and in general, will there be stars from other theaters. i mean, the choreographers will say more that already at this stage, literally the day before yesterday, there was a competition for e- choreographers, and we discussed with natalia korchevskaya, who appeared to whom i could interact with and yes, of course, i try, yes, and i say very often that i didn’t stop dancing and i do it daily, so some work, including on you can offer me this is important to me, because, uh, my whole life is built on the fact that it flows from one to another to me. this is fundamentally important reunion. if someone has any ideas, you can absolutely calmly write to me. i am ready to work. i will find time for this, because really. i think, that, probably, the idea is just not heard directly. you said these words from you that you are ready to go on stage. ah, we know mikhail baryshnikov has been performing in a one-man show for 67 years

. brodsky baryshnikov and for many years we have been told, and this is probably correct, that this ballet ballet art is very hard work and very big health problems , that is, well, lately, more and more often, we have started to show people who, uh, before they go on stage , get a standing ovation, flowers of recognition, how much do they invest and what does their legs look like? yes, then there is, what am i to uh for you uh, there is the upper bar. when you realize that no. so i'll dance there for so many years. and, probably, then i will sit, uh, and just the longevity of any artist. this is, first of all, the planning of the possibility of the artist himself. this is also fundamentally important, if you are a prince at 19, then you cannot be there, let's say 40 is already a prince, and in the theater this case happened to me. i was lucky, i don’t know how it happened, but at a certain moment e parties of the second plan began to come to me. oh, to which i did not pay so much attention, while i did. uh, the parties of the princes and uh, everything

that was connected with it, and then. first of all, i reviewed what was before , uh, what i managed, what i didn’t manage, where i didn’t finish it and discovered it for myself. i would say bathing is a profession, because being an egans in giselle, that is, the second character. uh, the main thing is when you understand that without this character there will be no intrigue in the performance. well , yes, zel met with the count, everything is fine. but here is the very moment of some kind of switching, when there is a spark uh, and even when i was cooking uh hmm in the stone flower northerner. a wonderful dancer , the first performer of the gridin, passed on to me, uh, and there was not much time to communicate with him. i asked him such a question that it is important to understand when i go on stage, and there is a very spectacular appearance at grigorovich and our health

received in response, except for you, there should be no one on stage. and it was such a moment of defining all the parties of the second plan, when you appear it is when you absorb all the space with you, because it is your character that my intrigue without you would not have happened in history. and, of course, after a while you realize that the theater is too small for you and you use the opportunities offered by the choreographers. and in particular. here in my case it was a site that came to the theater at the time planned by the artistic director of the theater and also, of course, when some benefit moments were already offered. uh, after a certain number of years, i immediately took advantage of the acquaintance of the poquitaru, so two people appeared on the swing. uh, for me it was such a fundamentally important moment, because there is not exactly a dance, but rather a dramatic component of the transmission of information, that is,

of the story itself. it was so interesting. it changed my worldview so much, because, firstly, a voice for a ballet dancer on stage. this is very difficult, because we are used to talking with our hands with our feet, and in the rain today i surprisingly begin to gesticulate. although this is not standard for me, as a rule. i'm already used to talking, but not gesticulating, so open myself up. this is such a very important journey and it happens in everyone's life. artist through repertoire planning. how to find nikolayevich at this moment, and me, including with certain proposals in cooperation for the artists who are here today at the bolshoi theater june 6 very soon, igor, you will be 45 years old. the beginning of the world in this regard. let's see the miniature in which you participated barnabas, so it is called at the beginning.

wonderful choreography i really like it, it's a miniature. today, 10 years later, how would you dance this anniversary of yours to take what kind of artist magritte was here? and as i understand it, an apple, but so that you take which image as a starting point. now i still treat my life as a beginning, because the beginning can be different beginning of the day beginning of the evening. the beginning of the night is the beginning of something. uh business. the beginning of the end is such an endless process and continuation. eh, everything, both good and bad. i start every day from scratch, because i clearly understand them, that i am in that

profession, when, uh, yesterday it remained yesterday , just like the performance that he danced was successful, but he remained in yesterday and from childhood from minsk childhood. i clearly remember when to start it. if what happened yesterday, you return to the machine and start this path again, so the beginning for me is such a symbol, but you see yourself, mime cheerful sad, i see myself as myself all my life it was somehow, well, unconsciously, but rather intuitively when uh it's important to find yourself it so happened that i don't know what ballet was in this profession. i do not know that there is such a city, minsk unexpectedly. this the city has become for me. uh, the city of my student years is stopping. i don't know for myself what was once in the ninety-sixth year.

i continued, accumulated here in st. petersburg, i did not know that by my forty-five years i would come to minsk for me it's like that. uh, it's probably hard to say, well, such a moment. angry surprise at what is happening around me and my attitude to today , it is again intangible, that is, it is and somehow at the fingertips this is an endlessly moving process. and now in the eve of eve of some such e, transitional period. i would probably name it, because hmm i am one of those people for whom age is not so important, it is important, rather harmony with oneself , as soon as this moment occurs and clearly, you understand, then everything is fine. if nothing bothers you in space and with yourself, not even that with space. and if you feel this harmony inside and

everything moves and nothing bothers you, then it should be so. it is a pleasure to watch you during this interesting period. actually, give me a little. let's lose i remind you, we have a telegram channel. tell me where you can ask your questions. also offers us guests, we are in touch. do not be silent when visiting us. the premier of the mariinsky theater mini will be the main master of the bolshoi theater of belarus igor kol igor, sleep i say this, because you have had a meeting. let's just say with the queen of great britain from this second one, and with whom, as far as i know, a conversation took place uh hmm where she compared you saved in nezhinsky with a lanal dancer who flew over the stage. how did it happen then? tell me well, i didn't really compare. she said that at that moment, you know, i remember on this stage in the word of nezhinsky, and then at that moment i

realized that, of course, it’s amazing how much you are at the moment in the historical space and very important for me, because that when you take any book on history, read it, you don't specifically relate it to yourself. yeah, it's, uh, accepting certain information. but, when you see in front of you, a sitting king. which speaks of what is alive in ballet today, and she saw it with her own eyes. of course, this is such a scam happened to me, because. i didn't want to go there at all. i didn't have a tuxedo. i didn't have a suit in absolutely loose clothes, everyday. eh, i was very doubtful then, because even as an artist. it's probably not allowed. well, it so happened that my absolutely wonderful teacher, who led me through life, made an artist out of me, he said that you understand, you are an artist and you should call a lot in this situation.

you'll regret later that you didn't go. and how did you calm me down so much with the fact that, well yes clothes. well, yes, something else is more important here, therefore, of course, such meetings. they create certain. eh, like such a notch in life, and then you return to this notch and carry it from him. and you have some kind of information that supports you. i know there was a protocol and you weren't allowed to look, touch her and lash out. popular nowadays. it had to be followed. and since we were told that not to approach, there, very, very close to them, each valere came up - georgiev wrote us, representing us that igor koll performed the vision of the rose today. and that's when she said this phrase, of course, somehow. i don't know what happened to me. i pulled myself up to the hand and kissed the hand. against all protocols, but i don't see you in

your biography. so we talked about the process about the time to cross. this is before the west, because i know that you were invited to london too. yes , finish your studies after peter, but you didn’t leave. why is it strange that it so happened that when i was brought to competitions during the school, young people were beautiful when they brought me to petersburg for the contest, eh mine? who let me out alexander ivanovich lidenko, who still works in our lyceum college and releases beautiful talented children into space, who then become artists. and by the way, probably 90, well, maybe 80% these are his graduates at the bolshoi theater of belarus e. i , uh, came to st. petersburg, was fascinated by st. petersburg and didn’t think about anything anymore. eh, hmm at that moment and even i will say i didn’t think about the profession anymore. it so happened that they thought they

would work. i didn't have any at all. thoughts about it, and i thought, yes, i saw the white nights. i realized that this city is beautiful and life is seething in it 24 hours a day. and here is some kind of atmosphere of a blooming lilac, because it was the beginning of june and it was. some kind of uh moment that we went through in minsk at the school, back then, uh, it’s actually here and it so happened that just by that time i didn’t have uh father and somehow- it’s how everything turned out, pessimistic in general, and i realized that something needed to be changed in my life. you have lost such roots. yes , the connection was something, something happened, that is, something somehow, uh, in the soul, internal so that i love the process. here they

called me. i came myself i didn’t know i didn’t think i didn’t guess, but you rolled further to london. no name in london was called in e. also to finish in academic ballet in such a competition appeared two proposals that were important together in the degree. i thought about it and i returned to minsk for me it was a matter of course, because i study here. here the teacher did not stand the question of urgently, urgently going somewhere was not even such a teacher for me, who at that time was such a help not a father, but such a shoulder, probably most likely alexander ivanovich and throughout all this time these 25.5 years that i was not in minsk my first to whom i, uh, after arriving in minsk, to whom i went to visit, it was him, we did not lose this connection all these years. here i respect a hundred, i see, uh-huh it's most likely, well, firstly, it's always this pinsk polesie, you can't

get anywhere, you can't vomit anywhere. it is very important. i am pleased that they remember me there, and this was not a key moment forever on a subconscious level. i knew that i was the boys from pinsk that is, this is what it is this spanish boy is still in me, regardless of merit. achievements and victories or falls are such a very important supporting factor, because i am belarusian, my wife is ukrainian and at a certain uh moment of the birth of my son, the question was, who was born among us? uh, of course, hmm, my son is registered as a belarusian. this is a very important point. but when he grew up nestor to the question uh, nestor well, i am belarusian, uh, our mother is ukrainian. he absolutely non-surgically said that i am an englishman. hmm why is he so regar? understandably? let's talk a little about politics, because ballet and politics in our country. thus, they are inseparable. yes

, all the most important tragic moments are the lake. yes to the forefront, but today western theaters refuse to work with russian artists, russian ballet and russian composers are also refused. how do you perceive this reality? well, you know , historically. uh, gotta remember that one the moment that matilda feliksovna and shisinskaya was a polish dancer. she is on the imperial stage at the ilyinsky theatre. uh, the most beautiful shepenyan masterpiece. the author is chopin poleak, a ballet without marius piatip, who are french, and would not become the ballet that we have. at the moment, i am , regardless of what happens in the world. i still see the importance of movement,

not standing still. no matter what cataclysms happen, but they have always been there and it will be important to find the very person i am talking about. started talking when we just started the conversation is important in any of the situations. whatever i find, first of all in the human soul and the main factor has always been for me such a fundamental moment of my movement through life. it doesn't matter who you are important to be a person, i am sure, and i even know that in western countries, not all artists support such a moment of separation that many are ready. cooperate and well, do not set boundaries between the russian belarusians. i don't know polish, english, chinese, and so on. eh, there is nonetheless such fears, like, i don’t know how, maybe they are not true in that, having lost big tours, well, for

political reasons, we kind of waste such competition with the world ballet community hurts. no, no, it hurts no, first of all, there is a beautiful country, belarus is not everyone has the opportunity to come to minsk and the bolshoi theater has a large tour program in order to use it, i will say more, being in russia after thirty years. e up to thirty years in his career. i don't have a career, a buddhist and uh, i uh traveled with the theater the whole world and it was an absolutely amazing phenomenon for me that moment when i began to go on tour, in russia i was in such places, oh, which i did not even imagine due to the fact that it happened, what to bring opportunities. i saw russia and now is the very moment when you need to use the opportunity to see our country where i am, including russia , uh, this is very important, because in october and

next season. uh, the bolshoi theater of belarus goes on tour to the bolshoi theater of russia when ever this was possible, but it was a dream. yes, yes, reality is also planned to tour the stanislavsky theater, which is important in principle. then we began to note that bangkok is just around the corner, so talk about some kind of closeness. in our realities, it makes no sense and you said in one interview that even before the special operation, one of your friends, an acquaintance, told a well-known person that i communicate with you, because you are still communicating with belarus. it's been a very long time indeed so happened that it's not familiar to it. dear people , human educator, uh, when we had question i categorically, uh, did not discuss these points. uh, because i know clearly that

everyone will have their own truth, who by nationality is a person who is very famous by nationality and ukrainian, and citizenship and a person who, well, how to say, uh, a very important figure in ballet. well, look at the special operation. that is, everything was already clear to you long ago, perhaps also in your artistic world, that there is already something like that, but friendship is out of the question. yes people treat this moment as a reality. it's more like this. e to what what is written what is said, because uh, you never know. and for you to say, if you were in this situation, you have already said the moment that i am belarusian, my wife is ukrainian, and in this situation, everything is international, no matter what happens. this is a temporary

moment. it is fundamentally important to understand how the wife now relates to what is happening, both i and the wife. we are in solidarity at certain points, since my wife’s cousin and relatives are now in kiev, and i also have a large number acquaintances, not only acquaintances, but also colleagues, is in kiev and i will say, honestly, i have not received a single one from anyone. bad message. perhaps this is due to the fact that my position is still clear, humanity - this is the main thing, and for me it is fundamentally important, we went through the great patriotic war. and it affected my family. this affected both lines, both the father and the maternal line. i know what it is my grandfather was at

war, and i know what war is, because this year, being in minsk on may 9, i was in the hut. i saw how those who are not very good and can walk, and how those who are just starting to walk walk. this is a very revealing moment, a very important moment. i stood uh, damn. here, uh, this monument, which made an impression on me in everything, then it so happened that we were already with my family in minsk that day, there was such a drizzle , an unpleasant, completely complete silence, there was no memorial. and this is such an itchy bell, in my opinion, and you stand and understand, uh. well, starts every possible tears. well, it's very nice that you didn't run into a hate. i'm sitting about this in your press there were

a lot of messages. i stop it and clearly express my position. well, on the other hand, such an era of internet unbridledness, it seems to me, with all the beautiful soul of the belarusian people. all the same , i meet people who consider it their duty to express their opinion rather rudely regarding any appointment. i take the time to respond to messages clearly mark the moment clearly understanding why i am going and even all the time when one of the reddest ballerinas asked a question about me, said, then still unconscious of me, and igor is one of those people who clearly understands why he is and that he has his own opinion , this surprised me, because i did not think about it and rather even how - so that's all. well, yes, i live. well, in principle, this corresponds to your trait, because the policemen are always very reserved people and very reserved people, it seems to me that this is such a good quality. a good trait and a good quality of character is such a very important

point. we will now take a short break. very fast, let's get back to the conversation with igor. i remind you that we have a telegram channel called say don't be silent, if you haven't subscribed yet, subscribe and ask questions. leave your comments. we're in touch. we set off on an expedition through the clots of our blood, sat down in the light, collapses along its trajectory, treason from being from as a result, the mouse, with a breakdown of earthing on horse-drawn beds, rushed to its outflows, passed our indiscriminate future, when we follow her story the name of an owl. it was a fresh circle on top. i'm going to the kugorod secluded immediately the kalibrovsky fortress wasted its strategic importance and gave the second

traditions a new inhabitant. on tv channel belarus 204 today i found out that i have a son. what good and strong man does mother tatyana know? i think no. otherwise , i would not have missed him to my son 50,000 euros. you can come second. you can be the third your choice i will have to you earnest request, do not communicate with my son. and in

an hour all yours. evening do you want to be nice dad on tv channel belarus 24. on the air, say, do not be silent, and we have the main guest choreographer of the bolshoi theater of belarus igor kolp, you have repeatedly mentioned your family, your wife, ballerina galina yablonskaya, and son

nestor, who, if i counted correctly , is already 19, yes, soon 20 is some kind of madness. i ca n’t believe that you have a son. by the way, he followed in your footsteps. no, he chose a profession related to public relations, so no, so you are counting on international success. he is already helping me, because i am still studying, there are sessions at moscow state university and the higher school of management in culture uh-huh on a functionary on himself today, i know you have a dacha in the novgorod region. let's look at an excerpt from the local news, we have a decision when we come somewhere to the novgorod market and we look at the nursery, just look, so oh my god, what a plant, and we buy it. we don’t even know where we will put him, then behind the wheel, because because it no longer fits, neither your head nor you yourself fit and

you understand why we bought it all. as a result, the place is also decorative almonds and a goat and a whole placer, conifers from larch to pine. by the way, three more tenants will appear here soon, this time cedars. while dacha work is going on more and more in my head, where to put someone to buy? how to bring quarantine to the moleman of the site in this regard, the owners admit it helps a lot. there is time to take a break from the bustle of work in the silence in the fresh air, a wonderful place. and it is very surprising that you are already discussing seedlings of some trees. that's when you were pulled it to the ground, we just watched a video with you you are everywhere in a flying soaring you can't calmly walk around the city so as not to make a fouette, but here, well, the earth is not incompatible with me. this is how it is with you, and let's start with the fact that i came from the earth, since both lines of father and mother. they are from the villages of the village , not far from pinsk and also a little

further away from the village of the flask, with my last name there, basically all the flasks. now it's smaller because. uh, the youngest there, in my opinion, residents over 80, we pass it on to all the flasks, by the way, they will drive up here, so for me at a certain moment, when you are somewhere, uh, in the distance, then you come, uh minsk randomly. eh? and i understand that the earth is pulling, and even though we have a place where we come to the suburbs. eh, sestroretsk is a wonderful place in st. petersburg, a resort bay, but after arriving in minsk, i realized that i want land. it was some kind of manic idea that you need. we need to buy a piece of land. we need to buy a piece of land, and it so happened that we began to travel to nearby uh places, wherever possible, and in one of the places, and breaking

through breaking through the thickets of e, we went to bank, the river, there was a couple of old foundations. i got up and i realized that this view really reminds me of the direction of the cowbs, if you are standing on the embankment, and you are looking at the finnish pins in the direction of the flasks, in principle, it is very similar to what i have now with a leg so that for me it is very an important moment instead of the power of silence. it's just your way fatigue can be some kind of burnout, perhaps burnout i would agree, because when you carry and rush rush, and then you end up in novgorod where no one is in a hurry. at first it gets annoying. well, it's very beautiful there. it's terribly annoying. and you're talking about one in 2 weeks. they call you and then you ask. eh, well, what do they say? oh, i haven't got there yet. and this is, in principle, so, then at some point. i realized how good it is that someone is not in a hurry. and perhaps it is.

the very life in which, uh, you need to plunge. i rested in novgorod for a long time, then it so happened that he played with strength, then it so happened that something happened to me . something began to bother me, because that there are also quite a lot of creative moments that could be combined and thus, after a while, the festival arose. uh, something like this art is open art and we decided to combine this opportunity for children, and now it is inter-regional next year, it will be an international festival based on the territory of the novgorod region. this is very important, because we develop a lot of areas do not have to. although this is this, although this particular moment was like this main for further movement plow to ensure that you teach the kids to dance, but you do n't. i was asked to create my own

school. and after a while. i realized that, probably, it is not in this regard that i want to not move, so the festival arose. igor , i always wanted to know. is it possible to dance without inspiration, that's the artist. a very famous linkcom artist, with whom i was friends, tells me that he goes on stage on naked equipment, he no longer turns on his head and still sobs in the hall. it was interesting. for me here is such an experiment to see what is really possible in dance. there is this, firstly, there are all sorts of moments in life when you are really devastated, but you have to go. this one you include some technical arsenal and certain experience. but there are those people who see fragmentary in life, this is very important to me, because being an artist is quite difficult. due to the fact that the body does not always have time to recover after the performance, not always. and the mood with which i would like to go out, sometimes excitement, and sometimes fear, the worst thing is

when you realize that you are afraid. and that's all, unmanaged some kind of internal state. and if you overdo it, uh, that's it. he dresses, uh, in the right direction, well, i'm one of those people who comes out of the front door in the morning and sees, uh, some other person there and notices funny moments, for example, a hat, they are somehow dressed differently, or there today at tree-like peonies have blossomed in our minsk cold, and they delight me and you don’t understand how it is in this discrepancy in this cold and bloomed such an amount of beauty in minsk, this is so very much for me and a topic for reflection and at the same time inspiration. i don't understand how they bloom, that's why that's why we're like this for a while. you don't understand, with a certain amount of problems, how people get on stage or how people go to work and so on. it has nothing to do with a particular profession. so this is for

everyone, so here, of course, the technique is included, if a person is watching or on artists of this, mostly observant people, because they draw, and everything from everything. from cats and i am from cats because it's my soul, but i never wanted cats. as a child, i had a dog. uh, i persuaded my parents for a very long time and ended up in the hospital and thanks to this moment, parents adopted a dog, and that was for me. uh, a good baby is such a piece in my life. and so, when the wife has become, let's get a cat. i was categorically against looking. all our furniture will be torn to pieces. and now we have two of them and i'll be honest. i miss. for me. this is magic for me, this is such a surprise, and not a completely amazing creature , and we have such breeds that are something between cats and dogs. they follow you and they

talk to you and they say, uh, they ate, they ate something else, something else, we have a picture. are you on the banks of the pina, your favorite river, which has already been mentioned and grazia or what? i don't know what. hello portrayed storks, of course, a belarusian taking off - it was at the moment when they called me that they remembered me for the fortieth anniversary of the very school in which i accidentally came thanks to my girlfriend and from that very moment, my direction in terms of profession went, from where they took me to minsk and then you were taken to minsk, you are now in belarus much more often, because it requires the economy in the novgorod region . i'm not going anywhere, i'm here. yes, i put it this way all the time. i understand that someone says that the warrior. you will soon see. i say, i don’t plan to leave yet, because he clearly set goals for me out of the five proposed 3 years. i really

it is important to understand what i can do during this time. it is very important for me to understand whether i will succeed or not, and you are not such an interest in sports, but an interest in yourself. i'm always interested, not to what's around but to what i can because of what i have and so on. that is, this is how it is, including claims to oneself if something does not work out, and very often critics pass such a sentence on choreographers that they do not feel in time? what are they, as it were, cos-in art over everything and can't guess the nerve. yes, what society is interested in, if today, uh, i was asked what, well, what topic number one is politics, of course, everywhere, maybe in your production of a political performance. my performances, perhaps illusions. since every day is an illusion, and i consider, as an option of illusion, love and beauty. uh, this is

one of the options that may be in the near future and the second, of course, is the national factor. e. and belarus and the topic of the national is relevant for me, not even because it is relevant today and my whereabouts. this is such a tribute to the blood of nationalities and their roots and gratitude to the place. i very clearly define and appreciate this moment. and he says thank you very much, because it turned out to be a very deep and sincere conversation. it seems to me, and i really want not only to wish you good luck, but to wish you the energy that you fill, so that it simply does not end here in our city. and victoria and i will closely monitor how your work is going, because i it seems to be very nice. well, on the eve of your forty-fifth birthday, i would like to wish you more time for yourself, after all,

in social hygiene, which i know, you dream and say, be happy talented. we love you. yes, thank you very much. we hope to meet again elena slava victoria dad says goodbye to you today. goodbye. our program ends with the word of the guest, so now igor volp, dear friends of any incomprehensible situation, is speaking. come to the bolshoi theater of belarus , all the more, there will be a ballet festival very soon in summer.

he collected the metro of belarusian music very modestly, he never boasted of his talent, but deep down he knew what he was worth. yes, i 'll still have papers. i'm not a professor for you. he's like that, and what do you think, as a result , he spat and left the conservatory with amazing facts from their life and work. he is a happy man, because he left behind such a melodic consonance. i came to work. he and i realized that everything is in order there, because oleg is present there silently songs that he should know to know and these are the songs that glorify our belarusian song culture, watch the belarusian composers project on our

tv channel. we invite you on an exciting journey through the sights of belarusian cities in belarus mostovskoye attraction almost a kilometer of the road above the water oh, the construction of the first wooden church of st. andrew the apostle began in 1490, at that time the order was given by the polish king casimir the fourth gel-lot that the trinity cathedral in the past bernardine church reminiscent of massive walls and an octagonal tower, the bell tower once served as a defender, according to some reports, in total on belarusian lands, more than half a thousand monuments to lenin have been installed; on average , about 7 pieces a year, see the program of the city of belarus on our tv channel.

housing industrial road and infrastructure construction points of mutual economic growth are discussed in the palace of independence with the governor of the leningrad region. footage from karabakh passed off as ukrainian permoga at the cemetery fakes, for the umpteenth time the adviser to the head of the ministry of internal affairs independent anton gerashchenko is celebrated by the two-time champion of the games in rowing academic