herself she kind of hoped that everything would be fine. she tried. she smiled, everything will be fine. that's all, she tried to adapt, but, but the second actress appears on the stage and you understand that the american dream turned into isolation, a feeling of loneliness and panic attacks , one person wants to clean it out there. throw everything old away. uh, as they say, you throw away the old one and it becomes easier, my heroine is, probably, such, uh, shows the life stage, uh, of any woman. you understand that with your own with your foundations interests. you came to a strange family in some your way, you don't fit in a little bit, and so you try. well, ok, i'll try to be like that then. how are you? well , you never know, suddenly i succeed. so it turns out that it doesn’t work out so there is a third heroine. my scene was in this performance, the last third, and it was born

for a very long time. we tried a lot. what to do? what should i do? how should it all look? and i had no idea at all, that is, if they were rehearsing, say, in the fall, then i just sat and watched. i am mine i didn’t imagine the price at all. that's it, and then this was born. what prevents helen from being happy tired of pleasing her, she is tormented by doubts whether it is necessary to become a real american or still remain a third stage, when this hooligan, bandit wakes up. he starts to destroy everything around and hate everyone and everything, as it should be according to hollywood canons in a good story there must be a detective line. no no, it's not joe, you actually, who is this

hope, yes, which it should always be here, uh, it reminds me of this whole story with joyce is so, but echoes the play in anticipation of years, which we are constantly waiting for. we are waiting like this and here a person should have hope that everything will be decided after all, and i would like to give such a hope, perhaps joe will come, as she says, kill everyone, take the child, and everything will be fine. here, but as they say, someone can look. what's this? in reality , someone can see that he is not there, that it is simply already. and how, well, this is such a sad ending. but actually, well, joe, sort of. you know, when a person is already in such a critical situation. he begins to cling to something, everything, a straw something, as if this joe was calling here and she is alone and in fact. she has such a

close person, joe, whom he has never seen. well, about which she knows a lot there, she has already fantasized a lot. in this, too , it seems to me, there is such an irony and such a sign of the meaning of the performance, the search for happiness, but the reality. there will not be a happy life from the tragic ending of the story of a russian emigrant who, in pursuit of the american dream, lost herself. she herself wanted to marry cattle. she went to america herself, but she failed. well , yes, something went wrong. she wanted to be herself. she wanted to be herself and that's all she was. i didn't want to accept the terms. the side where she came, or maybe it doesn't matter where exactly we live in america in belarus in europe where everyone has the same goal? we want to love to be loved, happy and

real, so that all our dreams come true. i love her very much and i feel sorry for her. and i'm trying to show that yes, here we are. i myself woman. i got married at the same time. i gave birth to children myself. i also had some moments. eh, there are acquaintances with the husband’s family, for example, we also had moments where we didn’t understand, even if you didn’t just lead, how to raise children. so my life continues in exactly the same way as the life of the heroine we do not end for me. we don't make a point. at the end of the performance. we leave such an open ending that let's think for ourselves what could be next.

we have forgotten how to enjoy the little things, to be surprised to feel the connection of times and generations. just great. but every day is made up of traditions today a year or centuries ago. everything that is considered ancient was once new. we ourselves, without noticing it, we pass on knowledge and experience through the generation in our smile of the hand in such a familiar look.

from simple happy moments, real traditions are formed. we are proud of the heritage of our ancestors, we value the past for our present belarus 24.

hello, my name is marianna morenkova. i invite you to learn more about the classics of world cinema this evening. we will dedicate a picture ingmar bergman, summer with monica is considered to be the beginning of the mature bergman from this film. it is this picture that finds the way to the heart of the mass audience, and here there is a compromise with itself. we no longer notice 1952 was a very productive time in the work of the northern genius. after all , a year earlier, swedish film producers. a productive and at that time still little-known director suspended his work in protest against the swedish tax system. bergman, felt stagnation in his work, moreover, to somehow make ends meet. he began to shoot commercials for as many as nine commercials for the breeze company. however, later the money became secondary, because the master removed the complete freedom of creativity in order to fool and harden his summer. with monica melodrama at

its best. at the same time, there are no sadness, melancholy and projections of personal crises that were customary before bergman's. jean-lu gadara, eminent representative of the new wave, who initially became famous as ri. i considered whether it was with monica the perfect picture claimed that it was this tape that gave impetus to the future in the sixties in the cinema? come on, get up, i have a cigarette butt in my pocket. bring it even for this we have risks. share among yourselves. get up. mommy daughter now catch. however, as you know, berkman

did not belong to any current and waves in his life and made 74 films, most of them according to his scripts and constantly experimented. so in the tape, is it with monica that he was previously closely associated with those who portray the higher echelons of swedish society as much as possible and approached the tradition of italian, neo realism in his fifteenth work is still little known. berg was confidently touching the working class, confronting the personal and the social, which inevitably, according to all the laws of life and genre, leads to a tragic ending, whether melodrama. this with monica was filmed based on the novel by the then popular author andres födol strömum; filming literally according to the author’s draft began on july 22, 1952 , given that most of the filming of this black-and-white tape takes place on the picturesque islands. the main task for bergman was to find the director's vision. pilate decided to shoot an idyll on the

tiny island of sadoga, filming took place at minimal cost. filming team. as berman called her a real badyka. she was even on transport, however, after filming was completed, it was discovered that 75% of the footage was damaged by scratches. i had to reshoot. what did you plow on this kolbeberg? that's for sure. this greengrocer's old man has boxes, let's see if he can defeat and remember everyone else, the story that we read yesterday secrets of a lover. ribbons