tv [untitled] BELARUSTV June 4, 2022 11:00am-11:41am MSK
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the actresses of soviet cinema, kharitonova has one of the most mysterious and dramatic courts; she is full of passions and a thirst for life. catastrophically unlucky in love. and she never gave up. she always threw it away. well, katya karta will not lie all her life. she repented of committed crime, the native daughter could not forgive her mother for her popularity, but kharitonova transferred any of her experience to the screen, becoming one of the brightest supporting actresses of her generation. hello we are gathering advice to remember the bright actress of the episodes svetlana kharitonova to discuss her film roles and choose the best. in
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1972, the famous actress svetlana kharitonova, driving her own car, knocked down a pedestrian to death aloud around moscow. she was driving with a cameraman and an assistant talking about future shooting on tomorrow, and at that moment the woman was crossing was darkness. and somehow they started talking, and she knocked this woman down and knocked her to death, the guys concluded. let's hurry no one, leaving the scene of the accident. maybe she is still alive, but they were stopped by the police and got that she was running away from the scene of the accident. although in general, it was just a shock, despite the fact that many colleagues spoke out in defense of the actress, she was excommunicated from the
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profession even before the court of a decent society of a crime. not a place and it worked, what is called bounced off the wall, therefore, of course, without her presence. she was expelled from the union by some racists, being under a hail of gossip and gossip kharitonova was waiting for a sentence. but, whatever he was, she was ready to receive punishment, in full, because by that time the forty-year-old actress had already learned to take the blows of fate. she was born in zamoskvorechye in the thirty-second year of her first memoirs, gloomy neighbors in a cramped communal apartment crowded with people and things, where she and her mother and father occupied a tiny room on the seventh. he served in a christian newspaper told someone that gobble up the most starving and his imprisoned health was poor. he bent over very quickly . i was 5 years old. there
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was a strained relationship with svetlana's mother, she kept her daughter in tight rein, and from this desire for freedom in a teenage girl, a typist with four classes of education only grew. her mother did not approve of her daughter's choice to go to the artist, but by the time svetlana came of age, she already decided everything herself in the studio school. moscow art theater accepted it the first time. svetochka was smart, she was a smart girl, very purposeful, very in love with the theater. she was tall and showy. dress come on, what come on, take off my just right. i wow to you hut i went, but me so the boys all look, really. she was very spectacular her classmates were lev durov oleg anufriev not nagulyaeva, but the main thing is
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leonid kharitonova who became her first husband and whose name svetlana born sorokina wore all her life. they got married while studying. leonid became a movie star one by one. he played big roles, not everyone knew that his wife also appeared in the frame in the same pictures with him. these roles were so little noticed. here in the picture the son, in which kharitonov played the main role, svetlana flashed in the role of a nameless girl with a shovel. how did he hold mom in his hands, he knows how to hold the handle, and not the shovel ivan brovkin where leonid played the main role svetlana appeared with him in the same scene? what a handsome fellow what a fine fellow in 1957, leonid starred in another major role in the film,
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the street is full of surprises svetlana did not find a role in this film and kharitonov fell in love with her partner in the film, actress gemma, osmolovskaya kharitonova survived the departure of her husband, she cried heavily when she looked at photographs from the new wedding of her beloved man. she thought that nothing could be worse with her, but ahead of her were many more troubles and disappointment. so, the council will have to discuss the five roles of svetlana kharitonova and choose the best one. at the 22nd meeting of the artistic council , people's artist of the ersfsr tamara semina, actress marina dyuzheva, people's artist of russia valery barinov, people's artist of russia alexander pankratov, is a black critic. film historian alexander shpagin in the popular comedy eldara ryazanova a girl without an address svetlana
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kharitonova played the eccentric crane operator claudia unrequitedly, in love with the protagonist. i carried love, i'm through all the separations and i'm happy that i'm far away from you, i need the head of the panel, and not stepans, shchepachev. you hear, i don't hear. let's panel klava oh, love you, never said anything. they don't talk about love, they say everything. i only the song is sung in the cinema went twice. so what did you invite to the dance? kissed, when how, when once three key value? girl, well, count
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us, please, filigree work. what a filigree work, everything to the smallest detail and a flower in her teeth and poetry and aspiration, and everything, of course, with such a growth with her scale, she couldn’t portray juliet on the balcony, but there was so much tenderness of some kind of warmth in her, svetlana knew how to play a change of mood, this shifter was in her acting technique is unusual. and uh, this is how she, well, was different from all the actresses of her generation. it's like she 's playing the same heroine. let's suppose so yes, and this is the unfortunate love of youth. it affected the rest of her life. i
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don't mean svetlana kharitonova. i mean the women she played next. heroines here with experience here are such relationships in her youth, and she treated her heroines, in my opinion, very, er, ironically. eh, she played. it is quite another matter for them that the image of such a heroine, but it is unlikely that he was, as if needed on the central plan in some films. well, and so on, and her future, this kind of creative life, was also made up of such small ones. just participation, just appearance, just survival, elementary survival in our native soviet cinema. when the kharitonovs came to the registry office to file a divorce, svetlana was asked what surname you want to leave for her to this question, if they answered mine, she did not mind, but, on
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the contrary, saw in this the hope that they could still be together. she says, and i hoped that he would return to me, i loved him madly, however. a few years after the divorce, svetlana married a second time. in 1957 she went to work for theater of satire where she had several bright roles and in the cinema her comedic gift was in demand by the best directors. well, now write out how you have about the busts. please, please. tchaikovsky pyotr ilyich glinka mikhailovich is gloomy, what do you know about the serious composer of the song? this is mishka mishka
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where is your smile? unfortunately not, if in the theater of satire kharitonova played only character roles, then in the cinema she sometimes got serious work, with which she seemed to be a brilliant comedian. if he dies, from his side will it's just disgusting for you to be born a man, and i'm not bored with a girl. i really, really liked her, starting with the film the cranes are flying, where she understood these latin latin terms in the theater of satire kharitonov, she met her second husband, he became an actor rodion alexandrov, a nice person. i have very good feelings about him , how handsome he was. what a
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gorgeous voice he had, the lady trembled; he was a tall, imposing, wonderful noble class. she even became such a friend to him, you know, they were such a couple, a five rejoiced. well, i'm very, for example, they had the same type and common interests together hunted, fished, traveled. in an interview, kharitonova said that they broke up after 7 years because they were tired of each other, but theater colleagues remember a completely different story. it was bone. he was loved in some leading television. and this was all before our eyes. it was a tragedy, and she decided to leave the theater, as the chief director persuaded him, but kharitonova did not change her decisions. even if later i had to it is expensive to pay for them in the melodrama of pyotr
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fomenko, an almost funny story svetlana kharitonova played the role of a conductor, before whose eyes the novel of the main characters unfolds. not married, not a wife, look, what is a woman's score? what, so to speak, for some reason, she goes as soon as she encounters mikhail andreevich is good, of course, he promised, do not be morally afraid and it is felt that she was also disliked, as in many heroines. what's my business? what's my business? my business is a woman? and you all the men on business trips?
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it is necessary to outweigh the tea, bring quiet types to the cities what's not to like? you can't fire me. let them find management there another such fool without a partner shaking in this work hard . well, that is, this is an actress. which, oddly enough, plays its own fate. you see, the continuation. the continuation of the unfortunate lonely woman did not work out and this is what she left an imprint on her heroines,
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in fact, we have love, and when love is of course, there is always a way out. although the exit is in different directions. as they say, we travel, on trains and so on, we see these conductors there. so here she is in these the conductors were looking for femininity, kindness , some kind of warmth, feminine warmth that attracted attention, an intelligent person and a very subtle person, a wonderful artist. well , there were no materials and i had to look. it's some kind of walk. well, the relationship, of course, to the partner with whom she works there, with whom she just did not work. great actors, a few words, a few phrases. i understand everything about her. it is clear that a woman with an unfortunate fate due to this
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has become a little wiser, and therefore with him. all in all, you can agree, it's clear, and she's fucked up, now sheds a tear and sings. this is what kharitonova says and i want to think and i think, i want to talk and say the way. many years after her divorce from the actor of the satire theater rodion alexandrov kharitonova learned about the tragic ending of his life in the mid-eighties, rodion fell seriously ill and left the theater when the pain became unbearable alexandrov shot himself. at 37 , kharitonova left the theater forever. she graduated from higher television directing courses at central television, as well as directing department in giko and became
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a documentary filmmaker. i thought that feature films are a game, and documentaries are nature itself. the very essence of nature, what can be more documentary than a documentary film. she reveled in her new life . once she was invited to make films about sports and this became her real passion for the film teaching swimming to babies. kharitonova received an international award for television. she met her third husband, the directors of the literary and dramatic edition of sergei balatyev. he did not really like it, then his wife continues to act in films when svetlana became pregnant. he forbade her to star in ivan pyryev in the karamazov brothers. she swallowed the insult, and when she gave birth to a daughter and it soon became clear that the
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child was born with mental characteristics, the third husband betrayed her, like the two previous years. by soviet standards, it is very late to give birth to a child at this time and to give birth to a third husband. daughter she stayed with this sick child in her life kharitonova alone had to cope on her own. there was no one to wait for help. she took on any role and gradually moved from comedy to serious dramatic roles. which tenant do i need? or is it humanly or leave this unique role, and she understood that she got into the hands of a very nervous, very nervous person and worked with dedication. just incredible, damn it, and by nature, a russian woman is an absolutely russian woman in humor. in this set,
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well, in some deep essence, this is a russian woman. you had breakfast today. and by the way, by the way, no, i didn’t have time, it’s not a question, because today i will feed you, the most delicious breakfast, breakfast of champions. today mashul and i will cook tuna on a pillow from the movie with berry sauce, as well as pumpkin puree, i was already salivating, how delicious it sounded. let's start my day with a glass of water with lemon. generally a thrill. well, this is how i get the perfect breakfast, after which i run to conquer up. did you know that in order not to cry, it is necessary to moisten the onion before cutting knife with cold water, so i'll tell you
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more. i even usually piss the onion myself. well, to make sure i need an orange for the sauce, and i’ll take care of the pepper. ready, let’s send it to the pan, watch the breakfast of champions culinary project on our tv channel. without leaving home. you will plunge into the atmosphere of culture and creativity and visit you about it. you drink like that, they just gave you a panoval and that's it. once more than one difference, roma will visit unique exhibitions in the twenty-first year. we have implemented. uh, such a project was shown graphic techniques. and now the theme of such a twenty-second year it has become, and a fashion illustration. get acquainted with the belarusian traditions of rituals to sprinkle
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the young with god's may with eternal and happy visionary sans gave birth speaks about the share of the new family was a happy and pitiful castle. cultural projects on belarus 24 tv channel at this show, athletes test their strength and dexterity not physically, but intellectually . what is the name of the main trophy for which the national hockey league team is fighting for the gagarin cup national hockey league nhl stanley cup that's right, what is the name of the german football championship? that's right. name a popular soviet
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song about hockey, written to the music of alexandra pakhmutova in 1968, whatever happens, they are not used to giving up. what club does the french footballer, kylian mbappe, play for? psg is psg oh, it was difficult. let's watch a video replay, watch the intellectual project head game on our tv channel. kharitonova connected all her hopes with her daughter, but something soon happened that once again completely turned her life around. svetlana kharitonova
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starred in a completely non-comedy role of the landlady in a short episode, the actress managed to show both the fate and character of her heroine. good episode beautiful again. such a pain, such a pain. female loneliness and such already loneliness when you know that there will never be anything else elena karpovna, i listen to you. they don't feed you here. i already ate, what's the matter. then what exactly? and here it is.
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guests like this are useless. what kind of guests? these are the ones at my house, by the way, not for it does not exist for such meetings. i have a son, by the way, in the army. and there’s nothing for you to dirty my house, if you want, go out for a walk, so go for a walk there, and if a person came on the business of this person, by the way, the husband is a stump, and he swallows dust in the company. why do you see dirt in everything, and you didn’t think about the fact that people can just talk. with whom you can talk here in it and the village there is also the concept of morality, and oddly enough here. feels very soft she's such a woman's
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envy, loneliness already built into heroism. and in the only correct position in life. that's the worst thing about this situation. here she has such frames, and she knows what is good, what is bad , plays an amazing role for herself. unusual. it is here that she has not simply created some kind of dislike, discontent. it's good that it's not outrage. here is the average. the main thing is how she says fedoseya shurshina, how she looks at nikolai burlyaev. here she played so thin sincerely. in general, a very sincere actress. she couldn't lie. here is this here here is the perfect actress of the episode. well, why she did not become a superstar is the answer, of course, she was not very bright, but she played in
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the audience films in the first place, if because she played in intellectual films she appeared more there. she played spectator pictures, where the actor still needs some kind of big brightness. and she was offered nothing else. how can you speak? she can play a deputy of the supreme council she can play a member of the government look at these this is the most repulsive even from appearance. if he says here is the village nifiga. and everything can, give your home one of the late autumn evenings in 1972 , svetlana kharitonova was returning after filming the scene of another documentary film, a woman unexpectedly stepped onto the road and kharitonova, without having time to slow down, knocked her down, the operator and assistant sitting nearby shouted
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drive, but they were stopped by the police. kharitonova became the culprit of the death of a pedestrian. yes, and with an attempt to escape from the crime scene. she had a very hard time with this one. the situation that happened, that she became responsible for the death of a person, but the fact remains , uh, she was expelled from the union of cinematographers automatically south sentenced her to three years of forced labor. kharitonova was sent to the city of pokrov , vladimir region, and there she worked at a reinforced concrete plant on a spot machine, and she lived there, almost in a trailer. she told me and left her daughter in the care of her mother, but the settlement, of course, knew who she was kharitonova even managed to create a circle and put on a tribunal play, in which she also played the main female role, sometimes kharitonova was allowed to shoot by filmmakers friends, they did not forget. this role in
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the film by vladimir basov 100% nylon was just played at a time when kharitonova was serving her term in the blood, dear hosts. i left, i began to be from you in my native timothy returning to moscow after three years of forced labor. kharitonova continued to engage in documentary films, it seemed that she had returned to normal life, but the accident and the death of a person. it was her fault that they never let her go for 7 years. she told me there seven or 10 years old. she helped this family, i don't know how much, but she helped. i believe her, at the end of the seventies kharitonova was reinstated in the union of cinematographers, when she had already returned and started filming, then i found out about it and that's it. vladimir batov, he personally wrote a petition for the restoration of her membership. union, it seemed that she had passed all the tests and
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now her main task was to help her daughter get on her feet, so that in old age olga was sometimes for her mother. it turned out the opposite. in the drama of stanislav rostotsky, white bim black ear svetlana kharitonova played a satirical character teacher anna pavlovna who is trying to instill in children a love for animals. now, when all mankind is concerned about the preservation of the environment around us, it is very important to cultivate a sense of pity for animals and plants. come to the rescue in time. here you, for example, can feel sorry for a stray dog. they do not need to be treated with caution or for example. just think, kids, just think at school number 21, one girl said that
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some cruel person tore off a leg from a homeless dog and an unfortunate dog with a black ear forever remained with a peg. this is unworthy of a soviet person. and now the children will write an essay on the topic i love animals, small and warm. please hand out leaflets and plank-questionnaires questions will be of this order. what is your dog's name white, is it black or what does it bite or not. if it bites someone, and what is the name of the dog with a black ear, i'll go look for dima, please. you prevent others from working. do your dads and mom love her, why do you love a dog? why not milking is it necessary to love animals? oh this is this
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it's perfectly fine with such also internal sarcasm with igor, such an accurate image of the soviet teacher. i have seen so many of them, and they are dressed like this, but internally terribly squeezed, overflowing with all these seemingly correct moral and ethical communist dogmas that they drive into children, while internally, not only cruel, but completely indifferent, tired of life. uh, performing. uh, how heavy duty is this uh work of a teacher. there is a moment of irony there is a moment of understanding, probably she and somewhere she saw such teachers. and he also saw and remembered them, when students know how to teach. why doesn't she get angry? she brings a smile. everything came together here. this is where it all came together. this is so, for me, for example, an obvious situation,
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especially when people who work with children, yes, and the same politicians work with people, they proclaim one thing, but on dima they do something completely different and sometimes they don’t even notice it . she, of course, knew very well and saw the film of rostovsky and naturally, she took a very deep and serious attitude to what vyacheslav vasilyevich tikhonov did when creating his teacher. so here she is. it can be said that tikhonova copied yes, she copied both with humor and satire and almost the same gesture, removing glasses and wiping. that's it, she copies tycho but talks about her love for dogs. i have a biased relationship. i just love her as a person, and i have this compassion, pity for her overwhelms me. all the boy missed school several times. let the last lessons become absent-minded, eh
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the whole composition began, for which i gave him a deuce. here is a knitted hat. i know such women so well, such single teachers, unconditionally childless, as a rule. i 'll find it anyway, even though you're anna pavlovna. i do n't care. well, this is out of hand. after the end of her sentence from 1975 until 1991, kharitonova played 33 rolls, although sports documentaries continued to be considered her main work . in the ninety-first, her daughter was already over 20, and kharitonova herself was almost 60 then daughter, said how many years ago. her father , you won't act again. in the early nineties, when a stream of
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all sorts of dirt fell on the screens. my daughter told me since we no longer have a cinema, otherwise you have nothing to do there. and she began to stop any attempts by filmmakers to contact me. this is a native person, the only one, this is a daughter, probably hope, it was that she would have some kind of soulmate and says - there will be some kind of consolation and there will be support. many years after non-existence, the yellow press found svetlana kharitonova and it turned out that for many years she lived in poverty in the only income was selling newspapers near the metro station daughter, did not work and still strictly suppressed all attempts by filmmakers to contact her mother. she also cut off her phone. maybe she survived. even these 3 weeks to 80 years. she cut off the phones when her mother got sick, she just didn't call an ambulance for almost a day. then, when she was completely lifeless. she went and called with a pay phone. after all
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, the police arrived and wanted to do an autopsy in order to to understand that maybe something else happened; the telephone wire was cut after her death, light. pitonova, turned out to be the heroine of scandalous articles and programs, her daughter, her colleagues and ordinary random people savored the details of the last days of the life of an actress, an actress who, like any screen hero, dreamed of being remembered only for her merits in the cinema. - this is the role of a neighbor in the crime drama, a visit to the minotaur, it was this work that earned the highest praise from critics of those years. do you disagree? do you know that he is not long? prove was in
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apartment. when exactly what number? you saw him yourself, woke up at night, he is gone. my heart sank, i ran to the stairwell and looked. he leaves the apartment. he said that he was stomping there. he went to look. and you believed him. well, now there is nowhere to go, where a woman can go, except to cry, maybe pity to call him lying, he had all his own.
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what i really liked in this monologue is the change in a variety of states in one frame from fear and tension to the transition to tears. in general, this is perhaps the most difficult and for an actor to do it organically to do it naturally. and this, by the way, is hardly the best acting interrogation played. uh, in this movie everywhere these combinator, because there plays a wonderful actor, everyone plays one better than the other holiday acting this film, like a man with two three strokes. immediately sends you to that social environment. where did his hero come from in the life that he lived, came dressed, got dressed, haircut and that's it. it is clear that she suffers from the husband of an alcoholic, but
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still he is a husband, he needs to be protected somehow hide somehow. as the well-groomed artist explained, here i imagine how in such situations make-up artists are very annoying, who come up and start correcting something there, because this is not what we are talking about. it’s about the fact that everything happens to her, everything, she plays one fate, she plays one fate. here is the result in this role. she is talking with sergei shakurov in no way there with the investigator , the prosecutor, the character of the film. she talks to seryozha as a friend, as a person who can understand her and tells him about her tragedy, she plays herself in this role. and he confesses to sergei shakurov. about what happened to her. by
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and large, we missed a very large actress, we missed it. i think so now for her, and she is a really big serious dramatic actress who was supposed to play a serious leading role, including such as mordyukova , for example, so, here the council of the program of the kings of the episode looked at five roles performed by actress svetlana kharitonova, the role of a crane operator claudia in the comedy girl with no address role the conductor in the melodrama is an almost funny story, the role of the landlady in the comedy, labor, the role of the teacher in the drama white bim black ear and the role of the neighbor in the detective story the visit of the minotaur. now each member of the entrance council will name one role that he considers the best, i should probably say e grass, i should probably say
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from tryn grass, probably many will not agree with me, but i really like the teacher. maybe because i met more precisely with such people and at all the ones you suggested, probably in general funny story from the proposed, because much is not proposed. i don’t even know this is a film by seryozha nikonenko. because this was the beginning of my acquaintance with her, i really liked it. yes, and now it is one of my favorites. and why did i already say the opinion of the artistic council was divided, so now everything will depend on what role valery barinov calls
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