so what do you have with her on what finds fault, or what ? but with a child, how good, you see. beautiful maybe cheating? changes or not?

right on the street? i love you.

i know don't cry. it's okay. let's start. at first

the end of 1926 turned out to be surprising morozka however, this did not paralyze life in minsk at all, the city was preparing to celebrate the new year. however, all those who gave up on pre-holiday chores found a record minus on the evening of december 25. at the newly opened cinema. culture gathered a huge queue, dancing in place from the cold, releasing clubs of frosty steam, people patiently

waited at the box office until the premiere of the first belarusian film, there were only a few hours left viktorovich he created the first national film. a forest story, but a cultural event was spoken even in the outback. director yury italich instantly became a celebrity later, some historians will call this date the birthday of belarusian cinema, however it is. history. it began at least 2 years earlier than december 17, 1924. in fact, it turned out some kind of paradox e s belarusian, that the date of his birth is considered not the release of the film, but the creation of the belgorod organization. so we started from some kind of bureaucratic moment . for 10 years now, the first and only russian state film factory in the country has been operating in st. petersburg. in the same twenty-fourth

, the famous mosfilm will open, it is these organizations that are considered pioneers in the creation of feature films, belgos cinema for the most part. engaged in the chronicle, necessarily the rate of filmed 10 minutes per month and only in 1928. year on the griboyedov canal in leningrad building the former noble assembly will open the first belarusian film studio of feature films for us. indeed, it was a long-term miracle, because of such objective prerequisites for starting our own film production. in general, it was not like it was in france in russia where cinema was born, as a result of the activity of a group of private entrepreneurs who saw in the invention of lugers both a commercial artistic perspective and personal activity and laid the foundations of the film industry. minsky did not have a single professional filmmaker. the first sound film of belarusians, will be released in the same place in

leningrad, and the music for it will be written by dunaevsky himself, who also made his debut in the belarusian body. and it will only be the beginning exactly there, hundreds of kilometers from minsk, and the history of domestic hollywood will begin belarusian lumieres are better than no one does, how cinema became a symbol of the era it was very difficult to get to the cinema and for what premieres the soviet union went crazy not a single belarusian a film of such a record no longer stopped art for all the best screenwriters the best cameramen the best artists the best actors and roles for selected flights inspects the sky plays. who remained behind the scenes to get out and why the relatives of idols are

still trembling with horror, see all the secrets of belarusian hollywood right now. muscovites and leningraders went headlong into the process, allocating pavilions to belarusian colleagues only in the third shift, they worked mainly at night, however, after 11 years the film studio would move to belarus, its first building is still preserved on the territory of the motorbike plant. thirties. the heyday of the silent pull, the comrade repeated his

success this time full halls. collected his picture. see you tomorrow, and the seekers of happiness, korzh saber, and today film gourmets are reviewing these years with special pleasure. he was just approaching the development of emotional topics . while yuri tarishch laid the foundations, just the development of emotional mentality, in the thirties. these were comedies, there is a bear on the line, in short, kizhe, the famous, of course, comedy, my love, which came out in the pre-war fortieth year with magnificent people and smirnova i had to put aside for change to a fictional character. real heroes have come, studio operators are leaving for the fronts for a chronicle in 1946, a film studio. it acquired a new name, which still bears belarus film, the post-war period. one of the most difficult for the belarusian cinema is the best camera,

which was already in the soviet camera operators, a cone automatic camera. she went through a lot of upgrades. basically to change the drive. electronics technology developed , batteries appeared, others appeared another drive, appeared here until the last synchronous drive. it was possible to write synchronisms, and documentary films were chronicles. everything was filmed. this is the camera soon the studio began to be quoted as a factory of highly artistic cinema, in the late fifties a comedy was released our neighbors directed by sergei her story about life in a communal apartment and love ups and downs turned out to be so plausible that the film immediately became popular, a few years later the fairy tale city of masters of vladimir was released bychkov, where one of the roles was played by the little-known thirty-year-old savely kramarov gradually appetites are growing, both among film workers and viewers, it was necessary to look for new genres

to discover names and release a truly high-quality tape for wide distribution. however , two problems emerged here. there were no personnel, no equipment, absolutely everything there were visitors, those who studied like a springboard. here they are doing something. if it worked out, then there were iron drifts in moscow. you know very well that there was practically no currency in the country . they were given equipment, professional, insanely expensive, because there was a production in moscow. the wall, in principle, everything was filmed on our tent for a long time, the film studio was located in a red suit, and in the sixties, on the outskirts of minsk, a filmmaker was allocated a room there, the belarusian film is located and to this day the route of the first trolleybus ended, there was such a wooden booth unfolding

sagittarius lay back to the side. it was the middle of nowhere, as you once came up to me with bearded children and said something about what you do. i say, here i am doing music there, there the conservatory ended with this the point here is these at the studio with the consequences to work. i found myself in a very happy time, because in fact it was the renaissance of the belarusian cinematography, there was no acting alma mater in belarus, therefore it was no coincidence that in the sixties the whole color of graduates gathered in minsk. the guys willingly went here for the first working experience. this city, as if with a magnet, attracted directors of cameramen, some left quickly, others stayed for many years, generations, the belarusian cinematography moved forward so powerfully that just in this golden age, probably the best pictures appeared, a sharp rise in belarusian cinema began in all respects, and in the technical, including the studio, the

best cameras were superbly equipped. e, they were used here, well, of course, and development proceeded in the context of the development of soviet cinema . wide screen and large-format cinema the era of the thaw gave a huge impetus to the development of cinema. there was no time to search, it was necessary to shoot at all costs the editors, who by and large did the work of the producers, worked on wear and tear the entire process of making the film from and to was on them. wow let it go. topics punched include a tab that is by the customer. here is central television, then i’ll start looking, then the author, so the author was looking for a director, there was no talk of any competition, the belarusian film in those years resembled a greenhouse, where in an atmosphere of light and helping each other regularly, shoots of talent made their way. filmed. uh,

anna kamenkova is in this film. and this dress turns 60 this year. you see, it's handmade, blouse. eh, sarafan, here are a few of them there she was petite. here she played a girl. the film was shot in the city of mozyr. what exactly is a girl looking for a father is the absolute geographical leader of belarusian cinema. it was sold for commercial screening in cinemas in eighty -three countries of the world; no other belarusian film of such a record was set by victor turov. just finished in through the graveyard. many years later, critics will call one of the best films. these are the graduation works of the tour director from one of those young filmmakers who came to the belarusian cinema today every time you watch how you wonder how it was made at all, how it was put together. how plans are made. the camera slid so easily, embracing.

transferring space there from the far to the general, when they chose nature, when they traveled through the villages and there was a fire in one of the villages, a burnt house and a burnt garden. and these heads of cabbage, which have practically become a classic shot, burnt cabbage, like black heads sticking out. here on this it was nobody planned it. that is, he didn’t burn this cabbage on purpose, it happened. and here the cameraman grabbed the camera and immediately began to shoot. these shots of the tour will become the unspoken leader, the generation of the sixties, who raised the belarusian cinema, but the picture confession comes from childhood to a completely new level. the first independent work of the director is visual images that they cut into the memory instantly and forever, and this lingering beep, but there it evokes a special kind of strong, feeling, sad and at the same time bright story of two.

she did not leave igor and zhenya told by gennady shpalikov the first generation of children who were left without fathers grew up indifferent to no one . he died at the front, his father vitya himself, with his mother and sister, ended up in a german concentration camp. my mother also starred there, that is, a small role. still. this is our family history, you perceive the material a little in a special way, when your loved ones are there, a surprisingly subtle lyrical picture, and after a military childhood , vladimir vysotsky supplemented not children's songs at all, he also performed one of the roles of a hair tanker. this was his first major film work, that the truth caused a whole wave of discontent in the ideological elite, his hoarse voice annoyed many, and the manner of performance was called defiant, therefore the main track. crosses are not placed on mass graves. performed by mark bernes in reverse. their grave does not put christ and widows on them.

this furious baritone, vysotsky, who performed his songs, was not supposed to sob, but this was fragmentary in the conditions of at least advice in the finale of the film. he only sings fragments of several of his songs censorship gave the go-ahead and december 27, 1966. the premiere took place. a year later, the picture will win its first awards at the film festival of the baltic republics of belarus and moldova tours will receive an award for the best director's work on urgant for the best actress later the tape will be recognized as the best in the history of belarusian cinema, and by the decision of unesco, i come from childhood, it will be included in a hundred world films about war. it is indeed a very powerful and serious film. maybe that's when you showed up. this is, uh, the opinion that cinema is work. uh, many people said that person she is modest. well,

you know it is soft from a fairly large culture. why did the fairy tale almost cost the famous director his career, and so i presented this script, and what really happened on the set of pinocchio, everyone had to do the script, they could buy big packs of a car, why censorship put an end to domestic masterpieces and what happened at the premiere of the first soviet thriller? miss me. i am the operator of this picture, watch right now. the national

love of cinema in the early seventies reaches of its apogee, people almost stormed the cinema. the decree gathered huge queues, the auditoriums were bursting at the seams. after all, not every apartment had a tv, and everyone who wanted to see the masterpieces on the big screen for a penny could bring a lot of income, supposedly. almost on the top three after vodka and weapons were part of the cinema in the seventies eighties to get to the cinema. i'm not talking about the premiere in the evening, it was very difficult. young people went with their girlfriend , they could only go to the cinema with 2 rubles. you can go to the cinema and treat the girl to frost from the ichnic fired, our directors did not slip on the one that everything with a skin year was less given not on film. that is, it was your hour one to ten, that is, you are

one selfish, frame. i could cut 10 frames 9 so to speak, well, because the baskets, and then one to five, and already the rut by the end of the eighties, there the ear of the nineties already one to the throne demanded that she not think, before turning on the camera in minsk there were a dozen cinemas . one film was on, no more than a week, or even several days of interest the viewer was warmed up all the time, with new paintings, repertoire. updated with enviable regularity. it is clear that everyone was in a hurry to get into the hall for the premiere, it was believed that the film paid off if it was watched by 15-20 million viewers, they took the cinemas by storm, at the beginning they stood in line to get a ticket , it was such a stunning wonderful, however, the triumph of cinema was observed all over the world . hollywood was experiencing its second rise , the creative community is gaining more freedom of

expression, and the public is becoming more susceptible during this period. many make a name for themselves, soviet filmmakers try to keep up with the global trend of the dovzhenko studio. the belarusian film ministry of finance cooperates and helps each other, equipment and specialists. all studios. almost only graduates of the leningrad institute of kenne engineers worked. and we talked, as we then joked, if i get to any city there is a film studio in the cinema, then i will be fed, sleep and no problems. this period of time critics will unanimously call golden century of the domestic film industry, directors come. with a fresh look. without exception, all the pictures bathed and brought a solid income to the studio. the popularity of certain professions related to cinema takes off. he could get a script for a script and immediately buy a car for himself, however, the same

editors could not boast of such fees; on average, their income was 150 rubles. the competition is growing directors, striving to make their films more spectacular and more and more often stuntmen are called into the frame for work on the verge of life and death, they were paid quite good money if the actor received 3 rubles. only skader all 30, and to work with a venerable director was considered an hour. these were legendary directors. uh, the legendary cameramen did not have such cameras that could be carried. uh, there was no copter manually, there was nothing and i didn’t manage to shoot it, as for the belarusian cinema, then and given that there was the soviet side, there were very outstanding people, because in order to get to the top, 15 republics had such a kind of competition, the team was outstanding people who made the third they they knew how to drive a car and roll over and

burn at the same time, belarus film gains the glory of the all-union children's film factory in 1975. here the shooting of the immortal picture begins, on which a whole generation grew up. the adventure of pinocchio, the young moscow director did not even imagine when he got down to business that this work would be such a success because it was about a fairy tale people occupied this niche, because no one is better than him does everything was on such an upsurge, and he did not succeed in everything natalya and leonid met a couple of years before the start of the filming, the girl got to him for a re-voice of the film, so a friendship began that ended in a wedding. he didn't have a tv. well , he came to us as a friend, because we didn’t have any, i didn’t have any plans for him, because i was still married, and he didn’t have anything for me, because he was married. and he left. that's when we realized that we

can no longer live without each other, the newlyweds decided to stay in minsk, it was their spouse. always been next to the non-tip throughout the entire work on the film had enough problems. the first arose at the stage. putting the scripted scripted is not ready picked up the puppet machine. removed the first page. and here's the scenario. it's so launched very, it looks like very much even suit to come up. for which, initially, the cast was supposed to be completely different, so the role of karabas should be filippov, however, because of his extremely kind eyes, the actor was refused the role of the villain, so vladimir etush appeared in the picture. he was so convincing that the children really took up arms against him and did not miss the moment to

throw a bump at him. even behind the scenes of a karabas-barabas , our most famous beloved actor was filmed in this costume. e, vladimir etush well, how he worked with actors, how he built from the stage. this is real tv music. yes , you can find fault with some of our rough edges. well, the main thing for you is music, so that there is bright music, so that this action fits in with this music. yes, just to make it interesting to watch dmitry iosifov, pinocchio ended up in the film quite by accident as an assistant film studio director. i noticed him in one of the metropolitan crossings and offered to come to the prophet. as a result, nine-year-old dima got the main role. by the way, he's the only one. the little artists later linked their lives to the cinema, but first the norwegians on it, and then they tried makeup. everything is fine, it is very difficult to take a child to sit for 4 hours on one make-up, this nose is outside the young

make-up. and when he shortened it, here's the grim period from four hours to 2.5. it was already a big progress, but the budget of the television association could not be accelerated was half that of the artistic pavilion shooting worked out in minsk and then left for yalta and getting away from the group was not a joke, the director of the television association, alarmed and angry, left after them and arranged a dressing down, they would shoot everything here already in the park. yes, well, they are silent, they do not promise 13 to 17. i forgot these four days. we filmed almost like they do. well, i flew away, so, uh, so they didn’t confess. why was everyone silent? the truth surfaced only in 2005, when colleagues on the thirtieth anniversary of the release of the picture

we met at leonid nechaev’s it turned out that the work was stalled due to the fact that rolan bykov elena sanaeva went on a cruise along the black sea coast, however, in general , the work went according to schedule, the small actors fell in love with the director extremely, and even called him papa lenya, he had extraordinary masculine charisma the charisma that was felt by both women and children and animals by demanding hooligans. everyone had to do what he wants everything, the episode in the pond, which was built specifically for filming, was especially difficult. november temperature air about 8 ° measures. all the actors and the film crew, but the most difficult thing was for the frog girls, they had to dive into the icy water with each take. then rina

zelenaya stood up for the little artists and said that if nechaev demanded another take, she would turn around and go home at the end. our lake is a very beautiful place this bridge somewhere tortilla floated this bridge was specially built specifically for the filming of this film . yes, at least the unimaginable ministry of culture was going on at the council, literally three words turned out to be too fabulous characters, but the premiere nevertheless took place, soviet boys and girls, they saw a fairy tale, which later film critics call cult in the first days of the new 1976, he worked in minsk, belarus, and calls. he got in moscow, he could n't accept it. how is it so here? it didn't work out. when people ask about such films, do you know belarusian from the film? he immediately says that children's fairy tales today are the details of the costumes of the actors of the legendary film

in the storage of film studios. many of them did not stand the test of time. they will have to be restored, but pinocchio's jacket is neat and the exclusive dress of malvina still warms the soul with the coryphaeus of the studio, the armchair of karabas barabas in this form it has been preserved and in what it was originally, it is this vest that belongs to karl's father, the real original vest, which was filmed by the famous actor nikolai mushroom. and this vest. we found quite recently and yet personal happiness in minsk did not work out, the director will leave for moscow, but the relationship with his ex-wife. he will support until the last days, despite the fact that after this break he will have more than one, brother. i loved him and we broke up with him, loving was my initiative. let go because i couldn't be torn apart. we

now remember very painfully, and he left for moscow; there was no more script here. all the children's time is over, but not over. the history of the belarusian cinematography itself by this time, the resources of the studio had grown significantly, first of all , the material for the films did not spare money in terms of the amount of financing of the minsk film studio, in no way inferior to the kiev and leningrad standard program for a year five feature films and five two-part television films. we tried to shoot during the warm season in parallel, working on ten films at once. the latest technology. it wasn't here, it was in the west. and we had terrible cameras. friendship union such huge clumsy each cameraman fought to ensure that he was given a good lens reflex optics were given good german, before

the films were released on the screen carefully, a special commission was censored, absolutely all the pictures were subjected to many of they lay on the shelves for decades, until, finally, the film by vladimir bychkov, the life of the ascension of the urasy braschik, was released in wide distribution in 1967, and was released on the screen under the name. e. christ landed in grodno only in 1989 in the comments, the military theme cannot go anywhere, but it is noticeably diluted by acute social dramas and ideological tapes. 1979. in minsk, work will begin on the film, which, with a light hand from critics, will be called the first soviet mystical thriller. this is the physics of hunting the king of stahach valery rubinchik, of course, was repelled by a brilliant work. vladimir korotkevich has such powerful roots in russian mythology and

legends. they just ask, of course, to be on the screen tatyana loginova, whatever one may say, and the focus would still be a female cameraman, but already on the set of the wreath of the soviets, she declared without appeal for professionalism. gender is completely irrelevant. i studied with my father in a film studio, but he forbade me to enter. he said you won't do it, you'll get married and that's it. and this is your higher education will end, having sorted out several universities, fate nevertheless brought tatya together, but they begin to reckon with the cinema, a rubinchik. without hesitation , he invites you to work on the wild hunt. the picture was not easy for the director. i had to work hard on the scripts to fit the novel, the film was unrealistic, several times a ruby, forced the artists to redo the scenery at night, sat with the storyboard, and with the search for nature, the whole story came out,

they traveled all over belarus and nothing was found in belarus, because everything is destroyed in belarus everything is in this condition, not a single castle, not a single estate, nothing at all. and we went to ukraine. ukraine, too, we traveled there, in my opinion, for 10 days, traveled all over ukraine. we found our ideas, all the objects. there we go by car already it would seem. well, everything is clear. you can see it from the window. what is there, as if there is nothing good. he says, no, let's stop the car, let's go through, let's see the castle was built and moreover, here is the basement, which was flooded with water. it was all in the pavilion made in the same pavilion and nechaev filmed peter pan, there was a guy standing a huge sailing ship became the best scene filmed at the belarusian training ground. however, no matter how hard they tried, neither the author of the novel nor the director conveyed everything, the best, inherent in

the belarusian people, censorship uprooted all hints of nationality. korotkevich remained dissatisfied with the films. and yet, then he thawed out and agreed with the director's point of view, belarusianness, nevertheless he was present, the truth was buried in the other in images and images. if the transcript of the tutor is revered, the author recommended something put away. eh, smooth something out. remove all some phrases, and sometimes it turned out that the word belarusian left altogether, but valery ’s rubinchik still had a little clipped wings and removed some of these meanings in the halls, the unimaginable was happening on the viewer, the hunting scenes made a terrible impression. all thanks to the effects possible in those realities, they were not filmed in a standard way. through special optics that is why monsters seem to appear on the screen. and this is

mounted in the complex, how it runs, beloretsky, which means that the end is jumping, how is it, well, in general, it's all music, so it's like a unity. mom took it ahnu simply, how it was done was it was artistic. to me , the effect was just some kind of technical it was. in terms of a problem that has been solved. in minsk , the premiere of the first soviet horror film took place in the red church in the spring of 1980, but before that, a closed screening of the film was held in the cinema house, the excitement around the film was such that the filming participants themselves barely made their way into the hall, i approached the house, the cinema and such a crowd of people were standing. i can't get through and no one has me misses because everyone wants to get in. i was forced to scream. miss me. i am operators. pictures of the king of the shtakh's wild hunt received six awards at various

film festivals, setting another record in belarusian cinema, however, at that time they were experimenting not only with cinema, unexpectedly loudly in the early seventies, a completely new kind of animation art for belarus declared itself. i can immediately say that in general animation is an independent art form. and what's more, animation for me personally starts where possibilities end. feature films, because in animation you can do whatever the main landmark comes to your mind, disney's in-line method of cartoon cinema was adopted precisely in western circles. the belarusians gradually engaged in their own niche , the heyday of animation falls on the end of the eighties. today, the filmography of over two hundred works in different techniques.

at this show, athletes test their strength and agility not physically, but intellectually . what is the name of the main trophy for which the team of the national hockey league of the national hockey league is fighting nhl stanley cup what is the name of the german football championship? ilya bundesliga bundesliga that's right. name a popular soviet song about hockey, written to the music of alexandra pakhmutova in 1968, whatever happens, they are not used to giving up. what club does french footballer kylian buffett play for? psg and this is psg oh, it was difficult. let's watch a video replay, watch

the intellectual project of the head game on our tv channel. does the dish always turn out as appetizing as shown in the picture ? the recipe for this dish, i chose from the photo, like many housewives. i'm just wondering what we can do together, we'll cook and test the most popular dishes from the internet here . now i understand why the teenager liked this recipe, let's share the secrets that will definitely come in handy in your kitchen basket. i generally liked my recommendations. how to cook them better? i advise you to cook them not in pita bread, but in a tortel. if you cook at home, groten, first, open the potatoes, and it will be delicious and quickly watch in the program for a

week on belarus 24 tv channel. and i won’t have a pipe that almost melted my hands, as white dew thundered throughout the country. this is an extremely rare production of this picture and why the most famous belarusian blockbuster split the society in two was difficult to invest in the frame. he will find a good script and a 95- year-old meter. watch right now. in 1983 belarusfilm announces a screenwriter competition for

his terms project winner. the opinion of the jury immediately goes into production, then it was unanimously recognized as the best work by thirty-year-old alexei dudarev, who wrote a poignant story about a village living out its last days. today, only a few know that the script could not have been a dudar at all. for days and nights, he disappeared in the youth theater where he worked in those years. lilia pichug. i am still grateful to her and called me and said. have you lost your mind 2,000 rubles. and that was a lot of money. not needed at the time. i am wrote an application application accepted but then, as a responsible person. i can't because i needed to script the script. posted too knew he would get first. immediately after summing up the results, the phone rang in the young screenwriter's apartment. igor mikhailovich called me and said, if i don't mind, then he is ready

to work on this case. my pipe almost melted in my hand, because dobrolyubov was already a dobrolyubov maestro, but it seems to me that this is not a rabbit success for the role of fedos, yuri nikulin himself even auditioned. however, they still decided to stake on rigor and monumentality. sanaeva in addition, the role of a joker and a merry fellow has already been assigned to boris novikov many things. that's where the improvisation was. e, which hello was conceptualized by a real director. he had to notice this and either leave it or discard it, and the whole point is that he left it to make the film the way it is . storks on the harmonica it was given with great difficulty and at first the turn of the performer of the role, nikolai karachentsov, the actor was very afraid of heights, however, the director was adamant in order to

lower the actor to the ground, he had to call the fire brigade, he reaches this accordion and speaks, and he examines the clouds, because he was told not to look, not so much down do not look nikolai petrovich examines the sky plays. many scenes were taken not from the head, but from real life, for example, when the hero is given a piece of bread dipped in infusion to the dog, a similar incident happened dudareva during the service. vary soldiers did not come up with anything else. how to check for pets the liquid found by them in the part? let's get back as soon as possible. stanislav sadalsky galina polish stefaniya stanyuta seemed to be on one of the set , all the stars of that time gathered, the epic story about erasing the boundaries of the city of the village was

shown unusually easily and ironically. and the actors themselves, as if they were delaying the moment of parting , the commission comes, they determine the muscles will not look. here they come - he speaks. about stone looks then the end of the film got up, one says the men gave out 1,200 rubles. and this is the ceiling. the premiere of the film took place in moscow at the cinema house; it became a real social event, which brought together the first persons of the capital ; and suddenly i hear from the side. lyosh what are you going to watch this crap? it was so unexpected for me that i and where are you just go to the buffet. i am submissive for boris with the ball went to the buffet. he sipped

brandy. and when the hall exploded with laughter, look. she likes the burial ground. there is even a separate exposition dedicated to the cult tape. common props in those years. today, the most valuable exhibit, when the film was just starting from the first frames. it's still on the asphalt . how many years have passed, the harmonica was preserved when they were all together in the kitchen there, there was no way i would go for gas. here is the shirt. we have left. we already keep it, how the memory of gorka became a folk comedy, it was watched by 36 million people throughout the soviet union this the record was broken only 6 years later with the release of the picture. my name is arlekino, it became the highest-grossing film in the history of belarusian cinema in 15 months and saw almost 42 million viewers, even the excitement of the cinema.

it is extremely rare to have a change in russian, but i must say that at the box office. perhaps he can compete only with the humor of the fifties girl is looking for a father. this is the case when it was the queues in the cinemas that valery managed to fish. tea sharply reflect the nerve of modernity and show without embellishment how and what the youth lived in those for years, the socio-psychological drama hit the nail on the head, largely thanks to the brilliant literary basis of the play by yuri shchekochikhin. trap number 46 growth is the second sign of gratitude to the audience, the broad youth, first of all thanked. yes, the authors of the massive visit to this picture on the territory of the former ussr, literally from brest to vladivostok, there was not a single region. so, where we have not turned, so

to speak, into a social phenomenon. the final scene sounded so harsh that many condemned the director and even called the film chernukha and yet it was a kind of forecast. yes , there were very few dashing nineties left. hello, 200 ussr is no longer on the air, the nineties were marked not only by the beginning. there is a new life for a huge country, but they also gave rise to the so-called perestroika cinema cinema, a complete calm of the last decade of the 20th century, was marked by a stagnation in creativity . units are out. this period. already very so ambiguous since the ninety-first the year that is now lasting and it is possible to divide the internal there is no longer divided, is it such integrity, or what? eh, because a lot comes up. here are other structures, not photographic ones, they are looking for other genres,

for the first time they thought about their own shots. at the academy of arts. begins to prepare directors, master documentaries, animation films differed significantly from russian ones and, first of all, were but the belarusians themselves in 1996, the film studio was given the status of a national film studio and began. quite a different movie, it was, of course, m-th deed studios. that's all the resources were directed to the production of this picture to the detriment. maybe there the creative judges of other authors is the desire to release a noticeable resonant product. this is a picture in which the obvious signs of high style are a clear claim to products of hollywood scope and quality. mikhail teshuk was not afraid of

critics , envious people, or competitors; topic of belarusian cinema great patriotic war. he was a brilliant producer. actually. he had the best screenwriters, the best cameramen, the best artists, the best actors. he understood, this is what it is and films received, respectively, such spectacular uh very in the ninety-eighth minkul makes toshuk an offer that he simply could not refuse. this was the second attempt at a film adaptation of perhaps the most famous novel about counterintelligence, war was the leitmotif of the bird's work, so he immediately got down to business and even went to moscow to work on the script, but he did not accept the last picture, vladimir bogomolov asked to remove his name from the credits. he justified it. i do not want to quote his words, but the main complaint was precisely that they did not leave the film. these documentary

sources remained, where counterintelligence officers catch , roughly speaking, saboteurs at the beginning of everything. it 's very pulling, and that's it. it's yours so unfolded. no, it's not a bad movie, but if you're not more of a dash for fear and risk, it's getting to work on a movie for the team to start . difficult times there was no money, no understanding between the participants in the process from the very beginning, the spit found a stone. it seemed that the conflict of two geniuses would not allow to realize all the plans, and yet the picture became the most famous military blockbuster of the last decades for the filming of epic scenes, hundreds of military personnel and equipment were attracted, 24 units. zil 157 was assembled from all over the soviet union by the german t-3

tank. picture. august 44 they a lot of time has passed, therefore, they are in this form, but then it was all very grandiose and beautiful . in a year, neither himself nor the rest could breathe out , his relatives began to fear for his health, he devoted himself to work so much. dad was all burned out. he was covered in burns. you know, but for him it was a completely normal situation. yes, elem klimov approached him after watching a movie, he said, well, misha was difficult, and dad said, and i love it when it's difficult, when bad films turn out to be easy, that the picture that was given to its creator with such difficulty begins to collect awards in april 2001. please fly to moscow from

los angeles for a triumphal award for him. nika where the film in august 44, it was announced in six nominations at once, but the director did not go on stage. rise this terrible remembrance because it is very difficult to talk about it. he went to moscow with his mother. she called me in the morning and just like that confused very calm. and the fact that we are calm in some such voice, in which there was no extra note, let's say, so some said. papa died this year belarusian cinematography turned 95 behind hundreds of kilometers of film, thousands of written pages of scripts, dozens of masterpieces, and millions of destinies that cinema once forever changed. now it is much

more difficult to win your audience, given that the information field has become different, so we are now in a more difficult situation. with the development of all conference technologies it has grown not only in terms of film production in terms of what you have to convey to the viewer of a peculiar thought. then it was easier to change technologies along with them and the audience demand. with that the main news. there has always been and remains a talent that is more and more difficult to consider in variety, they cut the faces and pictures of the producers . sser norista they are someone else and nothing really good can be done in everyone, so in the work you see the author, you see, you left, and now this is not a powerful base and your own shots, then what is always so wrong there was enough, a huge transport workshop in minsk, a

storehouse for props and costumes of the atelier and its own natural site, a good relief, that is, uh, there are mountains here. there is, uh, a beautiful lake, and big fields. we have a forest remoteness of settlements, which does not interfere with filming and it is very successful to maintain such a natural site. it 's quite a lot of money to take care of her. well, the same communications create conditions for filming. i think that this luxury is a real film factory and a pass to the global industry, belarusians, had a hand in creating the most sensational series of the year. re. wild studios involved in the filming of chernobyl, we provided more than 2,000 costumes and costumes and props for this series. party leaders were wearing these costumes, who are workers of the chernobyl nuclear power plant there. for example,

there are even inscriptions in english. you see fomin bryukhanov and when this news caught him, he answered the phone . he was at home in the bedroom in pajamas technology had gone so far that show on the screen you can almost impossible special effects and reincarnations on the verge of fantasy and all on their own, and she burned and drowned and, uh, the car turned over woke up for tricks too. everything related to machines requires certain calculations. gotta get the car ready. eh, the driver. it is necessary to prepare the route, it is necessary to prepare everything and provide for it, because it is very dangerous, many actors are very specific about makeup. especially, with regards to occasion and dirt or there, i believe that if they take and behold this is the dirt and smeared on the face. it will be as natural as possible, maybe up to a certain period of time. yes, one double attacks, the second - 50. here. i mean, it still disappears for $5,000. if

a person, for example, was written or 2 years old, he does not want to transfer such an amount of intellectual work should be highly paid. if there is an idea of ​​good quality and then there will be people who can sell people money, or it was not by chance that the state was. give me a good script, and we'll find the money for it we deserve to be paid attention by the state, which is what 100% funding is doing. animation. the main thing is, as it were, a business manager. at the same time, a decision was made on state support for national cinema. stop. close attention to it is not accidental, whatever one may say, this is also part of the image of the country, the big screen gives out small secrets and technical and creative potential. and when the whole world is crazy about spectacular cinema , you can’t stay out of the game. that's just not everything should be measured, driving, literature

they stopped filming the main thing - to launch, and then from where something will turn out, they did something, then the main thing is to sell, then they created a work of art, and now they recognize the products, but this is exactly what the cinema lacks. it will warm and inspire, teach and make laugh, delight and give hope that we are still very far from the final credits.

what do you know about belarusian cuisine? they say that in order to comprehend all the subtleties of the national cuisine, you must definitely visit its homeland. it will be reasonable to share recipes for very satisfying dishes with an unforgettable taste and national flavor. today we have a historical dish, which is called pansky, do not boil under and go for sure and be sure to make two options. you have seen it is not very difficult. at least in order to compare what you love more. and what will you cook next and how will you please your family and friends, watch the culinary historical

show belarusian cuisine on belarus

24 tv channel. moscow all russia kirill all the details of the celebration. in a welcome inclusion from the streak , germany has recognized europe's dependence on russian gas, the us is summing up the results of the biden presidency, and they are disappointing, and portugal has the highest inflation in 30 years. what do thoughtless