active recreation eco-trails, you can still go hiking through the swamps or kayaking daria rachko laid her tourist route fresh air, hilly, relief, abundance of springs, and lakes - this is the territory of the national park. naroch ecological trail. one of the most beautiful places in belarus. you can go through it with three routes with a length of 3-4 and 7 km, such an active holiday and parts of the life of the spouses anton and elena to them that it’s not a year to travel around belarus on your vacation. they managed to see almost all the sights of the country, and they don’t plan to stop there were in vitebsk in the swamp itself later. yelnya then voice. yelnya braslava. postavy there glory increasingly. so here it is in a circle. now we will come here next year along gomelskaya. how do you like natural belarus? yes, great! great. lots of people don't appreciate it. its active tourist season has begun, the most sought-after ecological tu. mom - we can

offer walks along the dendrade, an excursion program and also the blue lakes natural complex is waiting for its guests tourists suitable for those who are in peace with you fauna contact zoo. the chernyavsky family was formed 6 years ago , the first chickens appeared from a small beginning. rabbits cows a couple of horses. now only the last 24 dozen, by the way, most of which the owners raised and foals themselves have calves, goats, sheep, peacocks, ponies, and even a camel. however , the program offers a rich horse riding in the forest riding in a cart. if you wish , you can arrange a children's party here. it is possible on an air basket designed for five or six people and take off depending on mitino conditions in the morning before sunrise and for the second time before sunset, restore strength to admire the unique beauties of belarusian nature. and find a worthy alternative worldwide. the resort

will be able to get acquainted with our tourism potential at the republican action in android from shui nad princes, it starts on june 6 with a gift from andrey ivanenko and andrey kristin tv news agency. and, of course, citizens of the baltic countries continue to come to belarus taking advantage of the right without a visa, as it was reported in state programs. committee over the past weekend came to our country over 4.000. foreigners. let me remind the majority of lithuanians that the visa-free entry procedure to belarus for residents of lithuania and latvia has been introduced since april 15, during this time, according to the border service authorities, the belarusian border. more than fifty thousand people crossed by the end of the year, citizens of neighboring countries can enter belarus an unlimited number of times and stay throughout the country without a visa. the belarusian military continue to prepare for the international army games at the domanov training ground, team representatives hone their skills, suvorov onslaught, the best motorized riflemen train on a

specialized track, where there are more than a dozen obstacles, the distance is similar in many respects, that they will have to pass in china where the final stage will take place, it must be said that our team is perhaps the youngest due to the white, root, mediocre on those features, who will meet us there, namely overcoming obstacles feature of overcoming obstacles in themselves, the obstacles are somewhat different from what we are used to further the car was the car on which we will perform. there is fundamentally different from bmp-2 for those team members who will go to the army games for the first time organized theoretical training, then during the practice and training, the military will improve their skills. see further on the air a sports review of

the tv news agency project, available on social networks also in our mobile application qr-code on the screen new information at 1:00 pm. before the meeting, he won his 14th title at the french open, it took the king of clay 2 hours and 18 minutes to win another trophy. the first two games ended with the same six three in favor of the spaniard, and in the third network the norwegians did not manage to leave a single game in the updated atp ranking and nadal moved to the fourth line three leaders without changes djokovic medvedev zverev i ivashka rose one position and now occupies 49th line this week, belarus will start the tournament with the american mackenzie mcdonald in the tournament, hortogen bossen, on the same grassy maps, the first round match will be played by arina sobolenko today. seyanaya will meet with a ukrainian katerina beindel belorusskaya also improved

her place in the world ranking and now occupies the sixth line ; stanley there beat closed the gap in the final series of the eastern conference from the rangers in the third match of the confrontation to four wins. the lightning outplayed the opponent 3:2, the decisive puck was thrown in the last minutes of regular time with the transfer of nikita kucherov scored chambers there but inferior in syria to new york with a score of 1:2.

of course, i didn’t really understand the animator, what a director animator can do, even

to pronounce it was still difficult for me, but that’s all, we were a piece of the word cartoon, and witnesses love cartoons and i really liked the idea. i ran around with her. i learned these words saying that i would be a director-animator. my name is elena turova. i am a director of feature and animated films at a film studio, belarus film work. been here for over 35 years. animation came quite a long time ago, in 1987, when i graduated from the university, i got a very modest position as an assistant director of an animation film studio, i came with a red

diploma to work in a position that is usually taken after school and studied a little bit of everything at the animation studio in belarus in the film there was also a small department of film advertising , and advertising we do. especially they did not know how. these were the years of total shortages, those scenarios were approved in the unified center in moscow, as i thought, well, let me try something one second third bam, and they return the approved ones and filmed them. i saw the result. it seemed to me when i came up with them that it should look completely different. i would have filmed it somehow differently, that is , some thoughts were already starting to boil, which would be interesting to take a look at my own script, so that while i still had to learn something. i took courses there. we served our own professionals, we studied with our own senior colleagues, vladimir borohov, i never regretted that i started working with him as a wonderful artist. we have done here this first picture illusion is the debut picture of her praised. she liked it, but for some reason they didn’t send her anywhere after a

fairly large number of years, and he took the grand prix. it was shaken's star festival. at the tenderest age, when children are just learning to understand, remembering what is happening is very important, what they watch, what they absorb. this is where the personality is once formed rolan bykov said a wonderful phrase that films for children should be made just like for adults, it’s only better if you ask yourself the question of how i should talk to a child, in order for him to hear me, you need, probably, the main thing, but to feel in yourself this child, the distinctive properties of our animation. this is not only a kind, bright soulful movie, but it is a movie that meets all the most humane ideas that a person usually has in a film that teaches

love, teaches mutual assistance in practice. they teach to be human and i think this is probably one of the main differences. damn our cinema. the school of belarusian animation is quite strong. different techniques in animation are used by our masters and classical fill animation and technology. the so-called shifting, stop motion, puppet animation plasticine animation sand - this is a special technology. the artist draws a character on paper and paints it. eh, they are made to her. some more details are variable, which can change under the frame and right under the camera. this means the picture cut out on the background is superimposed and moves so right under the motion camera. motion frame. frame now these technologies. we have moved a little more to a new level, because the same work can be run computers. that is, it is

computer, translation, translation - this is c. generally a flat image, but a character. which is divided into parts arms legs head neck eyes because they will blink eyebrows because they will do. so, depending on the task for the scene, the genus, because there will be articulation if the character is talking. at the initial stage of production, a film of classics and chess dedicated to the 140th anniversary of the birth of our great classics, i am koca-kolas and yanka kupala director i take prototypes, i am looking for, i will look at their photographs images in different movements at different times at different ages. eh,

i try to search first. e their image, how will they look like with us? each scene has its own size, average overall close -up, and scene duration. all this is solved at the level, animatics. animatic is the whole movie. in a draft version of a sketch, we can say that a computer program allows you to soften the movement, the main advantage, uh, of the shift is that it allows you to save textures, the classic approach is the use of a special cartoon line. and on it, as, probably, many in childhood tried to draw in notebooks. uh, a few on the wood pages. uh, the phases, the movements are so simple. this is basically. the same scheme, every frame. every single second, a is done by hand drawn. this means that in order for the

viewer to see the picture on the screen. it must be drawn 25 pictures. this is if there is one character, if there are characters, but two are three or more, then the number of pictures is already multiplied by a multiple of the total only for 1 second of this cartoon to pass. with the development of technology , such a technique as 3d comes, as soon as we have characters and a director's script, we begin to do a very important stage of preparation, which is called storyboarding, storyboarding is practically, and our film small picture is like a comic book in a film that is larger in format hours of pictures of these huge number sometimes they do not fit. here on such one two tablets. this is what is happening now with our new project, the song our the project is connected precisely with slavic

mythology. this is fantasy, where modern guys get into a world that, well, practically we know, maybe only painting a course from a history textbook, and the world of slavic, uh, deities, there are such characters as perun. makosh and veles birds are magical here is the tolkonost gamayun and sirin at this stage, our team creates here, if we give them preparatory drawings in parts to our colleagues at the studio, which helps us in 3d so that they can understand the 3d locations. we besides here such colorings. uh, flat sketches, we also make such, say, sculpted structures from plasticine. if you look closely, these are, uh, human-sized figurines . this is how people are designated with us. here is an example of a dragon. this is necessary for the

concept of the volume of the form. here you see the development of characters, but in such a flat, slightly vein, but ugly. but for 3d, they needed to be adapted a little, we were engaged in, and they will go to the studio in a slightly modified form. we are waiting for them to receive animation with beautiful quality. a-a with effects of light there with some kind of chips that should be magical and will be done, finishing soundtrack. naturally, the preparation for this hour-long photo will run in parallel. not all phonograms can sound. just like that, just the same, they must be very carefully arranged according to sound. this studio is mixing in 5.1.7.1 formats. here

, the final assembly of all the material of the entire sound picture is carried out, which includes speech, background synchronous noises, and music and other sound effects. somewhere it is important that something hits well, and somewhere it is important to be very, very far away, somewhere the noise of the engine here the skill of the sound engineer comes to the fore this is a recording studio for synchronous noise, what is it? everything that we see on the screen is performed by the heroes steps, for example, the steps we have are different textures, respectively, the hero walks on the tile. one sound is coming across the parquet, a completely different sound, synchronous noise. we are not only steps. this is any rustle of clothes. these are doors of various options; a wooden window makes its own sound; a metal door has a deadbolt. how do you think,

how horse hooves are recorded, we have special things, let's call it noise, the decorator looks at the screen, sees the animal and synchronously repeats the steps of the horse. the soundtrack is almost half of the information that you perceive subconsciously, you see the picture, and the sound is what is deposited, even sometimes unconsciously in the head, and it can very much either help, or it can practically spoil what has already been created. the cinematography

of belarus officially begins in 1924, when this film was actually created. the state association, which was called cinema, and at that time unique films were being created, the game appeared 2 years later. and it was the very first feature film. our film studio created it by director yuri touch film. forest were he was not yet my black-and-white story of mikhas charota, the swineherd. in the studio of feature films appeared, oddly enough, in leningrad, she called soviet belarus, then the war began. and so, starting somewhere from the forty-fourth year to the sixtieth. uh, the film studio was located in red church. we had a cinema house there for a long time since the sixties. so they have already been able to move here into these walls to the film studio. i take the film like this, but rich

buildings since then they have expanded even more. here are the new buildings new pavilions for today's film studio. it can serve only itself, but also studios that can apply to us for renting premises for renting props, cameras, lighting equipment, sound equipment, that is, we are completely from the very first stage to a post-production. we can perform such film production entirely in- house. we have enough equipment and specialists for this, so that at the moment the conditions for making a movie are good. the pavilions that we have can be used for television, which, in fact, is what happens in our filming many television projects. stage stars. sometimes they put on their performances there. this is our largest pavilion with 1.000 m². a

huge number of films , television series, including show programs were filmed here. we remember the holidays of the film studio, which were held in this pavilion. this is also where most of our lives go. there is a real treasury at the film studio, this is our film tag, which stores all the films that were produced on it. this is about 600, and 300 animated feature films and more than 2,000 newsreel documentaries. in the twenty-fourth year, uh, we are celebrating the centenary of the film studio, belarus film. uh, in connection with this, we are preparing a golden collection, where there will be about 100, maybe even more of our best films, which are now we are preparing, uh, for digitization, so that our viewers can see these films. the best ones are also in the best quality, of course, i want

these films to be seen by the world and, let's say, not to stop from our representation at the festival, our films are worth it. there is such a wonderful association called the chronicle documentary film studio, where such wonderful masters as anatoly alai galina adamovich viktor oslyuk work, they and their colleagues create a huge number of chronicle documentaries that reflect our history. films produced in belarusfilm many of them have become classics of world cinema, and it's nice to remember that one of the films of my father viktor turov entered the top 100 films of all time, according to the decision of unesco, this film through the cemetery. on this shelving. there is a shelf

dedicated to my father. i am very pleased to see here, and his photographs are a magazine dedicated to his anniversary, and a book that, well, i once wrote, and his biographies, and now, if you look closely, you will see, here is a postcard and a stamp, which is our mail released for the anniversary of the people's artist viktor tur. here is the 75th anniversary. well, unfortunately, my father passed away early, he was only 60, but the country remembers its heroes. we have a rich history of films about the war of some kind. uh, for a while, our studio was even called a partisan film, because a huge number came out great for work, namely, the great patriotic war. another brand of the film studio was children's cinema, on which a huge number of children grew up, and more than one generation. treasures are kept here

from, uh, many children's movies. here you see, a sketch of a poster for one of the oldest children's films a girl is looking for a father and here lie from this girl's sandal and panama next to it is pinocchio's jacket, the one that papa carlo made paper, the cane of the cat basilio this is a magical book from the red-haired movie through the looking glass and made of real silk and real green director's silk pants. i donated my trousers so that we could have a real silk cover. now you and i are in one of the four main workshops for preparing the filming of our film studio, belarus, the film of objects here is simply unmeasured. but sitting in such a golden chair, everyone can feel like a

director of a puppet theater, because this chair is a real one from the pinocchio movie - this is the chair of karabas voras himself. but this is the magic mirror of our film studio - this is the mirror from the movie ginger in the looking glass , it was in it that all the greatest miracles took place. shops are constantly replenished with what was filmed in films carefully preserved. at we have items that are, let's say, champions in filming, there are historical items that were filmed. they are recognizable. they are practically preserved. it really is like a museum piece. here you can find such exclusive things, for example, as collections that contain old photographs, and here you are, related to screen tests, dmitry kharatyan if you look through this is also our history this is the history of our film studio. it is wonderful that all this is not just stored, but also carefully

systematized and everyone who is interested history, cinema can come here and touch our foundation. and this is our costume shop, here is the richest collection of clothes for more than 50,000, items of both women's and men's and children's from films that were once filmed and clothes that are removed several times there are military and historical clothing. but this part of our golden collection is, for example, a chic dress on a mannequin, which you see getting rich from the movie the king's wild hunt. stakha is the belarusian gentry. it looked so expensive. but this, probably the most recognizable costume from the children's fairy tale the adventures of pinocchio is the costume of the fox alice, one of the most striking characters in this fairy tale. but these are historical costumes from children's films. this, i think, is the recognizable costume of little red riding hood that

little yana poplavskaya ran around here, and this is a much older film, which was called girl looking for a father. and this film is our champion in geographical sales for rental. it has been sold to 83 countries. a smart movie is not the same as a boring movie. that is, even if you carry a good healthy thought. for starters, you need to attract the viewer to this story. then you have a chance that you hear? the future of belarusian cinema is not in expensive projects, but probably sincere and sincere ones, which can be created, in principle, with a not very big budget. it will be more european cinema. i fondly remember both the dirk and the bronze bird and the city of masters and the films of leonid nechaev, in general, a wonderful children's movie, and i am very happy that i had the opportunity to continue this

tradition. i made several mistakes in fairy tale films, i really want this tradition not to be interrupted. belarus is one of the most affected countries during the second world war, almost every third of many directors who worked on belarus film in the sixties remember this war passed, either they were children, or they were young enough to remember what happened on this land, so the military films that were created at our studio. they were deeply sincere. these were films that were written people who lived through these events, and they couldn't lie. and now we are

in the weapons warehouse at the studio, belarus film here we have a huge collection of weapons in general, which are not only shot in films, but even once were in service. we have weapons that were filmed in such famous films as the brest fortress state border, that is, i won’t name a large number of them specifically by number. well, this is one of all the samples that well directly kept the actors in hands. our pyrotechnic section does not rent weapons to anyone just like that. here we provide direct shooting ourselves, that is, we are constantly on the set, we follow the safety requirement. well, this is the safety of weapons. including this case, accountable for the numbering of all rather strict weapons, adapted for e, shooting exclusively in the cinema and already in combat. she won't shoot anymore. we have films

of this direction bright egregor, that is, they always have some soul that leaves uh the hope of a black film, even if they are about the war, you will not meet us, this is a good soulful movie, and it has always been like that. now we are present in a rather interesting place. this is the location of the film studio belarusfilm, which we still jokingly and lovingly call resinwood. this is the place where many historical buildings have been restored. ah. you can see such a small village where real houses are recreated, but similar to those houses that really existed, for example, in the middle of the 20th century.