our sinuses begin to accumulate fluid, and later, when attached to bacteria, it turns into pus. yes, and there a radical technique is already needed at the beginning, we remove the pus, we prescribe antibiotic therapy and then, by the way , yes, that’s how a very good addition is magnetotherapy at home to have such a device. it seems to me very good. yes, that is such a good, correct alternative. i'm sure you've already thought about it. yes, i thought, especially since we have grandparents at home, who are happy to will use, uh, this device to solve their problems. hmm, health problems. it has been tested in practice. the magnetic therapy device will be a good addition to the complex of various therapeutic measures. with many diseases. many thanks to all of you and at the end of the program. i would like to remind you that health is the greatest value we have. take care of him and do not let

ailments ruin your life plans. you were with the health program

at this show, athletes test their strength and dexterity not physically, but intellectually plan. what is the name of the main trophy for which the team of the national hockey league is fighting? national hockey league nhl stanley cup that's right, what is the name of the german football championship? that's right. name a popular soviet song about hockey, written to the music of alexandra pakhmutova in 1968, whatever happens, they are not used to giving up. what club does the french footballer, kylian mbappe, play for? psg and this is zhe oh, it was difficult. let's

watch a video replay, watch the intellectual project of the head game on our tv channel. skin day we send off, millions of emotions. we can rejoice in being angry with sharing our emotions with horror. we are not at gunpoint, but music is music showing our emotions. these are emotions, a different force is literally taken by the soul, and the self that has already traped us becomes an integral puzzle of our life. let's work

the nice of music, whatever it finds, i can't express a worn-out crown where the silenced music is blown away for the place of a thousand words. fire and ice improvisational plastic performance parable about creativity love story, illuminating everything around them, as well as the history of generations of students who become masters and raise new students in order to live,

create and develop an abstract of the performance and a brief retelling of the history of a unique family, inclusive theater and its creator, irina kiseleva, the performance told and about her life in the theater. i have been without theater since childhood. i have never been, what, probably, i would not do in my life , because my parents are from the theater sphere and it is clear that i was very accustomed to sitting there or under the machine in the ballet room. or there are strictly bright holes or when there were some rehearsals in the hall alone there yes, there for three and a half years, but about inclusive theater. i never thought, of course, never after the end of my ballet career. she opened her own theater studio for children who taught them choreography in plastic vocals. to the game, and later in this studio there were children diagnosed with autism. i had to study a lot, of course, we immediately realized that knowledge was not enough. and so little by little everything went. here, and

we probably became the theater itself when we already released. the first performance gathered by the creative team decided that we probably need to continue, because you can’t leave the children anymore, not a single child came, and we saw it in action. how great it all is, like children, but interacting with talented children with autism interacting with the same ordinary children, but talented without any diagnoses and so on. how well do they open up? how important it is for them . studios of the family inclusive theater . different children learn to communicate with each other. the illusion comes from the english word. inclusion, that is, inclusive theater - this is the theater of inclusion, the involvement needs to include children with developmental disabilities in ordinary reality and creativity. she, in turn , too. in their world of art therapy, because creativity is not afraid of diagnoses, many things that we were told that those with autism cannot. in fact, we saw that they can, yes, that is, they can look into the eyes. they can

be so strongly contact. here. well, there were a lot of such discoveries. miracles don't happen. at least we don’t play like that, for sure, then there is such a number does not work here. but if you have enough patience, then many who would be silent begin to say that this year the theater turned 5 years old, a serious anniversary, although initially such a scale was not expected. at first there were performances, relatively educational ones, after all. well, shared them. yes, they were like that, and their task was to get used to it and raise children. well, at least there were very good things. we traveled with them. in general, people came for them to buy tickets, it was our race, with which we ride well. firstly, this is the enchantress with whom we rode here, and then there was a tree of fairy tales on which we grew up our children , such a wonderful story that poured into some kind of performance, and then here irina mikhailovna staged at night in the jewelry city according to dostoevsky according to their boy stopped the tree. here and now it was a turning point, it happens

that the audience is not just surprised, but inspired and the audience themselves decide to become actors. yes, they cried there, they came up. they said we never believed. what is it like a breath of air is possible my child too and that is, here are the audience, as if they immediately went to us, yes, with children, but everyone else, who was not at the performance, would have no idea about green . and so hmm let's go some arrows, there's some more and that's it. and just like that , quietly a few years ago, belarusian society was not ready for people, and parents protected their special children, but times are changing. something we analyzed about 90, probably large materials, and quietly came out, and we are other structures. there too worked. yes, uh, quietly, this fear is gone. i haven't had him for about two years now. he has a lot of other things that are incomprehensible, but there is no fear, this is the feeling they are. well, this is

cool. do you understand that you are important? rivers to a child to a specific person, and now we have 54 children with autism. in general, there are more than 150 performances of the family inclusive theater, and this is by no means an amateur performance, but the professional work of teachers of actors and psychologists with children is done by vocal teachers of stage choreography speech and acting skills in relation to children. i always have the same feeling, it's horror. and panic here i have other feelings for children that i could have come to teach initially. no, immediately my conditions were that there would be no younger age than 10 years. because for less than 10 years there is something special with children, this is absolutely special for me, a language that is hardly accessible to me in which i need to communicate with them, and how to develop them is generally incomprehensible to professionalize if there are children 11-12, 13, 14, 15, 16, 17, and there, as it were closer to the profession to the profession, one can both cling to child support

training and adapt them for children, then under 10 and 11 years old. i don't understand how to develop them. i don’t know i know the profession of inclusion in order to destroy stereotypes and fears, so that we are not afraid to go beyond the borders of the border between children who perceive the world differently, the border between children and adult parents. boundaries between already thematic because every child and every age he carries within himself a range of problems, moreover, fatal for this age, because at a certain time we consider certain problems to be fatal for ourselves. this, in my opinion, is the same for everyone, as i noticed, and when people are together in a group. i am now talking about a group of children who come here, where there is no need to defend themselves, where there is no need, where there is no threat of being subjected to aggression. where

is the space? for me, who i am after 5 years, eight performances in the repertoire of the theater are supported not only by professionals, but also by partners and sponsors each performance is a new unique story, amazingly spectacular large-scale productions always combine one thing on stage next to the unusual children of the master of the acting profession, fire and ice. the first production in an inclusive theater for the actress and professional ballerina ekaterina zinoviev, provenskaya, in fact. i probably didn’t know much about this theater at all. and i came here. like here. something so unknown is incomprehensible, they told me, come. and there you will see everything, and we will see and somehow it all dragged on. it's so enough exciting process. and you know, this is probably such a gift for any creative person, because here a

real creativity is created, and which hmm it seems to me, this is exactly what fills us artists, musicians directors and charges another feature of the premiere performance. live music, and an improvisational task. it is not easy, where the violinist rencrotisian is involved in the project, where it concerns helping children. there, too, my sore spot is here, so it was very interesting initially. what the a performance that, as they tried before, that, in principle, they did what was intended. i am really glad that i can take part in this performance, because, well, there is something to say, especially since the performance is full of kindness and such mercy. it can be said that we see

in our own way, someone sees in our own way, but in the end we somehow came to a common denominator, but in terms of what is difficult or easy. everything here is at the level of feelings. fire and ice inclusion not only in relationships at rehearsals and on stage, inclusion and mutual understanding in creativity everyone should be extremely open and attentive to partners, hear, listen, breathe in unison. i wanted to get from the actors, uh, their sense of what kind of movement is suitable here and worked with their internal state in order to get movement from the fact that we even worked in silence, because at first there was not even music, and therefore this is an experience for me very interesting, and he really is like that and you feel absolutely dissolved in this new production. a test even for professionals. you must be fully involved in the process. can i

to say with an open heart that you are completely naked and you should feel good about your partner. that is, if this coupling occurs, exactly what should happen, probably. we've been working on the show for this performance, probably since november. but it's such a slow, slow process, you know, and only now, maybe, the last two or one and a half months there. he 's already starting to take shape. to the present. here is the canvas, director gennady fomin admits that he himself does not fully know. which will premier every move on rehearsals are not repeatable, the staging is unpredictable, for sure this is a sincere performance that touches strongly, but gives goosebumps. i'm just happy now to have guys, girls, boy, and no boy. and also, uh, who understand, who develop, who argue, who have their own opinion.