ah, you can say with an open heart , completely naked. and you should feel good partner. that is, if this coupling occurs, it just happens, exactly what should, probably, be for this performance at the performance. we've already been working, probably since november. but it's such a slow, slow process, you know, and only now, maybe the last one is there for two or a month and a half. he somehow already began to emerge into a real canvas, director gennady fomin admits that he himself does not fully know. which will prime every move at the rehearsal it is not repeatable, the staging is unpredictable, as if this is a sincere performance that touches strongly, but gives goosebumps. i'm just happy now, guys, girls are a young man, and not a single young man yet, who understand, who develop, who argue, who with their own opinions. and see how they

develop. this is a great pleasure and i hope they outgrow me, so with the masters, as with any. we are working. i'm dramatic by upbringing and technological by education, first and foremost is how ballet work. uh, it's visible, it's visible, the invisible part their colossal level. they are phenomenal craftsmen. as a romantic actor, i understand what they are doing in their head, preparing themselves, how strong they are - how they are precisely fixing. eh, what we agree on speculatively, and they embody it, and into this incarnation it is already accurately formed passed through their individuality and into perception with the expelled elements. well, this is simply the highest professionalism, but i am delighted, i am simply delighted with such an experience, fire and ice are poems that cannot be predicted as well as the performance at the heart of

staging improvisation no staged movements. there is no memorized music there are end points from mise-en-scène to mise-en-scène, bringing it all together into a plot you can rehearse all your life. everything is always changing and the feeling and the person is changing every second. and even if there are some proposed circumstances given, then individuality, passing through them, always manifests itself differently. a performance about creativity about life and love is worth seeing to warm the soul and melt fears, this performance is very bright, topics which always arise in a person's life. that's what's probably there. it will be clear. and uh, some parallels with grease. yes , because a person, for example, very often changes masks during his life or they

stuck him. he went like that. yes, it may not be his. we want to talk about human feelings. right now, the time is such that it is very difficult to keep these feelings, it is more and more difficult to keep a difficult time in oneself, therefore, i want to remain human and invite the audience to once again feel like positive people in human problems, the viewers will decide themselves, what they saw there is no, uh addresses, then who he is who she is, who exactly happened. it is we who want to leave room for the understanding of an independent viewer, we generally want to talk with people who think independently. forgive and this is a conversation about acceptance. the sincerity and impartiality of art, and also about helping society become more sensitive to the experience of other people. i think this is a good thing, it needs to be developed. colises being

in nature surrenders the light gloated consolation in the ear, how dusty you are from the mind silence. go to nature near the forest near the field on the river and lake. sew fresh in the wind. grab me with demons. listen from the first carcasses and walked their leaves,

grin at sonic. for malt due to respect i go through taxes in harmony with nature belarus 204. our main task is to make an adult

child laugh easier than an adult, because an adult has a lot of his own problems, a lot of his own thoughts and when they bring children to the circus, they go for the sake of the children. and when they get the same pleasure that and children. they themselves become children, and this is incredible of their very childhood. i probably already knew what i want to get into and who i am who i will become, because the realization that the circus beckons me and the circus lured me came about five years, when, uh, for the first time you can say that, i touched it art. well, almost no viewer, yes, let's say that, but

in general, initially in childhood. well, watching children's videos from kindergarten. i wanted to become a classical surgeon. i want to be a surgeon, a surgeon. you give people go years everything changes, and then. maybe , of course, i was still small. i did not know this, but now i can fully say that i made the right choice and the circus is not just a circus for me - this is my life, i have my plans. eh, they stayed to eat and remain. this is work and cooperation with the belarusian state circus in terms of carpet, as an artistic union. yes, and in this genre we are developing and now have developed quite a very good level. here with my partner natalya suvorov, from which i am i work in a duet here. well, the promotion, of course, of the belarusian circus, but we are striving to declare that in belarus there are

worthy carpet worthy ones. in general, when the show was built to work in belgosyrk, for me it was such a great huge event. i dreamed of getting here from the age of 5, that is, 5 years. i went straight for every season. i have a large collection of circus programs that i collect from white. syrka is a separate tone in general, which is narrower. well, probably, it comes in for a very decent figure. so i remember everything up to weather right up. and how i opened the door of the service entrance and said that i was the chief director nikolaev aliyeva alen anatolyevna , that is, well, this moment was probably a coup to fate, because i understood that the most childhood dream comes true, the most. well, the most sincere thing is that the first conscious childhood dream is to get here to work. my

day at the circus always begins with a greeting from our valiant guards, because we are a circus, one big family, no matter how we want it, this is a round building. we are every day we go in a circle and see each person two, three, four times a day and constantly say hello. that is, we have such a reference tradition, no matter how many times you see a person. you still greet him. well, after security, we usually go if natalia and i go, then, well, even if without natalie, we go to the dressing room, there is always a coffee break. a coffee break before a rehearsal is sacred. it's like that's how the law is? well, then we change into rehearsal clothes, we go to rehearsals, we rehearse, we develop, then we go to the ballet hall for sure. this is plastic work. this is work with mika. and physics. a little, definitely some,

certain. after that , we do our own things. there we sew costumes, look where our props are broken, what needs to be repaired, what needs to be assembled, please, welcome to the most secret place of white. syrka is a dressing room for clowns. here. i'm not alone here. i am here with my partner natalya suvorova, with whom we work in a duet. yes, usually we start from the image. yes, that is the most it was difficult to find for ourselves, that is, it was precisely some images that we collected from the fact that the character, yes, and we collected from the character. that is, as if some images had already been drawn, but then with our chief designer of the circus and ekaterina bilan, uh, we made sketches. yes, and actually created a full-fledged costume. here is the suit at the waist. full. yes, that is, the clown is coming. there is another vest.

now this is more mine. that is, we have such harmony on gray-black and red colors. that is, we're like uh yeah here too panty vest, that is, cuffs. yes, here we have a duet called crazy kids crazy children and, accordingly, we kind of started from this, it seems that adults are already, yes in the arena, but it’s all the same, as it were, how children behave , therefore a crazy child clowns is always a child . yes, at any age, whatever he was, he always remains a child. this is professional theatrical makeup. actually, we always do all the make up for the show, where we do it ourselves all the time, we don't have make-up artists, because, well, i guess, so that when the artist puts on his own make-up, he transfers himself into this whole. uh,

as they say the atmosphere. he feels the character he works better and more, as if he goes to the mutual partner, we look for a long time looking for, that is, he needs to be found precisely in the work, for example, until the moment, here's how i'm greming now. uh, and how i work now. for a long time i worked in a completely different way, i trained completely, and the face in the white mask. uh, i played more of this buffoonery clowning. now i am thankful natalya suvorova i came more to the classic look of clowning, just such a classic make-up and, accordingly, the image is more based on such a classical russian school for a long time and, probably, until now we have been and will be an enkumir. this is yuri nikulin and mikhail shulgin for me, this is such a standard, just the standard of the soviet school of culuns, modern - this, of course, is probably a duet of clowns anton and viktor franke. here

they are, probably, well, from modern clowning, just the most such top ones, here we are we set off on an expedition along the clots of our blood, sat down in the light, collapses along its trajectory, betrayal of the future from as a result, the mouse tries to earth it to the horses, it rushes to its outflows, and a day has passed, our bare future was infected, when history and meat images follow it. the fortress wasted its

strategic importance and give the second traditions a new life near the sea, be surprised be surprised pray die mind with the project for a minute on belarus 204 tv channel. diamond circus of yakutia and it was my first performance at the arena of the belarusian state circus. i went into the new year's

fairy tale characters and it was just incredible, because emotions overwhelmed me inside and that's it. seething boiled burned, because it was a dream come true. i just had such fireworks inside me so that there was no fear, because i kind of worked before and worked at the arena, and i know what the audience is. that is, i'm not a person who, i 'm sorry, came, yes, and the public came out for the first time. what, what should i do? not not not me as if already familiar with the public, we communicated and i , uh, go out and i understand that all the dream has come true, the dream of childhood, the dream has completely come true and inside there is just a surge of emotions, and i will probably remember this first exit for the rest of my life. e, mon well, of course, there was a complete jitters and there was a lot of fear, because after all. still, the dream comes true, after all, this is the arena of the belarusian state circus. this is the level. this is

prestige opa natalia let's go to her. come with me. i'll take you i'll take you let's go let's go make hats to do something. now we'll find out. what are we doing here? both are fine. basically a duet. yes, as it were called crazy kids, they originally planned that we were brother and sister, like an older brother and a younger sister. and this is how the conflict is tied, natasha, she is more so bold, very harmful. yes, she's like that i'm everywhere i'm everywhere i'm like this, and i'm like this, and i'm like this, i'm more like a

phlegmatic, something like that in terms of, well, i didn't say that i'm strict, but i'm so bad. let's put it this way. i don't understand flashes, yes flashes, that is, yes, that's it our entire repertoire is, as it were, very strongly tied to this. i mean, i 'm doing something. let's say some kind of trick or something like that, yes, natasha interferes all the time. now she's doing some kind of thing, like, here, yes, in her own way, yes, or in her own way, or a trick in her own way. yes, or there somehow complicates the task. well, here we have one. that's exactly the line of conflict, what are we trying to do? no, i'm better. no, i'm better. well, it's a life struggle. e brother and sisters e in ordinary life. yes, in the family, that is, every child wants to be better in front of his parents. yes more attention to yourself and in this, that is, in this everything is isolated with us, we have more here,

as it were, aimed at adult humor, people see their lives. they find some kind of incidental moments. and they laugh at it, as it were , and therefore they accept, therefore they do not accept, because they see themselves see themselves. yes, they find themselves quite right in the images. we always look at the viewer before the performance, then where is he sitting and who reacts how? who is sitting on the phone digging, who is sitting looking at the circus or where we work, and he who is waiting performance and we understand what kind of viewer will be useful, who can be interested in it, who can be snatched out or who can be seen that he brought. here , the child is on vacation, but he, as it were, does not want to, and we, of course, respect each viewer. we are great when married couples are generally we have reprises. uh, the camera where we uh mix the audience put them up there in

such very ridiculous poses. uh, beautiful beautiful very beautiful, yes, and very yes, they will not reveal the secrets now. well , it's always very interesting to watch when you you take a married couple there, you pull out a husband and wife, it’s always interesting to watch. what are the partners doing at this moment. for me it's a duet. this is my first work in a duet with natalia and in general in a duet as the first, so there was a large field that had to be plowed, explored and mastered. how,

for example, yes to feel the duet partners. how to work with him exactly, that is, to line up all the prizes. well, on the stage, natalya raised me very much on stage, that is, because before that i worked in a white mask. i was closed. i was stuck for exactly. that 's why this mask was a contemptator and a special contact with the viewer, as it were, but it was not so bright, not so open, as now the buffoonery of the clown is what it was then, and what you see now is pure classic clowning is exactly the old school for this. many thanks to my mentor. here is the most important mentor , so to speak. oh godmother. it's time for it to be created somehow to attract. it should come unexpectedly, that is, it is impossible. so just sit down and say it. hello. i work with you and that's it. no.

here it should be exactly here, uh, fate is a case, so that right now and everything coincides, and thank god everything coincides here, the feeling was such that if necessary, if it really is, as they say, the fate of the future road will turn out. it turned out two years, how it turned out, really good. good. we enjoy it when we work, and you know, it is very important for duet work to contact with a partner, that is, regardless of what the partner does on the site. you should feel him and even to some extent predict what he will do next in the event of some kind of improvisation or something else, you know, there was no disagreement , man, uh, tactful, if necessary, i will carefully go around and anyway

, what i need, i will bring out in the right direction. you can say so, uh, kicked, then resigned already where already? yes, just with your right approach, gradually in the right direction, and that's how it happened. it can be said that in any incomprehensible situation, which would not go. yes, from the very beginning , surprisingly, we found a compromise. well, we never quarreled, we never had it with you at all . yes, but the brightest, personally, i remember for the rest of my life. hmm. well, for my longest life. i remember this case. we worked at the zubrenok summer camp with the belarusian circus. yes, and the departure and we had such a reprise with water, where we doused ourselves, hooked me to soar and took it off. yes, and she runs and i unhook. and i

just understand that i have a wig, and she is without a wig. she pulls out her wig backstage. yes, the fool and flew. and i'm standing. firstly, i'm in a slight shock, i think, e-mine, yes, a and went on to beat some one. well, he did something there, for now. i put it back on once. each musical instrument has its own history , so don't be afraid that there are so many buttons on it. these are buttons-something opportunities for interesting and useful facts. imagine if you would now take on a load of two buckets of water and stand. but wait with this load for an hour and a half on stage, a meeting with belarusian artisans and performers in various musicians in different countries like different themes

of sound. we have learned to take this into account and do it. there are no untrained children. all children will play, after some period, with both hands. watch in the guk y project the cases on belarus 24 tv channel. we invite you to an exciting journey through the sights of belarusian cities. we are now driving along the longest bridge in belarus. by the way, this is also a modorian attraction, almost a kilometer of the road above the water. oh, the construction of the first wooden church of the holy apostle. andrew began back in 1490, the order at that time was given by the polish king casimir the fourth gelonchik, because the trinity cathedral in the past was a bernardine church. now it resembles massive walls and an octagonal tower, the bell tower once served as a defender, according to some reports

, more than half a thousand monuments to lenin have been installed on belarusian lands; on average, about 7 pieces a year, see the program of the city of belarus on our tv channel. finding a common language with children is not so difficult as if only children were comprehended , they learn something, they

constantly strive for something new and it is easy with them. find a language. here we worked every summer. i don't know how it will be this year, but every year we worked at such an event as book kids, which is held in the botanical garden. this is where the kids, uh, where a lot of different representatives of the spheres are located. yes, and the kids are looking for e where to work, like getting a job, so it's incredible. uh, such a colossal return from children is coming, you get such good energy that you don’t love. their just impossible. it's incredible. i don't even know how to explain this. there are no such words, because it is really incredible. children rush, and children are the most, honest and purest spectator. they carry the most here's the truth on them. you can understand whether you have succeeded or not , and the repertoire is not working, that is, despite the fact that you work for someone. and how do you work in any. so, you work for the public, and the public is both adults and

children, but the main, of course, the spectator in the circus is, as i said, 10. in general, very it's interesting to meet new people, especially when a lawyer or some sales manager sits in front of you and everyone gets to know each other , then they ask what kind of work you do, and i'm a clown. i work at the circus, when you go to work, it's like hard labor and you think, it's nine again now, while i sit until 6:00, while it's all done. it also asks for an annual report. oh god, there is such a plan. yeah, and uh, i'm not interested. i just don't care. i love it so that i woke up and you damn would rather have cheese. i would rather have cheese, i will say that i still have it so it turned out that i have a very

creative family. and most importantly, what was most important for me was that the family accepted my choice. and what i'm like. don't shock them with your statement. and they seemed to be ready. they are like, well, we knew that you would go there, probably from childhood. i comprehended various in general. uh, how to say it, the genres of circus art were originally told to my grandfathers that a clown should be able to work in a circus, everything, respectively, i aspired to this and thanks to this and thanks to him, i have many. eh, there are genres behind me now that i can safely use in my reprises and exits at the arena. that is, this is juggling and tightrope walking and balancing, e riding a motorcycle. here are the balancing act. i have a trick where i stand on a suitcase with a reel and twist. three hula hoops, one such big one and two standard hula hoops. so it turns out. well, and many other genres, at least, except for

aerial gymnastics, but here, unfortunately. not mine, of course, energy is very important to me, because without it, a good job is definitely not it will turn out, and i take it, i probably squeeze it out of everything right to the maximum, the most important source of energy. for me, it's music. that is, i constantly wear headphones. i am constantly in music all the time, but i listen, look for something there, somewhere i use my fantasies to somehow implement it into my work, and the second one is strong. eh, energetic one. here is the exchange. i get from watching performances. i have a lot of good friends who work in belarus in different theaters and, uh, i visit all the time. there are performances that i have been to 18 times. there is simply a performance where i was 10 times in a row watching the same performance, but the energy that they carry. it 's just incredible, and i walk out of there, as

if reborn. when i'm in a bad mood usually, if i'm in time for the show, i try to watch some good comedy, or some kind of comedy show, just to at least hmm switch my brain to the positive. if, nevertheless, i do not have time, then the energy of the viewer and communication with the viewer. this very first exit is called the exit reprise, and it carries such such, even i will say the energy message that you forget for a moment. every program every season i've been attending since i was 11, i've always bought a ticket for the same place for the same place. this is the first sector of the ninth row, the fourteenth place. i don't know why this is, but here's me like in the

eleventh year. uh, my grandmother brought. we somehow here this and all. and after that, i tried to always buy at this particular place, while i was the audience, while i came here, as the spectators are now my most important mentor in life and the person whom i will listen to the word that this is grandfather. here grandfather is the one who is at the very origins at how can i say so? well, he didn't bring me, but he did so that i was born as a circus performer, and i 'll tell you. so, everything he does and helps almost all the props. uh, it's his job and his merit. yes, that is, we did something together, somewhere he did something with his own hands, mom, well, it happens from time to time. she's like she says, i won't go to the show, because if i watch the show, you worry, you don't succeed. actually, this absolutely not the case when she. well, when she

watched all my programs, everything was calm. all was good. well, they come from time to time. i certainly do not come to the circus as a spectator. and as an employee, an employee, but awe and still some kind of state of mind. it is always magical, because in such a place you can not just feel everything, as if you are just working out something at work somewhere. you work. no, that's exactly what it is here. magic is some magic after all, and i'm more for art. that is, i am doing art for myself, i develop myself, i try to learn something. eh, i'm always on the lookout for something. that's important to me as well. this is important and therefore there is

no such thing as quitting, this has never happened and will never happen because it is a circus. this is my life. this is the same as simply taking away a house from a person, because the circus is really our home for all circus artists - this is a home. this is the same as taking a person away from home just looking. well, that's all, live and i, probably, with great yes , i say with great confidence that never, to not happen. i say, i will find myself in the circus for sure.

brain training is considered successful if during it you used not only knowledge, but also, oddly enough, intuition, as far as i remember mistakes here. no, that is, under borodinon. we have an assumption rams to our rams we will return. yes, they look at you. what acid is contained in kefir, 1, 2 3, my friends. well, how is it, or, as they say, a blow with scissors. test your erudition together with the heroes of our intellectual projects on belarus 24 tv channel.

metro of belarusian music, he behaved very modestly, never boasted of his talent, but deep down he knew what he was worth. yes, i 'll still have papers. i'm not a professor for you. that's all you think as a result , he spat and left the conservatory with amazing facts from their life and work. i came

to work. i realized that everything is in order there, because oleg is silently present there, who should know our belarusian song, see the belarusian composers project on our tv channel. belarus shmater can prostrate to joke on the braslav tire, there is a ball in the lake for the non-random name of god 's wok, in spite of the lake tore off the devil with its obrys and they guess the wolf in the maya lake, the shape of the correct circle yakai does not change for the stretch of debt. otzhasu is in the distance, that the wok sews people from the sky behind the right and a

bunch of their such choral lusters in belarus palace of independence called the belarusian leader a good sign the visit to our country of the patriarch of moscow and all russia kirill, the holiest in belarus for the sixth time and the meeting with alexander lukashenko is already a tradition on the eve of the patriarch took part in the celebration of the 1,030th anniversary of the establishment of orthodoxy in the belarusian lands and led the divine liturgy in polotsk in belarus , the state and the church have developed partnerships in our country, doing everything to maintain unity within.