i say the poles obey to forget these turn off for their part. all articles of the power of the kolye reydzh, the commonwealth of the common peoples pretend to be the polish commonwealth before . that is, this collection becomes slices larger than a virgin mahshim, that you are here for years of certain anniversaries associated with certain memorable dates, which decides from these updates the search for national food, if there is an artifact such as a mention of slavuta and bypassing surrenders, however, similar or its shining one moment, almost on the cover of his rarity collector bradobsky funds of the vitebsk provincial museum, except for the belt. let me guess what it was . anton rafaevich was. in general, a poor man was also an employee of the drafting committee of the military department, but, nevertheless

, in his collection there were things that were expensive, interesting, and weapons. this is numismatics. this is the medal. this is a large number of silver items. that is, in some way. he still could, uh, barter somehow to buy to purchase quite expensive things and one guess about our artifact was snudden. wow get impol issued in 1960, article orders on the opening of the museum of bratuvian william brother 12 will appear and a smaller document in another city of the mysteries of the discovery of the provincial museum near vitebsk and the pronunciation of anton rafaellovich borodussky yagu by the director, founding the exposition of the chip. i'm already a knocked down collection, and this is 10,000 items. our artifact serana knight's belt collector under the armchair did not advertise the rarity was donated

by a special redshow. anton rafailovich after their death. in the collector himself did not want to part from the villas, the chimartefact was for his dear ones, you won’t get on the right, and you have peace of mind. it is on the right that there is a need to eat a different option, firstly, that the scheme of the icon of the mahshim did not quite see through; he was pre-banned and about some such furnished ones. what he did not want to roll without breathing, she was rolling on the bed earlier and he would not have fulfilled his rights, imperiousness. we do not believe their knees, he was true, yes, but i know this story, the donkey was not hiding. we see that the velmishmat went further. uh hands off the chances of all these revolutionary rolls and should not have had with the extension of the market frame-up legal illegal. the way is so the very grass was lightened. since the person was associated with earthworks. in the center of the same vilno, then

things of archaeological significance could fall into it. and even if there is a mention in one article that he acquired the treasure that was found in the films, then the people, in any case , those who found either treasures or coins are the same peasants, they might not know. i didn’t understand the little-written salts in edat, and that our artefactor and volod’s benefit is not, such a redshu varnost of a knight's belt on here is their sterilization with an hour was guilty, forgive both the cat and the status. more than 700 g of silver plus, of course, work plus legend what is it there? the sixteenth seventeenth century, if so even to move away from the fact that it is a train she bathory

is enough, dear, of course, there was a thing and dear redheads, they are also not expecting. so already advertise that i have, that this is a kind of hem to go, that this is guitarism. i'm extremely, i'm a museum chestnut on our belt, there are polish kings here the polish eagle, if there is a city chase and the coronation of the walls in the former place, that is, here, as it were, all attempts to create some kind of object that could be correlated with this time. but that doesn't mean it's genuine. well, i think that the joke has come to light, that this is a later similar and , ah, dumb. our belt, calling out a request according to this principle, was selected in java by the king. which mat followed the outer of our artifact, because the chamu ionomers were fished out of siagon. the collector was not taken aback by such a spectacular artifact, maximizing

there were also other franchises on the emigration attacks of the soviet vitebsk makshin. it's such fun. so the museum yakaya, showing the yaksabe. the people of the epoch were nice, because in elmi it is subjective to decide what to decide and i click made what we have. well, and then the great rahunka in the belarusian lands. this is the brownness of your hair at the table for the dough, it seems not so shmat. any attack on this subject, not only about awakening the fantasy of the alley , calls out to you the task of dominoes to understand the nuances of our rich and still forgotten in the story with the norge, they were taken from the badshy toyn. departure of our criminal alena damieva was with you. see you.

igor in one of his interviews. you said that you are very hungry for opportunity. how it

manifests itself and i'm really greedy for opportunity in my time. i heard this phrase from one beautiful ballerina, who said, i was greedy for ballet. then i re- er translated for myself and re-interpreted that this is up to the possibility, that is, in general, any opportunity to dance. i thought that i think this is how life works out for me. i work in mariinsky theatre. i have, uh, two courses at the conservatory. i am apart from everything else. uh agreed to do the first issue in the history of the dance academy of boris eifon, and i'm doing some projects at the art festival. i understand that probably, this is the greed for the realization of oneself, she creates. it is this definition that i am greedy for opportunities. i'm afraid i'll miss something, it's not because i really want to

be everywhere, but i still have an interest in which i want to check myself journalists. they call him the knight of dancing and pride belarusian ballet, its life is literally woven of both accidents and fateful signs. but as they say, nothing happens by accident. today my guest is the chief pain-master of the bolshoi theater of belarus, honored artist of russia igor igor good morning. good morning. i'm sure you get asked this question a lot , but still. where. what an unusual surname, in fact, i got it from my parents. it was double . i learned a little later that it was

a posedite stake. e, it seemed to me that it was very beautiful and theatrical theme or when i still had nothing to do with my current path, and well, after a while, i realized that this was just a designation of the kolpselsky place. that is, i am related to strength and since the village of my parents and in general the line of my father. uh, flasks are called by their last names, because only flasks lived there. that's the way. it has become like this for me. eh, well , not a banner, of course, but some kind of guiding guiding thread. and even more so when, after some time, i realized that the literary celebrations of the bloc took place every august in this village. this was on such a big holiday they came there and the village fairs are no longer there. he was talking about his childhood. e. and kolp block, on the contrary, of course, i was somehow inspired that i had a relationship with the great poet. it is true that

you saw your ballet future in a dream, but it was not a ballet future then. it was just sleepy when the boy was standing on stage in white tights. i heard that there is a choreographic college in pinsk. you invented quite by accident, what kind of story was brought to me by a girlfriend around the yard, and she said and do not want to go for the company. we went for company. it was very inconvenient. i had to go early. i studied on the second shift. uh, nine. i remember very well how you ride the bus in the dark early winter morning. and all this somehow makes you want to sleep and you are being taken somewhere. well , it so happened that somehow, in some way, i was led to this truth. but what feelings did you have when you crossed the threshold of this institution. now i remember with gratitude, because even then solfeggio and a musical instrument. seriously, i mean, really had a good education. if i stayed there and didn't happen, that 's my movement, because i'm

musical instruments and analysis of the choreographic forum, which surprised me, that is, for very young children. what we had to put on and even remember it’s very good that we put on a group and some number, so it was all laid down then in pinsk why do i appreciate these moments now, they are so key and those very notches from there i must say that you very well entered choreographic college. you met people, uh, who are teachers, but who determined your future fate. and these meetings were also cases. at first, i didn't think it was good for me. it was not considered moving and minsky. it was very hard. and i sobbed and i went to uh, every day to the international call box. intercity, well, and international. probably then it was also the name and led home and spoke. get me out of here and i don't

want anything. i don't need any of this. not this way went on for a long time. i wanted a home that you liked me. everything, everything, absolutely everything, because you are used to being at home. you sleep in your bed. you watch tv as much as your parents let you. uh, the rigid schedule was very difficult to get used to the fact that this is a discipline. well, without what in the hospital. well, i think in any other profession will not take place. how do parents react. here, uh, to such a pirouette of your fate. suddenly the choreography appeared in any way. uh, it was ordered that in the evening i called my mother in the evening i called and two teachers in a hotel in some room , i don’t remember, in some room i was in a hotel, i don’t remember, and uh, somehow everything started spinning rapidly . that is, it was not somehow, as it seems to me, conscious, rather conscious. there was a moment when i was already so tired of my parents with my pleas to return that they came and said that it would be good if

we went to the director of the school now. if he says that you are so mediocre, then we will take you away and it will already be uh. well, everything, we will resolve the issue, and i remember myself very well, sat in the car in front of the school. and they're leaving. i even slightly opened the window and said, do not forget to say that my legs are crooked , it was like that for me. well, as it were, the decisive moment that they didn’t see, but agree that there are a lot of such fateful accidents in your life. so, for example, uh, choreographic college exams took juventa antonovich troyan will be held for 33 years. and you will continue his work as the chief abolish the minister of the bolshoi theater but after the appointment you met, they can’t believe it today after ours. meetings at i have an appointment with filimontonych, so we will meet today and, well, it is very important for me to be grateful, because

literally five years ago, when i came to minsk, i approached yuri antonovich from asking a question. how did you end up dancing? so that was important to me. and what is most surprising, he told me that, well, first of all. why ask well in the form. i say, well, i'm already kind of preparing myself for something. well, it will end sometime, because he said, while you there will be no specific location. where will you go dancing to the last, which is most surprising, who would have thought. well , then, 33 years ago, it was yuri troyan who accepted you into the choreographic school without an

exam. was it luck or was it still a performance, most likely it was a necessity, because as we know, uh guys rarely go and i was the same uh copy, because there weren’t enough guys, at that time there was a beautiful the idea is to travel around the cities and fun, uh, select and invite for admission, but in my case it is for some reason it didn't make sense. uh. in connection with what was said, they brought me. thus i got in. i don’t think that yuri antonovich remembers this moment, there were probably very, very, very many people like me, and i’ll even say more. uh, well, it's just like that somehow it happened, and in the exams. uh, you had to show something, they brought me nothing at all, they told me to strip down to my underpants. i was divided to panties and damoyki pressed on the twine. i sat on the twine. there the frog was pressed , it happened, that is, natural data. at

i was another matter that it was necessary to work on this in order for it to happen next. igor still participated in the choreographic school, you began to dance in the big theater, but it would seem at first glance. your future has already been determined, these are the leading parties in the premiere repertoire. well , as they say, you had everything and suddenly you leave for st. petersburg, why i’m such a person, i probably don’t know, it happened that i can’t explain now. why is it true, really did you go on purpose or is it again? i didn't go on purpose. i am my school teacher alexander ivanovich president. e, confident led to the fact that we should prepare for the competition and in the second year of the school they took me to st. petersburg, i saw st. petersburg, i saw the white nights and that's it.

the rest became soft. i didn't make any plans. i didn't see this perspective, or or i didn't see it, it wasn't like that. so you didn't consider it? in general, i realized that i was doing ballet only after the competition at which i got, because i saw what was needed as works others what they do. how does it happen? all my life in minsk, she was, as if a little with me, but not with me either. that is, i do something and there were always people nearby who controlled the process, that is, that i was not independent, they constantly answered for me. you moved, as marinka perceived. it was love at first sight. or did you have to work hard for a long time to get on stage, firstly, nobody is waiting for anyone anywhere, let's start with this. need to. it is clear for yourself to understand, and so it happened, it's all in my face. i was honest, and there were plans for the leadership for me, and it so happened that i quickly

began to invest my way and literally in 1 season. i had three premier parties. well , there was no need to despair. it was only necessary to work. and well, what i did, but your career was developing perfectly, leading the world tour party. well, even a meeting with the queen of england what is it worth as it was? it was unexpected because. i'm not a man of tricks. i don't really like big companies noisy, i rarely go to the and i had the right, because i was an artist, to go to some receptions. i didn't have a suit or a tuxedo , nothing. hmm and when my teacher is absolutely wonderful, who made an artist out of me. and i always say that i was born in pinsk, studied in minsk, became an artist in st. petersburg. he told me such a thing. you are an artist and everything is possible for you now, and somehow i doubted at first, and then i realized that it

really was, maybe i went. why was he after all the instructions were, but the behavior during and well, it so happened that when that evening i performed the vision of the rose and valery wrote to georgiev, igor introduced the club today to dance the leading of the rose. and i came up and when the queen is somewhere, you know, i remember so well how a glorious female did it. and i'm in that. uh, since we know that in fokino , it was for him for the russian seasons that he created this miniature and somehow it dissolved me so much at that moment that i, uh, not that i was transferred to that era and could not understand, here she is in front of me for me, this is not female the story that i reached out for the hand and kissed the hand. although it was strictly forbidden, in no case should it be approached. she visited in the chair, but nevertheless it happened, but no one arrested me. in

2019, you announced the end of your artistic career, but then changed your mind and realized that it was not too early. it so happened that in our life uh in the world and for each individual person. e, creed made adjustments thereby shifting certain plans. i really planned for the end of the season and it was the date of my benefit performance at the mariinsky theater with the participation of my students from the boris eifon dance academy. well, the adjustments were made, and i was in such a moment of confusion. being in my village near novgorod. to be honest, i didn’t understand how events would develop further, how far we all left, how far we sat down in russia and thus

, uh, well, just the very idea dissolved, when we already left and after isolation, the theater became the first in russia, the mariinsky theater began to, nevertheless, do. uh performances. at first these were concerts in the season began so somehow very anxious, like everyone else. eh, how something will happen next and the idea itself. she faded into the background for me. that is, here is some specific desire to say goodbye to the stage. she, well, dissolved and dissolved, and even now leaving. uh, i didn't feel like saying goodbye in any particular way. and because i realized that i do not say goodbye. and i continue when we are in the theatre. eh, all in all, you did great. you, uh, had a theatre. uh, boris's dance academy and home is a family. well, it would seem that, well, the situation, again again

then repeated many years ago, when you practically had everything and suddenly. after 26 years, you accepted the invitation, and, uh, became the chief minister of the bolshoi theater. what influenced your decision? i don't know, i seriously don't know, that's who i am for me. i had two proposals for a very long time tossed about. i am not a very good one from the bolshoi theater of belarus and there was another and really worthy one and it created such torment in my soul and even when i arrived in minsk i still doubted, firstly, i have a certain amount of experience in all directions. maybe somehow something moves me in terms of the fact that i have not done something yet. although this is not exact, but i will probably define it as the main one. e, the moment that i was born in pinsk, i was brought up in minsk

, e, they asked and laid in me here, maybe the time has come. it is necessary, well, something to give you worried about how the staff of the bolshoi theater will perceive i know everyone in the staff of the bolshoi theater and for me it was. well, it's not that interesting for me. such a sequel continued i know the problems. i know, uh, how to uh get out of this situation and while i'm on this path in the direction. how can some of the issues be resolved? i hope i succeed. if i fail, then it will be. well, i'm a bad manager because i'm studying at moscow state university and i'm nearing the end of my session. uh, so i'll be a bad manager if they don't find a solution in the theatrical field, that's what they expect from me now, usually from new leaders, they expect

some kind of change. you already have some idea what you will change, of course i have and i had a big list of questions. both to himself and the general directors of ekaterina nikolaevna nedulova from her. this was an offer. it was initiated by valentin nikolayevich, an independent and before, uh? even to start thinking about what is possible, of course, i sat down and wrote, first of all, questions to myself. they were very important to me, and then some of these questions. i crossed out, i found a solution, how is it possible and what can i offer a car from the second part of the questions. i flew to minsk to talk with ekaterina nikolaevna and specifically asked. e. is it possible after i got a clear answer. and yes, this is a possible decision and i was supported then. so i have already begun to think about the subject that, well, probably, yes. uh, now you're taking over,

get acquainted with the pipe with repertoires. or you have already started, and started rehearsing everything literally from the first day from 8:30 am to 10:00 pm. i am in the theater for the first 2 weeks. i actually didn't go outside and it was important for me, because the door of my office is open, in principle. closed i wanted to talk to everyone to determine some number of issues that need to be worked on as soon as possible, because i started not so long ago, and our season ends on july 4th. i had to clearly define for myself that i had to do it before july 4, and in this regard, uh, everything that is possible and everything that is impossible, and even the performance of giselle, which came to me in advance. that is, this is not my repertoire planning. he was in the plans, and i'm doing it, and we're already doing it all together now, because the premiere after

holidays. and i would like to do the preparatory work as much as possible in order to start, er, indeed, such a serious rehabilitation process from the end of august. with the move to minsk, how has your family's lifestyle changed, and the family in st. petersburg although literally not so long ago my wife was here and plans to come. children, i am an adult, a son, he is 19 years old, in august he will be 20 with a girl and so far, because each of us has our own direction of the path, despite the fact that we are together and change at one moment. all i

not a supporter of any such yes, of course, sudden movements and yes, and there is no need. well, given that, uh, your wife, damn it, yablonskaya, she is a ballet dancer. by the way, this is your decision to move. down somehow influenced her career, not at the moment, but everyone decided that for some reason we must sit down and leave together. i don't know why, in what way, when it came to the theater, the mariinsky theatre, information came. she did not come from me about the fact that such an appointment had happened. uh, i didn’t talk at all about what i plan where, how i plan, well, this came from outside information that, uh, made them immediately think that somehow we’ll sit down and see now, but since i’ve never done anything like that, it’s not that sharp, since we already talked about the continuation. yes, i am considering depending on the quality of my path here and further e regards the family. that is, it is

fundamentally important with your wife, ballerina galina eblonskaya. you got to know the theater, as it were, in the first place. uh, my wife laughs very loudly. for any reason, and there is me a more unambiguous personality, and it is extremely rare for me to be made to laugh. the first thing i heard was laughter in the buffet. and after a while naturally. we began to communicate, because e you are very often. and i’m a new person, and it so happened that we began to communicate a little more and created some kind of fragmentary moments and relationships, which, after some time, grew into a family and enough. i would say even, probably, not long , though, what a funny moment, uh, i, uh, addressed the name of the society. subsequently, it became that we named our son in honor of his grandfather

nestor. well, when your son nestor was still very young. you said in one of the interviews that you would not let him hurt, because ballet is not a man's business. we didn't plan it in any capacity at all. uh, they used the maximum opportunity where they could send the child at the age at which he would be interested, and that was all and drawing on the trampoline. we took him away. there is even a wonderful team, petersburg souvenirs. we passed the tests and they chose it, and the name or teachers told us from there. bring the child and somewhat categorically said no, and it so happened that, in principle, his fate was predetermined, that he had nothing to do with the theater sphere, but when he passed the exam and when it was hard, he asked the question, why didn’t you send me to ballet, and then we had a specific answer, that here,

please, everything was said, but to you, but we received a clear answer, no, but nonetheless. he is now studying pr public relations actively helps me in my business. and even in your studies, refute your quote that ballet is not a man's business lessons. what do you think now ballet is a male profession? i believe that regardless of the male profession or non-male profession in life, it is important to find your place. this is , firstly, and secondly, to find the strength in yourself so that you can be identified, that is, it means to find your face, so here , uh, masculine is not masculine, it is important to remain a man to behave like a man. it's more important not to regret. choosing a profession our program is called the meaning of life for you. what is the meaning of life for me the meaning of life is in unification and reunion and i understood this

literally. in fact, not so long ago, a few years ago, when i was invited to the anniversary of the same school where i was taken from, and i thought then that i’m coming to pinsk , i don’t have parents there, but i have, and there are no parents who, by the way, my dad never saw me on stage, but my mom saw it, but it was an unsuccessful performance, where i didn’t get injured and then my mom didn’t, and then i thought that in spite of everything, i must definitely come to pinsk because my parents are there from there. i and there is then a small number of people who know me from childhood, who know somewhere where you are that he has something there. and when everyone gathered for the concert, when everyone came to me in the dressing rooms, i managed to exhale. i don’t know how else to call it, but here i

was looking at all those people who remained, then what i consist of, i realized that the reunion of everything is the meaning of life, regardless. the family profession here at this stage in my profession is the reunion of all those uh skills of knowledge that have been received as much as possible to invest in what i am doing now and then maybe i i won’t be so useless in general in life, because it’s very scary to miss an opportunity, it’s very scary and not realize it, so for me the meaning of life is to connect there is always someone or circumstances who can destroy, well, it’s very difficult to build shooting and complex process. thanks a lot. thank you and see you. this was the meaning of life for igor kolb.

hello. my name is ilgar jalilov. i am originally from azerbaijan, currently i work live in belarus, namely.