with two or a half, he somehow already began to emerge into a real canvas, director gennady fomin admits that he himself does not fully know. what will be the premiere every movement at the rehearsal is not repeatable, the production is unpredictable, as if this sincere performance alone is touching to goosebumps. i'm just happy now, guys, girls are a young man, and not a single young man yet, who understand, who develop, who argue, who with their own opinions. and see how they develop. this is a huge pleasure and i hope they outgrow me, that's it. masters, like no other. we are working. i'm dramatic by upbringing and technological by education, first and foremost is how ballet work. uh, you can see, you can see, an inconspicuous part of their colossal level. they are phenomenal craftsmen. as a dramatic

actor, i understand what they are doing in their head, preparing themselves, how they are strong - how they are precisely fixing. eh, what we agree on speculatively, and they embody it and into this incarnation it is already accurately formed, passed through their individuality and in the perception of the played elements. but this is the highest level of professionalism . well, i am delighted with such an experience, i am simply delighted, fire and ice are poems that cannot be predicted. also in the performance, there are no staged movements in the basis of the improvisation. there is no memorized music there are end points from mise-en-scène to mise-en-scène, bringing it all together into a plot you can rehearse all your life. everything is always changing and the feeling and the person is changing every second. and even if there are some proposed circumstances given, then individuality,

passing through them, always behaves differently. shows a performance about creativity about life and love, it is worth seeing in order to warm the soul and melt fears, this performance is very bright, and there are some important topics that always arise in a person’s life. so, mm, what is there, probably, it will be, of course. and some parallels with grease. yes, because a person, for example, very often changes masks during his life or they stuck him. he went like that. yes, maybe it's not him, we want to talk about human feelings. well, maybe now the time is such that these feelings are very difficult more and more difficult and it is more difficult to keep a difficult time in yourself. that's why i want to remain a man and invite the audience to once again feel like people in human problems as positive

viewers, they will decide for themselves what they saw there. e addresses who he is who she is, who specifically happened, we want to leave room for the viewer to understand independently, we generally want to talk with people who think independently. forgive inclusive theater and this is a conversation about accepting the sincerity and open- mindedness of art. more about help society become sensitive experiences of other people. i think this is a good thing, it needs to be developed. the metro of belarusian music very modestly never boasted of his talent, but in the depths of his soul he knew what he was worth. yes, i

'll still have papers. i'm not a profession for you, that 's all. and what do you think, as a result, he spat and left the conservatory with amazing facts from their life and work. he is a happy man, because he left behind such a melodic consonance. i came to work. he himself and i realized that everything is in there in order, because oleg is silently present there, which he should know and it is precisely such songs that glorify our belarusian song, see the project of belarusian composers on our tv channel.

hello, my name is marianna morenkova and tonight. i invite you to dedicate the eminent italian director luchino visconti and his picture of innocence to the aristocratic world. it was the tape that became the last in the

work and in the life of the visconte, work on the film began in 1975. his colleagues at work recall that the maestro was tired he was sick, his hip was broken, but he deceived both himself and his illness in one of his last interviews, the visconte confessed to what extent we are here if not to burn until death, this last one from life, completes our opera unfortunately for him the opera was cut short, and without waiting for the premiere on the big screens, the innocent came out posthumously. i'm a free person. no illusions and no remorse. when will i stop enjoying life and being curious? i will put an end to everything. that's what they say, but in reality there comes a time when we stop living and

continue to just exist. however, let's return to the process of creating an aristocratic bone marrow , a profound everything was formed, passing through the vision of the cultural heritage of the visconte eras with all its creativity. confessed to the viewer. i am interested in what is happening now on the more comfortable to me in the past, a vivid proof of this and his latest masterpiece. the film will throw us back to the 19th century reformer. the italian aristocrat has always based his ribbons. on classic once. visconte. he even joked that it should be written on his grave, he respected chekhov's spirit verde well, if we add fyodor dostoevsky thomas a little, then we get five main dominants of the italian genius's work with whom he was in close dialogue

throughout his activities in the main characters of the film innocent, we will see gian carlo gianini and lau antonelli, by the way, this tape is considered by many critics to be the brightest and most successful in janina's career, despite the fact that in his creative list there are more than 50 paintings, but it could also happen that this chance would not have fallen out to him. initially, visconte saw the role of a selfish and immoral aristocrat as the unfaithful and jealous husband of tolya alain delon. talent scenery, frontiers. gian carlo janin i have no remorse and do not try to justify myself, but zero people's judgment does not bother me. because there is no court in the world. do not dream of the podium to judge me. from the

at the beginning of her creative career, as a theater director and as a film director, she had an incredible flair for discovering new faces. verka, an example of this, is marcel's mood, which, before participating in his theatrical performances, was an ordinary distributor of newspapers. the same noble and ingenuous frenchman alain delon received a ticket to world fame through the viscontilian leopard in this list of discoveries. we can add clara colomani's ronish niders and they are to gerard and even the american berto-longaster star in the film innocently, taking risks re-immerses us the world aristocrats in search of the beauty of european decadence. in the center of the plot is one family of an aristocrat named thulium. egoists, the owner is constantly cheating on his wife , cheating openly introducing the spouse into the state of the victim. he is stupid to her suffering about his passionate aspirations presented as an inevitability and a necessity. i know you are an amazing woman. and although my love for you has weakened, it is inevitable that

my fatality's affection and respect have become even stronger. i love and respect you. like your favorite sister? which i can't do without. but it would cause me pain, so stay help me help you than continue to put up with the situation in the eyes of society is clearly reprehensible. accepts, as it is, lowering itself more and more to the bottom of resentment and helplessness, a beautiful intelligent woman. she humbly follows her fate, trying not to slouch under the weight of an unfair female fate. well, as you know, any personality outburst, escape to the fathers can find destruction.