see a row with both hands in the guk project at the case on belarus 24 tv channel. and braslav of the chinese blue was not early, that quarrels take off to wash creatures in the right racing forest. yes, holiness radiates under the sky,

throwing a tire lakes with charatins behind the fabric smile under the sun. you'll see, he and nick are exhausted, but that gold sandy beer would drink from their infinity, throwing lakes on the tire. i have a small stomach, especially, i just want from stress to bring down the mountains of azer pestilence. utysh, nicole does not forget loves the heart, as channel.

our main task is to make an adult child laugh easier than an adult, because an adult has a lot of his own problems, a lot of his own thoughts, and when they bring children to the circus, they go for the sake of children. and when they get the same pleasure as the children. they themselves become children, and this is incredible from their very childhood. i probably already knew what i want to get involved in, and who i am who i will become,

because the realization that the circus beckons me and the circus lured me came, probably, about five years, when, uh, for the first time, you can say i touched this art. well , almost no spectator. yes, let's say this here, but in general, initially in childhood. well, watching children's videos from kindergarten. i wanted to become a classical surgeon. i want to become a surgeon. and who is this surgeon? tell me what he does, treat people as the years go by, everything changes, and then. maybe , of course, i was still small. i didn’t know this, but now i can fully say that i made the right choice and the circus is not just a circus for me - this is my life, my there are plans. eh, they stayed to eat and remain. this is work and cooperation with the belarusian state circus in terms of carpet, as an artist of unada. yes, and in this genre we are

developing and now have developed quite a very good level. here, with my partner natalya suvorov, with whom i work in a duet, here. well, the promotion, of course, of the belarusian circus. we are striving to declare that in belarus there are worthy carpet worthy clowns. in general, when the show was built for work in belgosyrk, for me it was big, so huge event. i dreamed of getting here from the age of 5, that is, 5 years. i went straight for every season. i have a large collection of circus programs that i collect from belgosyrka - this is a separate tone in general, which is already. well, probably, it comes in for a very decent figure. i remember everything, right down to the weather. and how i opened the door of the service entrance and said that i was the chief director nikolaev aliyeva alen anatolyevna , that is, well, this moment was probably a

coup to fate, because i understood that the most childhood dream comes true, the most. here you go the most sincere thing is such a first conscious childish dream, and getting here to work my day at the circus begins. always with the greetings of our valiant guards, because we are a circus - this is one big family, no matter how we want it, this is a round building. we go around in circles every day and see each person two, three, four times a day and constantly say hello. that is, we have such a tradition in the circus, no matter how many times you see a person. you still greet him. that's but after the guard we usually if i go with natalia, then, well, even if without natalia, then we go to the dressing room, there is always a coffee break. a coffee break before a rehearsal is sacred. it's like that's how the law is? well

, then we change into rehearsal clothes, go to rehearsals, rehearse, develop, then we go to the ballet hall for sure. this is plastic work. this is work with facial expressions, physical, load, necessarily some kind, determined after that. uh, we're doing our own things. we make costumes there. look. where we have broken props, what needs to be repaired, what needs to be assembled, please, welcome to the most secret place, bilgus, the circus is a dressing room for clowns. well, i'm not alone here. i am here with my partner natalya suvorova, with whom we work in a duet. yes, usually we start from images. yes, that is, the most difficult thing was to find for ourselves, that is, it was precisely some images that we collected from the fact that the character, yes, and we collected from the character. that is, as if some images were already drawn, but then with our chief designer of the circus in

ekaterina bilan, uh, we made sketches. yes and actually created a full-fledged costume. this is natalya's full-fledged costume. yes, that is, the clown is coming, there is one more vest. now this is more mine. that is, we have such harmony on gray-black and red colors. i mean, how are we? yes, here is also a vest of pants, that is, cuffs. yes, here we have a duet called crazy kids crazy children and, accordingly, we kind of started from this, it seems that adults are already, yes in the arena, but it’s all the same, as if the children behave , that’s why the crazy child is clowns always a child at any age. whatever he is, he always remains a repchal, this is a professional theatrical make-up. actually, we always do all

the make-up, make-up show, we do it ourselves all the time, we don’t have make-up artists, because, well, as it were, i think that when an artist puts on his own make-up, he endures this whole thing. uh, as they say the atmosphere. he feels better the character he is working on and more like goes to mutual contact with makeup, the character of the clown has been looking for for a long time, that is, he needs find it in the work, for example, until the moment, here's how i'm doing my make-up now. eh, and how i work now. for a long time i worked in a completely different way. i made up completely, and my face was in a white mask. uh, i played more of this buffoonery clowning. now, thanks to natalia suvorova, i have come more to the classic look of the moon, such a classic make-up and, accordingly, the image is larger, based on such a classical russian school for a long time and,

probably, until now we have been and will be. this is yuri nikulin and mikhail shuinding. for me, this is such a standard, directly the standard of the soviet school of kunana, modern - this, of course, probably. ah, the duet of clowns anton and victor franke. here they are, probably, well, from modern clownery, they are just the top ones, here we are after these culinary projects, you will run to the kitchen, that there is strength, we will have completely experimental dumplings. we

have not prepared such things yet. after all, it is impossible to sit back when you know so many excellent recipes, vegetables can be absolutely anything , broccoli is perfect, brussels string beans. you can also add zucchini eggplant pepper pits. you can not throw it away, but cook a delicious broth from them and freeze, and then use it in cooking various dishes, i love cottage cheese madly and eat it every morning. i have some kind of body need for cottage cheese in the morning, watch belarus 24 tv channel. together with us. meters of belarusian music, he behaved very modestly , never boasted of his talent, but deep down he knew what he was worth. yes, i 'll still have papers. i'm not a professor for you. he that's all, and what do you think, as a result , he spat and left the conservatory with amazing

facts from their life and work. he is a happy man, because he left behind such a melodic consonance. i came to work. he himself was there and i realized that everything is in order there, because oleg is there silently the songs that he should know and these are the songs that glorify our belarusian song culture, watch the belarusian composers project on our tv channel. in 2018 2018 for 2019 there was a program of the former circus yakut circus there was a diamond circus of yakutia and it was my first performance at the arena of the belarusian state circus. i went into the new year's

fairy tale characters and it was just incredible, because emotions overwhelmed me inside and that's it. seething boiled burned, because it was a dream come true. i just had such fireworks inside me so that there was no fear, because i kind of worked before and worked at the arena, and i know what the audience is. that is, i'm not a person who, i 'm sorry, came, yes, and i left everything for the first time public. what, what should i do? no, no, no, i’m already talking to kaima, and i ’m going out, and i understand that all the dream has come true, the dream of childhood, the dream has completely come true, and inside it’s just a surge of emotions. and i, probably, will remember my first exit for the rest of my life. well, of course, it was completely jitters and there was a lot of fear. eh, because anyway. still, the dream comes true, after all, this is the arena of the belarusian state circus. this is the level. this is

prestige opa natalia let's go to her. come with me. i'll take you, let's go, let's go let's go do something with hats. now we will find out. what are we doing here? both are fine. basically a duet. yes, as it were called crazy kids , they originally planned that we were brother and sister, like an older brother and a younger sister. and this is how the conflict is tied, natasha, she is more so bold, very harmful. yes, she 's like that i'm everywhere i'm everywhere i'm like this, and i'm like this, and i'm like this, i'm more like a

phlegmatic, something like that in terms of, well, i didn't say that i'm strict, but i'm so bad. let's put it this way, i don't understand flashes, yes flashes, that is, yes, here and on this we have, as it were, a very strong whole tied up, our repertoire. that is, i am doing something, for example, some kind of trick or something like that, yes, natasha interferes all the time. now he's doing some kind of thing, like, here, yes, in his own way, yes. or in his own way, or a trick in his own way. yes, or there somehow complicates the task. well, here we have one. that's exactly the line of conflict that we try in no i'm better. no, i'm better. well, it's a life struggle. e brother and sisters e in ordinary life. yes in the family, that is everyone the child wants a parent. yes, more attention to yourself and in this, that is, this is everything. and we have more tied up with us,

as it were, aimed at adult humor, people see their lives. they find some kind of incidental moments. and they laugh at it, as it were , and therefore they accept, therefore they accept, because they see. yes, such a moment in the images is quite right, golden words are golden words. before the performance, we always look at the viewer, who is sitting where, and how does he react? who is sitting on the phone digging, who is sitting considers the circus or where we work, and he who is waiting for the performance and we understand what kind of viewer will be useful, who can be interested in it, who can be snatched out or who can be seen that he brought. here, the child is on vacation, but he, as it were, does not want to, and we, of course, respect each viewer. we are great when couples are couples. we have reprises. hey, camera, where are we? uh,

mixing up the audience putting them in such very ridiculous poses. eh, beautiful beautiful very even beautiful. yes, and very yes, they are not will reveal. well, it's always very interesting to watch when you're a married couple there. a husband or wife is pulling someone out, it's always interesting to watch. what should her partner do at this moment? for me it's a duet. this is my first work in a duet with natalia and in general in a duet as the first, so there was a large field that had to be plowed, explored and mastered. how, for example, yes to feel the

duet partners. how to work with him exactly, that is, to build all the reprises. well, natalya staged me very much on stage, that is, because before that i worked in a white mask. i was closed. i was stuck for exactly. that's why this mask in front of the viewer and a special contact with the viewer, as it were, but it was not so bright, not so. here, open, as now, the buffoonery of the clown is what it was then, and what you see now is pure classic clowning. it is here that the old school for this huge thanks to my mentor. that's the most important mentor, you can say so. uh godmother must be created somehow to be attracted. she must come unexpectedly, that is, it is impossible. so just sit down and say hello. i work with you to work with you and that's it. no. it

must be here exactly, uh, fate is a case, so that right now and everything coincides and thank god everything coincides here, the feeling was such that if necessary, if this is really, as they say, fate, the road is further, it will develop. it's already been 2 years. how well it turned out. yes? good good, at least let's get high yes, when he works, we uh, you know, this is very important for duet work. it is contact with a partner, that is, regardless of what the partner does on the site. you have to feel him and even to some extent guess what he will do next. there was some kind of improvisation or something else, you know, there was no disagreement, because if you allow any, that is, there were no obvious ones, e i'm a man. e. tactful if

necessary, i will carefully go around and anyway, what i need, i will bring out in the right direction. you can say so, danik at first kusalty kicked. well, then i already reconciled where i'm already joking, of course, yes, just with your right approach gradually in the right direction. and so it happened, you can say that in any incomprehensible situation that would not go. yes, from the very beginning, surprisingly, we found a compromise. well, we never quarreled , you and i never had it at all, yes, but the brightest one, personally, i remember it for the rest of my life. hmm well, for my big whole life. i remember this case. we worked at the zubrenok summer camp with the belarusian circus. yes, and find out from us such a reprise was with water, where we poured ourselves. yes, and she runs and unhooks. and

i just understand that i have a wig, and she is without a wig. she pulls out her wig. run backstage. and i’m standing, i, firstly, in a slight shock , i think, e-mine, and i went on to beat some further. well, he did something there, for now. i got dressed back again. well , it’s not so difficult to find a common language with children, as if all the same, children they comprehend they learn something, they constantly strive for something new and it’s easy with them. find a language. here we

worked every summer. i don't know how it will be, whether it will be this year, but every year we worked at an event such as book kids , which is held in the botanical garden. this is where the kids are. hmm, where a lot of different representatives of the spheres are located. yes, and the kids are looking for e where they work, like they get a job, so it's incredible. eh, such a colossal return from children is coming, you get such good energy that you don’t love. they are simply impossible. it's incredible. i don't even know how to explain this. there are no such words, because it is really incredible. children rush, and children are the most, honest and cleanest viewer. they carry the most behold the truth on them. you can understand whether you have succeeded or not , and the repertoire is not working, that is, despite the fact that you work for someone. and how do you work in any. so, you work for the public, and the public is both adults and children, but the main, of course, the spectator in the circus is, as i said, 10. in general, it is very

interesting to meet new people, especially when a lawyer or some kind is sitting in front of you. some sales manager and all such people get to know each other, then you ask, this is how you work, and i work as a clown in the circus, when you go to work, like hard labor and think, it's nine again now, while i'm sitting until 6:00, while i did it all. and then another annual report asks. oh god, there is such a plan. yeah, and uh, i'm not interested. i just don't care. i love it so that i woke up and you, damn it, would rather go to the circus. i’d rather go to the circus, i’ll say it so far, it so happened that i have a very creative family. and most importantly, what was most important to me was that the family

accepted my choice. and what i'm like. don't shock them with your statement. and they seemed to be ready. they are like, well, we knew that you would go there, probably from childhood. i comprehended various in general. uh, how to say genres of circus art. initially, my grandfather told me that a clown should be able to work in a circus. that's all, respectively, and i aspired to this, and thanks to this and thanks to him, i now have a lot of e, genres behind me, which i can safely use in my reprises and exits at the arena. that is, juggling and tightrope walking and balancing, riding a motorcycle. here's from eclibrism. i have a trick where i stand on a suitcase with a reel and twist. three hula hoops, one such big one and two standard hula hoops. so it turns out. well, and many other genres, at least, except for aerial gymnastics, but here, unfortunately.

certainly not my energy is very important for me, because without it a good job will definitely not work, and i take it, probably, i squeeze it out of everything right to the maximum. most importantly, the source of energy. for me, it's music. that i have headphones all the time. i am constantly in music all the time, but i listen, look for something there, somewhere i use my fantasies to somehow implement it into my work, and the second one is strong. eh, energetic one. here is the exchange. i get from watching performances. i have a lot of good friends who work in belarus in different theaters and, uh, i constantly visit . the energy they carry. it just incredible, and i walk out of there, as if reborn. when i'm in a bad

mood usually, if i'm in time for the show, i try to watch some good comedy, or some kind of comedy show, just to at least hmm switch my brain to the positive. if, nevertheless, i do not have time, then the energy of the viewer and communication with the viewer. this first exit itself is called the exit reprise, and it carries such such, even i will say energetically the message that you forget for a moment. every program every season i attended since 11 years old, i always bought a ticket for the same place for the same place. this is the first sector of the ninth row, the fourteenth place. i don't know why this is, but here's me like in the eleventh year. uh, my grandmother brought. we

somehow here this and all. and after that, i tried to always buy at this particular place, while i was a spectator, while i came here as a spectator, now my main mentor in life and the person whose word i will listen to is grandfather. here grandfather is the one who has the most origins at how can i say so? well, he did not bring, but did so that i was born as a circus performer, and i will say. so, everything he does and helps almost all the props. e. this is his work and his merit. yes, that is, somewhere we did something together, somewhere he did something with his own hands, mom, and mom, well, she happens periodically. uh , as she says, i will not go to the performance, because if i watch the performance, you worry, you will not succeed. in fact, it is absolutely not the case when it is. well, when she watched all my programs, everything was calm. all was good. here, well,

come periodically. of course, i already come to the circus not as a spectator, but as an employee, an employee, but the thrill and still this is some mental state. it is always magical, because in such a place you can’t just feel like you’re just working on something somewhere at work, you don’t work, but here it’s just like that. mm, some kind of magic, after all, and i'm more for art. that is, i’m just creating, i’m developing art for myself, i’m trying to learn something. eh, i'm always on the lookout for something. that's important to me too this is important, and therefore there is no such thing to quit, this has never happened and will

never happen because it's a circus. this is my life, well, this is the same as taking away from a person. after all, the circus is really our home for all circus artists - this is the home. it's the same as taking away a cell house just looking for it. well, that's all, live and i, probably, with great yes, i say with great confidence that never, no matter what happens. i say, i will find myself in the circus for sure.

we will tell you about the unique miraculous icons, therefore, addressing the minsk

miraculous icon with a prayer. blessed virgin, believing people are trying to arrange their lives. according to the commandments of god and mother. god answers our prayers. let's get acquainted with the history, the greatest shrines of belarus, it will survive, because the church lives by the power of god, the power of christ, and indeed during the great patriotic war. the temple was open. e for prayer for worship. the divine liturgy began to be celebrated there. and after the war. temple gradually began to restore let's talk about the power of the faith for which there are no territorial borders and language barriers. if we want to know jesus christ, then we must read his glory and live by this word. most importantly, we will help. to find answers to various questions of the spiritual life

that the human race needs now, of course. first of all, looking inside yourself, miraculously, it probably consists of when a person begins to change, watch spiritually, educational projects on belarus 24 tv channel. we go on an expedition to the clots of our blood in seulsu the light is collapsing across its trajectory is a betrayal of being a waste. to the mouth, the mouse, with a breakdown, earthen on the horses , entangled with it to its outlets, our bare future passed for irajalis, when to follow her history, the name of the owl, the first circle of riding misfortune to kugoden and the fate of the caliber fortress wasted its strategic importance and it is impossible to give the second traditions a new life reason with projects

for a pirate for a minute on tv channel belarus 204. their task is not to succumb to provocations boldly move forward. we gathered at the table. and he stood up and said. well, of course i'm in you i do not support this, but i wish you good luck. well, i remember it very well. it is, of course, with me and still lives. there may be some resentment. this is how he reacts. and what? and what are you in the forest, what are you doing there, and what, and how, and you walk with an ax, they chose a non-standard occupation for themselves, and therefore they are often in the spotlight, somehow it was scary i think, well, like me will be with men. they won't listen to me. it was just like that, what oh. no those men will not go. what

can you tell me? well, that is, uh feeling that i'm not doing a pedicure, something else. i used to be very shy in general and go back and communicate with people, but i have to fight with my complexes. actually. well, in order for me to be well, i believe the most important thing at work at any job. this is to work as a close-knit team, where you can rely on people in a project about those who dared to break stereotypes with themselves, watch on belarus 24 tv channel. belarus 24 here every day is filled with interesting events of the country of the world, details from eyewitnesses and direct participants in the events. visit our website belarus 24.by everything that lives, modern belarus today and now

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hello life is pushing to be closer to the construction of the industrial co-operation of the agro-industrial complex the president of belarus met with the governor of the kursk region of russia expressed his position received a criminal case. the polish activist is forced to hide from euro-democracy and asks for political asylum in belarus and father's day will tell. when will it be celebrated? a new date, my colleagues will complete the picture of the day in our calendar.