i touched upon, when we created, uh, agricultural facilities at the cost of the labor of the entire belarusian people, we created these projects, and more about agriculture and again about a tractor that treats covid-19. since alexander grigoryevich again recommended that belarusians not worry about the coronavirus, it is categorically important to start with recall the original quote. lukashenka, people work on a tractor, no one talks about viruses. there, the tractor will cure everyone; everyone is treated. key in this phrase. nobody talks about the virus. that is while a person is passionate about working on a tractor or just working, he does not have time to read on the internet. what a horror this covid of yours is, how terrible, how we will all die. a person who is busy with work is not subject to panic from the social networks of telegram channels; he simply does not have free time for this . this is so obvious that i'm even ashamed of those who joke

jokes about the tractor, just as i'm ashamed of those who still don't understand. why the west doesn't like lukashenka dictator come on usa that the european union cooperates well with real dictatorships, if it is beneficial for them. the point is completely different and here, i will show a fragment of the speech of my colleague dmitry bochkov, they need to reformat our brains. we somehow survived in 1917 somehow survived in 1941 and somehow survived in the nineties. that somehow does not give them rest. clothes. wheelbarrows bucks break some kind of unknown philosophy. they understood it. now their goal is to change the philosophy. so, i am belarusian and for me it means that i have to give all my strength for the good of their country. and for the benefit of the same belarusians. not everything is perfect, not everything is perfect. and for me personally, but together we can do everything better. here is television before

agriculture and for now there will be many such people. everything will work out for us, but for those who are too lazy or want only for themselves, then for them yes, there is lukashenka's dictatorship and it 's wonderful, what is it? my name is igor tur. it was my propaganda the majestic architecture of belarus with a rich history, the decoration is not a variegated pausimphosat such attractive windows are crushed and surround the round great window, and the arcades are all closed niches in this one, supposedly such malclides also go, and a sucker with a believer, uh, making, but amazing facts about musical instruments violin to sacred enchanting melodies. she resounds within herself. but like a human voice. it sounds

everywhere a tv instrument is completely different, this sound is extracted and it immediately rushes into flight and an unforgettable immersion in belarusian art, which has no age, we are in the picture gallery named after napoleon orda every time dictates its own conditions of some kind. to the museum employee and the visitor who comes, watch cultural projects on our tv channel.

belarus shmatem prostrate can be otshukat those throwing here is a ditch in the lake behind a non-random one. name god's voka, in spite of the lake tore off the devil with its ripples and the cells predict the wolf in the maya lake, the shape of the correct circle does not change for a long time, i eat on the far side, that the voka oozes beyond the right of people from heaven and shmat them such choral chandeliers in belarus sergey kulikovsky, director and artist-driver of the new drama theater in minsk, we'll talk, naturally

at the theater hello, you are watching the program, say, don't be silent in the studio victoria popova and tatiana shcherbina and today director sergey kulikovsky is our guest. hello sergey, we will immediately warn the audience that we have known each other for many years, so it will be more convenient for us to talk to you, and let's start with the anniversary with pleasant but you, the traumatic theater recently celebrated its 30th anniversary and looks like i want to show our viewers how the theater looks stunning. it seems to me that he is strong, he is fashionable, he is beautiful, there is a good performance, but very few people know about this theater, because it is located in the avtozavodsky district of the capital. this is the remoteness from the center that turned you off from the

main theatrical process. what do you think? i think there is something in it. although, when they moved in for repairs. it is necessary somehow to tell the grandson somewhere to inspire someone, in fact, from kupala, it takes 20 minutes, only 10 minutes by metro and 10 minutes on foot. yeah, the same thing to get from the dome. dtb. such same time, it just sounds like a car factory. no matter where it is near bobruisk well, that's it, it's close. if you figure it out uh-huh, that is, well, okay, distance, but you know the very inclusion in the process, that is, whether representatives of the ministry of culture come to you, so to speak, and whether spectators come to you from representatives of work so if they don’t want the spectator comes and some kind of after the pandemic now, when there was some kind of, naturally some kind of stagnation , commissioned performances, how redemption? yes, because there was a pandemic and so on there was some kind of sagging. and now i see that for the last year and a half we have appeared.

a stable viewer who follows our advertisement on our website, who buys tickets, clicks the button to buy a ticket online, and somewhere around 30 percent of such a viewer already has it, it’s not bad or the car factory viewers. these are not avtoza spectators. no, all the same, the theater of consumption by the theater is somewhere around 2-3%, e of the population, therefore, i think that this is the main theatrical spectator of the city of minsk here, probably, the spectator who goes to the kupala theater, and to the russian theater and so on often, that something compares, sometimes they go alone. and people compare the same setting, where we are, where it was better for them, where it was. you don’t hear comfort when you walk, something will go there. yes, it's just minsk theatrical audience, the remoteness from the center did not interfere with the theater. actually making some noise in 2020 is part of the corpse. after the august events, she went on strike. after that, she left the theater altogether. uh, later the court recognized the strike, which took place on october 27 illegal. well, for you it was in the full sense of the word. the dramatic period,

of course, at first, is very unexpected, because i could not believe that this would even happen. we were driving to work, as i remember now. this happened in october, when the nationality was announced. yes, and the zavlik tells me that you know where you are going, there will be nothing rehearsal either way or in the evening there will be no then. are you driving, or what? she says, now you see, you are coming, yes, an organized strike of 16 people, unfortunately, then worked somewhere more than 100 people in the team, because 11 actors. five people each - these are theater workers, what did the strike look like? tell me, how exactly is there no one on the stage, so i’ll order it to the black room. here is the rehearsal small and people sit there and silence. i say what's going on? we submit two pieces of paper addressed to the director then vasily vasilyevich the director, which means with a request not with a request, but with a demand that martetsky release political prisoners, what else did you do there? something we all require that declared strikers. that was great. and the second paper. in his own name, that, m-m, the theater

cannot look for the health of workers, that it is necessary to declare a quarantine, although even a pandemic at that time there, everything was normal for you there in sex. we naturally refused to go to the play at 8 o'clock we talked we did not let them out with the theatre. well, they fought a little. changed the situation. no, this was a fight between representatives of opposition views. no, no, one representative with the director tried to manage the administration, it was already over to tell something and say that i know that i heard a version that they wanted. you support the glory of the kupala theater in a sense, well, in the sense of this weak one. yeah well, in which i think so, because those who organized it. they did. this is completely conscious. they disappeared from the country instantly and spoiled. the life of a very large number of young artists, in which it is not just a pity. they were made, someone was made by me, and i don't know if it was thought out or not. we

couldn't play anything for 10 days, because somehow it happened that the every performance. and you need to introduce or stop something, and something to shoot the pavement altogether and definitely stayed, then one for the new year there were three performances, then somehow gradually. there are already 10 performances. here it was not me, the incoming director, who shot the vintage completely, and it was necessary to completely change the cast. all young people here say that it’s a pity for young artists to take back if they returned, honestly man, i would take five back, but i don’t know, i say, i asked who they take these steps entrepreneurs still haven't heard from you. yes, which is okay, it's all legal in 10 days, we'll come to work and go on to work, he explained that even in any case, there are some laws on strikes. even if it is not political , then it must be declared. there is

something to plan for a month in advance with, uh, with an institution in which and so on, but it turns out that you can’t make any money a day. well, of course, when they came out, the case went to court and they ended their relationship, they affected theatrical process. known. let's listen to the president. and from the age of 22, that’s what you will earn me from the budget so much we will give you from the budget once i introduced athletes to the club and federations earned 2 million dollars 2 million. he was added from the budget, again five worked one and works in 2022 as he showed himself. this is the financial challenge. this is a financial task, in general, the scheme of such financing begins to operate from october 1. that is, in a month, what it will be is still unclear. one thing is clear, that the fourth quarter, of course, something will happen, because there are some

developments now three quarters before the holidays. and that now there will be some kind of earnings and the new year, of course, this is the salvation for theaters in december, the new year's company, so now be calm. and what will happen next , time will tell, because there are some difficulties. uh in these breakthrough circuit. i don't think these are fully developed. here with earlier very much understand how it will be theatrical. it 's not just mine. we meet there. here discussing something with each other. i know how much caution you are discussing, and in general such income. eh, very hard to wait. so what? what do you see as a way out of this financial situation? i don't understand yet. there is some idea of ​​reformatting the theater, but i don't want to make it commercial in its entirety, because then its meaning for a state institution is lost. culture. it should be generally accessible to this deep conviction that it is by no means impossible to increase the price of tickets. this is such a question. maybe its early more to discuss. uh, so out loud, because you need

to try, because to try, what to try to do in order to think about how to see it, how it will not be on paper, how will it work in life? on the one hand, it is not very clear how this paid the salary to the artist, he did not work out the norm next month. i have to take this salary into it, but i’m like a gimmaria now a little bit, because we really are such mechanisms, er, difficult to perceive, especially my brain, which is absolutely not mathematical. i happen to be there i fulfill this position of director in anticipation of a normal person. i was like she had a scene. well, i know that the accountants of all theaters are somewhat concerned. we met with you. now i will offend someone to pay too serious attention to this opinion, apparently, it is not worth it. that's the meaning and the artists are still children. oh well, and filatov added a son of a bitch, what did he mean? in the sense of a squeezing word? yes, but in the sense that the artist there is a very dependent being too badly said people people for all my uh,

quaternary dependence you infuriate the director the artist it hurts mister from the texts, in the end it’s like that you don’t know yet, so you got the role today, when you next in 20 years in 10 or at the next performance, and from this there is some such hmm manic nervousness, some disbelief. are you working with an artist today? you are the best director. tomorrow you take it, the next one did not take it into the performance. you are already some kind of directorial, probably, yes, they are natural, because who, who can withstand. where are they born stars, for example, and we don’t have an institute in belarus, but nevertheless a star is born this person who endures a lot and at the right time in the right place this is to shoot, because i believe that everyone has a chance and one way or another it happens. he just needs to have time to understand, to have time to catch, and somehow and with patience, as in fact all of life. i agree, and it is very important in the creative profession to treat

your profession like a marathon, and oh, capricious artists, with whom i also had the honor to be familiar without all. revolutions it’s just, well, they caught such a crown that was already clinging to the ceiling, and that’s all, they couldn’t get out. in this regard, the stage. they needed more roles, better theaters, brilliant directors. well, in this sense, yes, i agree with you about the studio that nikolai nikolayevich created there once upon a time in the theater idea. it is necessary to explain to our viewers that the new theater was called before. and in fact, the theater was 35 years old, because the first 5 years. it has carried the name of the idea for the past 30 years. he can name new domomatic the theater of the city of minsk he tried it, he gathered people when in the late eighties perestroika, and suddenly everyone was guilty of something new to look for new forms and studios, probably about 20 or 30 only in minsk there were theater studios to give credit that he was

the only one there led it to the state of the state theater, but, unfortunately, hmm left early and gathered people together. only studio is when there is one idea that unites a certain number of people , let's say, and they are completely subordinate to this idea , regardless of what i play today, do i play. i'm a director at all, whether i'm an artist or i'm totally focused on this idea. it's very difficult, sergey is difficult and you know that lyubov's example always falls apart. well, in general, which theater will not arise, i can only say one that has survived to this day, even after fomenko left, they work in the same system as the theater-studio of pyotr fomenko. you know, i saw the kutepovs. eh, they're already there. well, in general, they worked with the master. and so they look through the upper lip at what the youth is doing. yes, no, no. here it is, you understand the commands, there is still jealousy, while he was alive he kept it. he is this plank, as far as i know, you are also the spirit

of the studio. nastya wanted to keep. what do you think? this is exactly where i was invited to work here. i even so a little bit of salt in but, is it possible? and for a year or two it existed then who had the crown to whom in the route, and maybe i wanted to discuss such an idea with you. those who left for the same moscow are asking everyone this question. maybe they wanted to leave, maybe they wanted to more city more, how to use the situation in this sense you want to ask a question? well, right now we don't know. i think about it as an accidental emotional explosion, when something happened, then it’s easier for me to think about a person if it happened consciously for this purpose. you didn't have that explosion in the first place, i'm old that i came home 8 years ago. why do you know the actors so well, because he himself came to directing from this profession in the eighty-fourth year he graduated from the belarusian state academy arts, majoring in theater and film acting

and more than ten years i worked at the minsk youth theatre , as you remember this period very well, firstly, we were lucky that we got almost the entire course, here we did not have such a strong experience, so that under a strange team we don’t know anyone, it was us 10 people who came there as a result, that is, the boys went into the army, naturally, the girls have already come during this time. we came from the army gradually there and we were organized by our own team. and it was very easy for us. interesting right there on yankova, to work as an independent work to manifest itself as a director. she, of course, occupied us very much and somehow we felt good and the night performances were you decided not. i want to install myself. why did this happen? what was the name of the german court of culture, uh, judging by the south, then with my wife, then the future, then we decided to still perform and from the third year we went to the third year to act, we left acting. we decided to speak first to change the pull, and at some

point i did something, there i had assistant. osalyuka several times i staged a fairy tale on my own gave such an opportunity. i was already drawn in this direction slightly already somehow so naturally. there are favorite authors. which directors? i have it in the russian classics it is chekhov ostrovsky and in the foreign one it is obie williams and contemporary authors. i would name today, but i will swear by the russian literator yaroslav. in my opinion, a very interesting young, developing playwright. the ex-wife was also an actress. yes, and she is still there, why did they part ways? uh, the pros and cons of acting marriages, it's just that there was no other problem, apparently, you know some very well. long enough lived more than 20 years. i think it's just that we have a good relationship. well , it happens like that. anyone turned on the switch like that. so and actor's marriages, they are durable or not. if i hadn’t started to travel and would have been, maybe here, then we might have some kind of situation, but you definitely didn’t go to a psychologist, someone of a variety that would

help us call further, because in relations are good, uh, the important question is whether the corpse of the new drama theater is staffed today, not to the end. i am very cautious. now i take people. we had a director of the young managerial will of the general itself asks for a political platform. well, as when hiring from you, as in the theater with this, if i don’t know someone, there are someone adults, i know, but still i ’ll try to take it now, as it were, on a contract for 2-3 months to work to see what this is so that it does not turn out so that later everyone does not like it. from the theater or or to us he does not i like it, after that we just start a conversation about entering the corpses, so now somewhere in the corpse there is at staff 30 , somewhere 22 units are occupied and three of them are people. that's for now on the contract at once, that is, they get paid for what they do. well, there is no shortage, there is a shortage

this year from the academy of none of the culture girl. now we’ve taken it and we’ll try it for 2 months, but the educational deficit is here, well, there are specialists, but the amazing paradox yes, there are huge competitions for all these acting faculties and so on, but they are recruiting people, but as a result, there are still not enough personnel in theaters. no, well, i had a completed center. 2 years ago, and even the search was still the same, where when i was the main director, we are looking for somewhere we wrote some kind of letter, because that's what the attitude towards my theater is bad, so i can't recruit who i want. i take after that is the cream collects. uh, kupalovsky russian rtbd. and here's this for you , but i don't need it. well, why do i owe this? is he a young man? i'm nothing i am not obliged to anyone, and there was such an offer that they would give us with any recruitment, yes, or we would recruit two or four people who

would study purposefully for our theater, oh, whom we selected, wait, well, as it were, positions, who i need, well boy girl, naturally, the growth of such growth, such a thin characteristic, realizing that after 4 years a person will come out and let you control your students. at least or at least get some advice. that's what the young actors that you throw from your theater will want to try themselves. essence possession of the profession now i will say. stupidity, probably, uh, the amount of talent. i haven't been interested in this for a long time. it is. i will explain to everyone, why play once. here i will give the text to ponadoyuzat. well, come on and you'll play like this, you won't succeed. very often i heard from the actors who worked with nikita mikhalkov on our shooting that he whispered to them before the take, they did it, and then they could not repeat it. that is, he instilled himself in me, as i understand it, this is the

director's shamanism, and then the actors very often it seems that he is a verse. this is the biggest victory over the artist. uh. hmm, i was taught by the late roman. make him think that he invented it, and then the performance will turn out. he will say that you are bad, but he came up with everything, if you would do it with pleasure, you should give it to him. yes , this is a wonderful illusion. let's take a break for a while, i remind you, we have a telegram channel. say don't be silent. subscribe to ask questions. suggest guests we are in touch. we follow the sports life of our country, the star team dream team 7.0 has begun preparations for the minsk half marathon 2022, which will be held on september 11, we will find out how new

heights are reached, belarus by origin. pavel karnaukhov won the cup. gagarin was transported to his homeland in minsk by a good athlete. you differ from the average athlete in that he always has to develop, always has to learn and move forward. well, in any profession. if you don't work hard at it, you'll never achieve anything. and how do you want to beat someone. if you can't run don't jump, uh, don't overtake your opponent and help keep yourself in shape training is aimed at the fact that we are working on something, improving and improving the technique of this movement. we just need coordination. song and 10 minutes of free time do not miss all the most relevant sports projects on our tv channel. on the air say it again, don't be silent. today, our guest is the artistic director of the new drama theater, sergei kulikovsky, who

dominates the performances. well, it seems so, at least, mostly soviet dramaturgy, factory the girl of alexander volodin is my happiness alexander of the chervinsky tribunal andrey makayonka. why do you often return to soviet times? well, now this is a part of the repertoire, somewhere around the third i often stage classics and modern ones. i really like this period of my life. this was my childhood. i was small. i watched i was fine. i didn't realize it was stagnant. i didn't realize it was something bad. this was my surprise. no, i haven't seen another one. i liked it. i liked these people. my mum. didn't like my aunts she has five sisters there, all this is like if all these things, all these things, they passed before their eyes, and they remembered me. if you remember, i began to remember, everything from about three years old i have such a terrible memory, and they are afraid to drink with me, because i am there too. and

i have some kind of nostalgia, therefore, time. i felt very uncomfortable. i have something like this in the old quiet center of minsk, especially in summer. yes, when the windows are open, when they are sitting in the yard, some kind of people also get hit like that. by the way, you also live, as if when you start betting, i i just remember the smell. uh. i really love your apartment. it is also in the quiet center and you open it on the balcony. here are these centuries-old trees, right by hand. you can touch them, but you can touch the mountain ash, so nostalgia is understandable, but remember, because the factory girl. what was the name of the lie at first and in what? there was a trick there, that love, uh, well, you can’t. in general , it was soviet families to get divorced, and any betrayals on a person were sorted out at couples meetings. well , that's terrible, in my opinion. could put an

end to it, even from such love stories on the side. eh, did you have such a thing, that you were given up as a bad job? so it was already so strong already and not. i'm not even talking about the meeting park now. but in general, in a relationship , have you ever met such a difficult state, when on the topic of betrayal, because i hmm then you can return, as it were, to the concept of all these performances. i think that all the same, art should deal with two problems love and death , you need to understand what it is, what else is the concept of betrayal in love. here i wonder, yes, who pay each is going through. what's interesting here, when we were making tape, how i became president, but you passed everything on. i didn't betray. i say, what are you saying betrayed betrayed, right? because, like the truth, my truth to someone this is not true, my not

a betrayal. for someone, betrayal does not happen so that a person lives his life and does not betray anyone. at least in personal relationships, even a half-change, even something else, the same betrayal was not brought. lord, there 's something more for betrayal. do you remember this, here we are nostalgic nostalgic, but there were moments like this, you know, in this semenovna told me when you took me after how they wanted to expel her from the institute because she left the meeting ahead of time and went for a walk with her girlfriend along broadway. that was the name of lenin tolkachev avenue, i must say the people's artist, belarus, then she left something. she says i talked to my parents. uh. there's something, so it's a dream. yes , someone went to the end almost there to check all the conversations. there was no call, they called the meeting and wanted to meet the course to be fired from the institute. it's good that orlov stopped then it was here, now we remember it's nice, well, it's nowhere. well, what time? what was it like for the

people whom your father left behind, uh, the commander of the red army refused to support her from rostov stopped pressing money, the scholarship was for our today something 60 kopecks. well, roughly speaking, on a scholarship they could only rent a corner in this new apartment, and a corner in the apartment. and there was nothing to eat. she went to work in a model house. you tried to bring e not to bring your life. up to such a critical point, as she had, as if this had not happened to me. although that i didn’t play truant, that i didn’t do something there, i probably just, maybe i didn’t suffer. maybe there simply weren't any such active ill-wishers, maybe, and this might be, uh, another undoubtedly good luck. this is a performance, the warsaw melody of the sentinel. let's see the trader.

actress nadezhda antsepovich even received a national theater award for the role of gel. how do you feel about the ending of this story? he was, uh, predetermined already because of the difference in the mentalities of the main characters. i do not understand why something is not with the difference of mentalities. he would have been warned. there is such a thing here, here, with which i love such a thing in the city, for example, some kind of mentality, but you just can’t get divorced there. and here are just external

circumstances, and you can’t get married and don’t do something. you're not ready for it, they think they didn't resist, and there tried to make some kind of picture in the middle of the play there, that they are trying to do something, but when circumstances are stronger and break. i'm more interested in external circumstances or just career ones. uh, social. hmm, whatever. how can you go to the end to fight for so it turns out, almost no one can, and you can't. i must be weak too, right? listen, well, your trailer smelled pleasantly on me, because , well, as if happiness is remoteness - this can be a misfortune for theatrical this and inclusion, about which we first spoke. well, happiness, because there is intimacy. still. i feel in you a regular spectator, in the theater they come to the actors. somehow it's easier to really get used to them, fall in love with them and walk on them. well, that is, here's some kind of intimacy

really works for the theater and is very similar to the trailer. we can even judge your performances are always musical, that is, music often comes first for you. how did your musical tastes develop? hmm, he left the youth theater from the artists, moving to the director. well , how this work was needed, and since i lied well on the radio there both in belarusian and in russian, they called me, uh, editor and chief director for some time on radio rocks and to make some programs, let's say. they were all, as it were, less of a performance, at least for a performance on some topic with the french , for example, and lena schneider is businesslike , i tell it all so interestingly, but everything fills us with some kind of music, because you only hear, nothing you see, therefore the image is made. oh, for the music. apparently this had a strong influence, because when i read any text, until i find a musical sequence spectacle. i can't, i can't see him. i ca n't visualize, so very often. when i work on the text, i work on the music, and then i go out. they don’t understand it, they

scold it, it happens among our colleagues, but i appreciate this quality, of course, your music. hearing. this is very important for a creative person. well, he was writing, but he was dying and said, it's a pity for music, music is the strongest manifestation of art, the strongest, the most emotional. and with the saying of thomas mana. the crowd comes to the theater, and the people leave. agree if in general, here you have some kind of money. an aftertaste, when he delves into the performance, when a fly does not fly, when to sit down for each for each movement of the artist's eyelashes for each intonation. this is what you feel when it turns out, of course, for yes, it's great. that is, when it is proud then, because i see, everything is clear. and i also like to watch performances with sergei because he says he will laugh now. now they will pay. not only does

he follow what is happening on stage. he also knows how to control the audience. it's himself exalt at this moment, when you realize that you control the emotions of other people at the beginning, sometime, when the first performances began. when i watched the premiere, i thought, my god. and when you came up with it, you came up with it, who invented it, who did it? well, if you are so good, and then it becomes, as if emotions are dulled anyway. as he says, i myself do not laugh anymore. i just when rehearsed, even i say, take a breath here, because they will laugh, then they will tell. crazy what is there to laugh at, the performance starts laughing in the hall, skip the backlash, make sure that the text doesn’t adjust here, there will be a backlash here. there is a backlash to make a backlash here, because there will be a reaction. it already looks like a routine. it hasn't been boring yet. it looks like more. how do you compose music there. leaves. well, with a cold nose it's a shame it's a shame and what a

shame, well, it's a shame what a shame, because you know that it could be better than it went today. yes, sometimes you come to be friends at a performance, and it doesn’t went, i don’t know, or some day is not the same and either someone didn’t repeat something there, or something went wrong for me and it’s impossible to set it up to the end. and it seems to be there, it seems, the artists are the same mezos. the same karabas would grow, but something didn’t happen in such cases, you blame the artists or don’t do it yourself. i'm trying to understand, what was the problem today, and then i can be there tomorrow, the day after tomorrow, something you are now a little cunning, because you always know you say, that's not enough sleep. here it is such and such problems when we were in pskov at the festival that everyone slept there. we were given the opportunity to rehearse the three sisters. we climbed everything and somewhere literally in the first picture. i didn’t understand what happened. it somehow parted and then it was very difficult,

although they accepted it well and gave a diploma and they shouted bravo there, but i know that, uh, i would have gone for years. mister went flooded, they didn’t go to look second, how we can’t, our hearts are breaking, i say, i don’t have to look to the end, so that later i can understand what was wrong. and who saw nora for the first time and criticism. there, almost everything is good on purpose, and this is the magic of art. you know, when you can't explain what happened, that's art. if you know how it's done, it's not art anymore. i think the viewer should not know it should know how it is why i say that the profession for me is the most important thing in the process. this is a skill profession this is what they teach it must have a profession any cook starts a cook artists artists or a director without skill not everything, but impossible without some said that you can teach anyone, but still artists, because it is also important. i said development talent degree, can learn all pedago. badly. i tried to almost kill everyone there, but say, here are two times, then i fight

interpretation of a lot of classics i myself mentioned now three sisters, are you satisfied with your performances, i am satisfied i am proud of the performance uncle's dream. i'm proud of the grief from the mind from the thunderstorm. i just trudge on it took 25 years to edit a play working in modern drama. eh, honestly, you read a lot of plays by young authors. eh, what don't they enough for this modern playwright of ours. in particular, the play nobel week. here is one of the latest on contemporary play out there. we worked on the text for a long time, in fact, for two years. well, they worked with text or one and a half. before you start betting that i'm already even tired of he then said. listen, put whatever you want. i won't rewrite this. good? then i'll rewrite something a little. and why praise you for the fact that none of our directors reads. and if he reads, then he doesn’t

bet, he doesn’t risk betting. you always left uh, there are authors who later ended up on the other side of the barricades, we won't name them, but you also worked with them for a long time. for many years, and why? well, firstly, you are interested, and secondly, what would you tell them, now from the height of past years it is interesting, always any play, if there is some kind of pain in it, if there is some kind of event in it, how it is the life of the human spirit, yes, then it's interesting, whatever the political theater tells me. i, uh, i even looked at my beloved as a child, almost everything, yes, but the fact is that after all, in each play there was a love story and a very serious one both in the master and in sex and what else is there in the cake in the same. despite the political coloring, then, as it were, a protest of soviet reality, there and so on, there is a similar isopic language and so on, but all the time it was, because i now say love death is a background that can change if

social religious, whatever, but history should be and it should be sick. she must be sick. in what sense, we go for strong feelings, where do emotions come from? yes, for strong feelings, they walked, which we milk in life to experience for ourselves the love that art gives us. anna karenina there is a thunderstorm. we will not decide on this. well, why is it here in the theater me? lord, how good. i'm almost certain, therefore strongly emotion. she attracts, which you do n’t dare to in life, or there is no time, or there are already many children, or you need to do something else there, falling in love, yes, and then somehow there is little history to a strong feeling in life, when everything is for her this is so, but for aortic rupture this is in the theater, right? beauty to the theater a little book there by young belarusian playwrights, i advised go to the theater to read not get tired of writing to read chekhov

to understand how the storyline is built, so that the story is interesting for the viewer, so that it goes through the frame, so that it infects and entails an aftertaste after each performance . and what would you say today, and the directors who influenced you have such a strong influence on me, tul nikolayevich's neck influenced me, he is still. as far as i know, he works in one petrovich saluk. well , of course, roman grigorievich oh, very strongly and its i still i familiar to me had an opportunity, on some. yes, in their eyes to sit to see how it is done, because it is really a unique political theater, a unique beauty. this is a completely new direction at the end of the xxi century. and it’s unlikely that anyone will do this after the end of the twentieth century, but don’t you think that this is already some kind of grandmother’s chest, viktyuk anyway, the maids will show you the culture. and

you don’t understand how the performance is made 40 years old for each anthony lantern with an exemplary and you're still sitting in this tv. not only did i wherever i was, if there were any tours, i watched it all several times, but they get tired of it. and even the use of music. such absolutely. how to say the chanson of the forties, as he likes. it's his taste preference. this is good too. yeah, and salome, who even dared to put valdez on it, but today , in order for the theater to have some kind of courage. uh, censorship, practically did not exist until the twentieth year. eh, now we're renting texts. we are handing out some short explications. after that, we show, uh, change. there's one thing i don't really like, the director of the puppet theater, until he does it, and i don't do it, apparently, i will have to. there is such a thing. for some reason, you don't have the right to put a play on sale until it is handed over to the artistic council, for example, the department of culture

of the ministry of culture. but then e, he sells 2 months, you need to sell it later, if i passed the performance today, here it is ready 2 months i well, one and a half, and then there will be nothing left. it's not a movie, it's not a film. this is what i don't really like. but it seems so that we will show em run. now we will try with a hole. i mean, with the new one, we probably call it the theatre. e show just a run. now, at the end of the week, the next one, because on the 22nd we have a premiere and i did not follow the order. i already sold it easily. i, uh, want to capture the moment that you said before the twentieth year, she was gone. guys. what changes did you want? i don't understand this either. i don't understand because everything was going well. and then some, in my opinion, some kind of manipulation happened. i believe that some kind of pipe appeared, because a fairy tale about rats. whoops , someone played. and all of a sudden, everyone

lined up and went. i don't think it's been a while that everyone is absolutely sure they got in. correctly. i know that many would have already rolled back this time, as if back, but this is not a film. this one, that this is also some kind of talented director, uh, manipulated the emotions and behavior of the crowd in the way that you are legends and especially artistic ones, she is subject to any emotional manipulation, there is this need to be very careful. uh, you understand, because there is, if. especially since the intelligentsia, that is, it was invented only here, in the slavic world there is no longer such a word as intelligence, then intelligentsia, then there is a profession. as soon as i no longer remember who wrote it there, the intelligentsia should be the opposition under any government, starting to watch peas. i was not the first grozny. this is a required position. it is for this that it is created, so that there is some kind of counterbalance, e.g., to the political social structure of the religious. that is, it should always be.

i agree with you in parts, that is, well, without it, without this layer. you won't know the truth. that is, i really liked it, i repeat, in my opinion, with one of the directors, when we talked here, i talked about this, that when they came to the kupalovsky irmoshina and watched the inspector general and laughed. it was already good. it worked. understand? it all worked. you know, a healthy society worked to ensure that she came and looked, laughed and left, you understand, this passion happened on the stage, and not on the street. yes, and should be. and now we're going to take a short break. after a short pause, we will return to this studio, while subscribe to our telegram channel. that's what it's called. say don't be silent. leave your comments. offer us guests, and look for all our releases on the youtube channel, belarus 1. on the air, say, don't be silent, and our guest is the artistic director of the new drama theater sergey kulikovsky, who

recently celebrated his 60th birthday. what is your terrible relationship with age, what does this mean? quickly somehow all this is accurate, even 59 somehow sounds. and 60, which is the only youth from this, this step has been advanced for 3 years now by 60-63. that is, another 3 years, like you are young on the one hand, but on the other hand everything was fine. and you are one of those people who are waiting for a pension or which delays the sweet moment, of course, two young directors elizaveta mashkovich and artyom pinchuk appeared in the theater before that as an interesting actor. and now very soon in september. he releases the e premiere of a doll 's house based on the play of the brilliant ibson. not afraid, that young directors will sit up. well, i'm not afraid, i make them fool him. i am very pleased with artyom, who is a director by education. i have a lot of actors

who do not have an acting or directing education, and he gradually developed this desire. he made himself play the day. we saw that it was great, unfortunately, it was impossible to just play strikes, because the artists completely left and then he made a fairy tale. he made a newbie bullet ficus shop, i gave him my play and now uh nora dollhouse. it is his desire for this material. i don't know how much courage is needed to do this today. i have not seen the runs yet i need to control. well, i don't want to sit if you don't let me, so that the teachers sit up straight, they have to develop themselves, but i hope judging, because i saw it from the costumes. and some pieces so secretly spied on for two to 3 minutes that it would be interesting? and with lisa , she graduated from katowice, 3 years ago she asked for practice, i came late yelled planted, says the text behind me. here

follow. and somehow she followed, followed, and then i got sick, i come to work for two weeks, she says, such a girl. take a look to take. uh-huh gradually. here she has also done two performances on her own squeezed out chekhov well, with dignity, but professionally, and lorca is the house of bernad, albo, i think it’s just tower yes, and for the audience i’ll say that on the youtube channel of the new drama theater you can see these wonderful trailers. and maybe you want to meet in real life, so to speak with this theatre. you already mentioned. galina semyonovna can't. bypass this topic and her wife august, milovanov. the people's artist is also our viewers, they probably know, remember and love. well, in order to delight me in this family that such stilyagi, yes, yes, the very last needles, and died almost on the same day. you understand this is love to the grave. it's you we've already discussed break up don't

break up you took from them, here's how you managed to keep love through all the years. i don't know how he did it. i know, that they had repairs in their relationship. and this is not everyone's first marriage. well, i liked them. here are the lovebirds. you know, when this shot is under the arm, when the old people meet the youth here too. here it is, carry it through your whole life, it's valuable. here. well, the hotel love love and follow love. here, well, what human qualities help to keep her in the family, yes love, just love. is it possible to explain something, for some reason you love potato pancakes because they are lush cheesecakes because they are with raisins, but a person why, when you know why you love? it's not love anymore. this is a good relationship like. yeah , it's just like eating like betrayal, then. where does it occur. well, if everything is like that, you just say something, everything is magically explained, then what a betrayal, because for me love

is like a switch. it turns on incomprehensibly from where and turns off incomprehensibly when and why. that is, chemistry is some kind of chemistry, chemistry for sure. by the way, i had a five in chemistry, definitely, because of the smell. this is in general, uh, the limit, yes, and what if he is like you after 5 years, only he was taken out by this smell and the smell is already no one here, how did it turn off? why is it turned off now, betrayal in marriage there by calculation. here it is in the forest there, then it starts stealing something. there life is a person or something else , of course. and when there really is a feeling, it arises. i don't think it, it can't be explained, and it stops. it also cannot be explained, and i agree that everything suited you, and then you come as someone said, i don’t remember. who what already when you come, he rustles, and it infuriates that he rustles? yes, this is an interesting state of affairs. this is where it all worked out before. i don't think it lends itself to any analysis there. well, i

know, i'm sorry, i'll continue this topic, sergei , what are you, well, in general, you know how to suffer. yes, when you lose love, well, it means that it hurts you with age, it does not go away. and why does not work out all ages are submissive, it's true. and why are you a director, you already figured it out, took it, yes, why are you not according to ostrovsky according to tolstoy, but was a pretty severe injury. yes, i've set it up right now. yes, i was lucky, because i had to be. eh, hmm, the two on the swing should have also been with the same children with ten with tyoma, but the widow of the plaster called, dearly, such an amount as a result of the text that there was no such amount for the whole performance? yes, even i think what to do? what to do? i remembered. uh, there is one, zhan-ka, who staged something, often ark handsome almost never staged and two identical ones are combined in uh into a

performance with an intermission. and here i am, analyze in fact they don't really understand, i put it i analyzed my e relationships and especially the first five-page play, which grew up at 10 o'clock there's not only relationships. there is physiology there, everything is like in how i explored myself and what do you think, it should have become easier. and even worse. even worse, so i looked twice, i don't go anymore. do not want to look at your works, but art it is stronger than love art is not stronger than love, art. it seems to be more eternal . well, how is it worth more, eternal love. this is as long as you live. and you can die art low remain traces harder it's such hmm all minute art. everything else is a movie book. the music of the picture, everything remains the same eternal value. unfortunately, the performances somehow told her who they were not

saved when it was an artist, it was so scary when something was filmed with a rental. i mean, do you like when the first director's work. well, how come all five years have passed, they say, so no one goes anymore. nevermind. already 5 years have passed so insulting, but there was an opportunity to somehow write. at first it was on cassettes, then on a disk, now you can even use it on your phone. well, you yourself were an adherent of the broadway system, that is, to spec for 3 years.

obsolete, so everything depends on the performance. and what happens in the satyricon is like this. well, it's a system. simply, and there are these dreams for a new dramatic there to go on some kind of tour. you never know if you go to festivals , this is a problem, in general, there are problems for your team, like for all. it's mostly down to a financial problem, because now almost nothing pays off. uh, transportation is expensive. mm the scenery is expensive the hotel is expensive outside the daily allowance is very expensive. until uh until the twentieth year. we very often went to the zilnitsa. we already had

our own agent, but the practice every quarter for 2-3 days we were received very well. we always replayed the old one with a full hall, but here is such an agent, and we somehow got there and apparently, the demand for the russian language is still more than just one russian theater. yes, in a fairly large city. now forget it. uh, and like a bad dream everything, and that they paid off. i'm talking about the fact that there are these 20-25 euro tickets, he bought foreigners. yes, i worked in russia, it doesn’t work very well. we can't pay off the festival we can't pay off. and what can i say about the belarusian regions, but we try to leave one way or here is one city, for example, lida played, spent the night and somewhere else nearby we stopped and went home to cut back already to go on a big tour. dangerous. that's after march contact us, like they were invited on tour for

30 3-4 days. this is now considered earlier than 45 days. my god, my god, in some lvov, of course, volgograd and now 3-4 days - this is already a big tour. and such a fear, it seems, as we are going to be on the territory of the theater, which means rent, it seems that there is no need for some kind of fee there, it is divided into and is already dangerous, because you don’t understand that these four performances are sales. what will you return. in general, sergey understood that you absolutely need an agent. this is a very big problem. today is the administration part. this is the spectator part, which should sell, because no matter what kind of internet they have, you still need people who are involved in this. you yourself said that you are worse at this, you know, at least than performances. well, i'm very glad. i am for the fact that you came to our studio, that this conversation took place with the past anniversary. your theater is waiting for you and i think it will be really amazing all your premieres

i visit and advice to the audience. we are the next webina. victoria popova is with you today say goodbye. goodbye. goodbye. and now sergey kulikovsky is speaking, dear viewers, come to the theater, do not be afraid, the car factory. it 's not as far as it seems, you'll enjoy it. you will receive tatarsis my artists are waiting for you and never deceive you. please visit. these guys are here for a reason. i think that by the word calculation it was more

pragmatic, it’s straight, extreme degree, prudence does not scare them, nor a huge number of cameras are simple questions - this is, as far as i remember, such an animal. she's so smooth, long, big. ah. you had a sequence of thoughts and conclusions. good question, because each of them came to win the intellectual duel. i am very well versed in this matter and can give an accurate answer. we have in the chest an example of what people who are fond of philocarty collects, what is in the chest. intellectually entertaining show i know on belarus 24 tv channel.

live main news hello and briefly about the topics of the release. one day before the start of the bright competitions of the strongest skiers belarus and russia sochi are preparing to host the debut in the history of the commonwealth biathlon cup. the terrorist attack in the zaporozhye region in mikhailovka unknown exploded the car of the head of the local administration. the crime in the blood of this cheat fines 3 years conditionally, the court recognized the spouse.