they will be formed crews for the volunteer cup in moscow, the international regatta will be held from the 6th to 11 september. belarus will be represented in all types of programs, except for the national team, our youth and junior bison or lynx will also perform in russia. today the semi-finalists of the ruslan saleev cup will be determined at 20:10. the confrontation between gomel and dynamo molodechno will begin. belarus 5 tv channel will show live in the same minutes one more ticket to the final four is contested by brest khimik , we recall directly from the results of the group stage in the decisive round of the tournament, they made it through the vitebsk neman

, who removed from the city of mitusni. here is your carani and your strength is true, pirate cop. forgive yourself. for being willing and tearing off a special one. she

got wet, tell me the elements. skin croc and one not with nature wild watchful yelnya belarus

1930s in the cultural life of the bssr creative revolution opens the belarusian state philharmonic conservatory and the renovated opera and ballet theater ask issues a decree, and the restructuring of literary and artistic organizations. this the document largely determined the musical future of the country from now on, the performers and composers were united in a creative union, the goal was to create world masterpieces, it was more a very serious social film that helped the composer create masterpieces , provide housing for leading composers who

could create operas, ballet, provided apartments, make someone machine. everything was needed to create good music that would be superior in its own way. what, in terms of content and forms of embodiment, the west was an ideological program in the same years two iconic figures appear on the creative horizon of the bssr, whose names will be on everyone’s lips in a few years in tekutsky’s opera, will conquer the sophisticated moscow audience, and olovnikov’s songs. the whole country will sing in chorus. belarusian triumph on the moscow stage on the stage of the great theater of the union of the ussr and the opera mikhailov podgorny was underway

. stalin attended all significant opera premieres a worthy student of his teacher odinkov - this is our famous vladimir songs that have gone to the people. jesus, for which vladimir olovnikov was adored by millions of songs, it’s not just that the whole soviet union sang and officials didn’t like it, and my father answered that german guns looked into my eyes, don’t think of me. this is good luck to the composers who forever turned the idea of ​​​​belarusian music upside down, watch right now.

eugene tekutsky was born in 1893 in st. petersburg in a poor noble family with polish roots father future composer, karl mikhailovich held the rank of rear admiral of the imperial navy , stood at the helm of a cruiser, commanded a training detachment of kronstadt sailors and even received the high post of mayor. meanwhile, nikolaev 's military hardening did not interfere with the head of the family from playing music and introducing his children to the high art. the legend of the officer was uh, a man of versatile interests and sang and played the piano. sometimes

even at home they arranged such small family concerts. could offer a lot. firstly, it is the concerts of the conservatory theater and, of course, listening to brass bands, of which there were a lot in st. petersburg, which was supervised by himself, and nikolai rimsky-korsakov, like most of the capital's nobles of that time, young eugene tekotskoy, graduated from tsarskoye selo, a real school. around the same time, the boy plunged headlong into music lessons with great zeal, taking private piano lessons and at the same time creating the first musical composition. he was an aristocrat. you understand, he just received a home aristocratic education, which he studied languages ​​and literature definitely music. if you remember, then he played the balalaika for the son of nicholas ii. you see, alexander iii himself is a trombone. that

is, it was an attribute of aristocratic upbringing, so the fate of the future composer was many, if few, who knows, but the world might not have heard the symphonies and operas that came out from under the pirate father. what did not want to send his son to art and insisted on entering him into a psycho-neurological institute; here, tekutsky, right in the anatomist, gets acquainted with his future wife, but sitting in a doctoral audience. he did not stop thinking about music when he picked up the right moment. he nevertheless asked the head of the family for permission in a lesson at a private music school, however. it so immediately had to be forgotten struck. the first world war and now about the famous brusilov breakthrough in the carpathians in the seventeenth year after the revolution, the baby turned out to be, well, the red red army participated, then again participated, received

, participated in battles. here but yes. and what must i say that at the same time he was with his young wife decided not to return, petrograd and now remained precisely in the bobrosk. he always considered himself a true belarusian, although he was born hundreds of kilometers from the provincial bobruisk. after the war, he decided not to compromise himself anymore, he forever forgets about medicine and sits down at the instrument. now it’s serious and for a long time it was bobruisk that became the zero kilometer of the composer’s creative path, to whom the whole country will applaud in a few years, and the tekut one begins to compose himself, in the beginning - this is music for some kind of performance guide, then the tekut one begins to work in some already larger genres. there he wrote his first symphony, which was written on

revolutionary and belarusian themes, the name of yevgeny tekutsky gradually begins to sound in the highest circles of secular bobruisk, earns money as a pianist in a cinema, gives concerts and works with amateur art groups in 1927 with full determination. he puts questions point-blank. a music school is needed. the city council gives the go-ahead, so with a light hand , evgeny tekutsky, the cultural life of the province. got a new shade. we allocated two rooms while in a comprehensive school, no musical instruments. there were no notes, no music notes at all, paper, there was nothing, again. enthusiasm is written all the time. all uh, replaced. well, it was said that these two rooms were simply painted from morning to evening, and sometimes they even came there to study in the deep deep evening. but now, when they gave

us this is our old building. in the thirtieth year. there is information that there were already about a hundred students. well, even despite such conditions, those who want to master sharps, and flat was more than enough. although the sword in those years at home, the piano was considered out of the range. vaughn, later. some of the graduates of a small school gathered full houses far beyond the borders of the country. one of them, vladimir olovnikov, it was on him that yevgeny tekotsky made a bet at one time and did not fail one of the first graduates, whom he also followed in minsk. this is our famous vladimir luvnikov composer who years was sent from our school to the first belarusian. uh, let's say the republican contest. it was very important and tins. there, in general, he took a prize-winning place, and uh, of course. he was predetermined musical life, volodya alonikov begins to study in his class, and

theoretical disciplines. and in particular musical literature, the teacher not only told interesting things, not only carried away, but his students, but interesting information from the biography, interesting information about the works. composites. well, i played a lot of music myself. vladimir alovnikov, on the contrary, was a native beaver dweller for participating in the kosciuszko uprising, the composer's ancestors were deprived nobility and exiled to an inconspicuous belarusian town in order to restore their rights. composer's grandmother knocked out an audience with the empress herself, this event, years later, will become fatal for the family. she, on her own fear , went to the temperature. i fell on my knees in front of her right, in my opinion, in the alexander garden for a walk, because the statute of limitations had long been looking for hmm this family. hmm restored part and

privileges. especially, with regard to higher education, it turned out the other way around, then yes, the thirty-seventh year, yes, stalin's. yes people died, disappeared without a trace, of course, this is the fate that befell them. here is my father's mother, it was in bobruisk that the fates of two composers crossed for the first and far from the last time. vladimir olovnikov, as if on wings, flew to classes with maestro a. the teacher of the soul doted on the promising boy. here he already decided on the choice of his profession. and it must be said that at the time of the scholar of the music school. he proved to be , uh, brightly talented, he even accompanied in the violin class as a child. here, uh, he accompanied the students and performed in

concerts, performed on the radio, meanwhile, the talent of yevgeny tekutsky flourishes in full bloom . he issues his first major works of operetta symphony and songs with a revolutionary motive to the mountain, the composer’s talent becomes crowded, he is noticed at the very top, and like a bolt from the blue an invitation to the capital in the thirty-fourth. he gets a job as a composer on the belarusian radio, writes music for programs, creates vocal and choral works. and these cats fruitfully cooperated bathed with cinema. he is the author of music for 25 performances of this theater, and he also writes music for performances for other theaters and in general. this is about 50 performances after the teacher moves to the capital. and vladimir olovnikov. after graduating from music school. he enters the music

college, and then at the belarusian state conservatory, the teacher was the continuer of the tradition, er, of rimsky-korsakov, then, of course, these classical traditions, he absorbed from the lesson with the goldsmith. but at the same time. e, vladimir olomnikov and deeply national composer. he studied belarusian music, belarusian culture, belarusian melos enough and included belarusian national melodic innovations in his work while studying at the conservatory. vladimir rylovnikov. he wrote his first work in the chamber heat. well, for example, romances to texts by valery bryusov, and three parts of the jet quartet are piano pieces, and in 1940 an open concert of chamber music was held in minsk, and in the same year it was brought to the soviet composers in belarus the belarusian state conservatory opened its doors in 1932. it was from her that the

formation of the national composer school of forging began, the talents were entrusted to the famous professor vasily zolotarev. came in the thirty-fourth year. he is a student of the roman-corean, owning the entire school of composition, and also has a writer. that is, a completely mastitis mature teacher who taught a whole cohort of our composers, and therefore this is not a flourishing. this beginning is the need to create your own such a creative basis, and lovnikova embarked on a creative track in the fate of the tekutsky, an event occurred that almost put an end to the career of a musician in march 1936, an article with a dangerous title appeared in the newspaper, and formalism,

adaptation and fear of tekutsky’s self-criticism was accused of the fact that his heroic poem for bass and orchestra burevestnik to the verses of maxim gorky distorts the idea of ​​the proletarian poet. after such criticism. composer's life. could go downhill. yes from many composers accused. yes, formalities. in uh, in that their work does not meet the demands, yes, the demands of the working people there and so on by the beginning of the war. uh, from the great patriotic war, the only thing left is not repressed. only yanka kupala can manage two or three more people. here uh, i must say that thank god here in the union of composers in my opinion, and no one was hurt, and here you need to give due leadership to the composer. yes , which, as best they could, protected the poisons, well, the

composites themselves somehow. here they lived together, they did not write denunciations against each other, fortunately as a bulk-cleansing tekuta, fate had a completely different role in store for him in 1936. he sits down at the opera mihai with podgornaya, the first belarusian folk heroic musical drama. the tekutas dreamed of writing an opera. life has been his dream since childhood, when he attended the opera house. eh, the fact is that in the best traditions of the russian school of composers, the ideals that he was brought up, it was still the creation was the creation of an opera. eh, the opera embodied. uh, various ideas that were associated with the life of the people from heroes of the people. that is, this is the genre that made it possible to make a big statement about oneself as a composer and to reflect the time of the era and the ideals

of this era. preparations for the premiere have been going on for several years for the libretto, a copy is written by petrus brovka with the young writer evgeny tekutsky more than once, fate will bring together, they are painstaking. step by step, he hones the mastery of a large genre and presents his creation to the judgment of moscow critics. the archives of our theater have such documents. i call it theater history. there are such recordings, september 1938 audition mission podgorny was attended by reingaltler samuil lynching viktor white from shimkhavorych of this entry. this means that obeying is its national repertoire. and they sanctify his great. hey, roadies. e, composer directors, which are celebrated in moscow march 1939 , the eighteenth congress of the all- union communist party opens in moscow precisely for

this forum and timed to coincide with the landmark cultural events in the belarusian ussr in minsk they cut the ribbon of the brand new opera and ballet theater on the stage of the premiere of the first soviet belarusian opera. mikhas podgorny evgenia the tekuta event stirred up the entire cultural elite exclamation mark prima alexandrovskaya in the title role, the opera mikhas podgorny tells about the fate of the people during the first world war and the great october socialist revolution , the famous marysya played in the mary party, and larisa pompeevna, alexandrovskaya and v. in general, this determined the success of the opera on stage as well. it was very well received by the minsk public and then in 1940, and successfully passed on the stage of the bolshoi theater in moscow in the first decade belarusian culture and art. the first

wild di of belarusian art in the capital of the ussr was prepared by the whole country in high offices, the composition of the participants was vigorously discussed; in total, more than a thousand people spent more than 3 million rubles on training. avito opera mihai from the foothills. i opened this decade already after the surprise premiere in the newspaper. the truth was a publication. yakai, uh, just with a bang, but it meant that opera was a witch , a significant melodic and, well, reminiscent of the same bands, let's go the most, uh, such bright, which have achieved some success in themselves, the people's opera house of opera and ballet went. uh, folk synphanic orchestras went to individual musicians soloists in

moscow were simply shocked. that in such a short time everything was just formed and suddenly this is written. i would say a feast of talents and high skill in the decade of belarusian art thundered throughout the country, newspapers were full of loud headlines, and the freshness and depth of folk art. inserted authoritative critics in batches to issue laudatory reviews in the general secretary also dropped in on the premiere of belarusian productions. stalin attended all significant opera premieres at that time, it was his tradition. he personally. eh, i listened to the performances. and in general, the opera was a great success and the critics and tekutsky e was awarded the title of honored art worker of the ussr and again fate brings tekutsky and alovnikov together. on the first

belarusian decade. the first work of the young composer is heard in moscow. his play was performed in the small hall of the moscow conservatory. that is, this is how it happened fate so she led them along the line in parallel . hmm, a young composer, 22 years old and already you can say the master representing the belarusian opera art in moscow composer tsikotsky tekutsky received the title of honored artist of the bssr the name of the belarusian composer suddenly swept through the entire soviet union and this was not the last fateful premiere in the life of tekutsky, but

plans, like a few decades ago , again crossed out the war. today, june 22, 4 o'clock in the morning, without declaring war, german troops attacked our country. the war divorced the fates of composers. june 22, 1941 vladimir olovnikov will remember all his life as a terrible dream on this fateful day the composer. passes his last final exam at the conservatory and goes to the front. and lovnikov very clearly declared herself on the eve of the war, a creative evening of a young composer, a graduate of the

conservatory, took place, and with a diploma work, of course, peregolovnikov opened up a very promising path, and further composing, but promotion, but ladles go to volunteers for the front, what is his feat? well, we don't know. well, probably a sincere conviction that this is exactly what a real soviet person should do, a real guy, a man. so he did not think that he should be a musician. he believed that he should be in the place where he was needed. colleagues tried to dissuade him, and the mentors achieved the transfer of lobnikov to evacuation. however, the composer was adamant. he had an armor, which was organized by composers and i, in particular, was a goldsmith for

the most talented figures of belarusian culture. it was a reservation from the military registration and enlistment office. he was not able to be in front of you any other contribution. and he would not be satisfied with the internal ones, because these first terrible days of the war passed, and he realized more and more that his place in the army was at the front, that he had to physically shoot the enemy to liberate his homeland, only then some kind of art would be needed in particular, his art as a composer. he told us that he walked from minsk to belgrade. infantry. well imagine how in a song. i was in europe more than that with the last exam in composition. he asked the twenty- second of june 1941. and how long have i studied composition exam. he always

appointed june 22, and he told me that in the morning he was perfect, he walked along those streets the way he went and the exam at 19. in the first year, he walked along difficult front roads from the first to the last day of the war, he participated in the defense moscow liberated romania, bulgaria, yugoslavia and hungary victory met in austria but his own. the main thing, the life purpose in creating music, he hid on the back burner, did not write anything. no , as if the war slammed some doors of his soul did not allow. there is no such thing as mocking this feeling in musical scores in the form of sounds only after the war , and not just once. he found a piano, he reached for it and was not bending partner

gunners. played on that pathetic beethoven it made a big impression on everyone. the composer's honesty and integrity were like a thorn in his side. front-line comrades were remembered in front of the eyes of the high command, and lovnikov was not loved for open disagreement with the ignorant orders of some generals, who sometimes sent soldiers to certain death. ordinary people soldiers. the desire to protect and protect the military from unnecessary unnecessary risks, contrary to the opinion of the head of the military mechanic, this cost him, of course, by the fact that he was held back. although he has military

awards, of course, the very rank of his captain of the guard in which he graduated. this says a lot, and he was very proud of this during the war years, yevgeny tekutsky, on the contrary, passed in a creative way. in the forty-first, he went to the crimea to work on bell's ballet, the war took him by surprise to the sound of cannonade. he is trying to return to the belarusian capital, where his wife and children have become, minsk by that time was occupied by the nazis, the heartbroken musicians are sent to the evacuation for several years instantly, the composer who sat in jail spends in ignorance chewing the family out of a protracted depression. he will be brought out by a phone call from the tekutsky urgently summoned to moscow, the party faces him a new task to create an opera about belarusian partisans, so the story of the

military folk drama began the fact that in 1942 there was still little information about the tekut partisans already at forty. in the third year he is completing work on the clavier at that time, he is in the city of gorky in gorky is then in evacuation. e corpse of the minsk opera and ballet theater and jointly, e with a corpse. eh, work on the opera is already beginning tekutsky does not find a place for himself thoughts about the fate of the family are haunted, finally, the belarusian headquarters of the partisan movement receives a task from the white stone to find the composer's family. to save them , real special operations are launched with the help of underground workers. the family was taken out of the city. so it turned out to be a partisan detachment somewhere in the forest. they lived there for six months. then

a plane came after them and, uh, through the front line, the whole family was transported to moscow, meanwhile , work on the opera is in full swing. in the title role, the brilliant larisa alexandrovskaya old-timers recalls the music for the opera, the composer wrote, rely on her deep chest timbre of voice, and the director was boris pokrovskoy, famous throughout the union at the beginning of the war, he worked at the gorky theater and it was he who sheltered him in his years evacuation of the minsk, acting director boris pokrovsky, these procedures for this opera, and he climbed out the lid, but only went three times why the artists, not steaming, uh, you are the finest costumes, do you want to see through the fig costumes? what does inshasuits mean, and the artists pass him too, they messed up that yana a

got through the accompanying costumes. what partizans went to were so imbued with the material and you were talking about what the yanas were drinking, that the yanas showed on stage, that the director had to wait until the summer of december 1944, minsk was flying around the news about the upcoming premiere of the opera , it was hard to believe recently, the liberated belarusian capital lay in the ruins of the streets are littered with broken bricks. building destroyed water is supplied intermittently. the sewer does not work. the war is still going on and suddenly there are operas, since the opera and ballet theater in minsk was destroyed during the war years, it was impossible to stage the premiere of the opera olesya and its triumphant premiere there. it took place on december 31 , 1944, and on the stage of the house of the red

army, the audience, of course, received the opera very warmly, because this event, which was just taking place, the opera caused a wide response. this stella is a real sensation. opera olesya is a poetic emotional performance filled with intonations belarusian folklore. for a long time it did not leave the stage. as the years passed, the performing staff changed, the opera demanded a new understanding in the fifty-fifth. after the revision of the performance, already with a different name, the girl from polesie again went to conquer moscow for the second decade of belarusian art. after another triumph, tekotsky returned as a people's artist of the ussr, this is a theme that gave the war, it is not some kind of formal order, but found from the heart composers, they felt the need for self-expression nothing like it in the west. of course

, it was not created. and in this case, uh, all soviet music, including belarusian composers. of course, they gave a lesson in the steadfastness of the courage of their creative consciousness and spirit after the war period became the most fruitful in the creative and public biography of the composer. after the war, tekotsky works as a teacher at a music school, raises from the ruins of the belgo with the philharmonic, which later headed the union of composers of the bssr in the fifties and despite the huge administrative work does not stop writing. he had such knowledge as people's artists in the ussr, people's artists of the ussr and in. in principle, this person is one of the main ones. in the belarusian school of composition, he is also the founder of the belarusian national opera, uh, and he made a great

contribution to the development of the belarusian musical culture of the 20th century, a tekutsky. e-e composed music in different genres. he is the author of six symphonies and wrote a number of compositions for the belarusian folk orchestra, as he was fond of folklore and it was in the orchestra. he was the author of a number of choral compositions, chamber compositions and songs, that is, his creative heritage is very extensive. evgeny tekutsky russian nobleman. the son of a rear admiral, a soldier of the red army, became a classic of belarusian music with the work of a composer, did not part with his last work until his death. he sang to finish it , by the way, he had another one. uh opera. he created the main gromov. yes, but unfortunately,

he had a very, yes, uh, severe form of diabetes, already an illness and an unexpected death. the men prevented the completion of this work. the opera was never staged. the creative rise of the post-war years was also destined for vladimir alovnikov forty-seventh after demobilization. he changes shoulder straps for keys and gets a job as a teacher at the belarusian state conservatory. front-line experience will become the leitmotif of many of his musical works by alovniks. sacredly believed everyone who accomplished a feat deserved to be glorified. the first song of his father was a song about the date, being a young composer completely unknown to anyone. he got bold.

show it at the union of composers in moscow and and they all really liked this song they asked where did you get this beautiful call from. and most importantly, it was adopted by the famous song and dance ensemble of the soviet army in one with this composition and also with the song about zaslonova nova , developments on a military theme, although it was written about the brest fortress. well, in total, in this thematic cycle there were more than 40 works of such an epic century of a dramatic nature and for songs on military-patriotic theme in 1982. vladimir lobnikov was worthy of the gold medal named after alexandrov, there was no need to guess. what kind of music is needed for war-torn people, he saw everything with his own eyes and felt with his heart his sincere melodies were taken to the

depths of his soul. the forest song anthem partizan wrote his melody to the verses of the poet adam rusak alovnikov after the war, the composition suddenly fell into the category of favorites by millions and went to the people. once upon a day of victory. some of the frontline. i even argued with the composer, saying that they sang the song in the trenches back in the forties. well, on may 9, it is clear that a participant in the war was going to make a banquet. e in honor of the victory. and now, well, it’s clear, after the first one everyone is silent, after the second

one starts talking and you can’t stop anyone. after the third, he begins to sing songs and suddenly everyone sang oh, the roads of their neighbor. well, how did i give? what did you give? well, what is this song ? of course, i wrote, i'm a composer. so i wrote this song. what year is he talking about? yes, somewhere in the early fifties, well , something to tell me more, i still sang in partisans. that is, it was so popular. eh, the song is that, even in general, the people who heard it, in the fifties were convinced that they knew this song,

and since the war, polovnikov was not at all embarrassed when his music became nameless against lavrov material awards and public recognition. he staged human love, his songs echoed through the hearts of millions forest song, but it became a folk song and it was included as a folk song in the ontology belarusian folk song satovich and indeed many songs, but lobnikova contains for himself some kind of folk, this is a nation, and the chant of e. some kind of folklore melos is specific, uh, and in general, this is typical for his music, his military songs are classics, not only because it is a sacred topic for everyone who lives in belarus, but uh, they are so perfect. eh,

here, we are directly the teachers of smolsky. he told me that there was a trade embankment on it, in my opinion, it was called yes, places on the banks of the svisloch, and there was a two-story house of the composer's union and all the composers lived there and vladimir vladimirovich was his neighbor and he heard how he composes his songs, and he says he could over one turn of some kind. here are the best voiceovers. and whose better combination he could sit all day after several years of creative downtime, and lovnikov catch up lost in the fifties from the pen of the maestro come poems for a symphony orchestra. partisan dust and naroch kriti. they will unanimously call them masterpieces of the severe style, and the all-union melody company will honor a separate gramophone record once over and over again the composer gives out immortal compositions. dear,

my, dear, national brand, millions of belarusians woke up to the music of alovnikov, the song became the call sign of the belarusian radio, and minsk residents remember how the chimes of the capital's main post office beat this melody. once an hour, the song resounded throughout the avenue in the early seventies, after the decree banning unnecessary sounds in cities, the clock fell silent. the song was twice nominated for the national anthem of belarus, but the composer refused, partly due to the poetic text of adam rusak. uh, he was always perceived by his father as

an artistic whole. it cannot be. there to cut it somehow to change even in order to make an anthem, he did not want a feeling of the highest respect for the poet, and then, uh, in addition, he said that she was by nature - this is not a hymn at all. it's just rosie's diet song, second point. i think he didn't talk about, i guess. it just seems to me that he wanted this song to be sung and yet alovnikov became the author of the anthem, but not during his lifetime in 2001 a minske's song to verses ignatia pankevich won the competition for the best composition about the belarusian capital. my

raven is my city my city is a hero patriot musician did not bend over the glory of the writer of national favorite songs. he had enough. i absolutely admire the song about minsk because this song is about some kind of eternal youth, some kind of elation. e about enthusiasm. this song always delights and pity that this song? here we only, as it were, hear only during the holidays. that's because equal songs. here in this attitude to the city and in general in the country, probably, is not in the sixty-second vladimir alovnikov is appointed rector of the conservatory, the time for composing work is getting less and less, he gives himself to pedagogy maestro taught the

composers' most difficult subject harmony, and students knew his uncompromising demands firsthand, some under the doors of his office out of fear, almost fainted classes with him sometimes brought, it would seem already available requirements. eh, everything. greater and greater perfection infuriated some. well, even with an example solving a harmonic problem is the same problem. each brought a new solution. well , your decision. here in each he found the best options, and it seems to me that he had some more ideal option, this is which no one could ever reach his main postulate. this is what he started and immediately announced to us that a student is not a vessel that needs to be filled, but a torch that needs to be lived. well , he ignited his very specific methods. sometimes our older comrades were cruel. the young men first drew us a terrible

picture of alovnikov's lessons, then they calmed him down and endure. the main thing is not to cry. and catchers hate girlish tears. the main thing is not to cry, so there were only three of us, and two of them were girls, which means they started this with him. uh, underground struggle, he will ask us 7 tasks, and we will decide, we passed not only without replacements and no offsets. we knew even without negative ratings, strict and conservative sluggards, did not like truants and unscrupulous students. i said goodbye to such people for a couple of times, but to talented students. he had a special relationship. if i saw that a capable person let him make a mistake and gave a second chance. and those whose financial situation left much to be desired supported from his pocket and gave out scholarships and could also give out scholarships. but

you see, he never had such an unambiguous act, if he did something, he did it educationally only evaluates. after all, he even has a pedagogical reception. here he is working on some e task. here it was not built in order to emphasize mistakes and give marks that never happened. here it was necessary to analyze the error find solutions. and now, to provide the opportunity to correct this error , to provide yourself to reach the desired solution. this is his method of going to some competition for vocalists, and in the amount of background he adored is obligatory. he invited future e. for example, glinka's competition was filmed, and he gave everyone an envelope, and that was money, because, well, it was

difficult to live for 2-60 days. here, so that we do not starve, there he paid his money. here vladimir alovnikov met love with all his life, a young, promising, student. larisa ilyukovich. she fascinated the composer with her beautiful soprano, they did not part anymore , she is a student, and he is on some. and combined she had a beautiful soprano, well, that's where they met. now even their life has already developed, in principle. for a very long time, larisa likevich worked at the philharmonic, gave concerts throughout the ussr throughout the ussr, and she also advised the vocal department at the minsk musical college of the miglenki. now this is a somewhat musical college and not glinka's spouse the composer read that he devotes little time to his family, a son was growing up who decided to follow in the footsteps of his famous father. igor olovnikov people's artist of belarus his name

is well known in musical circles, the pianist recalls the famous father. i never gave him a break, but they didn’t think that he should help me in any way. and, unfortunately, all the people around thought that it was so. yes, i did everything myself, one father raised me. he says what is good, what is bad. i studied in moscow, he came to moscow territory. kulikovo, he went to the monastery, the adoptive was immediately delighted in the family and became a champion. you probably want to talk about your son, and the father uh hmm said that i'm not even going to evaluate. i just came on business. it was a shame when many people thought that i had achieved everything, remember your dad, honored artist of the bssr alovnikov, despite his title and status, he lived quite modestly, no official cars, dachas

and other nomenclature benefits. didn't want to feel special, he didn't get perks because he was afraid that even the slightest hint that he is using his position about what? this one was this morality was m-m not connected with the communist ideology. it was purely human morality. here he was a man. therefore, we did not receive any benefits, even where we could have received them. he resisted the issue. it was the worst sin in our family. if you take something as a rector, he occupied 20 years was a member of the central committee of the communist party of belarus and a deputy of the supreme council the composer made a huge burden of duties and never treated them formally for students built a hostel in those years, the best in

minsk at the site of the future construction was the private sector to decide. where to relocate people also had to him, and everyone was a party. as you know, at that time the rector of the communist party was in charge of everything in the museum. any boy , an instructor of the district committee of the party, could come here and tell him what to do, that german guns were looking into my eyes. do not think to intimidate me, therefore he was respected, respected by the big bosses, respected and feared. and, of course, some things were very difficult for him. he was worried. he said that, of course, he had to go, maybe even to violate some kind of party discipline, but no one knew about this, he says that sometimes four to five party reprimands hang from me a year. so raikom is asking me. well, it

’s like they don’t care about this, but it ’s still, uh, hard for me to live with this, for a person who is accustomed to. to diligence, pressure from officials he sometimes had to withhold no less than during the war years from the general more than once he was taken to intensive care straight from his office. hypertensive crises. the heart attack crippled the composer's health. he was the rector of the conservatory for 20 years. this is very serious and he gave. uh, there are so many health forces in this institution, uh, including, i remember that sometimes, for example, an ambulance suddenly arrives and takes vladimir vladimirovich out of the office. and he sits down, well, an ambulance goes to the clinic. uh, i mean, he doesn't even

feel well, he's still involved in conservative issues. first of all last composition of vladimir olovnikov. from poems of partisan poets to his own philharmonic concert, he was no longer able to get it became more and more difficult to walk vladimir olovnikov died in july 1996 vladimir vladimirovich alovnikov. so brightly fully displayed. here in these, well, small. that's even the number of songs embodied the whole idea of ​​existence. you see, uh, human existence at that time in that society. here it is without embellishment. this is without any false pathos. here, well, so bright that everyone believed that we we live like this two fates two different stories and

glory is one for two and each has its own how many hundreds composers the radiation of etikotskaya or alovniks is unknown the phenomenon of both, remained unsolved and only melodies from notes long learned by the heart, now and then pops up in memory. and as if they are saying, they are still among us in amazing music, what still sounds in careless notes, note- books and in children who were once shown, how in fact the heart can be seen what is hidden from others. another sun

a regular meeting was held in tashkent ministers of defense of the member states of the shanghai cooperation organization, the event was attended by the belarusian delegation, which was represented by defense minister viktor khrennin, in accordance with the agenda aside, exchanged views on the challenges and threats to military security and the world to neutralize them. the minister of defense of our country brought the position of the belarusian side, gave an assessment of the state and prospects for the development of regional and international security at

vdnkh in moscow, an updated belorussian. pavilion at the beginning of summer. the future of this platform was discussed at a meeting. the president's goal is the effective promotion of our products. after the renovation, the pavilion radically changed its format. now it is formed in the uniform style of the square. belarusian brands are natural cosmetics , environmentally friendly products from belarusian flax technique, as well as food products popular with russians from dairy and meat products to cookies and sweets. of course, i would like the costs of this pavilion to be bought very quickly within some short period of time, but really. now we are not discussing the categories of return on investment within the framework of the pavilion, because it is necessary that our visitors and traditional new ones. well, after the pandemic, the number of people will probably increase at all exhibitions within

our pavilion. first of all , they found out that belarus is precisely from a new point of view, and i think that by the end of the year, we will probably see what numbers are being obtained, some proposals for changing, perhaps some moments and then we will probably be on an economic financial footing. more belarus continues to implement steps aimed at strengthening good neighborly relations with the citizens of lithuania, latvia, estonia and poland, one of them is in establishing a visa-free entry regime for representatives of these countries. who have roots in the republic or are ethnic belarusians pardon the procedure for issuing permits.