do not worry in front of me all the bears worry in the forest is not difficult and the most important thing to remember. and what, maybe, right now standing somewhere people are now replacing surveillance cameras, how beautiful people are, how beautiful, watch a good satchel and belarus with svetlana borovskaya on our tv channel. for real lovers of the garden and the garden, whoever you come to visit, everyone will find something unusual and very tasty. we are setting up an experiment. if he also does not want to get a harvest early. so you need seedlings. if you can later just a grain, we share secrets. it’s a little bit inside, if you look, it’s a light light pink, it’s like it’s made of porcelain, we enjoy the result when you come here and every time something incredibly kind and good happens, then the tomato is ripe,

then the apple turns red. it will be 100% sweet. even. she is also a super-vmc tricks of gardening science in the dacha program on tv channel belarus 24.

2020 dropped the bowl on the shaft, butt. orsha sculpted dogshino polotsk postal gorodok rason shumilin geography is wide. eleonora zenkevich is a master of straw weaving from the

city of braslav and not just a master, but also a zaharchik of the museum of precious culture, by profession a teacher of chemistry and biology, and by recognition poppy. eleonora vladimirovna, mentioning in the nineties the independence of the grabudova pyramids of the renewal of the national idea. thus, in braslav, in 1990, another year, a house of ramyovstvo and a fence of an applied folk bridge with straw weaving was opened. i went on maternity leave vacation and during maternity leave , the director of our local museum, galina stanislavovna podlyan. she decided to open a

house of crafts in braslav, an employee svetlana sent to the vitebsk medical center for courses in weaving salon. you're probably somewhere in the winter they held the first set of students. i was among the very centuries. and then galina stanislav says, well, that's it, come on, you've already learned a little to teach others. you have been in a hardship for the nineties after the collapse of the soviet union. and technical schools shmathos, they left their mentoring activities due to small cuts, and solomka was available head-to-head

free material of the river; maybe it was not just like that, as if i were always with my husband, with the artist, let's say, yes, and we had such an artistic environment as a parent, mother, mine was a needlewoman and grandmother, and i constantly did something, even on plein air went and drew, and knitted there. sheila was doing a lot by that time. over 30 years of the walkie-talkie, eleonora vladimirovna avolodala u simi with waving techniques and methods of straw weaving, both traditional and with participants, however, most of all, the master groans, pink cats, tsukerny and kuferka for cutting down their decorative objects and the

skill of growing twisted weaving from five to six straws of holy weaving breaks off to already know a cord for a certain meters and then the urous form is sewn together. it is taken there, for example, five solomin, which are tied to some basis earlier. it was some kind of vine wand, yes, a now there most often it is used a wire or a knitting needle, which is simply braided in a circle, the straws are bent one straw is taken through two, the second and further through two and so up in a spiral from the bottom up. so, such an openwork golden lace is created for twisted braids, the first knee is used, the one under the ear is the thinnest, it is the longest. e, that is, naturally,

it is necessary to increase it less. they are so often. volga reut people's master of belarus live about the city town and practice at ramenskoy's house has been weaving straw for 30 years and she makes yak millions to the soviet union whose youth spent on the dashing nineties so itself joked into the expiration of heavy pyramids. institute volga leonidovna tore off the diploma of a

mentor of shaky classes, however, how often did pasha not have mentors from rashi and engineers after the collapse of the ussr, and then he knew the straw was pulled out. she worked in three places and worked as a teacher at school , and at the same time worked as an artist in the library. and then the house of crafts opened, and now i work and stayed in the house of crafts for 30 years the practitioners of the masters appeared from each other , learned from each other, because, well, there was no literature, there was only a book. take a simple straw according to the book, well, basically they learned from the masters how and what to do?

the catfish is one of the oldest broken weaves in the pre-war and ambassadorial military watches, the temple master in the main men for lisa fucked men's drops. weaving new the pies of the workers of solomin were the openwork catfish, and the two-sided round dance. master. volga choreot went further and openwork speech, catfish under the slut to grow up at the weaving show. and the will has its own foot from alyush, and she scored on the deputy of the father. in the year 25, volga leonidovna drowned and wanted these brilli. it seems that

mshinsky is so plush chopped from a whole straw. perhaps with his wife. lyaya, half-forward, such a head-cut, my stripes need to weave 20 m of toothy shavings, and then sew it. for 25 years, volga reut has made money. kohl the glass is gone, and the overgrowth treat the wheel multiplied by 20, then 2.000 m of catfish are torn off. here i am openwork, here is this hat i insert a beautiful openwork. well, this is, as it were, my author's technique, then, well, the forms themselves are the forms, uh, weaving is traditional, and

i can already give different forms, for example, i take some kind of make or a fantasy hat, like everything is possible with curved fields. today they fired hundreds of teachers and followers, where i’m up to a tall skin year, i’m on a fee, an allotment of the slavic bazaar, vitebsky leonidovna, getting along personal exhibitions and for everything behind the pressure inspired romesten yurmashes, seminars and a master class. i weave from straw ribbons into catfish. sasha weaves a catfish out of a whole straw. it is much more difficult to weave in turn. first

, two right straws work, then two left straws and our task is to braid first one straw back and down between the second straw, again goes back and sideways between the straws. thus, a clove is obtained for everyone, of course. yes, well done. rye and wheat and barley and oats are in business, straw is in business, just for different and with one they weave and with another application they make some beads from the third, from the fourth they make spiders. in

our program, only the most pressing topics and questions. let's figure it out. why do we need these psychological superstructures. what are the boundaries of our self and where are we real stars and experts psychotherapists, in fact, i am a well- deserved artist. i am a very bad artist. well, to me very many consider it strange and crying. yes, you see. and he will ask around in the street. i thought, what if i suddenly have some outlines for the crown appear, it means that my talent has become less than it is; they will teach you how to safely resolve any conflict situations. we continue to dislike. i'm not insisting in any way. watch the program to understand and neutralize on belarus 24 tv channel. look what you found. look,

pupils of the orphanage and family home of lumps at the food fair in moscow you 're at home. well, yes. tell me if you have there among the boys, someone has a scar on his leg, i'm still a boy. disappeared 14 years ago. why here? listen lady, my advice to you is to leave. out of here and stop sniffing around. here in my house no one has the right to do anything behind my back. it’s clear if it’s really anton, we need to somehow take genetic material from him, well, to do a dna analysis until you tell us the truth about kirill and you really my father, watch the series scar this weekend on belarus 24 tv channel natalya

serzhankova master of salon from the village of shumilino, 23 years old zaparina, not letting go of the salt shaker, a scar a variety of spiders throughout the whole time. it was interesting to me still, the traditions of our region were interesting. and i went on expeditions with the head of the club of masters to the old grandmothers of our region. and then i found out what

we used to have associated with salomka. and so they told me about such miracle spiders, which were traditional for our shumelinsky district, the master we visited was sokolova yes, not timofeevna, she showed her spiders hanging in her house. they were, of course, very simple, and, you know, they were decorated with candy wrappers, as she told us that they just hung them in the room as a decoration. and here's how a talisman for the home. natalya serzhankova by profession kravets however, sometimes she sewed fur coats to visit the folds on the weaving itself, i wanted more straw than threads and cloth and finishing. at

the end of the nineties, natalya serzhankova came to practice at the shumilinsky house of crafts because of the table about tsoi. only from the life of straws, it seems that everything is high, and his knees are long, which in the film is urgent for weaving. for our area for shumilinsky the traditional rhombic spider is just four - uh, such a square based on a square rhombus. yes, it is the same, all sides are equal. here is one diamond. here it is at the top and then there is an expansion to it, and they are all the same rhombuses and are not needed here, different geometric shapes. the spider's hat is made from identical rhombuses. they can already be decorated with some kind of triangles from a spider, you can already decorate them with elongated rhombuses, but this already comes later as a spider decor. spiders

climb in two ways, pyramidal and rhombus-like at the base of the rhombus-shaped paucal live the central rhombus. to what extent all the rest of the rhombuses are matted, the coldest in the salt spider is its base and raspberry spiders. what collapsing minovito yana papaveria all sorts of webs collected energy from lightning for a year? i used to read that sometimes, when people with negative energy come, spiders behave incorrectly, i didn’t see this, and it seemed to me that these were fairy tales, but then you understand, i had such a case came, an excursion and you understand became here one spider man, and he just started spinning like that, so wildly

you know, she this woman left, and he stopped everything. acquaintances tressa khudyakova people's master of belarus amal 45 years old live at novolukomle for this hour. i didn’t teach technicians how to break weaves for more than 200 in the ear, straw as if i was overwhelmed, you can say at that perestroika moment, that is, from the ninety- second year. i'm already closely engaged in the straw perestroika period. we tried to find material, one that was free

cheap. that is, you could go to the field. we pressed straws in those days. we're behind straws even to the point of scissors. i am the founder of the butcher school of straw weaving, she was born in the postovsky district. i e great-grandfather was a potter about grandma and mother. thus did you slaves spit out themselves from a straw of tress. khudyakova died of whiskey, the pedagogical institute, the masterful graphic faculty and protsevat mostak to designers, packul , the soviet union did not fall apart mining. from this, stepanovna worked out almost her entire conscious life. in general, she is a teacher by specialty, she is a primary school teacher and from the first days, as

soon as we appeared in the new meadow, weaving herself. she was in the forefront of our student and already, as i understand it, about 20 years old. she is engaged in whole weaving. take one straw horizontally. this is in order to weave any leaf, the beginning is like this, which means we take a straw horizontally, then at an angle to the right. i always tell my children this is how we make a bird. here we wrap, we get two guide birds, then, so that the kids remember, we wrap it back. here the little man turned out two legs and two handles further. eh, we turn this straw again with the right handle and lay it out on the next, lying path. this is the basis for any leaf. and solomka yes helped the master hemmed

with a selection of great slavic cells from what was good and went for sale on meat kirmash. so zarovlyalis about living pennies. so thousands of former soviet mentors hoarded for life and fed the family. i really liked flowers, and i always made them with pleasure. i have a lot of different ones there, for example, a dandelion is also such a beautiful composition, so i made a fern flower and specially for the slavic bazaar. e, the flower of the slavic bazaar and somehow made our e, the symbol of belarus, the flower. i have redone thousands of these colors. all known types of weaving. i have used in my work. this and spiral weaving is and, uh, catfish. this is a flat braid of

this pigtail and pigtails in different versions. braids with fiston are also intertwined on one side and on the other. if we take dreams of straw, then with each psalm. we are interesting in our own way, that is. eh, plump straws are more thin, delicate, you can make a ring from a thin top. and you can make a beautiful big hat. the festival of folk bridge since 96, and it’s a skin summer is a direct inheritance at the festival slavyansky bazaar in vitebsk, i’m not only children, but i’m not only children, but i’m also congenial people, some of them will be for years gurtok, according to the weaving of the chashnitsky house, for 20 years they have been getting everything to remember and talk about, and behind the words and words

, golden salted coopers, droplets of the cat's cage, are born. straw is a material that has no boundaries, that is, human fantasy. i understand that it can develop to infinity, that is, this material is as elastic and plastic, and if a person comes up with new options, then you can do a lot of different useful things.

khudyakova hemmed to reflect the straw weaving in the nineties, one master knew, butt. this is zinaida eliseeva . we began to deal with the stress of gigolos , the revival of the salon, weaving, her mother studied at a polish school. showed her the whip. and to me, too, my mother studied at a

polish school and showed me this simple gear. then i went to courses, where glubochevskaya studied, brought some knowledge from there, and we began to revive straw weaving, making these huge flowers. and even sold to get out of the situation. god it all started with the fact that the collapse of the union was a question. what is the meaning of life is some kind of nonsense. all my life i tried to earn something, there were three children, i traveled and traded and sewed under a patent, and everything was missing something. so i went to church to find out what is the meaning of life. after the collapse of the soviet union,

zinaida solomka dug out the ayets herself, and zinaida sergeevna sewed on broken salaries for orthodox icons. for 4 years i led a sunday school on a voluntary basis, and on this day, when they handed i saw her certificates on the wall, that someone brought an icon e in a wooden frame, a very old beautiful one, when i saw this icon, i decided to try and make it. uh-huh rahunka 500 formed with their 260 judicial weaves and straw cages. she is near the beautiful mother of god, dear from here the creator of sergei radonezh seraphim of sarov and many saints. at first, i simply decorated with flowers, i looked at ancient icons, how the icons were decorated with frames, that there are also

plant elements. it so happened that i ended up in the hospital and next to me next to my bunk. uh, the woman has an old book on her nightstand. the legend of flowers. i, of course, became interested in the letter. i’m even there from there, as if someone had pointed out to me this, that it’s what i read lily of the valley came from the burning tears of the most holy theotokos yes, she paid, she mourned the cross standing on the crucified cross and then i came somewhere, i don’t remember, that unexpected joys adorn the mother of god with lilies of the valley, and polotsk forgiveness, which means that lily is also, according to legend. it is a symbol of purity and innocence. salon icons with salaries of zinaida eliseeva they respected one of the ethnos and the bridge confessed at the

exhibitions and it turned out that zinaida sergeevna was old, not just wickerwork, but the salts of solontsy mostatsky kashtonism. the salary should complement in no case do not overload the icon. if you look at the cone, the icon should first stand out, and the salary, then it complements it, as it were, and now the straw does it very well three times. i've been trying to quit this job for over a year now. and how i leave. my hands are starting to hurt. my fears, weaving not only decoraton chiselled aesthetically ali’s pattern and inventing her author’s techniques and new elements of straw , zinaida sergeevna laughs that some of my stream skills copy her author’s weaves and pass them off as their own in several ways that zinaida eliseeva tore off the highest one.