yummy, read my thoughts. i also wanted to say that he was so smart. such a soft oven crushed his right on the statue , too, it smells like mushrooms, however, the tsybulya tsibulya is an exam, and the carrot is without the murk, but not me, by chance the super carrot. there he fell down and boiled and drink me perhaps fly away. i was in the kitchen for court, looking like pravda velmi-efficient, savory, waiting for you, healthy, just as cheerful, sleeveless. thank you larisochka for coming to us. even if it was scary. i watch your program. i love watching your program. i am i throw everything, only your program will find any kind of shira alena vartan sleeping before you hello hello what happened? oh,

she ran, running so hungry a whole herd of mares. i would chase me. oh, she ate the worst one, let's look up to the behchik, yak you otrevalsya steering. yes, i suggest eating. so florisa oh, i just froze, i just asked the fishing rod, opa what a beauty oh thank you. thank you. let's try it ourselves. but do you choose the seasonings for this roll yourself? i want to try it without any sauces . yes, i hear it myself i listen to the cob without the sauce. although hell. i

love terribly. so yes, bogdan, i congratulate you. i you also managed very tasty mushrooms. and at the same time, fragrant and mushrooms and carrots decorate. i am so happy when we get some kind of your next recipe in belarusian cuisine. larisa thank you very much, bro. thank you very much for science. and thank you. we are ending. we say goodbye for a short time. as always, we will come to your homes very soon with new unique recipes, primordially belarusian dishes that you enjoy with us. cook us modern kitchen. cook with us. cook with pleasure gentlemen. praise yourself for these herbs. belarusian military all the best to you and goodbye.

honored artist of the republic of belarus vladislav misevich is legendary, she does something for sure. it is possible, but not surprised

it turns out, not in vain. well, how can you write in such a way to connect such a titanic corpse and everyone has their own perception, so to speak. everything is fine. this life doesn't even work. i'm already thought. i already want to say something, write something, do something. in this regard, of course, it was difficult, but the joy of the fact that i really understood that this was not just a scholastic enumeration. here's what i do. i want to give people your memory in order to say, so that all these artists remember wonderfully in their time. now vladislav lyudoevich said, indeed, it was their stars on the street that they recognized them and took their autograph, and i ask you to note that it was long before the songwriters, but now they no one remembers, but that doesn't mean we should forget. here. well, i wanted to, i understood that if i didn’t do it, then no one did, because behind every photograph there is a person, his soul of his work, and when you

understand, the salt that has already worked, that only she can express it with her own language olga just enjoy reading. mom taught russian, literature, the school was right next to our house, and when she walked by the hand with her mother, it was impossible to walk around the area . hello lyudmila, my mother loved music very much . i was about six years old, probably five years old, friends gave me a seven-string guitar, knowing that she could play it. my father, when he was a very young child, had the flu, and he was given a flu, it was harder on his ears, he was deaf. but, apparently, he had some kind of inner attitude towards music. he

felt it, he heard it. that's how it is inside myself and i will never forget the scenes when these are the end of the middle, the seventies in evening minsk in saturday editions evening places usually published such songs on the last page. that is one line. here is the local one. some chords and verses, and in one of the issues an incredibly popular song of towels, which was popular at that time thanks to the pesnyary ensemble, and my dad cut out this leaf, was published. and so he sat drinking it, of course, he did not hear this song. he sang it in his own way, in his own way. but this scene hit me so hard. here is a memory of how we deaf father did not hear music. this is the music he is trying to sing. you know so far somehow that's right to tears, probably, something like that was predetermined and the fact that i was still sent to this music school with a musical bias, more precisely, it was quite far from our home. i live on kolenovskoye. and so i went. i even had such a duty

trolley bus, the eighteenth one, it was always crowded, like these herrings went out the window and went to school already. this is where our choir stood and this is where it was about . i'm always here, here i stood in the front row, and i've always been like this, so i had such a program always holding it for back and when the next work was performed. this is how i took a step forward and said chichkov words. ibrya his morning and take a step back. and here the audition, in my opinion, even took place. here is my first, when nikolai ivanovich ulyanovtsev said, i take you all in 72. it was decided for this school that it would be with a musical bias and a decision was made at the last moment. and then nikolai ivanovich, he then went to music schools in minsk and selected these children

who did not go through music schools. here i am imagine if you didn't go to the ninth music school. for me, this is my whole life, as long as i live. i think how could i have absolutely hearing. i am not saying that this is my virtue. it's simple. well, like a mole, like, you don't know, some kind of stain. well, this is already a property of a person, and how people didn’t decide that the child has absolutely hearing, i don’t know, but i didn’t go to this school, but he. that time in the summer it was seventy- two. here he is, he just needed to urgently take the children urgently, and he called my parents and said to bring the girl. i will listen to it here opens a school with music. well, that's how it all began, my godfather, dad nikolai ivanovich ulyantsev. i think that's what the children will say. eh, who passed through the throat of a cherry. olga brion, a very famous musicologist in belarus, studied at our school. here i am, standing in the front row.

yes, my god. yes we were, here we came to this school. we were the very first in the music school. here i am, yes, we are in dubna. yes, oh, moms. this is our whole class too. everyone ours, nikolai ivanovich, you remember him, do you know anything about him. this is the founder of the core, cherry, the founder of the music school in general, 115, thanks to him a lot of graduates of the 115 school became musicians, in the seventieth year they opened this school here. er, it turns out. well, some old buildings and trees were demolished. they weren't there at all and they decided to plant them for sure and we ate these cherries just cherries. here came such a name, that cherry is that always alive, that she is always making noise. i am a barrier, and

you are ready to test your knowledge in the company scholars of our country.

well, ira is spinning, then throw it away, it will give up this word will help them speed, thinking, luck and dexterity early response, if anything, well, this is lightning. we think that this is the husband's sister the husband's sister you all think so. and you probably didn't even think about it. i said oksana well, that's it, watch the intellectual entertainment project tower on our tv channel. we are going on an expedition along the patches of our blood 238 km to captrap friends from a cross country. you're ashore on their passers-by at the same time in the lake. yes, we follow her story meaty images magical ritual idea seeing off the mermaids about them give them walks rich in weather. about what a mermaid and something demonic and unreachable for a person. we will give russia to the second traditions a new inhabitant. i will

look at the project for the fifth minute on our tv channel. i didn’t want to go to the music school so much lower, i liked the boy in the ninth grade, that i wanted to continue studying at school. i was in the eighth ninth and then want to still like it. but the teacher says, you should go to a music school. even if you cracked. i understood that there are children who dream

of entering, dream of going there, but i didn’t want to, but i knew that i would do it, because everything was easy for me, and i remember how we were driving. see these lists. i saw myself lists came home, and i tears three streams or why do i need this school? i don’t want to act and dad couldn’t see it. choose documents mom says, take it i can't look at it all. i am i lie with my face on the sofa. so, on karachi, i’m crying on this sofas, i cried wet puddles on my sofa there, well, on september 1, i came to the music school for the first lesson, we were united by theorists, mostly girls. she united us with the spirits. there are interesting boys there too. i somehow immediately thought of them. well , why, maybe i'll learn a little. you know, i remember, well, just now, well, absurd, but funny. well, well, child, well, it’s too late somehow i began to understand all this, as it directed me, that’s the teacher and life. like this i threw it right into the profession. so my

department is called the theory of music, and already in the academy of music in the conservatory is called. well, in principle, it's the same, basically, either teaching work or desk work, that is, music theorists, they are not public people. basically. after graduating from the conservatory, i came as a leader only to the children's philharmonic. it still exists only a little bit, a different principle of work was then in those years, because i came back in the eighty-ninth year, of course, foresee such a time. union but still some remained, after all, the foundations, er, the principles of the system. that is, these were such concert groups, they were called a brigade, then 5 4 5 6 people were concertmaster vocalists. well, maybe an artist of the original genre. well, be sure to lead here in my case, there is no music. here you act

as e-popularizer propagandists, what is called music? well, here is such an educator, and in this capacity i came to the philharmonic in the eighty-ninth year. we do it in our children's philharmonic society. here we continue the conversation about musical education. you see, when we are invited to such events on all kinds of talk shows for some reason. everyone says, here you are raising children with classics. we would, perhaps, want to bring up the classics. well, what is a classic? so i talked on this topic with one belarusian composer. and in the debate, too, this one says what the classics are, he hesitated for a second and says, this is the music that is better. and i also combined work at the philharmonic with work as a music editor at the belarusian radio. i am his 10 years gave. i had a program of such an artistic plan from beginning to end , the anniversary of titovich about some opera soloists of theater artists in a musical comedy, i was entrusted with programs related to musicians

of precisely pop duty. for example, uh, when it was a broadcast about a crop farmer’s burnout, i conducted an interview with vladimir molyanin from his kaplans, zakharovna boguslavskaya and, again , not dew, sasha’s uncle nadezhda mikulevich. this is all thanks to the radio. i got such acquaintance contacts in ninety in its fourth year, radio was preparing to celebrate 70 years. i made a series of programs about the history of belarusian radio. i never in my life could imagine that it was so interesting, e lived, the city of minsk and belarus in the twenties. it all started. these were such interesting discoveries for me, and there were still those people alive who were witnesses to this. i really had to communicate with such elderly veterans, and i understood that you told me to write down such things. you write down, because you are now communicating. tomorrow there will be no man probably already submerged. this is then mature,

but due to the fact that you understand the routine, a lot of work is some kind of problem. well, no time. it is necessary to sit down. and i'm not a writer. i don't write, that is. in this case, as a journalist, i could speak then another friend. something like this happened, and i was interested. thanks to my friendship with igor petrovich polevoy, and this is a former friend of the philharmonic, he later worked in the art department of the ministry of culture as director of the imperative theater. this is a brilliant musician and wonderful. just a man. igor petrovich was the first to tell me. you know you need to make a book, you need to make a book. it was he who hmm said that we had such a beautiful stage? before the war, uh, and eddie rogorkestre always had dancing couples in moscow jazz orchestras, and this couple was in the orchestra. there is also a petersburg one who wrote a modest little blue handkerchief. eat peterburgsky, he brought her to that state, to the ordering in sound in

form already, in which he sang this song claudia shulzhenko and other artists even offered to work with him at the moscow philharmonic, but they returned to minsk, they were very famous artists. just above the degree known. they take part in all government concerts. here are the tough brothers, by the way, they were also very bright . uh, acrobatic genre from the stage. now wiped what is not? and people always liked it and there were excellent masters. here is the poster, look how interesting the program was called hello friends. i how to grow home is done see? hello and for every word. here are some promotional offers.

invite this is a wonderful team. these are wonderful musicians. uh, conductor mikhalkovich kazines, our leader alexander ilyich kremenko. sasha vysotsky - this is our elite boris will deprive director christie well, that is, all

the projects of our orchestra. here's what my friend said. once i went to a concert, then i said, i sat down for your orchestra. what carrot? here, i remember these words so well, because but because our orchestra. uh, that 's one offshoot of one of these people. this means that the collective is the restoration of the creative heritage of vladimir yuryevich lyal from the heart.

ka and the national academic folk orchestra of the republic of belarus named zhidanovich mostatsky, kirovnik and head conductor of folk art from belarus, professor mikhail kazinets, performed songs by vladimir mulyavin and maxim bogdanovich oh shamu. i became, so the conductor is honored artist of the republic of belarus alexander franko what is the impression of a person who visited our country for the first time as a belarusian, generally friendly peace-loving people and meets very very well. this is my first time in general, i have never been here in grodno before

, the city is beautiful, cozy, small , such beautiful streets. there is a special atmosphere here , absolutely unique, as the life of foreign guests in belarus goes on, we are near my alma-mother of the belarusian academy of music, here i met my husband. we got married after the third year. i had to go on academic leave to give birth to our eldest son. see in project a look at belarus on our tv channel. dance is the pulse of movement breathing is the rhythm of life. illustration art of conveying fashion ideas in visual form honey, a spoon for dinner, how is it? new

theatrical forms author's reading of classical works search for sacred meaning we are in a new place every week, watch the fashion for culture project on wednesdays on belarus 24 tv channel. spoke from the boy's plans in such cases, and in this, there is a share of my work in this. uh, marina mulyavina, the daughter of vladimir georgievich mulyavina, began to come to our concerts. i started to notice her. here she was sitting. well, they tell me that here is marina gulyaevna. she met me as a spectator came. well , let's talk politely, bow there, and suddenly

, at one fine moment, marina invited me to visit her home and offered me to make a book for her parents. this is the personal life of vladimir lady karmalskaya, the beginning songs and memories. here is about this couple about these first years of the life of the songwriters. i would not agree to help her, well, i say it 's a great honor for me. in general, somehow wear so hit on the hands. this is the most interesting. you know, it was already clear that i was starting work on a book. she brought me these songs and threw letters in bulk. that's how these letters, that is, they were not sorted. there was just no dates standing. i then it's all charm. i even calculated according to my personal calendar. here he writes today there sunday. i went there. i even figured out who it could be, given the year, given the month. this is how it was reconstructed. yes, you are later in letters, but i immediately thought, well, we will write a book of this doubt, there was not even a doubt. well, we will make

this book, but we need to make a concert presentation. it must be beautiful, i have such a team with me, here is our orchestra of zhenovich. and what did we do with marina, even that was a lot of work. it means in its infancy. we just remember february, hmm, there was this exhibition. here a book fair that is held once a year and there was supposed to be singing or films. marina and i came to this exhibition and caught singing and talking. petya, we are starting work on the book. you can take part in the concert to have a presentation concert and sing a solo concert. he says, of course, i'll be glad. and when i say, well , let's plan, for example, in the month of february. we say, well, let's say december 17 says, well, well. tanya says, tanya write down your wife, says, write down this what is 17 december in minsk here is a book presentation concert. i returned home, i think, honest mother, so what do i mean february march, april, may june, july august october, that

when i write a book, that was my first experience. eh, i was in a hurry, of course, but i still managed to collect a colossal amount of material for the first book by vladimir we are really decormalsky unsaid. well, when this happy moment happened, a book came out on december 17, pyotr elfimov sang this solo concert, it was a brilliant concert, then later separately belarusian pioneers came out with a couple of songs there, they sang. you know this kind of content, it was a sensation. it was just, well, amazing, it was such happiness. marina and i stood. just bathed in these, you know, here are the audience, i love it. they are in spectator love. i decided. you

served me, you gave me glory well, then the new year came, somehow, after such a busy year, i relaxed a little, i began to rest, i’m already lying, looking at the ceiling and thinking, and that everything is not there, i must do something further. i have already been told that let's continue and marina was also determined to continue. and so, little by little , this work on the books began. so i worked on everything. persons above all genres on the stage that was at the philharmonic are these wonderful artists. whose

names, of course, are already forgotten today. well, they formed basis some kind of ground for an explosion, because this explosion occurred when the waves of pesnyara appeared, when they appeared in the dew, when the officials appeared all the same from scratch. it could not arise, because the stage is very long here it developed and went so well, as i was told, the veteran of our sufferings victor synastics. he says that back then in those days of the soviets there was such a table of rank, which means he was a good fellow. yes, lena stage and belarusian state stage. this was considered, wherever else zakharovna moguslavskaya would tell me, wherever we arrived, there were always full houses, people went in advance, because if you saw better belarusian artists, you went to the concert, because you knew that they would not deceive that this is for real. song about bison neusonian poetry was done in the 80s with a break in the

90s and then finished with the elements. so grateful to these people. they believed in me. how much was the help from all here after all. we also understand wants to create, for example, about the same dew case. you're starting from scratch. yes, you know, here i am sasha, you know their songs, and you dig into the depths. you look how you know all this, it's all the same you start working. as if for the first time you only see somewhere. here, for example, hmm, what is written.