all this multiplication table was taught during the holidays at school, they gave the task for the holidays, groaning, quietly. all this learned something went better. they grew up quite calmly. the main thing is that it is in accordance with the psychophysiological characteristics. and now imagine a nine-year-old girl shove a psych department, where nineteen twenty-year-olds even i ca n’t call them teenagers these are young people. it ’s almost adult dads proceed from what some kind of vacuum aquarium will be created around her, or he will run there in shorts with beard, to strain everyone there so that there is some kind of special relationship. everything is fine. a lot at the time. yes, they are not as popular as alisa teplyakova, but they exist. however, the fact is that a nine-year-old child not only

passed the unified state examination, but was accepted into the paid faculty of psychology of the best age in russia without considering psycho. their features, about which we talked so much today, leave many questions. if, for example, alice entered the mekhmat, well, or some natural science faculties, it would be even more logical, and after all, such faculties, as, say, philosophical or psychological, require a certain personal maturity. yes, that is, in this way a nine-year-old child can study developmental psychology when he has not yet gone through most of its stages and not the past is still certain laws, but the development of the psyche, which deceives itself more expensively. yes, now it’s a little bit of an era , many things can be solved remotely. well, how do you think she should go to classes

of such an education, so that she sits next to her, dad was always in control. no, she should study on her own in the classroom to hand over assignments. there are grown adults . they have their own interests, their own conversations. sorry psychology serious education at moscow state university is the same theory. freud 's whole psychosexuality. go peskomplex everything else, how are you going to sort it out with a nine-year-old girl cognitively i say again, she may be ready for this, but emotionally from a communicative point of view. here is the strongest frustration potentially. it may be rather a feeling, not at ease. and the feelings of isolation, uh, well, i'm right when i start looking ahead. here's

what's next. that is, the child must also be provided with these social constructs of interaction, communication, and so on for the child. uh, hmm , it's traumatic enough, and the experience is finished early to save years, to get to work faster. and you strelna retire faster to the grave, that is, well, from this point of view, life is a process and a result. yes, of course, the result of life. it coffin. so what does he want to do? irina, if alisa teplyakova's parents were your clients, how would you, as a gestalt therapist, work with them? absolutely, because they have no doubts. in my opinion. dad believes that alice, if we talk about a specific situation, that he is doing well. it's bad for others. yes, such people, if they come to

therapy, they come with a request, but urgently fix someone else irina if you look at this situation from the other side, maybe this is a secret, albeit destructive, but that’s all the same success. it is not in vain that they say that there is not a single nobel laureate with a cloudless childhood and an easy fate; a child with great results, as a rule, grows up specific parents, of course, in excess of the achievement. this is the only way they do it. that is. well, any of this is a skewed balance. it is done at the expense of something you cannot have. that's all the same wonderful smooth. and all of a sudden there's a splash. hmm traumatic childhood, the number of different there and a large number. psychological trauma is the lack of parental care and this is trauma abandonment. this is trauma, rejection, this is abuse, that is, violence in the parental family, and so on and so forth. they can bring to the fact that the child is his childish consciousness.

now i am speaking in a very exaggerated way, but, uh, some decision is being made inside of the nobel laureates who lived in poverty and poverty, and therefore science is what could take them to another level. i will do everything to get out of this, or is it a, a failed, unsatisfied need for acceptance by parents in the recognition of parents. look, what kind of mother look, mother, i deserve to sometimes this is a message to dad to be proud of me, look, dad, but in general, one could be proud. because in order to become a champion, to become some kind of brilliant pianist , chess player, jump over the pastes. well, there are 24 hours in a day. yes, you can’t make them out of them,

56, even if in the fall, therefore, you work a lot and work at the expense of what? yes, that is, some other spheres suffer. this happens either because the child is over focused, but i'm not sure, in fact, in such stories that this happens one hundred%. it should be there anyway. ah, so very strong. ah, narcissistic inclination. will the young talent alisa teplyakova experience difficulties in establishing communication with her own kind, will her child prodigy affect her personal life, will the fox evgenievna choose a relationship burdened by the transfer, she will lose, it looks like the scenario with her children or how irina polyakova will prefer a different fate for them. there is no time machine, so there are no answers yet,

however, this fact will not hurt. we discuss the problem of almost all geeks dualism of adult intelligence in a child's body in the following program. see you. it all starts with the origins and traditions of the memory of our ancestors. preservation of the culture of belarusian rituals and crafts but the world is changing. generations and views change, and

creativity does not stand still. when do people realize the value of traditions and understand where to go next? art takes on new bright colors. and in our hearts and thoughts it is we our common prayer for mulyavina and his prayer for us all for ours, belarus, the

people of belarus, the people of belarus were well known to everyone the stage image of a mulyavin, a mustache, a sparkling bald head, a wide smile, but this is an image. and what do we know about him, as a person about his doubts , quests and the main question. what is the secret of the nationwide love of many talented musicians, but only a few people really love this album, i began to form this album almost half a century ago immediately after the first meeting with the songwriters. today, albums do not collect all the photos in computers

, phones, gadgets. but the old paper pictures. there is something that cannot be conveyed. even better electronics. it real sense of time. the death of my father, she caught me on a sunny winter morning at home. children , breakfast, husband, and the bell rang lenya bortkevich. marina did not become a dad, why did it happen? oh my god, my gigantic crowd of people going to pay their debt at all, the last end could not be found in this queue, who are veterans, then friends, who are

just admirers of talent of some national fortune is leaving us. even during the life of mulyavin, several ensembles appeared that used the words pesnyary in the name, created them and those who who worked with the mulyavin for years and those who were close to everything for a short time all clung to the successful name for popularity, but how many understood the very idea of ​​​​the essence of the songwriters, speaking, probably, young successors, i really really appreciate it. i love respect for his creativity. i was three or four years old when i first heard the pesnyary ensemble and then, sitting in the yard, i sang christmas carols. it was an

old record of the song every fourth. this song immediately reminded me. alimony sounding church choir found notes learned. here after some time. i called vladimir georgievich and invited him to come back to us. we walked with him to the pozhirovitsky monastery. i just saw a person in front of me. dead tired. he constantly listened to the saying, yes, if the talk could not return the 70 year, this me would be a wide field of choice for the participants. every

thursday , january 21, 2001, the anniversary concert of the songwriters in moscow before the concert , his star was opened on the avenue of stars, in fact, his star rose many years ago, and in 2001 it was more like a sunset from former comrades-in-arms like-minded people. few spectators arrived

, perplexed. why is the dowel ensemble celebrated two years later, why are unfamiliar youth on stage, where the famous pesnyary aven mesevich katikov pene daineko recently, who performed in moscow, actually invited them, but we were on tour with belarusian festivals somewhere in siberia and literally in a day only a line concerto. there, someone called from moscow and invited us to come and perform. ah at all strange such an invitation. and i think that such an invitation is made so that, well, we didn't come. we, as i understood it, everyone was waiting for vladimir georgievich to call, guys. come. let's talk. anyway, stop arguing. well, it turned out to be stupid that we began to find out. we will work together. we naively thought it would happen. well , mulyavin called me, the concert was held without the participation of the veterans of the ensemble. y. no one knew

that this was mulyavin's last performance. he said, you feel, just feel what pesnyary is, when you feel it, then everything will work out. i went to the market, bought a cassette pesnyarov of the first composition listened to it from beginning to end. i went into this atmosphere. i felt as if i was standing on the stage between them between all the legendary soloists and now we are walking mentally saying to me, and now a new song. molly he said, this is what i wanted to find in the seventies, you found it

, you felt what old pesnyary is, well done, but i don’t need it anymore. it was a long time ago. please now. come up with something to love us as then for innovation. rock opera ballads musical other performances turned out to be juno and avos orpheus eurydice and the classics. rock operas jesus christ - superstar is pesnyary incapable. on this and in the seventy-fifth. they created a rock opera song about share based on the poem, yanka kupala song about share. this is mine in general, this is a piece of my life. it can be said that when

you were still in the seventies, pesnyary struck everyone unexpectedly. interpretations of folk songs, and what is considered an innovation in the nineties mulyavin i didn’t know, rushed about, i didn’t want to put up with a fall in popularity, volodya got carried away and very strongly e large forms. we realized that we would lose our audience, because the people wanted the songwriters to always hear the songs. most importantly, who remember to buy tickets for our concert only bablatu. the first division was the share of their share in russia, honestly speaking to the hair dryer. and so they sit and wait for the second part, where the songs of vyatsky beggars were played. well, vologda, and so on

and so forth, and i strongly felt this behind what people want on tour. i had to carry bulky decorations, a performance, a special light for each character. rock operas several suits. well, operas have abandoned the formula for success, omniscient music. the vedas have already calculated it they can accurately explain the algorithms of ups and downs , repeat the case after a little, success is a success for a few world trunks. they have long known about what you are already talking about, uh, they considered that every 20 years the peak period of the collective of any pop 7 years laws in general. here are the laws of life such pesnyary far exceeded this period, but the period of disintegration is not reversible. inevitably, the best musicians left, once, the best collective in the ussr goes abroad. songs of the golden line-up during these years supported us very much. and everyone who has not yet left for the usa, everyone

who agreed with our country with the motherland in the most difficult times, proves that pesnyary is alive, he says, come on, son, we will prove that we are alive, let's go to the composition of his created and children go. you know, when children grow up, it's gone. but when do children leave you? slamming the door is something else. is it possible to condemn those who left the mulyavin, because the artist needs popularity, fees are needed applause from a fan full of halls. i found in the hall that a very small number are sitting, that is, half of the hall. for me. it was a shock. how is it? we worked stadium palaces. uh, the

olympic 44.000 was indeed filled. something as they say a lot that used to be. both the musicians and the ministry of culture tried to help him for wine, but in order to help, it was necessary to find the cause of the problems. and everyone understood it in their own way to imagine that he was their artistic director and musical director, and both the director and the economic ones, there he was an artist on the stage, where he sang and played and composed and arranged he took part in everything and i will answer for everything, and he was just tired of the minister of culture. uh, the director of the ensemble, vladislav moiseevich mulyavin, appointed such a painful decision. the team categorically did not agree with their displacement. this is a family and as time goes by families. divorce is the only way out. we

had a great creative relationship. they continued. they could go on for a very long time, but we had a crisis of human relations and a different life began for us. uh, and for him too to blame, and he and they are to blame. they could not sit down at the negotiating table, i could not find a common language, he did not have support at that moment, just say, volodya, you must be wise. you must talk to these people. you have to figure it out. i asked vladimir georgievich. really former associates? they weren't right about anything. they were replacements for markevitch's favor. that's all. i say, lord, so podborkevich that it looked like , fuck it, they turned out well, but values ​​​​for me. they are no 18 years old, singing works. he did not open, not a single song. daineka did not open a single song opened.

so he learned the song and he was the first to sing it, you know, peter is a sin, who doesn’t have to enter into polemics anymore? well, here vladimir georgievich has small inaccuracies. he was the first to discover the songs charmed. i arranged the same slutsky. oh you oaks, and igor peña was the first to perform an amazing walk, it was not for me to judge something like that today, it was an insult. forgetfulness we must always remember this, that we have god within us. so i felt that vladimir grigorievich really turned to god the church on orlovskaya and i saw how seriously he took him, he knelt down. he started. eh, almost to beat his head, and this marble floor for me was both a surprise and a great shock

when he turned to the church - it is also support for him and god frees him. many of your inner troubles, mental pain. at least i think it helps to calm down. but there was a work that reconciled both the apologist in large forms and those who loved to perform songs of the eighty-fourth. pesniary showed the song performance through the whole war it seemed why about the war for 40 years everything has already been said, written in light. i went to risk,

summer is a rush of the soul, maybe intuition, but it all started saying so. i want to meet you. there is a very serious matter. i got into the hands of your book, poems in two notebooks. i read it, it turned out that mulyavin had already set the poem return from this collection to music. the trousers of the frayed ones sagged, all the steep trails were medals on lenten gymnasts , the hagiography of europe rang. the next eighty-fifth. we have agreed to. uh, with vladimir georgievich, no pleasure, no embellishment, no fanfare, no ringing of letaurs, war. what a harsh, terrible, dirty, stinking one she was. here is a

famous poem by the poet semyon gudzenko, a front-line soldier. part of his skull was blown off by a fragment and his living brain pulsated in this way. he lived for a whole year after the end of the war and died. and here he has such a poem, this is hand-to-hand combat. and forged found from under the nails. i am someone else's blood. well, when the program was ready, it was still necessary to pass the ministry of culture. so they would have clung to take there, what is it, picking out with a knife from under the nails or someone else's blood. and what is it that mountains of corpses stink? well, how can you sing it? well, redo it, well

, soften it up, well, you definitely need to know the gudzenka, vladimir says he said, firstly, gudchenko can be considered killed on the battlefield, because the terrible wounds after the war, that after a year i will intervene and redo something in his lines that were written in truth with his own blood. i am i will not change anything in this program. you don't like it. shoot the whole program, there will be no program turned around and for two weeks everything was quiet, there were no orders from above, no decrees, and pesnyary actively worked on the program throughout the war, there was a premiere in the large philharmonic hall with a huge crowd of people. it was so. uh, so sincere so much that people sat there crying. it was simple, and even on the stage, at first it was hard to keep from tears, after all, the military

program. my strongest was still alive friends. sasha adamovich naum sour science, slick front-line soldier. sasha adamovich what kind of partizan i am, i went to the partizans as almost the same boy as i was sitting next to me, the program - this is it and i would have turned me over, there the main role is from amuleven and nevertheless. i feel a natural sense of both pride and joy that i am involved in this program, because this can be said to be completely mulyavin 's creativity. the song was filmed a lot in moscow in the seventy- eighth they released a short film with their participation called the lenfilm 1980 disc, and

filmed their ritual program of 20 minutes with songwriters. well, of course, most of the songwriters were filmed by belarusian filmmakers, the voices of songwriters sound documentaries on our land roots. they participate in the musical by yuri tsvetkov, they perform the song of veniamin, a bass player, birch sap in the film, the world guy, they sing for frogs in the cartoon kwaka-zadavaka. in fact , the song we sing the creative association of the tv movie in 1983 invited the ensemble to participate in the musical film, and the circus was lucky that evening to the audience of the minsk circus in the finale of the performance, when all the artists of the program entered the arena and pesnyary in full

force, it seemed that all the doors were open to them, but the problems were equal before censorship , all pesnyars were released abroad, they were awarded, but at the same time they vigilantly watched, i remember how from my distant the politicians of the film, as well as the circus, were ordered to cut the song and how can one not laugh, someone spotted a satire on political power, a rock opera harper. in general, they forbade filming an indistinct explanation of the opposition of loner to the prince, that is, the authorities inappropriate in the year of the seventieth anniversary of the october revolution, a similar ban on songs in the film by boris lutsenko and then i began to shoot the scattered nest, wrote the music of cortez, but in the end they decided that these songs would be performed by the band with mules, they arrived after the concert. i was shocked. he was ready

, he each ringing in each song put some special soul of his own. the cry of the soul of mankind , a person screams into space. the song for the day is walking, but the way he drank this zone. i think it was fantastic because he expanded the range of the song he expanded, it has some kind of organ in it. o new unfortunately, many zombies were, uh, cut down due to the censorship of the time.

everyone knew newspapers wrote about a real triumph. but how did they get there? what happened to the songwriters in france in the seventy-sixth year was almost never told, and then the pesniary ended up in cannes at the international music fair. midem. here in the hall there were no ordinary spectators, only professionals, leading music producers from all over the world. here contracts were made here it was determined who was destined become a world star, and who doesn't? before the songwriters, the winners were honey, and then beatle jones with joe dassin adriano celentano mireille mathieu in the seventy-sixth creative rivals of the songwriters were george harrison gloria gainer. henry mancini sang his song moon river then the whole world and unknown to the world of pesnyary, she immediately

warned that if they don’t clap you continue to amaze further, of course. we realized that we had a chance or an accident, hot, quail. so the hall exploded and now all these people who are the leaders of all these firms they stood up and we clapped them. as they say further to the fullest, what they could. we were unique. an ensemble of 27 invitations from all over europe is a polygram, then the studio invited us, israel spain italy right away. they say, get on the bus, and we will immediately take you out, but what about the ministry of culture, like the ideological department of the central committee of the party. can soviet artists perform abroad without a pre-approved

program, and how can a western producer explain it? why musicians refuse such lucrative offers, sitgaris, the only and western producers who were able to overcome all the bureaucratic barriers of the soviet system. that's how the pesniary ended up in america, a tour of 13 us states, the first branch was ours. well, her colleagues are christina, and the second department should be work. everyone immediately liked veronika the belarusian songs sounded in english , the phonogram of the joint excitement of veronika's song was preserved, the americans begin, as pesniary enters next one of the spectators of the concert expressed an impression. so the americans sang,

delightfully pesnyary is divine, that where does she represent such a nationality, especially when it turned out that they do not know such a country, but russian, yes, we are not russian belarusian. january of the seventy-first year in the second pavilion of the film studio i am working on the film pesnyary, when we started filming the novella, this one fell ill, my head, where drummer alexander demeshko was the soloist. i approached the mule. i say volodya i want to storyboard now please tell me how many squares the drummer plays? he says that volodya does not play with shurik in squares , he plays in circles. there were several

of his cars and he said all the faulty ones. this is my property in the home archive. mulyavin managed to find footage that had not been shown before, so vladimir mulyavin admires a sweater knitted by his daughter marina, they find out whose work is it? most of all, you know that i was and it was that it was a sense of humor, in no situation, even when he writhed in pain in the kidneys turned around, so i bent over him. he said, you know the song. if if the stones could speak, it speaks better wrote about me. there was a lot of snow, just like now, and we were riding the bus and at some point the column of all transport stopped. the door opened. vladimir georgievich stepped

onto the step and fell completely immersed in this snow, raised his head, which was completely snowy and mustache and hair. and he spoke. i got into a quote. and these are the kuwaitis born jokes. immediately during the conversation, he constantly gave out mules. here the whole family gathered, arrived. dad with valera so they brought a box of kinder surprises vanya , it turned out that not the most interesting thing is better than kinder surprises, and he came to his grandfather with tears in his eyes and said, well, grandfather, but why does pashka have such kinder surprises, and i have these quite bad. yes, and a trolley. so why did it happen? and the grandfather explained to the child that it’s like in life alone

, everything is different, so you understand like this, then they attached meaning to these words. and now , years later, i look through our old family records, understanding the words of my grandfather, when alone nothing but another surprise. in the life of mulyavin surprises, there were quite a few tragic ones during the tour. in yalta, mulyavin's brother was killed, valery the trumpeter and the guitarist of the ensemble, the whole city was noisy. how did they kill the songwriter in the evening the concert went on stage? volodya worked out how everyone looked at him in the stone stood two concerts passed and thank god and maybe this reminded uh instead of a glass of vodka. here, so to

speak, in this way. and there were enough such blows, brother. valera did not. lydia's first wife's sister and mother died ensemble musicians for thirty years, more than fifty passed through the team. we got a lot of god could not use it, you know? why couldn't they use it? i gave you so much, you understand a little of it. and now, after all this, it began to seem that there was no more joy here on earth, and then he opened his soul and gaze to the one who is in heaven christ

has risen but there were in the inner circle of the mulyavin, and those who passed next to him through the complexity of his creative destiny from the first day to the last laurel of the komsomol belarus new song fly our dear he was drawn to the folk song, pulled and pulled to me. he is such a natural. he was a melodist, good evening. kudysh say you tell me the truth . i’m my speech, i’m water, here’s how you and

igor mikhailovich really liked the story when i wrote it, you know, we really like to go to the hospital with him under the name of novelties. there is silence. no one complains, no one screams that he is in pain, they are all calm, and we have a piano there. we have a forest there and enjoying the birth of new music. in this regard, splinters, when he heard that we want. i want to listen to folk songs live for 48 years, probably for two or three years in a row we went. here is polissya tours. in zhitkovich, he first encountered the belarusian hinterland. and what is surprising, when we come in the evening hmm, in the afternoon they say that a

young woman will come from work, he has seven or eight children about thirty years old, in my opinion, she is beautiful the icon is very removed in the hut and the embroideries are very beautiful, and they begin up to 2-3 voices to sing. the uprising is now just finally removed. now again, so as not to move again this equipment. a natural person, we are screaming beluga here, we have nothing. everyone disappears here. do you understand the text, are you sitting or not? you do not understand. and who will understand this in the hall? oh normally there is a sob, such a thing is going on like that. let's think again.

it was slavic singing, which was not heard anywhere in the world, yes, and we did not have such a thing . there he is a russian person in general, who

fell in love, belarus came and created in belarus and for belarusians what many local people are not able to do because they don't want to do it. well, god may not give such generosity as the personality of the mulyavin was. after kupala no one became kupala after a malyavin, no one can become a mulyavin. the shock of culture shock, perhaps these words, more accurately than others, convey what the songwriters managed to do. at the very beginning, these are shots of october 1970, then they became laureates of the fourth all-union

competition of pop artists in moscow there are no representatives of the official jury. first place. of course, they couldn’t give the first place , they didn’t give it to anyone, otherwise the jury decided a diploma, the second prize and the title of laureates is awarded to leshchenko lvov valerianovich and the ensemble. pesnyary jury chairman leonid utyosov october 13, 1970. pesniary very oblige this very great word. it's not just a name or a brand name. it's a way of thinking, a way of life. this is a lot.

the icon of the mother of god of zhirovitskaya approached her for about 15 minutes. he stood near her. then he moved away he wiped his eyes and said, if i had felt at least a hundredth part of what i felt now when i was young. maybe my life would have gone differently. and when this terrible catastrophe happened to volodya , the idea came to my mind that he died in that war, and that this song is now about him, as about a soldier who went through the whole war. so i ask him, vladimir georgievich but have you ever wondered what the basis of your music and choral singing is drip singing. lies ecclesiastical consent