to do well for yourself to be happy, and my children and i traveled a lot and still travel. they see different countries and see relationships and education and a very large social circle . and you would like them to choose a public profession for themselves, and i would like to, because the creative profession is it's like a hobby. if you are still paid money for this hobby, then there is no greater happiness, but for this you need to burn and get sick, and you cannot live without it. but i don’t see that they are burning with something like that, maybe they will still light up if something could be corrected, something changed in life. what moment would you remove from your life forever. everything suits me. i’m a happy person, i do

n’t even remember anything that i would like to delete, fortunately, i didn’t have such shocks and such difficult life situations that i would like to forget about. oksana, our program is called the meaning of life for you. what is the meaning of life is such a question, you know the meaning of life, you know how what is the meaning of this point here, well, there is definitely some kind of meaning. yes. here we come to something and then what, and i do not want to put any point. i'm all commas commas commas commas and uh, what's the point? well, in life itself and even in every failure there is. there is no meaning without failures. eh, happiness, there is no understanding of what is good? what is life? yes, so no moments. i don’t want to lose, i just want to go forward and only with pleasure oksana

you once said that you shouldn’t be afraid to dream. i absolutely agree with you, because a dream is a person's wings. i wish have a great flight. thanks a lot. oh what beautiful flowers. this was the meaning of oksana volkova's life . i will pray with both hearts and thoughts. this is our common prayer for mulyavina and his prayer for

us all for ours, belarus glory, i pray to god all the world in every way. the jumper of the birth of the people of belarus it was good, the stage image of the mulyavin, the mustache of the sparkling bald head, a wide smile, was familiar, but this is an image. and what do we know about him, as a person about his doubts , quests and the main question. what is the secret of national love and talented musicians many, but really loved by the people of the unit. this album i began to form almost half a century ago immediately after the first meeting with the songs of today's album. we do not

collect all photos in computers , phones, gadgets. but the old paper pictures. there is something that cannot be conveyed even better by electronics. this is a real sense of time. the death of my father, she caught me on a sunny winter morning at home. children , breakfast, husband, and the bell called lenya bartevich. marina did not, dad, why did it happen, probably god chooses. giant crowd people going in general to pay some kind of debt to the last of the end could not be found in this

queue, who are veterans, then friends, who are simply admirers of talent, some national fortune is leaving us. even during the life of mulyavin, several ensembles appeared that used the word pesnyary in the name, created them, and those who worked with mulyavin for years and those who were close to everything for a short time all clung to the successful name for popularity, but how many understood the essence of the idea itself pesnyarov speaking, probably, about young successors, indeed i appreciate it very much. i love respect for his work and company. pyotr efremov i was three or four years old when i first heard the pesnyary ensemble and then, sitting in the yard, i sang carols, carols

, pancake, and palms. it was an old record of the song every fourth. this song immediately reminded me. the elements of the sound of the church choir found the notes, learned them, and after a while i called vladimir georgievich and invited him to return to us. we walked with him pozhirovitskaya, abode just saw a man in front of him. dead tired. he constantly listened to says, yes, if he says, i could return the seventieth year. this me would be a wide field of choice for

participants. lord, even on january 21, 2001, the anniversary concert of the songwriters in moscow before the concert , his star was opened on the avenue of stars, in fact, his star rose many years ago, and in 2001 it was more like a sunset from former associates of like-

minded people. few spectators arrived , perplexed. why the anniversary of the ensemble is celebrated two years later, why are unfamiliar youth on stage, where famous pesnyary averen mesevich katikov pene daineko recently, who performed in moscow, actually invited them, but we were somewhere on tour with belarusian festivals in siberia and literally a day before the singing concert. there, someone called from moscow and invited us to come and perform. ah at all strange such an invitation. and i think that such an invitation is made so that, well, we do not come. we, as i understood it, everyone was waiting for vladimir georgievich to call the guys. come. let's talk. anyway, stop arguing. well it was stupid. something we began to find out. we will work together. we naively thought that this would happen, well, mulyamin called me, the concert was held without the participation of the veterans of the ensemble. y. no one knew that this was mulyavin's last

performance. he said, you feel, just feel what pesnyary is, when you feel it, then everything will work out. i went to the market, bought a cassette, the songwriters of the first composition listened to it from beginning to end. i went into this atmosphere. i felt as if i was standing on the stage between them between all the legendary soloists and now we are walking mentally says to me, and now a new song. molly in the good light he said, this is what i wanted to find in the

seventies, you found it , you felt what old pesnyary are good for, but i don’t need it anymore. it was a long time ago. please now. come up with something to love us as then for innovation. rock operas ballads musical performances for others it turned out juno and avos orphei, wreckers and the classic rock opera jesus christ superstar unless pesnyary are capable of this even in seventy-five. they are created a rock opera song about share based on the poem, yanka kupala song about share. this is mine in general, this is a piece of my life. it can be said that back

in the seventies, pesnyary struck everyone unexpectedly. ming interpretations of folk songs, and what is considered an innovation in the nineties mulyavin i didn’t know, i was looking for, i didn’t want to put up with the fall in popularity, and volodya was carried away by very large forms. we realized that we would lose our audience, because the people wanted the songwriters to always hear the songs. most importantly, who was to buy tickets for our concert only bablat. the first division was their share in honest russia, i say, denmark, and now they are sitting and waiting for the second part, where the songs were. i am this beggar. well, vologda and so

on and so forth. i strongly felt this behind what people want on tour. i had to carry bulky scenery, a performance, special lighting. there are several costumes for each rock opera character. well, rock opera abandoned the formula for success, omniscient music. the vedas have already figured it out. they can accurately explain the ups and downs algorithms, repeating little by little. success is few world sociologists succeed. they have known about the same for a long time. eh, it was calculated that every 20 years the peak period of the collective of any pop 7 years laws in general. here are the laws of life such pesnyary far exceeded this period, but the period of disintegration is not reversible. inevitably, the best musicians left, once, the best collective in the ussr, leaving abroad. songs of the golden composition during these years supported us very

much. and all those who have not yet left for the usa, those who agreed with our country with the motherland in the most difficult times, proves that pesnyary alive, he says, come on, son, we will prove that we are alive, let's go to the composition of his created and go children. you know, when children grow up they go away. when do children get you? slamming the door is something else. is it possible to condemn those who left the mulyavin, because artists need popularity, fees are needed applause from a fan full of halls. i found in the hall that a very small number were sitting, that is, half of the hall. for me. it was a shock. how is

it? we worked with stadium palaces. uh, the olympic 44.000 was really filled. he is something like they say a lot of what used to be. both the musicians and the ministry of culture tried to help mulyavin, but in order to help, it was necessary to find the cause of the problems, and everyone understood it in their own way to imagine that he was their artistic director and musical director, and both the director and the economic one, and there he was an artist on stage , where he sang and played and composed and arranged in everything, he took part and will answer for everything, and he was just tired and mr. culture. uh, with such a painful decision he appointed vladislav moiseevich mulyavin as the director of the ensemble. he did not agree with by its displacement, the collective is categorically a family, and, as families sometimes do

, divorce is the only way out of the impasse. we had a great creative relationship. they continued. they could have continued for a very long time, but we had a third person of human relations and started another life for us. uh, and for him too to blame, and he and they are to blame. they could not sit down at the negotiating table, i could not find a common language, he did not have support at that moment, just say, volodya, you must be wise. you i need to talk to these people. you have to figure it out. i asked vladimir georgievich. really former associates? they weren't right about anything. they were markevych's replacements oversleeping. that's all. i say, the lord is so under babkevich that it looked like it, but it didn’t work out, but values ​​\u200b\u200bfor me. they are no 18 years old, singing works, he did not open a single song daineko did not open a

single song opened. so he learned the song and he was the first to sing it, you know peter is a sin to enter into controversy in the system of who is already gone? well, here vladimir georgievich is small inaccuracies was the first to discover the songs charmed. i'm still the same slutsk pumper arranged an amazing, we beg you not to judge something like that today, it was an insult. forgetfulness we must always remember this, that we have god within us. so i felt that vladimir grigorievich really turned to god the church on orlovskaya. and i saw how seriously he took it and he knelt, he began. uh, almost to beat his head, and the marble on this floor for me

was both a surprise and a big shock, his appeal to the church is also his support and god liberates. many of your inner troubles, mental pain. at least i think it helps to calm down. with the key to sports success is a competent decision and a smart approach, a real champion knows exactly what to win. it is necessary to turn the head on the answers are ready. what club does the

french footballer, kylian mbappe, play for? psg that's right, it's psg how well belarusian athletes understand sports a country that has become the world champion more often than others anastasia brazil brazil that's right brazil 5 times, which is in jargon football language means mustard plaster? dmitry was still a fraction of a second ahead of the group card, let's play a yellow card. let's try, who is cooler, a kind of game is the so-called pyramid. billiards billiards, watch the intellectual and entertaining show head game on the tv channel belarus 24

well, there was a work that reconciled and an apologist in large forms and those who loved to perform songs of the eighty-fourth. pesnyary showed the song performance through the whole war it seemed why everything has been said about the war for 40 years risk summer impulse of the soul, maybe intuition, but it all started so mulyavin calls and says. i want to meet you. there is a very serious matter. i got into my hands. your book of poems is two notebooks, i read it, it turned out that mulyavin had already set a poem to music. the return from this collection of us in boots and shabby pants settled down, all steep trails , medals on fasting gymnasts rang.

geography of europe he invited taras to pick up poems and add new ones for the program for the fortieth anniversary of the liberation of belarus on victory day, next eighty-fifth. we have agreed to. uh, with vladimir georgievich, no parade, no embellishment, no fanfare, no ringing of letaurs, war. what a stern, terrible, dirty stink she was. here is a famous poem by the poet semyon gudzenko, a front-line soldier. part of his skull was torn down by a fragment of a living bridge throbbing and in this way. he lived for a whole year after the end of the war and died. and here he has such a poem, this is hand-to-hand combat. and

dug out our house from under the nails. i am someone else's blood. well, when the program was ready, more had to pass the ministry of culture. here they are hooked. well, what is it, picking out with a knife from under the nails or someone else's blood. and what is it that mountains of corpses stink? well, how can you sing it? well, redo it, well, soften it. well, well, zhenya definitely needs it, which means vladimir says, firstly, gudchenko, we can assume he died on the battlefield, because he died from a terrible wound of a happy war, that i will intervene after the locks and alter something in him lines that were truly written in his own blood. i am i will not change anything in this program. you don't like it. shoot the whole program there will be no program. i turned up and left for two weeks,

everything was quiet, there were no orders from above, no decrees, and pesnyary actively worked on the program throughout the war, there was a premiere in the large philharmonic hall with a huge crowd of people. it was so so sincere so strong. that people simply sat and cried, and even on stage it was hard at first to keep from crying, after all, the military program. the strongest were still alive my friends. sasha adamovich naum sour science, slick front-line soldier. sasha adamovich, what kind of partizan i am, i went to the partizans almost the same boy as i was sitting next to me, the program - this is what it would have turned me over, there is the main role of ot mulyavin and nonetheless. i feel a natural sense of both pride and joy

that i am involved in this program, because this can be said to be completely mulyavin 's creativity. the song was filmed a lot in moscow in the seventy- eighth, they released a short film with their participation called the lenfilm disc in 1980, and filmed their ceremonial program for 20 minutes with a frame song. well, of course, most of the songwriters were filmed by belarusian filmmakers, the voices of songwriters sound documentaries in our land roots. they participate in the musical by yuri tsvetkov , they perform the song of veniamin, a bass player, birch sap in the film, the world guy sings for frogs in the

cartoon kwaka-zadavaka. to show up again the really bad song of the moon sing and our creative association tv movie in 1983 invited an ensemble to participate in a musical film, and also the circus was lucky that evening to the spectators of the minsk circus at the end of the performance, when all the artists of the program entered the arena and the pesnyars in full force, it seemed that all the doors were open to them, but the problems were equal before censorship , all pesnyars were released abroad to citizens, but at the same time they were vigilantly watching, i remember as from my film far from politics, as well as the circus was ordered to cut the song and how can you not laugh, someone spotted a satire on the political power of the arches. opera gossip. in general, they forbade filming an indistinct explanation of the

opposition of loner to the prince, that is, the authorities inappropriate in the year of the seventieth anniversary of the october revolution, a similar ban on songs in the film by boris lutsenko and then i began to shoot the scattered nest, wrote the music of cortez, but in the end they decided that these songs would be performed by the band with mules, they arrived after the concert. i was shocked. he was ready. in each zone, in each song, he put some special soul of his. the cry of the soul of mankind, a man screams into space . well, how did he sleep?

this zone. i think it was fantastic, because he expanded the range of the song, he expanded, he had it some organs. oh, unfortunately, many zombies, in view of the then censorship, uh, were reduced. and everyone knew about pesniarov's tour in america. the newspapers wrote about a real triumph. but how did they get there? what happened to the songwriters in france in the seventy-sixth year was almost never told, and then the pesniary ended up in cannes at the international music fair. midem. here in the hall there were no ordinary spectators, only professionals, leading music producers from all over the world. here

contracts were made here it was determined to whom destined to become a world star, and who doesn't before the songwriters became the winners, and then beatle jones with joe dassin adriano celentano mireille mathieu in the seventy-sixth creative rivals of the songwriters were george harrison gloria gainer. henry monchini sang his song moon river then the whole world and unknown to the world pesniary immediately warned us that if they don’t clap you , continue to surprise further, of course. we realized that we had a chance or an accident, hot, quail. so the hall exploded and now all these people who are the leaders of all these firms they stood up and we clapped them. as they say further to the fullest, what they could. we were unique. for an ensemble of 27

invitations, starting from all over europe, it was polygraph then the studio invited us, israel spain italy right away. they say, get on the bus, and we will immediately take you away, but what about the ministry of culture, like the ideological department of the central committee of the party. can soviet artists perform abroad without a pre-approved program, and how can a western producer explain it? why do musicians refuse such profitable proposals, sitgaris, the only and western producers who were able to overcome all the bureaucratic barriers of the soviet system. that's how the pesniary ended up in america, a tour of 13 us states, the first branch was ours. well, her colleagues are kristin minister, and the second branch should be work. veronika really liked all

the belarusian songs at once, they sounded in english , the phonogram was preserved jointly. the americans begin the performance of the song veronica listen to how pesnyary enters next, one of the spectators of the concert expressed his impression like this americans sang amazingly. the songs are divine, everyone was surprised, what kind of music is that? where does she come from, what nationality does she represent, especially when it turned out that they do not know such a country, but russian, yes, we are not russian, belarusian. january

of the seventy-first year in the second pavilion of the film studio i am working on the film pesnyary when we started filming a short story, this one fell ill, my head, where drummer alexander demeshko was the soloist. i approached the mule. i say here i want to storyboard now please tell me how many squares drummer plays? he says that volodya does not play with shurik in squares, he plays in circles. in the yard of the mulyavin, there were several of his cars, and he spoke of all the faulty ones. this is my property in the home archive. mulyavin managed to find footage that had not been shown before, so vladimir mulyavin admires a sweater knitted by his daughter marina, they find out whose work is it? you can pay attention most of all, you know that i am and this is what he did not lose his sense of humor,

in any situation, even when he crouched from pain in the kidneys turned around, so i bent over him. he said, you know the song. if the stones could talk, it speaks better wrote about me. there was a lot of snow, just like now, and we were traveling in a bus and at some point the column of all transport stopped. the door opened. vladimir georgievich stepped onto the step and fell completely immersed in this snow, raised his head, which was completely snow-covered and mustache and hair. and he spoke. i got to kvit and these are the kuwaitis-born jokes. right there in the process he gave out conversations with mules all the time. here the whole family gathered, arrived. dad and valera so they brought a box of kinder surprises vanya

turned out that not the most interesting thing is better than kinder surprises, and he came to his grandfather with tears in his eyes and said, well, grandfather, but why does pashka have such kinder surprises , and me here are such quite bad. well , interesting. so why, because it happened with the grandfather, he explained to the child that it’s like in life for one, everything is different, so you understand like this, then they attached importance to these words. and now, years later looking through our old family records, understanding the words of grandfather, when one is nothing and the other is a surprise. for real lovers

of the garden and the garden, whoever you come to visit, everyone will find something unusual and very tasty. we are setting up an experiment. if the rain does not want to harvest early. so we need seedlings. if later it is possible with a grain, we share secrets. she's a little inside. if you look, uh, a light, light novelty, it’s like it’s made of porcelain, we enjoy the result, you come here and every time something incredibly kind and good happens, then the tomato ripe, then the apple turned red. it will be 100% sweet corn, even it is something super, we master all the tricks of horticultural science in the dacha program on belarus 24 tv channel. these guys are here for a reason. i think that pragmatic ones came up to the word prudently, but

mercantile - this is just the extreme degree, prudence does not scare them, nor a huge number of cameras are simple questions - this is, as far as i remember, such an animal. she such a smooth, long, big one. ah. you had a sequence of thoughts and conclusions, because each of them came to win the intellectual duel. i am very well versed in this matter and can give an accurate answer. in our chest is an example of what people who are fond of philocarts collect. what's in the chest irina markira, watch an intellectually entertaining show. i know on tv channel belarus 24.

the whole city was noisy, how was it killed? pesnyara in the evening the concert went on stage? volodya worked out how everyone looked at him in the stone stood two concerts passed and thank god and maybe we remembered this. uh, instead of a glass of vodka. here, so to speak, in this way. and there were enough such blows, brother. valera

did not. the sister and mother of lydia's first wife died. over the course of three decades, more than fifty musicians passed through the ensemble. we received a lot of smallness and joy. and after all this, it began to seem that here on earth there was no more joy, and then he opened his soul and eyes to the one who is in heaven, christ is risen, but there were in the inner circle of the mule, and those who went next to him through all the difficulties of

his creative destiny from the first day to the last belarus a new song. our sweetheart was drawn to the folk song, pulled and pulled to me. he is such a natural. he was a melodist, good evening. our kakudy silently tell me, are you telling me the truth? i'm my speech, i'm water, like you and igor mikhailovich, i really liked the story. when he said, you know, we really love to go to the hospital with him called novelties. there silence. no one complains, no one screams that he is in pain, they are all calm, and we have

a piano there. we have a forest there and enjoying the birth of new music. when did he hear what we want? i want to listen to folk songs live. listen. my two years, probably, in a row or three we went. here is polissya tours. zhitkovich first encountered the belarusian hinterland. and what's amazing when we come in the evening. hmm, in the afternoon they say that a young woman will come from work. she has seven or eight children about thirty years old , in my opinion, she is beautiful very clean in the hut the icon and embroidery are very beautiful, and they begin to sing 2-3 voices.

we are screaming beluga here, we have nothing. this is where the text disappears. do you understand the text, are you sitting or not? you do not understand. and who will understand this in the hall? oh, it's normal to cry, crying, suffering, sobbing, such a thing is going on. let's think again. hallelujah it

was slavic singing, which was not heard anywhere in the world. cannons are sung by a simple person, in general, who fell in love, belarus came and created in belarus and for belarusians what many local people are not able to do not because they don't want to do. well, god may not give such generosity, as was

the personality of the mulyavin. after kupala, no one became a kupala after a malyavin, no one can become a mulyavin. the shock of culture shock, perhaps these words, more accurately than others, convey what the songwriters managed to do. at the very beginning, these are shots of october 1970, then they became laureates of the fourth all-union competition of variety artists in moscow ordinary spectators representatives of the official jury no first place. of course, they couldn’t give them the first place, they didn’t give it to anyone else, the decision of the jury was a diploma, the second

prize and the title of laureates is awarded to leshchenko lvov leryanovich and the ensemble. pesnyary jury chairman leonid utyosov october 13 , 1970. pesniary very oblige this very great word. it's not just a name or a brand name. it's a way of thinking, a way of life. this is a lot. the icon of the mother of god zhelechka approached her for about 15 minutes. he stood near her. then he moved away wiped his eyes, said, if in my youth i had felt at least a hundredth of what i

felt now. maybe my life would have gone differently. when this terrible catastrophe happened, with volodya the idea came to my mind that he died in that war, and that this song is now about him, as about a soldier who went through the whole war. so i ask him, vladimir georgievich but have you ever wondered what the basis of your music and choral singing is drip singing. lies ecclesiastical consent song my mouth ending of the year

you are dear to me. forget about it is not my power to forget you is not in my power my kind we are here yachts to me dear forget ove, not my power to forget the father is not in my power. belarus

shmatem prostrate, you can joke those who threw here there is a spherical lake behind the non-random name of god's wok, in spite of the lake tore off the devil with its obrys and they guess the wolf in the maya lake the shape of the correct circle yakaya does not change for a long time, i eat on the far side, that the wok sews behind the right people from heaven and shmat their such choir lusters to the belarus the question that arises in a person's head when he decides to decide the threshold of our blood service. why are they coming here? every person who comes to us and is ready to donate blood has decided to donate a blood component