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big kohane, perhaps only chania and what death had overcome, she passed by the world under various names pyramus and fizba morriot and jonas, according to the colvihor of their italian romeo and juliet, i swam the ocean stogodium, worn out by the genius shakespeare over vera over the righteous and she did not become her own between maps of the earth in the expanses of the absolute. the twentieth

stogolde was not stalked, and it divided from once all the rapists in the planet on the two fortune- telling clans at the klaus lessons on the uplifted manteks and the capulets with a broyu and reveled in the spilled, crooked on the one that youth was brought to him through the path of reconciliation. one could only master. the pakul of mankind was seized by the wind, but between the minds of the warriors, sergei prokofiev translated a very native plot on new music over the dramatic basis of the ballet, the director sergei rodlol and the playwright adrian petrovsky, at the same time with the composer, in 1935 ports, the tour was ready aleppokul, kirovsky great theatres, expressing the formal catering of the premiere of romeo and juliet in a shortened version departed in the city of breno in 1938. soviet for a summer residence your ballet has only holidays after the czechoslovak premiere in

1940 with the director of the bolitma istra leonid lavrovsky. in 1988 , sergei prokofiev's masterpiece, together with the director gennady provorov, was presented to the belarusian stage by the people's artist of the ussr and the bssr valentin elizario innovative, the reading of the master was definitely turned off by a slammed ballet, the former navalny gave an epithet. yes and when mussitim the skin theater became an allegoloun censor for dachas, its anyone and uvaha broke through the performance. posters 30 years. right up to the full reversal of the choreographer de shakespeare's tragedy. music about coffee, i learned quite early with this music lived on this music. i defended my diploma in the moscow classical ballet, but

i can hardly imagine a more ideal theme for ballet in the musical theater. he worked hard on this performance. and somehow i have it, well, it lay down in my heart like that. uh, the rehearsal was on. well, i i would say, well, with love for these characters, the performers quickly fell in love with the work was very creative and generally lucky with the performer in life. yes, at my first performances there were very good performers, my average. the period of creativity is also colored by wonderful names of talent, there really is someone to see. another

premiere of romeo and juliet departed in the snow of 2018, eggs of a jackal with glassiness and on a spring, valentine or zar, and withered at the theater and spun the theater one of his left-handed and favorite ballets, the production was not a reconstruction for the updated corpse. the choreographer propanaval artist and look shamb. peresanirovanie re-lived material from the new author's edition. the handwriting of the master has not changed ali has obtained hardness and strength and what is grounded on experience and wisdom is born through here, uh, inside, that is, here he first comes from inside emotions, and from these emotions a certain plasticity of certain choreography is born, that is, not like i liked it, let's say a movement, and i put it in a performance, but the basis is born

through certain emotions. it is very important that with they are not just a tutor. and the author yes , and in this case it is not just a resumption of the play. this is a new author's edition. there are banknotes. there are open banknotes. there are prices that have undergone a serious choreographic revision; i had a new author's edition arrested with costumes or scenery. they are serious such work carried out by the theater. and i think that for many years you can be calmer than the theater, which it is guaranteed to have. uh, a performance that collects well. two geniuses were you standing only in the creation and crushing of someone - the ballet shakespeare and prokofiev - valentin ilizarov's choreographic fantasy was shaken off by musical cakes , shakespeare's plot was read in him, not whole followed, an alley, not a literal

choreographer. he gave the metaphor the edge, before the specifics and detailing, and put the highest spirit behind everything, the trades of her absolute session. elizario promoted such a plastic talk as an artist , where music mocked from emotions emotions became a sensation, and sens was considered a porta, tours of poetic ratks and dancing such. prokofiev, not looking from their foldedness, he was natural and i was about to cry. in almost every ballet i concentrate on the main characters, i’m no less interested in the secondary characters, i leave the secondary only where they crash, still strong, yes, maybe you literature needs it so, uh, on the stage there should be the quintessence of everything. yes, because, well , literature, sometimes, there is a multi-volume essay. yes, and we only have a two and

a half hour performance to which you can say everything. the story of romeo and juliet cheers, the type straightened out so many interpretations of the clip was not spiritual and i walk and sensory fits the criminal commandment found to man, the commandment of kohani. the roles of juliet for dancers are both a lesson in the classics and an outcry to the artistic tallinn and the market. i am a romkin desk and juliet tansheleshi upershi staged or blazes with her heroine. joking her in poetic mouths to walk, alas, different music. prokofiev at the bright in the images of the doors at the cinema was challenged by a kareographer to the artist backyard little one. and the lion, what is more important to the soul , is the reservation of open natural emotion. at

a very high level, er, the performance is the role itself. she's very, very emotional and, uh, he 's got elizarov's third act. it is built generally on one juliet. she is actually the whole act is alone on stage and hold. ah, the viewer's attention. uh, you can only with your gut, only with your emotions, with your experiences, if you have real ones, and in order to feel them, you must first feel it inside, that is, experience these emotions for real yourself. and the pea party of romeo took on the role of the actor, the artist

wanted to take the role of the monastic hero beyond the scope of the role of the monastic hero, and the performance was carried out at the performance, in his advanced years, oleg rodnik, with the blessing of ilizarov and kharusyushtaki, asked to give him the role of a bastard. have spiz in the channel of the ck-khan. juliet was given tasks, but there were no specific boundaries. that is, all the same, each person experiences in his own way, each sees the performance in his own way, each plays it out in his own way. so he said, so my partner helped me, because i know that she is very emotional and maybe in the first performances, how would she compensate me, that is, she helps support me. maybe i'm repulsed by her. oh, thanks to the teachers, with whom we seemed to be looking for some moments

that would be comfortable for me, because again there is a text. but if you are clumsy in it, then no one will believe what is happening. at the ballets of valentin ilizarov, lids, they should stay behind the bland. they got mods, a dramatic undercut, harmony, plastics and actor's vocals on that's technically folded moments, does it allow the daughter to easily and clearly read the story told her choreographer. about my pedagogical in quotation marks. i don’t know the gift, i just showed what i showed in a waking dream and, uh, i tried, these acting feelings were welcomed. remember at school in a college school

there are subjects, acting skills. that's it, that it's not on the head and that's it, but in every performance. it seems to me that there must be a vision not only a dancer, but also an actor of these two professions and gives birth to great people, right? that is, that the composer was guilty of sewing away with a skin cell his anxieties, saturating music with anxiety and pain with tight anger , hopes and prayers for the reconciliation of valentin ilizarov. dvozhisya pull on top of the nyushikspirovsky story. human unexpected even they are present everywhere. you just need to rise above it all. yes and there are 10 who fulfill these 10 commandments and

no enmity will get close to you. i'm sorry that i'm comparing the christian commandments yes with this story, but nonetheless. she exists at all times exist. i would add to the birth of mankind in general, well, you need to somehow rise in order to be able to love each other, and so that the young do not die. armedness, inflaming discord with arms, arm yourself, rage against the rest of both man and humanity. i am our motob personally and usudoistnaya. i endlessly tremble with weakness and sunburn. all this web of enmity

is here, it is in the scenery. yes, here is an artist, he somehow got carried away with this idea, and he read it. here's what we need for our overall solution. besides, this same web of enmity, pierced suits. performers birth yes. so this is here and there is some kind of here. uh, well, is there a connection between the scene and the costumes? yes, uh, and uh, it seems to me that this is one of the most successful uh paintings, uh and production by this artist. kokhana, that you don’t know, went to the place of angry glancing orphans, who forgot to give yak, kokhanya to the redhead, who knew his hands to the sky at the prayer for blessing and the roof of my wine akhvyary, stretched out on the grave rain, are sinless.

the lamb of god is dividing the purchase of the groan of man. i love very much. means love a woman to a family to children and grandchildren. the closest thing to me is not an empty phrase and love for the motherland. uh, and, probably, the main thing to which i devoted my life. this is the love of ballet. yes , it was i who somehow engaged all my life in my favorite art and my favorite profession. i guess i'm the lucky one who got lucky. maraprach happy ending, what flattery i was not allowed to sergei prokofiev ask shakespeare and win romeo and juliet from death from the ballet dancer valentina orzara declared sparks to the triumph of kahani, and something even for a short opinion of the human enlightenment of the feast, divination and hatred could.