we are moving. i want to see the new premises before the builders leave. but this is correct, and how people perceived it differently. they won't run away. i don't know how it's going to be, i don't know yet. maybe you can try to persuade them to talk to them. no, vasily petrovich will not persuade anyone, and i will not. let everyone decide for himself not small and it will be easier to work again, you will have more running around. what to do vasily petrovich

what is your big united team working on today and when to wait for the premier in work, in addition to the fact that there is an animated film documentaries, we have four big, uh films, we have three films. this is a joint production with us and our partners. and one project is a national project dedicated to the history of our country. two projects. this is our genre of comedy melodrama. we shoot with russian partners. this year, the belarusian russian viewer will see the comedy olivier in cinemas in december, which is filmed by belarusian artists and famous russian artists. such as sergey shakurov, irina peggova, and others. uh, we are also currently working on a very interesting project. for the first time we entered production with uzbekistan, we are doing such

an action movie. action, young director, uh, experts from uzbekistan, uh mukhtali tree. hmm doesn't want to get an action movie that will be primarily aimed at a younger audience, so it's difficult to take on the shoot, and there will be a filming period in august. we have just belarus on our site at other facilities and this year in the fall. we must enter the shooting period with a film dedicated to the history of our country. a difficult difficult part of our history, when belarus was divided into two parts, is the twenties and thirties of the twentieth century, and the life of people in those days and the high-profile national project, which is called we are one. well, it's still a working title. we are united before entering production there was a lot of work attributed to the scripts studied several times, the archives were studied by the press of that time there were

consultations with historians, because you want to make a believable film as much as possible that reflects that era costumes the nature of the event. uh, so this is a big feature film for the big screen, that is, the possibilities of belarus today allow us to actually work in any genre. well, of course, we have a full-cycle film studio. also, we changed, uh, the way we make movies. we are now recruiting a film crew on a project we do not keep a staff we invite specialists, both russian and foreign if necessary, and we have confirmation of our international teams on all major projects on all of our four projects, when we have specialists from belarus uh kazakhstan uzbekistan germany and hmm other countries, because we want to get a demanded project. well, how today our belarusian films are promoted on foreign platforms, if they are promoted and how they are collected, you know, yes,

recently we have only been present more often on tv channels. i don't get into film distribution. this is thanks to our joint films there, whether it was farsi lessons, or it was the fate of a saboteur, they could get into the cinema. in addition, uh, we began to attend not only on central television channels, but also on regional tv channels plus e, we began to work more actively in the internet space. uh, we are present on youtube channels. eh, all over the world. now let's watch movies and watch viewers all over the world, and besides, we have uh and we have uh. uh, partners who promote sell individual units of the country's telemey films. for example, some of our films were sold to japan, some films were sold to south korea, some films were sold in china , our films appeared on internet platforms. that is why we are working more actively. we're for it

this time over the past 2 years have carried out a large inventory of our film library. we have over 650 feature films and 2,000 documentaries. wow animation this is a great legacy that we not only keep. we are now trying to present it as much as possible to e in all e sources that i have already mentioned earlier and in addition, thanks to the support of the state. we're in the middle of, uh, rebuilding our funds, 'cause some movies are in need of restoration , movies that are in demand. e, color restoration sound correction correction e, plus e for you need either subtitling or dubbing, so we took up this issue. and thanks to all the measures that we have taken. uh, you can see more of us now than before.

years minsk resembles a gigantic construction site the architects have an ambitious task to bring to the city of stolichny losk the main building of the academy will appear in the main city of the bssr science house of the red army cult buildings. a few years later, they will become the hallmark of the megapolis, it is the longbard that will be entrusted with the construction of another legendary building.

his idea of ​​the bolshoi theater, yes, was ahead of its time and in such dignity of a pawnshop that he saw how it would be for translation and all its buildings , how city-forming they would form a new scale of the city and they are today. e, not morally obsolete , he was probably one of the five best theaters of the soviet union, a big title, e he received. eh, in the thirty-ninth year there is. uh, on this score, the harness of joseph stalin retained this name. only the great in moscow and the great cultural construction of the young soviet country is proceeding at an accelerated pace, and to replace the old bourgeois values. a new genre of socialist realism

, opera and ballet, comes. caught between a rock and an anvil, art faces the question of whether to be forgotten forever or to rebuild in a new way, there were heated discussions, even on the pages of the uh media. do we need ballet and is it really an art? or that it just means a demonstration of naked female legs and so on, yes, but still, it means that common sense won out and the ballet classics took their place of honor. i don't know where i'm going to work. i stop my activity as president of the ussr, who

almost ruined the construction site of the century, there was soup on former employees, there were about 47 witnesses, the phantom of the opera, how the legendary theater actually survived the war and its world lay in this basement, red terror, someone the latter fought for the color of the iconic building. the cultures hidden by the gang were eliminated, in general theatricality. everyone went to this ballet the union was forced to reckon with the belarusian ballet. i was invited upstairs. the performance is about god the devil and around which passions boil to this day were my three children. something's going on here. let me go through all

the secrets of the largest theater in the country. the history of the belarusian opera and ballet began long before the appearance of a cult building in the center of the capital, the foundation of a professional school was laid by fortress theaters. the belarusian gentry did not skimp on the spectacle. the best conductors were appointed as mentors and the singers of the old world became their operas. uh. this is already from the nesvizh opera productions, 1752. when did the brother write

the urshura devil well, of course. uh, coopermaster of the court. he wrote music, this music has not survived to this day. it’s a pity at the peak of popularity, french and italian operas, as well as musical works of his own composition, became a turning point, 18. the second year well , for

100-150 years, the history of the russian theater has a well-known idyll in the creation of the national opera. to very leading positions until the beginning of the 20th century. belarusian opera and ballet goes hand in hand with the drama theatre . charista ballerinas and opera primas were forced to share the stage with dramatic actors. in 1924, in minsk opened the doors of musical technology. a couple of years later, specialized ballet and opera classes were opened in it, it became evidently two great art forms. closely in one place and the city authorities. we decided not to trifle, but to build a separate theater for the opera and ballet, the

project was not made in such a way that it gave you a task. yes, design a theater and ballet. there were also conditions for those times in the construction of these cultural buildings, as well, especially on theaters. well , everything was rejected, the so-called, developed over decades and centuries in construction theaters everything is bourgeois. we have already surfaced the new world has been put forward like this. the idea that this was throughout the soviet union, not only in belarus to build such universal buildings of culture, it was assumed that there would be a huge building in which they would be held. uh, some kind of events, such as demonstration festivals, sports events, there will be circus performances, including the opera and ballet theater. the main ones were grandiose at the mercy. the future theater

was allocated a hill in the center of the capital the place, which was clearly visible from the very ends of minsk, was the best suited for the construction of a new temple of art. initially, the construction was entrusted to the architect georgy lavrov. there used to be a trinity bonfire here. at the beginning of the 19th century, a very large fire broke out on trinity hill. in essence, everything burned out , they made redevelopment from the point of view. an architect, which means killing is very profitable, where we were not on the upper city. or even here on the avenue we see a theater, and here was the trinity bazaar. there were. uh, small the houses are all unkempt, but this is a place of high ground. it’s probably better to find another place in the city of minsk, it was probably impossible to

lay the first stone on the site of the trinity bazaar. here is the architect's design. lavrov georgy lavrov, but lavrov's avant-garde ideas were sent to the table, and the project was entrusted to another name, tamor-hitector joseph longbard. the author enthusiastically set to work when the drawing was ready, it was discussed in the union of architects and given the go-ahead by professor larn, supplements the council of ministers of duty. this is how we look like new furnishing the opera and ballet theater zehutz, with comfortable tiers, a lie, it remained to be agreed in moscow on the first capital project, they also appreciated it, but then one of the high ranks of the reason noticed the opera and ballet building in minsk would be much more than the older

brother of the moscow bolshoi theater to allow such a thing in the main capital simply could not as the project was developed, well, it was obvious that here the creative team came out with a noticeable cost and the author of the program had to slightly adjust the hall was reduced by 1500. actually, closer to what and now and uh, shortened and some. uh, elements of the cultural façade decoration from the pawnshop project were eliminated. well, a few. in dick , it was the theatricality of the image that began endless edits, the longbard, heart creak again and again reworked the project with the number of visual places. it was necessary to urgently reduce first from 3,000 to two, and then even to one and a half thousand, the shape of the building turned from an ellipse

into a circle. changed several times and the appearance of the buildings all this aroused the indignation of the author, there were others excesses, the temple of art could remain only on the drawings of the allocated money in a mysterious way. evaporated first project. it was made in red in color. it was done. it was something. that's a little like the colosseum because he was forced to such requirements. here is the bank. well, i didn’t think, it wasn’t my best project , of course, as always, as in many places, and without theft, there was a trial of former construction employees, and of the opera and ballet theater, a certain head of a department kuffman, embezzled huge amounts of money. somewhere there is such a sum of one million eight hundred

something. yes, and that means, uh, a trial took place and, uh, there were about 47 witnesses, construction went on at an accelerated pace, the young soviet country, by all means, sought to prove its power first of all through pompous architecture and strict lines. outside buildings inside luxury, expensive, velvet gilded chandeliers, antique statues, soviet constructivism, had to show. and to each the inviolability and status of the new country. the fact is that he loved to visit royal bed, he felt like the emperor of all russia there, and therefore the opera becomes the main genre in the thirties, plus these parallels with ivan susanin, because

the russian school began with ivan susanin. now we will stage these ivan susanins in all republics, that is, the patriotic historical opera, as such, the state opera and ballet theater of the bssr appeared much earlier than the iconic building itself on may 25, 1933, the start of the season thundered on the stage of the belarusian drama theater on the stage of the opera and from carmen the main part with larisa alexandrovskaya translator he was such a musicologist, a belarusian quite well- known in his time. gracer. here the opera was prepared in the studio of this opera and carmen was opened on may 25th. uh, the opera and court theater opened its doors to the first spectators

. the bolshoi theater only in 1938 gracefully art instantly wins hearts, opera divas and ballerinas suddenly become practically celestials overnight, the audience is ready to carry artists in their arms. all the years, the opera theater in general in the soviet union it was very prestigious. it was a business card. eh, any republic. i mean, they were gods. these were the stars. they say that they had some. so, if these were people with titles with regalia, then they knew that they were people's artists, which means they had some kind of benefits there and they received something else. that is, they had. stream they streamed. they had such a competitive struggle, very tough with the appearance of their own building for the bolshoi

theater, belarus was actually challenged to catch up and overtake other eminent opera and ballet houses unions. task number one is nothing less than the creation of a national repertoire. school. moscow was famous for its male cadres leningrad was on it, st. petersburg was always glory to women who, well, somehow managed to do it. but what if, thanks to teachers who were from both moscow and st. equal approximately equal well, perhaps a share? mastery and invested in both men and women in the thirties, it was originally planned in moscow that opera would be the most democratic art. even the demands went to the opera. this should be an operation in such a way that

there are absolutely such, that means understandable numbers in couplet form. uh, hmm song dance march, and for people to come out of the alter theater and sing along the way. here are the marches of the song that he just heard at the opera for big plans. in the forty-first year, the war will destroy, do not forget the wounded, minsk the bitter smoke of its ruins during the occupation minsk was under attack after countless bombardments, the city was completely in ruins, the luxurious building of the bolshoi theater is a miracle, remained unemployed, and while the artists fought at the front, the germans turned the temple of art into a barnyard during the war, they were located in the left wing, and even here there were stables and german troops. uh, they stopped, so here they find some other sounds of war.

there are grenades, shells, and so on. some people didn't have a living place, but in the hall, that's where the auditorium is. uh, a bomb hit, there were bodies left in the hay, the germans, they set up a stable here, there were various workshops. e. well, they say all the same, they loved very much. photographed another legend associated with the turning point of the war in 1943, when the underground and partisans killed the gauleiter of belarus wilhelm kube, turned the cold basement of the theater into a morgue. here, the body lay for several hours on the local of hitler in belarus, the old-timers said that under the vestibule during the war. you remember who the cubes killed, his corpse lay in this format. well, uh, apparently,

the coldest place was, damn it, to save when minsk was liberated, the artists returned to the theater building again, the season of forty- four years opened with the premiere of the opera evgeny chakotsky olesya but after the exhausting years of the war the building is pretty good. it took 3 years to shake losk after the reconstruction, which joseph langbar himself had a hand in, tiered balconies appeared in the theater, and a couple were broken around the building after the war in view of the fact that the left wing was destroyed and the facades were actually restored. reconstruction was started anew with plastering departments and the bath was carried out and everything that was done on the wrestlers in the sixth forty-eight was preserved. now back to this post-war years. big theater. once again it has become the center of life in the capital, the audience rushes to the temple

of art to remember the peacetime, and opera performances are broadcast on the radio with an enviable frequency while the public admires the performances. many artists are forced to barely make ends meet, post-war devastation. many are simply nowhere. even i remember living in some make-up rooms where artists lived, who had no place to live. some buildings were destroyed after the war, and far from quickly and not all at once. it has been refurbished. the atmosphere was. as far as i understand, now such a friendly warm forties are quite enough, and even opera and ballet primas could only dream of their own square meters in the capital in the queue for housing. i remember myself, i guess . three or four years ago, i remember these

long corridors, then they seemed very large to me, probably, you know that i was little, when the trees were big. here. uh, well, i remember that in the corridors everything was fried and steamed. well, of course, i don’t know, there were culinary delights, but fried potatoes were always a real star post-war years, ballerina. basya karpilova, shone on stage in the role of esmeralda, the famous prima lived in the theater with her family and the main partner on the stage, a live goat, lived for several years, of course, in small rooms. for example, i only remember a sofa like this black monster stood, and in obito's room with dermantin. here is the closet, in my opinion, left over from the germans. this closet was so deaf deaf, but it had like strainers. tea such holes, here is this wardrobe and

sofa. i remember for the rest of my life there was a kind of charlene market. she bought this goat and uh, she settled next to the room. and her mother taught her, she was in a tambourine, in which she went on stage to esmir. she put some kind of feed there and the goat got used to it and on the stage one could be calm for her, but after a while the bureaucrat i don’t know who wrote that the goat playing the role of the goat. get sick esmeralda. to withdraw from allowance to seduce a room in the sixties were marked by a new status, the bolshoi theater was given the title of academic, but a recognized temple of art. needed. in urgent repair 67th building again updated the reconstruction later recognize the rights of the flat roof was replaced by a hipped one. because of this, the opera and ballet theater began to resemble a circus. chapiteau so it was necessary to

make a roof that would not flow, therefore, we decided to make it such a dome. yes it is e. well, if you've seen the photos, then it certainly, uh, ruined the theater so much. it's kind of like a circus. they even called it chapiteau, that we had a theater in tibet for years, two huge halls. uh, a little more than walking, but there were always stains on the ceiling because the water ran right through the row. he must there was a renovation, performances were going on, and here she was on duty. uh, fire department. since this whole ishature structure was above the roof, it was made of wooden structures that were not impregnated with fire-retardant joints. could at any time catch fire in the sixties in big works, a real galaxy of talented musicians and performers are the special

pride of theatrical teenagers. the first woman conductor in the soviet union, tatyana kolonitseva, was told about her harsh temper. legends. this is my greek increase, probably, such features of my face are very unfavorable unpleasant, because all people think that i am like that, but my colleagues remember her diet. coffee ice cream with a cigarette and endless dedication to work, she was near the circus, and she had a big and big dog ice cream scary. uh, he loved this dog too, and she, naturally, approached this kiosk. well, they knew each other. naturally with this saleswoman, because every day tatyana mikhailovna bought. she has quite a lot of ice cream for her ice cream dog, she says, oh, tatyana mikhailovna, you see there is no one, and

i urgently need to call. well wait wait a minute. well, yes, please, go call, and then it fits. the whole group means, ask what you sold. uh, a certain number of these same ice creams, a woman in a tailcoat at the conductor's stand, already killed everyone and everyone on the spot, but that evening, the astonished tourists were shocked by how the lady from the ice cream parlor excellently wields a conductor's baton in the evening. uh, tatyana mikhailovna goes to the control panel , of course, the light turns on. applause she turns into the hall bows raises the orchestra to the front row. uh, those same ones are sitting the germans who bought

ice cream from her in the morning, what did they think at that moment, namely, tatyana kolomiytseva staged an opera performance for the first time in the soviet union. ares the ancient story, edited by sergei taneyev, was not only remembered by the belarusian audience, but was also highly noted by the most severe soviet critics. the opera was released on vinyl. mythological story. e, it would seem, it would seem something completely far from soviet reality. yes, there would be a lot of banknotes. but it really was the development of new territory, operatic territory, and mm recognition. uh, this uh, the opera found e in the fact that it was recorded on the records of the melody company, and it was the only recording in the entire soviet union , the next appeal was only in the 21st century

, you know, yes, that is, suddenly the belarusian opera house becomes in the center in general, the entire universe of life in culture. cheese even eminent artists at that time could not go abroad, but touring outside the iron curtain. one can only dream of the only opportunity to refresh the staff and bring a new stream of inviting the best to the belarusian capital performers from all over the soviet union did not have to talk about the unified professional school , because they came from moscow and leningrad, uh, artists soloists in other cities of the soviet union, uh, the team was quite combined and none of the soviet people could go anywhere to work and only within the limits of the soviet union are the most,

shall we say, talented artists. of course they stayed. well, at home and here there was a very strong pipe. well, some conductors and i will call this absolutely legendary personality of yaroslav antonovich, vasyak or suppose kolomiytsev or moshensky there, the seventies became a real golden age in the history of the bolshoi theater of belarus, crazy full houses, kilometer-long queues at the box office, tickets only by pull. the main ones were together in the theater, people's artist of the republic valentin elizariev. well , the rear was just a hype; tickets were not possible to buy and they were sold at the box office. uh, only on the condition that you buy at the same time a few more ballets for the opera at the most

unmarketable. you don't have to go there, but the main thing is that you bought the tickets slava pro belarusian ballet thunders throughout the vast country in the epicenter of the cultural life of minsk young were together ussr valentin elizariev, seventy-third year. only the okungrad conservatory hurts ene, and from my third year at the conservatory he tracked down our former minister of culture mikhailovich, a wonderful person. uh, in the third year, received an award, she was all an allied competition. and here, probably they were looking for the person who led the pipe, therefore, it so happened that i was assigned to the republic of belarus and the tenth october for everyone from the third year. i started my activity epoch or him when he came to our theater. he was as young as

we are. those were his. well, we can say the first steps in great art. his first performance was carmen seita with us. and he still lives this performance and i pass it on to the fourth generation, unshakable and endlessly, devoted to the cause, it seemed to the ambitious choreographer. i succeeded in the unthinkable to reach the audience in a moment, art is not for everyone goes to the masses at its production, people will storm the box office i really appreciate it performers who are completely different in the same part with the advent of even valentin nikolayevich of course, that's what concerns ballet. he grew up a lot and it was very interesting for us to work, because it was

such a fresh stream. it was so interesting to work, you know, if these performances in his production, someone even now go through such a number, and they are not out of date, the critics go down to one valentin elizaev has raised the bar high. and he created something fundamentally new for the entire soviet ballet, hug her in an armful so like you're a girl, like some kind of instrument. embrace her, like a woman, the cult production of the seventy-sixth year, the creation of the world, will become a real hymn to man for all time of life, conquering death. good conquering evil only refers to this plot, and through the story of adam and eve, he suddenly builds a parable about the apocalypse about what is relevant at that time and today, yes, how we

protect the world. uh, back then it was the threat of nuclear war. yes, today, probably, these are some kind of environmental disasters and so on. yes, but this is suddenly fragility of the world comes to the fore, and the need to preserve it and some kind of anthem to the woman at the end, because it is the woman who revives what can perish and perish forever, and while some admire the philosophy embedded in the choreography, others see the performance as fashionable anti-church propaganda one way or another soviet citizens treated the sensational production as well as any other shortage of money, they invited me upstairs at any cost . and maybe this it wasn’t really necessary to start the car, all the

suits were already sewn. stage rehearsals were simply not late with the invitation. that and after was, well, a staggering success and performance. uh, it's just that the question fell away by itself no one asked, why god why the devil adam does. i often demand the impossible from actors. and on the verge of the impossible, a new one is born at that time, uh, it hurts the creation of the world, it is in the first place. uh, it was perceived as such a sexy boomba, because, firstly, the artists were on stage in leotards leotards are the color of human skin, and wow they are naked and everyone went to this ballet that's it to see this sexual revolution, although in reality. of course it's wider.

gradually painful and operatic art becomes the hallmark of the ussr opera and ballet prima audience literally idolized kupala in the rays of glory, but legends were made about their cool disposition, this is status, it really existed and quite harshly and cruelly. all this was when they were accept when they were there baby, something here you go. yes, and give way to me to go there. i go something very big attention was on the neck to the opera house. he loved very much. uh, the theater itself loved the singers, knew everyone by name, there and so on. that is, and this, probably, also influenced the fact that if he goes

to the theater behind him, the whole office follows him, but even recognition and all-union glory sometimes did not mean anything, the stars of those years often lived like ordinary soviet citizens one hundred. in the lines of shops huddled in tiny apartments, and foreign trips could only to dream of fanta, this sky and earth have changed, because you are warm, they still lie somewhere in my house. we had to varnish them with glue, dry them, rub the carrot socks with a grater, and sheathe them so that the pointe shoes could withstand one performance, or even two pairs, tamara nikolaevna nizhnikova had to do. people's artists of the soviet realized then without the soviet union she sang today to razin and tomorrow she sang e.

you understand the chanterelle in a grater, and it didn’t count . uh, below her dignity, so the soloists. uh, such leading such opera stars, they also sang the second parts of the second position, so they were so interchangeable, despite their high status, many eminent opera singers, even after countless full houses, remember their first appearance on the big stage, as a lucky ticket to life, for example, the part of lyubasha in e, to the royal bride, i just graduated from the conservatory, and in september the season opened and the performer of the main part fell ill. well, i understand, if i go out now and sing successfully, then i will sing this part in the future. but there is another side, whom i replace, i replace svetlana's clip with danilyuk, for which the audience took tickets. this is how i should sing

so that they are not disappointed, and the next time they come to the theater for the first time on this stage. i was entrusted at one time, so to speak, in the carmen opera there is such a character, when i started to sing, it turns out that i was already lagging behind. the conductor was already ahead of me. a flurry of criticism addressed to me. to put it mildly, but it was baptism in the eighties, the corpses of the bolshoi theater are again in search of an acute question of expansion 84th of the national repertoire , the recognized classic of literature dies. vladimir korotkovych by that time, the theater’s repertoire already included an opera based on the story the gray-haired legend, but in the big one they decide to perpetuate another work of the

writer, the wild hunt of king stakh, opera singer viktor skorobogatov still remembers with trepidation how work on the legendary masterpiece went to the crossroads , which means the union of composers is smoking near the window. you never thought about the sugar king's wild hunt. well, why didn't you think? well as they thought, i think, but something written already says. yes, there are already a couple of fragments. well , show the edges come up. ale won't play these couple of fragments. it's a waltz. hmm, param-pam-pam. well, actually, uh, hunting. yes, pom-pum-pum.

the work was in full swing day and night, and the rich literary heritage only increased the degree of responsibility for the work. the recognized masters of the composer, vladimir soltan and conductor yaroslav vashchak, in close conjunction with them, the leading opera performers of the theater will show the audience a wild hunt in 85, but the triumph was darkened by a sad event . yaroslav voshchak did not live to see the premiere. this is one of the first bright real professional powerful operations of russians and others. of course. this aroused tremendous interest and then the astakhs. only now he worked a lot on

this score, unfortunately, he then fell seriously ill and already followed suit. eh, she herself was at the control panel in general. i performed beloretsky, i could not get used to it, well, about 10 performances, although i knew all the music from and to by heart. eh, but here is the feeling of this trembling, i could not myself. stop. it was so, well, really scary, from this music here in these scenery. uh, a thriller, a real crowded hall and a standing ovation from the grateful spectators of criticism. they will immediately name the wild hunt of the king of stacks of the main belarusian romantic and national opera.

the production will last on the stage for a record number of seasons. the king's wild watering has also not left the stage for 21 years, the scenery and costumes have already worn out. it's already been changed. well, the costumes always change artists, that's it, i found it for 21 years. well, these are our legends here theaters, these costumes are from the legendary performance. the wild hunt of the king of fear, which is now to date, he is not in the rapper. it does, but it was a huge success. and now, at some concerts, sometime they are also involved in balls. the nineties have become a real test for the theater, but despite the difficult time for the whole country. the bolshoi theater lives a busy life in minsk hosts an enviable number of

international festivals, and belarusian artists are frequent guests in the best opera and ballet houses of the old world, some first opera tours. they began only in the nineties , when sergey kottez became the director. it would seem terrible years. eh, for the first time we staged a modelina, which is the first opera by prokofiev, which has not been staged anywhere before. yes, some other interesting works are staged that attract moscow st. petersburg criticism to the life of the bolshoi theater and those who serve in it, this is far from only applause and applause from the public, injuries or loss of voice is a terrible dream most artists often go to recovery. months, and during this time, even a recognized performer can find a replacement

to return to the stage. how to rise from the ashes? every time you go out you don’t know, what if this is the last time the voice does not forgive violence against yourself. here you put a lot of pressure on your hand. you will have a bruise. she ligaments push. and what are four acts of a performance, and you can’t all performances one spectrum sing for a month and then you will be silent for a year opera parts are written in such a way that this is the limit of human hard labor is associated with successes and failures, and it is very important to gather your will into a fist not to be afraid, psychologically, the life of ballerinas, without a pointe shoe and a ballet tutu, becomes an occasion for scrupulous analysis. the public tabloids are full of a standard set of questions do primas eat fast food and is it true that for each gained kilogram they have to pay for months of training and in

order to look good i always had to take care of myself. uh, i can snack on some very, very small in portions, because it is also dangerous to go on stage very, very hungry, because you may not have enough strength. but there must be absolutely ease. these are different stages when we lose weight when it gets fat. well, when you plow for two to three hours. in principle, you can afford something extra artist of the bolshoi theater is not without oddities. after all, even hundreds of rehearsed parts and performances are not immune from force majeure, iron will and nerves of steel. more than once the performers rescued. i had an artist. hora alone cannons fire and suddenly she doesn't knows. how does the floor not fall right in the east. in short, she falls to the chest, but she continues to sing these guns

fired thought, maybe she was killed by this gun. for example, in a play. the magic flute is what happened, for example, with me there i sang the part of the lady from the stage, which is lit by spotlights and sinks into complete darkness, and you fall and break your legs, but the performance is on, no one will replace me now. that's why you're running, sick, choked with your foot, bleeding scene by stepping. in the new millennium temples of art. the grandiose monument of architecture again needed repair, it did not accommodate numerous artists, and the technical equipment did not correspond to the time. in 2006 , the largest reconstruction in the history of the bolshoi theater began. the hall was flat. and we , in view of the fact that the round edition, it was more logical

to have a radial construction of the stalls. it also corresponded to the general. everything, both the building and the hall for work, attracted the best specialists in decor and mosaics according to the sketches of joseph langbard himself, marble and granite on floors, restored facades and unique interiors. restorers. they worked tirelessly for 3 years for the state, the reconstruction of the bolshoi theater became a real cultural mission. and now, as it were, the state has released quite significant funds for the reconstruction of the restoration of the theater, almost the entire decor of the theater, in particular, the portal has been preserved there . eh, there were some chips somewhere. there are cracks. it had to be repaired when we used all historical documents, but you have seen how

it actually looked originally plan, bartia and completely. here is all this decorative element on the balconies. we have completely recreated the special pride of the reconstruction - the ultra-modern stage, which is clearly visible from any point in the auditorium, has increased and the area of ​​​​the theater stage has no dead zone. a small but important trick is the stage is at an angle. it is one of the best in europe in terms of its equipment. the stage is also tilted here. well, as it should there 6°. eh, on what? well, at one time he insisted, uh, the director of the theater at that time, valentin nikolayevich and lizarev, all decent theaters have, uh, a very precise, adjusted price plane in order for this performance to be shown to the public. here it turned out like this yes, so that everything could

be seen, as in the palm of your hand, at first about me, it would seem to be some kind of catastrophe, because the most difficult thing turned out to be not even dancing the most difficult thing. it turned out to be on her. even just standing the building expanded inside, but this did not affect the outside in any way. temple of art. additional rehearsal and technical rooms appeared in it, the acoustics of the building were improved, the stage was equipped with modern silent mechanisms. national treasure bolshoi theatre. belarus played with new colors. we are near the control panel for lifting the fire sanosaurus, designed to separate the stage from the auditorium. now i turn it on. there is testing now i can raise. not

only the theater was transformed, but also the famous square around it, the fountain. in front of the main entrance a favorite place for rest of the townspeople, the ensemble was supplemented by a full-fledged sculptural park before. it was a transit square. that is, everything to shorten the path, uh, from that street to this one they passed it. our task was for the designers to acquire the square. uh, some kind of theatrical sound was made such a proposal, where in the center there was a fountain , what we see now was a monument. if you remember, bogdanovich moved it further to create two diagonal alleys, one alley is the opera and the second. uh, ballet alley today, like dozens of years ago, the bolshoi theater belarus remains the cultural mecca of the capital, the

repertoire of more than 80 ballet and opera productions from world classics to art-house performances and already the aesthetics of classical dance, yes, and ideas about ballet and ballerinas, but they rushed forward. and of course, this has already been a fusion of gymnastics and tricks and classical ballet. yes, but there are things that have been tested for centuries among today's e-supplies. i would very much single out, of course, god is simply interesting to him . it is also associated with e belarus the golden age of the beginning of the twentieth century with vitebsk avant-garde school with a demonstration of some sort of e, projection on malevich, of course , salome is the pinnacle that not everyone is given, because this is the most difficult

work . with awe and pride enter the legendary stage, so that in the next. once you get a standing ovation and wave goodbye there is never any guarantee. how will the viewer end up shouting bravo bis or clapping three , but when the lights go out and go down for envy, opera singers shoot green and ballerinas pointe shoes to unravel the mystery of art, the viewer is left one on one word, everyone is equal and art. connect all the same

there are people who are three moved, god who are just high professionals. each hero has his own unique story and his own view of belarus. and today i have six older children. my son lives in minsk and he likes it here very much. i can say that the

belarusian education allowed me to do my favorite thing. i am very grateful to the teachers who gave me the knowledge that i can still use to this day belarus has given me a lot in terms of my development. i became a musician. i became a teacher at a music school, you can't imagine what kind of gold belarusians wear in their souls. every year, how belarus changes, it becomes more beautiful, more interesting, it develops, watch on belarus 24 tv channel. let's share the secrets of good morning and good mood, if the morning begins with a smile of a delicious breakfast and light sports, then it will definitely be kind. how to cook hearty healthy breakfast. we will prepare a very tasty breakfast and for breakfast. we will have fish necessarily vegetables from strawberry salsa. it will be such a very dense enough breakfast,

it is not for every day, of course, but a day off. i think we can afford to show the exercises, thanks to which the body will be in good shape all day first. i get up in bed and do 50 squats sometimes and that's it. i have a good mood. i can go for a record and do 100 start rolling from thumb to heel then off middle finger to the heel and from the little finger. watch the breakfast of champions on belarus 24 tv channel in the program.

hello , and in this episode, a few steps away from the cherished 8 million belarusian farmers at the final straight grain harvest, dozens of injured and dead fatal accident with a tourist bus in northern turkey is one of the most important holidays of the orthodox church calendar of the assumption mother of god in sochi today with large mass starts the first stage of the commonwealth cup in

biathlon ends with the first