so that you can see in the future how with age, yes, your composition is still changing. yes, because in some cases a woman is waiting for this strange period of 45. plus, he says, that's all about me, in fact, no. yes, there are certain hormonal things, but if a person reduces physical activity, he begins to eat differently, he gives himself some such liberties, because i get tired. i work a lot and so on, in fact, human reserves are huge, and you and i use many times less than what we can, therefore here, and the most important thing is your psychological attitude to the fact that you are not finalizing, you are not moving, right? that is, you can do more more more, but everything should be moderately and clearly planned. that is, if this is a training regimen, then it is certain, that is, again, not every day, but with a frequency determined there two or three times a week in order for your

muscular system to recover , there must be sleep, yes, e chicap and research , as you and i paid attention in order to go to a specialist to determine how you change what you have, how pleasant it is, in fact, when people come they say, yes, look at how good my tests have become. look at what my body composition has changed there in six months. here, therefore, here are these, uh, the minimum good parameters that you will receive in the future. of course, they will lead you to even more such a motivation for inducing a healthy lifestyle. milan, i can't help but ask you, are there many valeologists of your colleagues today and, theoretically, who can become a doctor ? valeologist? we now have few valeologists in the city, because there is a certain percentage of the calculation for the population. if we talk about the city as a whole, then i have it in the center. there are three valeologists working

with me. if we talk about the republic, there are a little more of them, and there are also representatives - these are fisher-leologists. this is a secondary specialized medical institution in every health care institution. e, as a rule, there is a person who is engaged in a healthy lifestyle is responsible for this direction. here we are in the city. it's all healthcare institutions that we supervise, personally, we are here in our health center, well, who can become? well, the first person who is ready to uh always study absolutely all areas of medicine, because valeology is the main direction of preventive medicine. and since recently. and our specialty is called a doctor in preventive medicine graduates - this is the belarusian state medical university, our universities throughout the country and the direction is prevention. yes, that is, if you are willing to work hard. uh,

first of all, above yourself to be an example for others to motivate people, because valueology is not only medicine, it is also psychology and other related sciences so that you can scan a person who comes to you psychologically to see what questions he has bring to the conversation. that is, it should be such a socialization, by no means closed so personally, so think if you are ready, i will always be glad, in fact, to take them to my staff and we will actually find them in the city a place for a person who will be ready to work on himself and on the health of our citizens and tell healthy people about health and how to keep it down? thank you very much. indeed, as always. interesting. you again found time for our program. it is very nice. and right now we will analyze it together with specialists. the topic

of mental hygiene, which, by the way, is an integral part of a healthy lifestyle, mental health is the absence of any mental illness or abnormalities, but in a way that is even absolutely healthy man. he may be in some unstable unstable emotional state and experience some problems in the emotional sphere. to be more precise, mental health is psychological well-being that allows a person to live a full life, that is, to realize himself and his potential to work productively and experience satisfaction from life, by the way, even the world mental health day is celebrated on october 10. there is a date on the calendar. how do you keep your mental health. there is even such a field of science, and psychology is mental hygiene, which deals with issues. and just the maintenance of a and the observance of this mental health of the body are very connected. beer with all

the ongoing processes, therefore, if something eludes our mental perception , psychological defenses help us cope with it, then the body always reacts. that is, you can, for example, suppress anger or an outburst of rage and not respond. for some kind of conflict situation, let's say so with our own efforts more, uh, and self-control. but the fact that this here, uh, a charge of rage, it has formed in the body and will go into the body in the same way, then, most likely, after some time it will manifest itself as some kind of somatic symptom. our psyche in such a way, but helps us cope with reacting to the whole e, this world around us, yes, that we may not understand something or be aware at the level of our psyche, that is, very carefully monitor our nutrition due to physical stress, rest, relaxation and so on. well, at there will still be somatic manifestations of this, and this means that something is in our way of life and reactions. something is wrong with the world around me

, that is, somewhere there is some kind of breakdown. maybe it was formed as a result of some kind of psychological trauma. and so very often. and this is an occasion to turn to a psychologist to psychotherapists. it was a nookomania project. i am ekaterina beretskaya today studied a young, but no doubt very important and literally necessary for life science called valeology. i hope these half an hour you it was not in vain that they spent with us see you soon on the air and be healthy.

away from the bustle of the city. here are your roots and your strength. go ahead to come to yourself. slow down and enjoy the moment, and the elements will tell you the direction. every step unity with nature its own wild ancient yelnya belarus inspires the 30s minsk resembles a gigantic construction site the

architects have an ambitious task to give the city stolichny losk a ceremonial view, thanks to the architect joseph longbard, the authors of the projects architects with by the submission of the eminent master in the main city of the bssr, the building of the house of the government of the main building of the academy of sciences of the house of the red army religious buildings will appear. a few years later, they will become the hallmark of the megapolis, it is the longbard that will be entrusted with the construction of another legendary building. his idea of ​​the bolshoi theater, yes, was ahead of the pawnshop in its time and in such dignity that he saw how it would be for

translation and all its buildings, as if they were city-forming, they formed a new scale of the city and they are today. uh, neither morally obsolete, he was, probably, one of the five best theaters of the soviet union , he received a great title. eh, in the thirty- ninth year there is. uh, on this score, the harnesses of joseph stalin retained this name. only the great in moscow and the great cultural construction of the young soviet country is proceeding at an accelerated pace, and to replace the old bourgeois values. a new genre of socialist realism, opera and ballet, comes. caught between a hammer and an anvil before art is the question of whether to be forgotten forever

or to rebuild in a new way, there were stormy discussions, even in the pages of the uh media. do we really need ballet and is it really an art or does it just mean a demonstration of naked female legs and so on, yes, but it still means that common sense won and ballet classics took their place of honor. where do i go to work, no pyrolism, i stop my activities as the president of the ussr, who almost ruined the construction site for centuries, employees took about 47 years,

the phantom of the opera, as the legendary theater actually survived the war and the world, his corpse lay in this the basement of the red terror, who fought to the last for the color of the iconic building in the culture hid the gang, precisely the theatrics were eliminated. and everyone went to this ballet, as the entire union was forced to reckon with the belarusian ballet. i was invited upstairs and they said a performance about god the devil and around which passions boil to this day or we are three, baby, something is going on here, let me go through all the secrets of the largest theater in the country.

the history of the belarusian opera and ballet began long before the appearance of a cult building in the center of the capital, the foundation of a professional schools laid fortress theaters. the belarusian gentry did not skimp on the spectacle. as mentors, the best conductors were discharged, messers and singers of the old world and steel opera bells. uh. this is already from the nesvizh opera productions, in 1752 whether to take signed urshula radeville. well, naturally. ah,

cabernetiser of the court. he wrote music that has not reached our days. this is music. it's a pity that at the peak of popularity, french and italian operas, as well as musical works of his own composition , became a turning point, 185. the second year it was then in the creative tandem of composer stanislav with manyushka playwright vincent dunin martsinkevich gave birth to a production that is considered to be the starting point in the creation of a national opera. less uh in minsk, uh, the theater, uh, from the moment of its creation, could be built into this system and become very leading u positions

until the beginning of the 20th century. belarusian opera and ballet goes hand in hand with the drama theater, the first house that hosted the performers became the belarusian state theater for a long time. charista ballerinas and opera primas were forced to share the stage with dramatic actors. in 1924, musical technology opened its doors in minsk. a couple of years later , specialized ballet and opera classes were opened in it, it became evidently two great art forms. closely in one place and the city authorities. we decided not to trifle, but to build a separate theater for the opera and ballet, the project was not made in such a way that it gave you a task. yes, design an atrow, pereboletova. there

conditions also became at that time in the construction of these cultural buildings, as well, especially on theaters. well, everything was rejected, the so -called, developed over decades and centuries in the construction of theaters. everything bourgeois has already been put forward with this or well, the world has been put forward like this. and that it was all over the soviet union, not only in belarus, to build such universal buildings of culture , it was supposed that there would be a huge building in which they would be held? uh, some kind of uh events, like festival demonstrations, physical culture sports events, there will be circus performances, including the opera and ballet theater, the main ones were grandiose at the mercy of the future body, they allocated a hill in the center of the capital , a place that was clearly visible from the very

ends of minsk, it was the best suited for the construction of a new temple of art. initially, the construction was entrusted to the architect georgy lavrov . there used to be a trinity church here. at the beginning of the 19th century, a very large fire broke out on trinity hill. basically burned out. everything has been redesigned in terms of architect, it means that the place is very profitable, where we were not in the upper city. or even here on the avenue we see a theater, and here was the trinity bazaar. there were. uh, the little houses are all unkempt, but this is an elevated place. it’s probably better to find another place in the city of minsk, it was probably impossible to lay the first stone on the site of the troy bazaar. here, according to the project of the lavrov architect georgy lavrov, lavrov's avant-garde ideas were sent

to the table, and the project was entrusted to another eminent architect, joseph longbard. author lustily set to work when the drawing was ready. discussed in the union of architects and gave the go-ahead professor lamparq supplements the salary the council of ministers is coined a vulgar detail by vlad so we will look at the new furnishing of the opera and ballet theater with a tsunami ridge in tiers, a lie, it remained to be agreed in moscow in the capital’s project, too, was appreciated, but then someone from high-ranking officials noticed the opera and ballet building in minsk would be much larger than the older brother of the moscow bolshoi theater, they simply could not give such a thing in the main capital

during the development of the project, it was obvious that the creative team came out with a noticeable cost and the author of the program had to slightly adjust the hall was reduced by 1500. actually, closer to what it is now and uh, some have been reduced. uh, elements of the cultural façade decoration from the pawnshop project were eliminated. well, a few. in general , it was the theatricality of the image that began the endless edits, the longbard, the heart creaks again and again the number of visual places reworked the project. needed to be reduced urgently. first, from 3,000 to two, and then even up to one and a half thousand, the shape of the building turned from an ellipse into a circle. it changed several times and the appearance of the buildings all this aroused the indignation of the author, and

the temple of art could not do without other excesses and could only remain on the drawings of the allocated money in a mysterious way. evaporated first project. it was made in red in color. it was done. it was something. that's a little like the colosseum because he was forced to such requirements. here is the bank. well, i didn’t think it was my best project of course, as always, as in many places, there was a trial of former construction employees without embezzlement, and the opera and ballet theater, a certain head of a department, a certain cuffman, embezzled a lot of money. somewhere there is such a sum of one million eight hundred something. yes, and that means, uh, a trial took place and uh, there were about 47 witnesses, construction

was going on at an accelerated pace, the young soviet country, no matter what you did, tried to prove its power first of all through pompous architecture and strict lines. outside buildings inside luxury, expensive, velvet gilded chandeliers, antique statues, soviet constructivism, had to show. and for everyone, the inviolability and status of the new country. the fact is that he loved to be in the royal box, he felt like the emperor of all russia there, and therefore the opera becomes the main genre in the thirties, plus these are the parallels with ivan susanin, because with ivan susanin the russian school began. now we will be these ivan susanins and will become in all the republics, that is, the patriotic

historical opera, as such, the state opera and ballet theater of the bssr appeared much earlier than the iconic building itself. on may 25, 1933, the start of the season thundered on the stage of the opera and from carmen. well -known at the time. gracer. here the opera was prepared in the studio of this opera and carmen was opened on may 25th. uh, the theater of the opera and courtyard opened its doors to the first spectators of the bolshoi theater only in 1938 fine art

opera divas and ballerinas instantly win the hearts of the townspeople and instantly become almost celestials, the audience is ready to carry the artists in their arms. all the years, the opera theater in general in the soviet union it was very prestigious. it was a business card. eh, any republic. i mean, they were gods. these were the stars. they say that they had some. so, if these were people with titles with regalia, then they knew that they were people's artists, which means that they had some kind of benefits there, they received something else. that is, they have was. they aspired to stream, they had such a competitive struggle, very tough. we follow the sports life of our country, the dream team 7.0 star team has begun

preparations for the minsk half marathon 2022, which will be held on september 11, we will find out how new heights are reached, belarus is different from the average athlete by origin, that he must always develop , must always learn and move forward, but in any profession. if you don't work hard at it, you'll never achieve anything. how do you want some beat. if you can’t help but run, jump, overtake your opponent and help keep yourself in shape, we are working on something, improving and improving the technique of this movement. we just need a coordination ladder and 10 minutes of free time. the most relevant sports projects on our tv channel with

the advent of its own building, the bolshoi theater of belarus was actually challenged to catch up and overtake other eminent opera and ballet houses. union task number one is nothing less than the creation of a national repertoire to the moscow school, was famous, leningrad and st. petersburg have always been famous for women's cadres. well, somehow they managed to do it. but what if, thanks to teachers who were both from moscow and st. petersburg, to create a school of cats, which, in general, are equal, approximately equal? ​​but what is the share? mastery and invested and men in the thirties initially moscow planned that the opera would be the most

democratic art. even the demands went to the opera. it should be an opera song so that there are absolutely such understandable numbers in couplet form. uh, the song dance march, and for the people to come out of the opera house and sing along the road. here are those song marches he just heard of him, but big plans. in the forty-first year, the war will destroy, do not forget the wounded, minsk the bitter smoke of its ruins during the occupation minsk was under attack after countless bombings, the city was completely in ruins, the luxurious building of the bolshoi theater miraculously remained unworked, and while the artists fought at the front, the germans turned the temple of art to the barnyard during the war. uh, they were located in the left wing, and even here there were stables and german troops. uh, they stopped, so they find

some other sounds of war here, there are grenades , shells, and so on bombed minsk . uh, a bomb hit, the hay left the bodies, the germans, they set up a stable here, there were red workshops. e. well, they say, all the same, they killed a lot. another legend is associated with the turning point of the war in 1943, when underground fighters and partisans killed gauleiter of belarus wilhelm kube turned the cold plinth of the theater into a morgue. the body of hitler's viceroy in belarus lay here for several hours . remember who the cubes killed, his corpse

lay in this basement. well, apparently, the coldest place was, damn it, to save when minsk was liberated, the artists again returned to the theater building, the season of forty- four years opened with the premiere of the opera by yevgeny chikotsky olesya, but after the exhausting years of the war, the building was pretty shabby 3 years it took to bring losk after the reconstruction, which had a hand in joseph long-bar. tiered balconies appeared in the theater, and a park was laid out around the building after the war, in view of the fact that the left wing was destroyed and the facades were actually restored. they were re- finished with plaster and carried out. made on the fighters sixth forty-eighth it survived. now the post-war

years have returned to this, the bolshoi theater has again become the center of life in the capital, the audience rushes to the temple of art to remember peacetime, and opera performances are broadcast on the radio with an enviable frequency while the public admires the productions. many artists are forced to barely make ends meet, the post-war devastation. many simply have nowhere to live, even i remember that artists lived in some fungi who did not have a place to live, some buildings were destroyed after the war and far from quickly and not all at once. it has been refurbished. the atmosphere was. as far as i understand, now such a friendly warm forties are quite enough, and they could only have their own square meters in the capital. dreaming in the queue for housing were even opera and ballet prima. well, i remember myself,

probably from three people, i remember these corridors are long then they seemed very large to me, probably, you know that i was little, when the trees were big. here. uh, well, i remember that in the corridors everything was fried and steamed. well, of course, i don’t know, there were culinary delights, but fried potatoes were always a real star of the post-war years, a ballerina. basya karpilova, shone on stage in the role of esmeralda, the famous prima lived in the theater with family and the main partner on the stage, a live goat, lived for several years, of course, in small rooms. for example, i only remember a sofa like this black monster stood, uh, in obito's room with dermantine. here is the closet, in my opinion, left over from the germans. this cabinet was so deaf, deaf, but it had

such holes like tea strainers. here and uh, this closet and sofa. i remember for the rest of my life there was such a charlene market in minsk. she bought this goat and, uh, she settled in a little room nearby. and her mother taught her, she is in a tambourine, with which came out on stage in esmeralda. she put some kind of feed there and the goat got used to it and on the stage one could be calm for her, but after a while the bureaucrat i don’t know who wrote that the goat playing the role of the goat in the esmeralda ballet was removed from the allowance to seduce the room in the sixties years were marked by a new status, the bolshoi theater was given the title of academic, but a recognized temple of art. needed. in the urgent repair of the sixty-seventh building again updated reconstruction later recognized as rights flat roof was replaced with a hipped roof

because of this the theater of opera and ballet has become. commemorate the circus chapiteau so it was necessary to make a roof that would not flow, therefore, we decided to make it such a dome. yes it is e. well, if you've seen the pictures, it certainly, uh, ruined the look of the theater so much, it's kind of like a circus. they even called it chapiteau, that we had a theater in tibet for years, two huge halls. uh, a little more than walking, but there were always stains on the ceiling because the water ran right through the row. he had to repair performances were going on, and here she was on duty. uh, fireman subdivision. since all this ischatra construction above the roof was made of wooden structures, not impregnated with fire retardants, it could catch fire at any time in the sixties in a large

work, a real galaxy of talented musicians and performers. a special pride of theatrical teenagers. the first woman conductor in the soviet union, tatyana kolomiytseva, made legends about her harsh burrow. that's my raise, hot girl, that's probably what it is. my facial features are very unfavorable, unpleasant, because all people think that i am like that, but she was remembered by her colleagues for her diet. coffee ice cream with a cigarette and endless dedication to work is coveted near the circus, and she had a big and big dog ice cream scary. uh, he loved this dog too, and she, naturally, approached this kiosk. well, they knew each other. naturally with this saleswoman, because every day tatyana mikhailovna bought. she has quite a lot

of ice cream for her dog, the ice cream maker says, oh, tatyana mikhailovna, you see there is no one, and i urgently need to call. well, wait a minute. well, yes, please, go call, and then a whole group comes up, which means what they sold you about. eh, some of these same ice creams, a woman in a tailcoat at the naval console, already fought on the spot everyone and everyone, but that evening the astonished tourists were shocked by how the lady from the ice cream parlor perfectly wields a conductor's baton in the evening we catch. uh, tatyana mikhailovna goes to the control panel, of course, the light turns on. applause as she turns into the hall is scheduled to raise the orchestra to the front row. uh, the very germans that she has in the morning are sitting

they bought ice cream, what did they think at that moment, namely, tatyana kolomiytseva, for the first time in the soviet union, staged an opera performance, arrest, an antique plot in the processing of sergey taniyev. not only was he remembered by the belarusian audience, but he was also highly noted by the most strict. soviet critics published the opera on vinyl, a mythological plot. e, it would seem, it would seem something completely far from soviet reality. yes, there would be a lot of banknotes. but it really was the development of a new territory of the opera territory and hmm confession. uh, this uh, the opera found e in the fact that it was recorded on a

melody company record, and it was the only recording in the entire soviet union, the next appeal was only in the 21st century, you know, yes, that is, suddenly the belarusian opera house becomes in the center in general, throughout the entire universe of life, the cultural ussr, even eminent artists at that time, could not travel abroad, and gastronomes outside the iron curtain. one can only dream. the only opportunity to refresh the cadres and introduce a new stream of inviting the belarusian capital of the best performers from all over the soviet union did not have to talk about the unified professional school, because solo artists from other cities of the soviet union came from moscow and leningrad, uh, the team was quite combined and none of the soviet people could

go anywhere to work and only within the limits of the soviet union the most, shall we say, talented artists. of course they stayed. well, at home and here there was a very strong corpse. well , some conductors, and i will call this absolutely legendary personality yaroslav antonovichakh or suppose uh kolomiytsev. hmm, or there the moshensky seventies became a real golden age in the history of the bolshoi theater of belarus, crazy full houses, kilometer-long queues at the box office, tickets only by pull. the main thing was that people's artist of the republic valentin elizaev was together in the theater; it was just a hype. it was impossible to buy tickets and sold them at the box office. uh, only on the condition that you buy at the same time a

few more ballets for the opera at the most unmarketable. you can go there, but the main thing is that you bought tickets slava beaver, belarus and ballet thunders throughout the vast country in the epicenter of the cultural life of minsk young were together mr. valentin elizariev, 73 years old. i just graduated from the choreographer department at the leningrad conservatory, and from my third year at the conservatory , our former minister of culture and yuri mikhailovich was tracking me down, a wonderful person. uh, in the third year i received an award at an all-union competition. and here, probably, they were looking for a person who would lead the pipe, therefore, it so happened that i was assigned to the republic of belarus on october 10 seventy-three years. i started my day in touch with the beginning of the era or his when he

came to our theater. he was as young as we ourselves were. well, we can say the first steps in great art. his first performance was carmen seita with us. and he still lives this performance and i pass it on to the fourth generation, unshakable and endlessly, devoted to the cause, it seemed to the ambitious choreographer. the unthinkable was succeeded to reach the viewer in an instant, art is not for everyone goes to the masses on its production people will storm the box office very much appreciate the performers who are completely different in the same part. with the advent of even, of course, that's what concerns the ballet. he has grown

in many ways. and it was very interesting for us to work, because it was such a fresh stream. it was so interesting to work , you know, if these performances staged by him, which even now go through such a number, and they are not outdated, critics go into one valentin elizariev has raised the bar high. and he created something fundamentally new for the entire soviet ballet, since that girl, like some kind of tool. embrace her like a cult woman, the production of the seventy-sixth year of the creation of the world will become a real hymn to man for all time of life, conquering death. good conquering evil only refers to this plot, and through the story of adam and eve, he suddenly builds a parable about the apocalypse about what is relevant

at that time and today, yes, how we protect the world. uh, then it was the threat of nuclear war. yes, today, probably, these are some kind of environmental disasters and so on. yes, but this is suddenly fragility of the world comes to the fore, and the need to preserve it and some kind of anthem to the woman at the end, because it is the woman who revives what can perish and perish forever, and while some admire the philosophy embedded in the choreography, others see the performance as fashionable anti-church propaganda one way or another soviet citizens treated the sensational production as well as any other shortage of money, they invited me upstairs at any cost . and maybe this

it wasn't really necessary to start the car, everything was already sewn to kostya. we were already going on stage rehearsals. it's just that i was late with the invitation. that's after there was, well, a staggering success in the performance. uh, it's just that the question fell out of its own accord should no one ask, what is god for what is the devil for? what is he doing there for? i often demand the impossible from actors. and on the verge of the impossible, a new one is born at that time, uh, it hurts the creation of the world, it is in the first place. uh, it was perceived as such a sexy bumba, because, firstly, the artists were on stage in tights three the color of human skin. and wow they are naked and everyone went to this ballet. that's it to see this sexual revolution. although in fact

, of course, improved. oh, you don’t have mom here next to dads, what are your children doing? oh, dads are getting by now, they should stand with trays and sob the designer empire, maybe a new pierre cardin is growing. you know nobody knows how it starts, that is, nerves. you are so comforting. yes? this is a little bit difficult in front of you, and the most important thing to remember is the surveillance cameras, how beautiful people are, how

beautiful, look good knapsack and belarus with svetlana borovskaya on ours. we set off on an expedition along the ridges of our country, a road that is not close, we drove 238 km to captrap at the edge of the drysiyata on the shore and a passer-by step of the lake of the same name until we follow. i told her the story of meat images, one magical ritual idea of ​​seeing off a mermaid about them . let us give the second tradition a new life. and look at perth passed on

our tv channel. gradually , painful and operatic art becomes the hallmark of the ussr opera and ballet prima, the public literally idolized kupala in the rays. but about their cool temper, legends were made. this is the status, it really existed and it was all quite tough and cruel when there were receptions, when they were there, baby, something is going on here, let me pass. there is a lot of attention there. was very fond of the theater itself loved the

singers very much knew everyone by name, there and so on. you probably also influenced the fact that if he goes to the theater after him, the whole office follows him, but even recognition and all-union glory sometimes did not mean anything, the stars of those years often lived like ordinary soviet citizens. stood in lines of shops huddled in tiny apartments, and they could only dream of traveling abroad. he you have changed this heaven and earth, because like they are still somewhere in my house. there they had to fill it with varnish, glue, dry the carrot sock with a thinner to sheathe it so that they could withstand one performance, or even

two pairs had to be done by tamara nikolaevna nichkova of the soviet nationality was conscious then without the soviet union she sang today. will she sing tomorrow? you understand the chanterelle in a grater, and it didn’t count . uh, below her dignity, so the soloists. uh, such leading opera stars, they also sang the second parts of the second position, so they were such interchangeability, despite the high status, many eminent opera singers, even after countless full houses, remember their first appearance on the big stage, as a lucky ticket to life, for example , love's party in royal bride. i just graduated from the conservatory, and in september the season opened and the performer of the main part fell ill. well, i understand, if i go out now and sing successfully, then i

will sing this part in the future. but there is another side, whom i replace, i replace svetlana filina danilyuk, for which the audience took tickets. this is how i should sing so that they are not disappointed, and the next time they come to the theater for the first time on this stage. i was once entrusted, so to speak, at the opera carmen there is such a character when i i started to sing, it turns out that i have already lagged behind. the conductor was already ahead of me. a flurry of criticism addressed to me. to put it mildly, but it was baptism alive in the eighties the corpses of the bolshoi theater are again in search of an acute question of expanding the national repertoire of the eighty-fourth

recognized classic of literature passes away. by that time, the theater’s repertoire already included an opera based on the story the gray-haired legend, but in the grand scheme of things, they decide to perpetuate another work of the writer, the wild hunt of king stakh, opera singer viktor to this day, skorobogatov recalls with trepidation how work on the legendary masterpiece went to the crossroads, which means the union of composers is smoking near the window. you never thought anything about the wild hunt, at the king of sugar. well, why didn't you think? well, as they thought, i think, but he already wrote something. yes, there are already a couple of fragments. well , show the edges come up. ale played these couple of fragments for me. it's a waltz. hmm

, param-pam-pam-tu. well, actually, uh, hunting there work was in full swing day and night, and the rich literary heritage only raised the degree recognized masters composer, vladimir soltan and conductor yaroslav vashchak, in close conjunction with them, the leading opera performers of the theater will show the audience a wild hunt in 1985, but the triumph was overshadowed by a sad event

. yaroslav vashchek did not live to see the premiere. this is one of the first bright real professional powerful operas - belarusian and, of course. this aroused great interest. and then, and the relay just now worked a lot on this score, unfortunately, e he then fell seriously ill and already followed suit. uh, at the controls. i didn’t stand in them at all. i performed beloretsk, i couldn’t get used to it, well, about 10 performances, although i knew all the music from and to by heart. eh, but i couldn’t stop myself from feeling this trembling. it was so, well, really scary, from this music here in these scenery. uh,

a thriller, a real crowded halls and a standing ovation from the grateful spectators of criticism. they will immediately name the wild hunt of the king, stakh, the main belarusian romantic and national opera. the production will last on stage for a record number of seasons the king, the astakh, also didn’t leave the stage for 21 years, the costumes were already worn out, and they already changed them there, well, the costumes always change according to the artists, i found everything for 21 years. well, these are the legends of our theaters, these costumes from the legendary performance. the wild hunt of the king of fear, which is now to date. he is not in the repertoire, but he enjoyed. a huge success, and now at some concerts they are also sometimes involved in balls. the nineties have become a real test for the theater, but despite the difficult time for the whole country, the bolshoi

the theater lives a busy life in minsk hosts an enviable number of international festivals, and belarusian artists are frequent guests in the best opera and ballet houses of the old world ; it would seem terrible years. uh, for the first time we have a model. which is the first opera by prokofiev , which has not been staged anywhere before. yes , some other most interesting works are being staged that attract e moscow st. petersburg criticism to the life of the bolshoi theater and those who serve in it are far from only standing ovations and applause from the public. injuries or

loss of voice are the nightmare of most artists. recovery often takes months. and during this time, even a recognized performer can find a replacement to return to the stage. how to rise from the ashes? every time you go out you don’t know, what if this is the last time the voice does not forgive violence against yourself. here you put a lot of pressure on your hand. you will have a bruise. she ligaments push. and what are the four acts of a performance, and you cannot do all the performances alone you sing spectrum for a month and then you will be for a year. silent opera parts are written in such a way that it is hard labor at the limit of human capabilities, it is associated with successes and failures, and it is very important to gather your will into a fist not to be afraid, psychologically, the life of ballerinas, without a pointe shoe and a ballet tutu, becomes an occasion for scrupulous analysis. the tabloids

are full of the standard set of questions do they eat fast food and is it true that for every kilogram they gain they have to pay for months of training and for in order to look good at me always had to follow me. and i can snack on some very, very small portions, because it ’s also dangerous to go on stage, very, very hungry, because the strength may not be enough. but there must be absolutely ease. these are different stages when we lose weight and when we get fat. well, when you plow. two to three hours, in principle, you can afford something extra. the life of an artist of the bolshoi theater is not complete without curiosities. after all, even hundreds of times rehearsed parts and performances are not insured against force majeure, ironclad. will from steel nerves. more than once the performers rescued. i had an artist. hora alone

cannons fire and suddenly she doesn't know. how does the floor not collapse. here, right in the east, in short, she falls to the chest, but she continues to sing these guns fired thought, maybe she was killed by this gun. for example, in a play. hmm magic flute that was, for example, with me there i sang the part of the lady from the stage, which is lit by spotlights and sinks into complete darkness, and you fall and break your legs, but the performance goes on no one will replace me now, so you are running, sick with every foot, blood is flowing. everything you run and run out onto the stage, stepping into the new millennium temples of art. again, the grandiose architectural monument was in need of repair, it did not accommodate numerous artists, and the technical equipment did not match.