every day we are connected by the preparation of blood from the kindest, most sympathetic people in the country voluntarily, who come to us, who give a part of themselves, but also benefit as a society and save people. the most important thing is that all efforts at any level are the donation of the procurement of production, if you work adequately with adequate people and good consumables. this suggests that it will be safe. you have

to mature for this. well, i do not see anything difficult if you become a donor of physical abilities, this is my wish for everyone people. you don't want to be a regular house at least occasionally. get into our database, when you are in demand, they will call you, at least in this way or as you will be regular for several years, you are in full health. and you want to help? why not? is there such an option for help, especially for seriously ill people, not every person can do this? who came here is connected with us by blood ties.

every day a surgeon performing an operation obstetrician gynecologist taking birth therapist assisting cardiac surgery patients hematological patients blood bag with plasma erythrocytes or platelets, or working with our new medical devices medical cell products or with repiplasm, he remembers us.

the national theater is famous not only for its actors, directors yen slaune, the repertoire of the authentic, unique, original creation of the river, jokingly echoes the ambition for its ukraine, its culture, its history. in belarus, for happiness

, the courtyards of belarusian halters do not stop earthing one from the performance based on action materials ballet anastasia to music by vyacheslav kuznetsov naturally, the question arose, what are we going to do next? i really wanted to keep this team. as far as possible, and do something new and interesting. i choose to try to find a topic that is historically significant enough at the same time very theatrical so that you can think of something there, so that there is not such a hard path along which you cannot turn right to the left. here it seemed to me just such a theme. the idea of ​​​​the choreographer yuri troyan trapeli at the good gleba,

i undermined him with corpses and the production team for the excitement of the jackal dota, where i didn’t found any chronicle materials, or whether i demanded to create a ballet from scratch, nor the music of nilretta, only her story about the princess felt nice the work of which we based or bret and the whole performance gave me a book, two scripts, two screenplays. this is one film anastasia and the second television film prince mikhail glinsky lived at the same time, often lived in the same places, were at about the same level of communication, for sure. they were familiar. and there was some kind of relationship between them, we decided to combine these two scenarios. then richer. history. she then has more facets of a literary tale,

a performance that increases the expectations of the choreographer. anatole dialectic. wrote the libretto on framed by bret yuri trojanism, a ruscenary plan, forged the day, and into episodes i will scatter how many busy artists. and only then turned up to the composer over the creation of ports, tours, vyacheslav kuznetsov protseva jumped for six months. yura troyan was the first censor of the creative vyacheslav kuznetsov for musical phrases, the choreographer in the thoughts would give ice performances from his emotions there was a repulse of glyadatsky sprymaniya. there is one place in the second act where the tatar invasion torments the protagonist and their children. when i saw, uh, in the clavier, i listened to this very moment in the recording, even if not the most perfect working one. i didn’t

write right on the edge, i listen and cry. this is the first time in my life i 've written this. because my first reaction was like this. the panorama of the fact that the performance will be very violent has become visually the first stage corpses, alleys trainees archers graduates of the choreographic college. the data warehouse is not due to the judgment of its professionalism , exactly with the little artists , the decision-makers wanted this channel to get up. i kiss the princely sons and daughters of ivan petrashevich and elizaveta kudidina of spontaneity and no one managed to save, and the young dancers persevere jazz, and

rushed to keep up with the elders. but before the card decoy yura troyan, i was in the ranks of the ranks. i always say to corps de ballet dancers. that there are many if they dance as one they can dance in the good sense of the word any most talented soloist. powerful, well-practiced and understanding what he is doing? this is a huge strength of us strength.

the tents of the month and the sun anastasia's ballet became one of the worst works of the beaten glass of alexander kostyushenko to leave the earth, the master left the completion on the face of the saints and weaken the sick hall, slutsk. the prince's palace prays not only to the young anastasia mole, let's reduce the formation of two living earthly bows of the skin who come to watch the performances to clear up the atmosphere and bogohunga to the edge so thinly from a year ago. for me, the atmosphere in which everything happens was important. i really like the icons that exist in the design there, they are in two forms, icons

that pray and burnt icons. these are two such states that can inspire a person to do a lot and protect his city, his family, his people, and we defend our faith. we didn’t have enough of such a plot for one plot. you ellendzh him in the image of a rival deepening of the era. we were friends with him for a very long time, but we did almost no performance together. everybody didn't work at all. we wanted to do it, we sat with him, talked, discussed some things, and gradually some entries appear in this discussion. he listens to me. i listen to him. and we were fine with that. we were friends and we have normal human relations. the majority team has a mind for

alexander kostyushenko. we entered the mastak settler and the tuesday market mastak by type of content from nikolay yarunin and outstanding theatrical couturier katerina bulgakova the costume channel breathes the era of uminoga positions cut and materials ears axamites footers winter departments and at the same time , the flight of anastasia belorusskaya jeanne dark into the image of the fit remnants of the eternal canvas and the outstanding icon-painting amal in her need and virtue would not be exposed. create an image of anastasia of a woman beautiful women warm romantic loving absolutely

not created to lead troops lead to fight and so on, but then found himself in a difficult situation and showed this quality and now figure out where these qualities came from. yura trojan is full of not only fluffy courage, not with dormas the hermits sang the princess of the illuminator, i am ready for the saint and the snot of love and from the loyalty of fidelity to the husband of the family and my people. i pray the choreographer and the lyrics for a romantic story with a tragic and old-fashioned ending, not a thoughtless feat full of sleepless heroism, but the breadth of krok of a man of any kind of bondage. and it was a great pride for me that i can now

touch this story, and i remember that for me. uh, the plot itself was paramount. that's exactly what and about what it seemed to me it was so about me, i just remember that at that moment, but it was like this emotional condition. am, just the same far from being a lyrical person of a lyrical woman. namely, as women warriors. for some reason, they always seemed to think that i should. but to defend yourself to fight. it was just such a period of life, especially very close it was anastasia's children. and how much more the director. that put the meaning in these children here. they are very visible throughout the performance. it was so for me. she militantly defended her children there. romkina skillfully finished

and boundary matsyna from the devil zahapleniya until nemalnoy necessities boa constrictor urine i lay down on my shoulders troubles not only about the domineering children of ali, the whole region is yakirovala rocking chairs. in any ballet, the basis of the performance is some kind of relationship between a man and a woman. it even turned out, most likely such a triangle between anastasia semyon mikhail and those life barriers that do not collide in their life relationships love hate masculinity, when a woman has to make some decisions for a man, because he is not around. there is everything choreography, where

it can be performed absolutely without emotion. and you look really satisfying. it’s just that there are such plots on the most choreographed ones, where no matter how hard you try, uh, perform the choreography, no matter how you spin, twist it on your head, but if you haven’t invested emotions, it doesn’t look good. the protagonist of the performance is utterly rotten through and through with jokingness, but into her lesser emotions, appeasing not only the main heroine. one of the most striking figures of the performance was khan akhmat , who gave the hero to the dancer with a zayatsky curve, the choreographer was not treated with such an extinguished otshiyama. not just shone with mastery without a pre-core channel. yun fashioned into the image with godnozu domineering towers. he breathed his own everything and

let the lunatic, the theatrical stage, fire with a breath of smoke. i already knew that it was necessary to do some nuances , so that this performance would not pass without akhmat. yes, if you are the main role and well, the character is somehow not what he came up with, just the very one came here. and this is what you need to play. if this is the music, this is how you should walk. this is how makeup should be. this is how you should behave. any ballet is sets the task of reproducing what is written in the history textbook. this is more of an interpretation for the soul, so that a person comes and on the

basis of what he learned at school. i saw these people, their humanity, their materiality, that they are the same as we are, they are bare letters on the pages of textbooks the whole story, it is based on this , that we must remember to learn to draw our own conclusions. uh and being prepared for the future is one of the criteria for the success of the play. i always have the attitude of performers towards him. because the premiere passes, if something is not interesting, then gradually under various pretexts, people begin to dissolve from the compounds here, until this effect is observed. everyone is trying to dance the performance. it means they enjoy it. and if the actor enjoys the performance of the video , the investigative viewer of this pleasure is conveyed to understand his significance and strength,

as she is a knight and stumble to gain from the trail to take a significant hammer with a path of truth and then a wife in the stages of wisdom. in our program only the most pressing topics and questions. let's figure it out. why do we need these psychological settings. what are the boundaries of our self and where are we real stars and experts psychotherapists, in fact, i am a well-deserved artist. i am a very bad artist, but very many people consider me strange and screaming. you see on the street

ask around. i thought that if i suddenly had some hints for the crown , it means that my talent has become less than it is, they will teach me how to safely resolve any conflict situations. we continue to dislike. i am in no way insisting. see in to understand and neutralize the program on belarus 24 tv channel.

here, watch the news now from the olga kalairva studio. hello, a detailed conversation on the state of affairs in the vitebsk region with the president today with a report, the head of the region alexandra subbotin in the foreground is the progress of the cleaning company. in the northernmost part of the country. 90% of klin's grain harvested there , the average yield in the region is more than 31 centners. from a hectare to the office of the first governor did not come empty-handed.