yes, basta, the dacha business has grown, meanwhile, unofficial rome or other western governments have not yet recognized that the shelling is all their calls to stop playing with fire at the europeans and the americans will be drawn somewhere in space, and they are generally ready to lay the blame for a possible catastrophe on russia the russian embassy in the united states called on washington to admit defeat in the afghan war and immediately provide the most extensive assistance to the almost destroyed country due to the american invasion. the central asian state plunged into the abyss of humanitarian catastrophe laws of occupation. at least 150,000 people died there, of which 50,000 were civilians destroyed material assets worth trillions of dollars. however, the current scourge of afghanistan, hunger, the uncontrolled distribution of weapons, the growth of drug production can lead to even more

massive victims . in pakistan led to a disaster on a nationwide scale is known for the deaths of at least 1,000 people. anyway 33 million inhabitants of the country suffered verses more than a million homes were destroyed there is a threat of large-scale famine, the flood caused the death of 700,000. heads of cattle, the authorities of pakistan provide all possible assistance to the victims, but the available resources are clearly not enough. the president of belarus expressed sincere condolences to his pakistani counterpart on his own behalf and on behalf of the belarusian people alexander lukashenko noted that in our country, and as a result of numerous human casualties and floods, it caused a feeling of deep pain and sadness. sports news, i remind you that news agency projects are available in all social networks, as well as in our mobile application by qr-code on the screen. see you at

13:00. arina savvalenko started at the us open in women's singles, met the 243rd racket of the world by the hostess of the court, catering harrison the leader of the national team left no chance for her opponent 6.1.6.3. arina's next opponent will be estonian. which canepi also expelled, the second round and alexandra sosnovich belorusskaya confidently coped with elisabeth kuchera in the second round belarusian will play jessica fugitive, ex-first racket of the world victoria azarenka in 109 minutes. she coped with another american, ashlyn kruger 61 4662. in one thirty-second, vika will fight ukrainian marta kostyuk in the men's singles. ilya ivashka also stepped into the second round, sam carey played the major in four hundred belarusians 4.6 4 7 6 6 3, in the second round of the competition you will meet with the tenth racket

of the world hubert from poland

the national theater is famous not only for the artists directors ian sloun, the repertoire is authentic rivers are jokingly called out to the ambition for their ukraine, their culture , their history with a unique original creation. happiness does not cease to be the cottage cheese of belarusian haltors alone with a performance based on action-packed ahmatriyal ballet anastasia to the music of vyacheslav kuznetsov , naturally, the question arose, what are we going

to do next? i really wanted to keep this team. as far as possible, and do something new and interesting. i choose to try to find a topic historically significant enough at the same time very theatrical so that you can think of something to there was no such hard path that the right could not be turned to the left. here it seemed to me just such a theme. the idea of ​​the choreographer yuri troyan was a trapel at good bread, i was urging him on the corpse and the production team for excitement. the jackal of dota, where chronicle materials are sick of treve, did not base neither music nor bret from scratch, only the story about princess wau, the work of which we based or bret and

the whole performance gave me a book, two scripts, two screenplays. this is one film anastasia and the second television film prince mikhail glinsky lived at the same time , they often lived in the same places, they were at about the same level of communication, for sure. they were familiar. and there was some kind of relationship between them, we decided to combine these two scenarios. then richer. history. she then has more facets of a literary tale , a performance that increases the expectations of the choreographer. anatoly dyalendik. wrote the libretto for framed by bret yura trojanism, the scenario plan was forged by the day and i will split into episodes how many busy artists. only then he returned to the composer on the creation of ports, tours vyacheslav kuznetsov protseval butt for six months. yura troyan was the

first censor of vyacheslav kuznetsov 's creative work. in the musical phrases, the choreographer in the thoughts would give the ice of the production from his emotions , there was a repulse of glyadad's splashing. there is one place in the second act where the tatar invasion torments the protagonist and their children. when i saw, uh, in the clavier, i listened to this very moment in the recording. let not the most completely such a worker. i wrote right on the clover i listen and cry. this is the first time in my life i 've written this. because my first reaction was like this. the panorama of the fact that the performance will be violent violence became visible at the first stage of the walkie-talkie. oh , the dimming of the trapeze, not only all the artists are

the corpses of the alley, the interns in the study are graduates of the choreographic college. the data warehouse is not due to the judgment of its professionalism , exactly with the little artists , the decision-makers wanted this channel to get up. i kiss the princely son and daughter of ivan petrashevich and elizaveta wisdom, and the young dancers thrash jazz, and rushed to keep up with the elders. but i was in the ranks before the fishing rods of yura troyan. i

always say to corps de ballet dancers. that there are many of them, if they dance as a whole, they can dance in the good sense of the word any of the most talented soloists. powerful, well-practiced and understanding what he is doing? this is our great strength. the tents of the month and the sun anastasia's ballet became one of the worst works of the beaten glass of alexander kostyushenko, the first to leave the earth

the master left the completion of the league of saints and weakened the sick hall of the slutsk prince's palace, praying not only the young anastasia praying. there is nothing to the images, daring the earthly bow of the skin who comes to watch the performances to clear up the atmosphere and the gods. he is so thin to the edge from a year ago with a suit. for me, the atmosphere in which everything happens was important. i really like the icons that uh exist in the design, they are in two forms and codes that pray and burnt icons. these are the two states that they can move a person, she does a lot and defends her city, her family, her people, and we defend her faith. in the absence of one plot, we had little such revelation, it was

in the image of the deepening of the era. we were friends with him for a very long time, but we didn’t do almost a single performance together, everything didn’t work out. we wanted to do it, we sat with him, talked , discussed some things, and gradually some entries appear in this discussion. he listens to me. i listen to him. and with this we have all was good. we were friends and we have normal human relations. in our program, only the most pressing topics and questions. let's figure it out. why do we need these psychological superstructures. what are the boundaries of our self and where are we real stars and experts psychotherapists, in fact, i am a well-

deserved artist. i'm a very bad artist, but very many consider me strange and a freak. yes, you see, uh, he will ask around on the street. i thought that if i suddenly have some outlines for the crown , then my talent has become less than he will teach you how to safely resolve any conflict situations. we continue to dislike. i'm not insisting in any way. watch in the program to understand and neutralize on belarus 24 tv channel . well, hello, native lake, incredibly numb yana, you improve the history of your little darling, the chinese brought eight islands there. yes, this

month's silk sells bright calms from childhood. so the very swam on this inquisitiveness. i always asked my dad. why so many trays? every owner had its own boat, its own pier. about where the world will be to the lake in place, that is, everything will be blown up. watch the poleshuki project on the tv channel, belarus twenty-four. the team of alexander kostyushenok included a brighter master and the tuesday market, a master of the type of content from nikolai yarunin and an eminent theatrical couturier of the boat. the costume channel

breathes with the era of the pose of tea, the cut and materials of the ears of the aksamites of the footer of the winter departments have passed, and at the same time, the flight of anastasia belorusskaya jeanne d'arc into the image of fit remains of the canvas of the eternal and the prominent amal is iconic in its power and virtue. to create the image of anastasia as a woman, a beautiful woman, a warm, romantic , loving woman. absolutely not created to lead troops, lead war, and so on, but then found herself in a difficult situation and showed this quality, and now figure out where these qualities came from. zhan-shina, the

commander, counting yura troyan, is full of not only lacerations and advae, not from dorma, their hermits sang the princess of the illuminator. i go to the saint and says the release of love and from giving fidelity to the husband of the family and to his people. the choreographer pray and lyre a caramantic story with a tragic and old-fashioned ending, not a thoughtless feat full of sleepless heroism, but the width of croc , a man of the bonds of a modsman love and it was a great pride for me that i can now touch this story, and i remember that for me. uh, it was the plot itself that was paramount. that's exactly what and about what it seemed to me it was so about me, i just

remember that at that moment, but there was such an emotional state. um, just the same far from a lyrical man of a lyrical woman. namely, as women warriors. for some reason, they always seemed to think that i should. but to defend yourself to fight. it was just such a period of life, especially very close it was anastasia's children. and how much more the director. that put the meaning in these children here. they are very visible throughout the performance. it wasn't like that. she militantly defended her children there. romkina skilfully finished off the border matzeina, and the devil 's rapture to the harmless masculinity

of ouds. otherwise, i laid my shoulders on the hassle, not only about the powerful children of ali, the whole region of the yakirui is nomadic. in any ballet, the basis of the performance is some kind of relationship between a man and a woman. it even turned out, most likely such a triangle between anastasia semyon mikhail and those life barriers that do not collide in their life relationships love hate masculinity, when a woman has to make some decisions for a man, because he is not around. there is all the choreography where it can be performed absolutely without emotion. and you really satisfaction look. it’s just that in the choreography itself there are such plots, where no matter how hard you try, uh, to perform the choreography, no matter how you spin, there is some kind of spin on your head

. so you didn't invest emotions, it doesn't look good. the protagonist and the play are utterly rancid through and through with jocularity, and the most revealed emotions of the power of the war are only the hungry heroine. one of the most striking figures of the performance was khan akhmat, who gave the hero to the dancer of the zoziat region, the choreographer did not lose such stewed otshiam. not only did mine shine with the test of a rootless channel. yun fashioned into the image with a fit of domineering towers he suffocated him all and let the lunatic, of the theater stage, with a fire-breathing smoke. i already knew that it was necessary to do some nuances, so that this performance would not pass without akhmat. yes

, if you are the main role and well, the character is somehow not what he came up with, just the very one came here. and this is how it should be played. if this is the music, this is how you should walk. this is how makeup should be. this is how you should behave. any ballet does not set itself the task of reproducing what is written in the history textbook. it's more of an interpretation for the soul, so that a person comes and on the basis of what he learned at school. i saw these people, their humanity, their materiality, that they are the same as we are, they are bare letters on the pages of textbooks.