it is very important not to forget. the legendary jazzman eddie roster had arrangements written for his orchestras and was directed by the musical directors of his orchestras, simply wonderful arrangers and composers. vadim ludvikovsky yuri

saulsky vladimir terletsky, but the musical face of all the arrangements of the strategy for building programs in a jazz orchestra was created by a musician who, due to thoughtful modesty and such predestination of fate, remained in a role that can be defined very sadly left in the shadows. two the last generations of belarusian musicians. this name ryazansky is not even familiar and now only two people are engaged in, as i would say, well, or something, propaganda of his

work. this is a young conductor, the head of several orchestras, maxim rassokha, and i, who knew yuri davidovich, who communicated with him, about whom i wrote in my books, and about whom i am talking about today. and every creator, as if not separated from his era, in which he lived, was born and created. such was the fate of the belzatsky in the mid-thirties , warsaw well, as it were, the outskirts capitalist europe, warsaw lived for its own pleasure. they adored cinema in general, not my cinema. attention, this was a job for a young pianist musician and realization.

in the family of the musician david belzatsky at the end of 1909 on december 30, a boy was born who was called ihun, but quickly . unlike other streets, it was powerful. this house served him only for sleeping at other times. he spent at the chopin higher school of music and professors who taught him the piano classics. and they didn’t even suspect that since the age of 15 he has been playing in all sorts of cabarets.

boil the gypsies there, and the floor is serena and most importantly, he is a pianist. accompanying silent films is not an easy job ; the duration of the musical sequence must be exactly matched to the duration of the on-screen action. moreover, some accents were needed. and he mastered this ezhbilization to perfection, and this work as a pianist, and in the evenings playing cabaret. cook in all sorts of ways left an imprint on the lifestyle of a young peasant, his path, his

elegance. humor. these have always been the irresistible qualities of an ordinary prolegant, with his good. she told me recently. even as you see vuyachicha says, this white coat of his with a fur lining volodya and here he had a ring with a large white stone, by the way, in soviet times this was such a star , such a personality. and, of course, i was a witness when the female part of the film crew was on the film mikololka steam locomotive, when a belizean came, they just looked at him with loving eyes, but he always sprinkled jokes, of course, a beautiful, elegant bohemian young man, fell in love with a very beautiful girl. the girl was also from a poor

family, but her relatives considered it to be an unequal marriage, not for an alliance. well, how can she be the daughter of a shop owner merchant, and he is some kind of pianist, well, young people had love, they got married. and guta was very beautiful at the age of 40. i saw her when she was already over 70. guta yakovlev was still beautiful, in addition to works as a pianist, ezhabizansky, together with relatives, created such a small publishing house nod. at the end of the thirties, all of europe lives in tension in anticipation of the coming war, which is sure to break out somewhere, moreover , a

trumpeter appeared in poland from time to time, who came from germany. violinist musician adolf rosner, who told horror stories about the oppression of a mailing list about a concentration camp where jews were exiled. well, warsaw did not believe in it. they even laughed at some upstart hitler they were sure it's propaganda which tells them that thousands of tanks are being built there. they were distant, all in a tank with plywood breathing. they didn't believe in it. the questions in these quizzes are completely unpredictable. and the answers are even more so,

guess the riddle without wings sit down without legs dandelions name the most capacious football stadium in russia luzhniki, of course, guys. i think that one hectare is 10,000 square meters, because a hectare is 100 by 100 meters. what are the names of the pictures in the book? time picture name the mascot of the capital handball club ska minsk who is this animal? who is the shepherd wolf? unfortunately there, you just remember that this is a dog, let's go already, because then you won’t forgive me for this. these are italian volcanoes. but mont blanc is the highest mountain. waltz throughout the history of the show, spend time in the company of belarusian scholars and watch

intellectually entertaining projects on our tv channel. we offer the best itineraries for large and small trips in our beautiful country. it seems to me that all the seas and oceans are equally boundless, and the lakes almost all are different abandoned estates and hidden treasures of small towns. a two-story red- brick building has been preserved next to the pansky house. servants used to live and work here. uh, a huge amount of recording a huge amount of memories and a place of population. it knows who had the peak. this palace, untouched by nature, unique architecture, people believe that the place is also the spring of saints. and he even sees special signs on the surface, supposedly the keys hit in such a way, that form the orthodox cross. watch in the program the route is built on the

belarus 24 tv channel.

all relatives, native iguts and hedgehogs will perish in the warsaw ghetto, but the young ticketarers will not know about it. they flee in the only safe direction to the east. bialystok at that time was some kind of bohemian whirlpool, three orchestras formed there. henry howars jerzy of

petersburg and the new orchestra put together created by the ezhibilizations he understood. that the program should have multiple numbers he understood that there should be contrasting numbers, well, let's say, so cheerful, overweight , slow, fast, that some effects are needed, but the main thing he understood was that the pianist, the leaders of the orchestra, even the composer, would not last 2 hours. attention, the audience, sitting with their backs or sideways at the piano to the hall, ibilzatsky realized that he needed, as he said, the red line, that is, the name and surname of the artist who would become a star, as they would say now

show business, on which the whole program would be based. and he began to think about who could become such a star, and then the look implementation fell. adolf rozner and bilzatsky, who arrived from lvov with a suitcase containing only a trumpet and a shirt, gave up his place as the leader of the village only at the piano and began to create an orchestra under the artistic direction and with the participation of eddie rozgar. that's how bilzatsky became the creator of the legend of the legend of the soviet and world jazz

endiros, but who pays attention to the person who creates all this turns the public's attention to the one who gives all this to these rosenrabizatsky in the shadows. belzatsky understands that the program is necessary build on the appearance of eddie misc. and he sits down to create this program. these were the most fruitful years of creativity, the state jazz orchestra of the bssr was born, as the belarusian government called it and

gave it this status, provided it with salaries on tours, good organization equipment, and put on capital words to create a repertoire. here, the only thing that played a leading role was jebilization, of course, it was necessary to rely on something already familiar to the audience . before the war, the film was very popular, which was called the great around the world. waltz in the ussr it was called the great waltz. and then the implementation and making it for a different character then

appeared. the caravan theme was invented by duke ellington's orchestra trombone player, khon tizol, takes this theme from benzatsky and makes it into a musical canvas a musical picture from a distance some kind of measured clatter is heard, some kind of percussion, then some kind of dervish hums in the semi-darkness something like a prayer, then appears sound behind the mute pipe. low light. this is the silhouette of a rosary. connected to the clarinet. the orchestra is gaining momentum

full light. and suddenly, like some kind of mirage , this power of all that patience arises for a moment, and again the caravan leaves again, the light goes out, again only the clarinet trumpet remains. the voice subsides. and now the clatter is no longer heard. quiet, the room froze. what's next, and then the light flashes, the orchestra rises. eddie roser with his golden trumpet. well, somewhere there he gets up at the piano, bilezat, of course, gets the rosner. to the fullest fame and success can

you imagine that somewhere the rubbish of october, maybe even until june 1940, a huge program was created in two parts, with which the jazz orchestra of the bssr, under the direction and with the participation of eddie roddor, performed as part of the belarusian decade in moscow in the most prestigious variety stage in moscow and the soviet union in the summer theater. create a sanly play ederozner's blues solo create

tango and waltz music for a duet of dancers slava yuliya create an arrangement based on the sketches of the garies brothers create an accompaniment with a comic verse. pavel hoffmann, some more musical bundles, it all fell, as they say on shoulders of e-bilization, and that's it. it was created for the decade of belarusian art. at the concert of the state jazz orchestra of the bssr, accompanied by the sale of thousands of postcards with a photograph of a smiling man, even with two trumpets with programs, jazz lovers listened to the

completely unfamiliar sounds in soviet music, there were no such harmonies , moreover, it was a whole revolution soviet audience. used to the orchestra of the mariana cliff there brothers painting varlamov shushenka. see in suits, and then suddenly the first section is white jackets and black trousers. how is it possible to have gold jackets, white trousers in the second compartment? how is it possible, if the soviet singers went out in ball gowns with a slit cut off and below the knee, and then they went out with alice with a slit almost all over the thigh , moreover, the musicians participated in all the

interludes. they sometimes played without notes, sometimes they played. stand with your back to the room. i understand that all shows are tricks with costumes. there, all this was all done by roses, but there was music for 2 hours, original arranged brilliantly. absolutely music. i don't know if this is true or not, but they tell me that at one of the concerts of the decade utyosov was with his assistant trombonist. you see, they even called me surnames and, like, said they were registered, someone heard. maybe it's a legend, let's say it doesn't matter. well, we can't play like that.

after this triumph, after these performances in moscow, the best venues in leningrad, kiev, minsk, large cities of the ussr for the caucasian republics of crimea, these were all the best venues for this best orchestra and musicians in the ussr at that time. seen further without cloudy happy rich. all this was created by benzoate, but the red line is not his. it's a little smaller in the shade in the shade.

in may 1941, a boy, alexander well, at home, olik, was born in the recycling industry. 40 days after his birth, the great patriotic war began. now there are a huge number of competitions in the world of sports, however, among all this diversity, one should distinguish between pop and

really, exhausting women's football has become so popular lately that it is no longer distinguished from men up to 35 years in one polo - this is still the most playing age, when people play the best players in the world of europe, these are players, 35 the average age of the european start in our neighbors, that is, in organization. everything goes very well and clearly. but what will be the expected season for biathletes, we will find out in early autumn at the ibu congress in salzburg, an overview of the main sports news, see the arena for belarus 24 program. today we are preparing a very tasty hearty and high-calorie meal. whom did you intrigue me here like here at the mud volcano, there may be one such gurgle that can harm you and your entire kitchen surrounding her cottage. i used to

be a cook making cutlets, and now i'm sitting at home giving everyone advice, we'll make salted grandmother's cucumbers. moreover, with a lightly salted stalk of celery bro, you raise, look at the culinary old-timer show belarusian cuisine on our tv channel. the orchestra was very lucky, because the vocalist zoya larchenko had some very high patron in the ministry of railway transport and the orchestra allocated. passenger really hard car and orchestra during the first months of the war toured the

soviet union while living. here in this wagon. there were also wives, bathtubs, irons, pots, pans, stoves, kerosene stoves. they were here all together organizing writing writing new works. he wrote songs on the military theme, there were orchestral pieces. all this was necessary without a piano. without a piano, it was necessary to arrange, as they say, putting music paper on your knees and immediately rehearsals. you imagine what a joy. night or day in a shaking carriage you composed it, and in the evening at the concert it is already being performed.

the scheme was built something like this, a car that arrived in some city was driven into a dead end of the station, the musicians went to a concert, and the wives went to the market or to shops, or else to cook food cards. in the evening. everyone gathered after the concert for dinner, and the car at that time was already moving to another city. and the same thing happened there. well, sometimes the tour could be one evening and two and three. a year later, in my opinion, charms. zoya larchenko, had their effect and rosner's orchestra the second car fell out, so one car has already become domestic, and the second has become musical, as it were, there were stored

instruments, notes and rehearsals were going on, concerts were held, mainly at recruiting stations, where brigades of the division of the regiment were formed to be sent to the front. and now they were released, the minsk state jazz orchestra, the bssr almost immediately arrived here, somehow equipped the stage of the undestroyed, not blown up opera house, the orchestra gave a concert there, a byzanian is preparing a new program, he is writing a musical canvas which opens the second part

sounds from a very popular before the war film under the roofs. paris was such a french film we had with this waltz and this waltz rolls, the theme and symphonies of shestakovich. the theme is pim param-pam. and this theme is rigidly crowding out, the parisian waltz sounds the waltzstrauss of the tales of the vienna woods, and this theme from the seventh symphony of shostakovich, the theme of the invasion, again floats there and it crushes the viennese waltz, the germans occupied austria, occupied vienna and the call signs of moscow sound on the piano in the fields. ta-ra-ra-ra-ra-ram and soviet songs begin to sound, which are replacing this one

here is the german one. and so to say theme and sounds like this deployed. this overture, or something, is a victory, uh, music, and even this german, so to speak, gloomy one is defeated. this topic, this one, was composed by a belzatian, this record has not been preserved, but, but on the june day of 1944. pay attention also. there was a war, but the rosner orchestra was already invited to the zz recording house, to record their entire program with the belzatsky hope that everything would be recorded on gramophone records, and then this circulation would go huge throughout the soviet union because he understood that similar music does not even exist, as his orchestra performs. they wrote for 3 days, and one day the recording was interrupted, and why? the whole

orchestra poured out on sadovaya, it was there nearby to see how thousands of tens of thousands of captured germans were walking around moscow. in november 1946 , after a triumphant tour of the ussr again after the release of the circulation of these records. i had them. my dad also bought these records. i listened to the already

banned jazz, the eddie rosner orchestra, why banned because in november of forty- six rukominskaya's wife and two children. they wanted to run away to go to poland, they simply imprisoned them, and after the arrest of a different orchestra, the leader yuri bilzatsky released a poster and, in parentheses, the former. rosner, that is, so that people still understand that this is a former orchestra for the sake of rosner, but nevertheless, soon the orchestra, as they say, was disbanded and this former did not play any role. here, in general, the life paths of the roznor and the bilzan truly diverged.

immediately after the war, the gasoline donkey in bobruisk became a conductor. operetta theater playwrights kastus gubarevich, iosif dursky wrote the libretto, and the medical wrote the music , a cheerful operetta was born. the valley of happiness, there were not enough artists on the stage, and free militors took part in the mass scenes during the concert. composers working on the stage, a conductor from his family of liberation put their children lucy lucium on stage and sasha alexander, an eolika alexander bylinsky, was soon invited to be an accompanist at the opera house, and he

works there and they give him a room in the end part of the building, but it’s impossible, as in his youth , again a lot of places to work. he even accompanies in the circus. uh, with some kind of clone verse, he is lured into a white sister country and he will accompany. mitseling romances of zinaidetarskaya, but in the sixties, almost in the same point of minsk , two events take place. very cool, they changed his fate, firstly, he gets a large room already in the house opposite the red church. the first event, and the second he receives an invitation to write music for films at a film studio, which was located in this red

church. we are going on an expedition along the ridges of our ukraine, a road that is not close, we drove 238 km to captrap at the intermediary carriage of the drysvyaty to the shore on and passers-by of the lake of the same name until i follow its history of flesh-forming one magical ritual idea of ​​seeing off a mermaid about them. he walks rich around danya, an occasion for which mermaid and something demonic and unreachable for a person, fulk mermaid, pam-ham-pam estrus minimum wage, let's give the second traditions

a new life well. i'll look at the first one on our tv channel. in the majestic architecture of belarus with a rich history the witches' karaztsiya, variegated along all the facades , have carved such handsome windows and will surround the round great window, and the arcades with closed niches all. it would be me grandfathers who are so silent, yes, a goof with a believer, and amazing facts about musical instruments violin that make up sacred enchanting melodies. she resounds within herself. but like a human voice. it sounds in everything taurus is completely different , this sound is extracted and it immediately rushes

into flight and an unforgettable immersion in belarusian art, which has no age. requirements for both the museum employee and visitor who comes to watch cultural projects on our tv channel. over the next 10 years, he wrote music for ten feature films. well, what is remarkable is that he is always in the credits paired with some other composer. the girl is looking for a father. mikolka steam locomotive, the street of the youngest son with vladimir pavlinka with evgeny tekutsky

green lights with dmitry kaminsky love should be cherished with julius semenyako. why were there always two surnames? because berezatsky was not, and until his death he never became a member. union composer. well, firstly, well, jazz, and secondly, foreign polish musical education. thirdly, well, there were still, well, as you can guess, but in fact, the petrol one received the sheets, and he was not only the only one who could write all this in the style of light necessary cinematic cinematic music, but he was the only one in belarus a composer who, given his taper past,

could definitely decompose the duration of the sound of a musical episode already orchestral. the duration of the screen episode is not enough there were still some necessary accents in this, that is, at that time he was the only composer in belarus, tina. of the ten films listed, i worked on three. and on none of them did i see composers who were then next to the miad specified ptitra, not on any of them always. i saw only the biltsky the only

one who invited the lizatsky alone to write music. it was film director richard viktorov, he invited him to his film. there is a sharp turn ahead. and there was also the contribution of a very peculiar contribution of the belzanian to music for the film red leaves, on which i also worked, i needed a polish pre-war tango, some kind of cabaresh singer jadwiga, the heroine of this film, performs in this cabaret, and then invited. he arrived in leningrad and the director vladimir vladimirovich korsa, damn it, the sound engineer, the constitutive georgievich bak, the director of the film, seventeen navigators, i settled down somewhere in the corner

. i sat down at the piano and two more completely unknown people came. it was a student of kaliningrad university, very beautiful woman. edita piekha and the head of the ensemble. friendship, her husband alexander armorevichsky, they only just last year at the world festival of youth and students in 1957 became some kind of laureates there and, uh, their popularity. it was just getting started. and so piekha went to the piano. we all sat on the sidelines, left the edge, and they started talking with the realization in search. is it otherwise to remember, because the war warsaw and you are the very peppers who drank there in this millet

warsaw for 40 minutes. he played for her, she sang only for him, but the director of the film has a problem with a seventy- decade tulman, he then stayed with the close ones. for some reason i was there. he spoke, but i can't pay like a composer. we have an agreement with the composer of the film, nikolai kryukov. i already tell him everything the payer says, well, it was just nice to talk to us, otherwise he says, no, i’m here, what i can offer you. and if you conduct these markers, then i will pay you, as semyon isaevich says to an artist at a higher rate conductor well, seven people,

and even in a cabaret in a restaurant, but what can to be a conductor? here the conductor does not need fog, but i have no other option. in general, they agreed that the implementations would conduct this tiny orchestra, and here is the beginning of the first panorama, therefore, the cabaret, where yure davydovich is like that. turning to the camera conducts. so four of these marquestrom. this is all that is left, so to speak, in the visual embodiment of the wonderful musician yuri davydovich biliansky, who even here and in the cinema even had this fate. predetermined by his fate, i repeat modesty to be in the shadows in the shadows,

my camomile is wet over you. the wind clogs the lanterns, shakes his head about his father, his daughter lucy says that, well, being born in a poor family is work in youth in youth anyway, where for a couple of extra zlotys to invest in the family budget hard labor daily rehearsal work with the roznorovsky orchestra. post-war disorder is not

the opportunity to write and perform the music that he loved jazz. i believe that he is not an accomplished unfortunate person. well, in recent years, yuri davydovich led the orchestra of the belarusian radio, such was cutejazz, and he finally fulfilled the dream of his youth. he recorded rhapsody blue by george gershwin. a rhapsody in the blues style, which he had learned a long time ago while working in recording studios in military poland, he recorded it in a year at his death.

in 2014, i received an invitation to the radio studio. from a conductor maxim rosokha, unknown to me, who invited me to an evening of remembrance, yuri belizatsky. i came i saw lyusya's daughter there yuri davidich seemed to be maxim nikolaevich the wind instruments quintet learned several pieces benzatsky works, which i did not know, i became interested, i say. what about where are you from? yes, he says, i really liked this composer, in general, everything is completely forgotten , completely unknown already now and he became maxim dried up, as they say, to dig and find more and more new works and mikhail nikolaevich told me that he

found the score of bizatsky jazz in the nights in the archive , written in pencil with a title in polish from a seal, vileika, regional philharmonic, 1940. he who seeks will always find, and all the time now the work bibizovsky in the repertoire of the orchestras he leads. manuscripts don't burn. but as it turned out, so did the procedures . and so we must applaud not only those who are under the sun, who are the red line, but we must remember who created it. who was

behind this leader, who did a gigantic job, creating this idol is usually prepared for these people. to remain in the shadows, but we must not forget them, and we must still look into the shadows. there may be humble people there. talented people whom we must discover, appreciate, love and, most importantly, remember in the fearless hearts of friends will float in the mountains

, they will be lucky, the song of glory and freedom was friends, all our happiness is a cannon and you will always return. you'll be back, she's all the years.