there are few interesting gramophones left, the war destroyed almost everything, but to find a worthwhile record, it’s quite possible, here there is a record of eduard khil, and today’s youth probably knows klavdiya sudzhenko. well, such parcels. i have so another interesting moment. here, they are in very good condition. one side. you're good on the other side. they didn't listen to her well. she was not interesting even then, but there are such sawn records, and they are expensive because they were listened to. they were hits in those days with most hits. igor brought the collection from abroad, traveled for a long time to different exhibition venues, for now. finally didn't settle down. in minsk, a friend helped to allocate premises for the future museum. the name igor came up with edison's dream, appropriate for that era, and this is understandable, because edison is the inventor of the

world's first recording technology of phonographs recordings on a phonograph were made on a cylinder that had a wax surface ; write down this cylinder once. and now we can really hear the voice of the century before last. igor's entire collection this story of sound follows phonographs in the world with gramophones, and then gramophones about each of their copies. igor can talk for hours. here is one of the smallest exhibits. the so -called pocket pocket phonograph

folded up with simple movements and it was possible to get some things to igor simply, because their owners did not even understand, how this technique works, how it sounds, and according to what principles it works. this is 903, well, the old record is worth it. she's inexpensive. i say what's the matter? why so cheap. and when is it wrong? i say how it can be faulty. she says, we put it like this, we put the head on the edge, it falls, that this is still the format when the plates were not reproduced from the edge from the middle. we can listen to this quality, of course, not that, but this is the age of this time.

we offer the best itineraries for large and small trips in our beautiful country. it seems to me that all the seas and oceans are equally boundless, and the lakes almost all differ from each other abandoned estates and hidden treasures of small towns. a two-story red-brick building has been preserved next to the pansky house. servants used to live and work here. uh, a huge amount of recording a huge amount of memories and local people. it knows who had the peak. this palace, untouched nature, unique architecture, people believe that the place is also the spring of

saints. and even sees on the surface special signs, supposedly the keys are beaten in such a way that forms an orthodox cross. see in the program the route was built on the tv channel belarus 24. we are going on an expedition along the kutkas of our ukraine, a road that is not close, we drove 200-38 km to captrap at the bordered carriage of dry sacks on the shore and a passer-by step of the lake of the same name until i follow its history meat images one magical ritual idea mermaid wires about them yes, in this it walks richly in range along which mermaid something demonic and incomplete for a person mermaid to fall-pam-pam heat m. second traditions a new life. watch

our tv channel. my native kut from padshina cranes fly in the woods veronika most of the songs of this belarusian composer have become folk. i was in maryina gorka in the summer in one day. i wrote. four songs, each melody has its own story . god gave me a melody from my mom and dad. it's their fault that this is the melody. and when there is already, uh, a melody, then uh, a song appears. what twists and turns were there in the fate of a talented composer? what is the secret of his success, and what was left behind the scenes of his life americans sing pesnyary 's refrain in belarusian in english, see igor luchinok in the documentary about songs to the motherland about

friends on our tv channel. why do i have songs for my people? but the giant gramophone from the monarch series with a mahogany trumpet, the name speaks for itself, such an apparatus was a luxury item, and it was of a completely different color. she was gray. i probably spent 3 months to varnish natural shellac varnish is called to restore its color to its original. almost all instances his collections needed repair

, restoration of parts and restoration borisevich, an engineer by education, did everything himself and, as he admits, it was precisely from this that he enjoyed it for the collector , it is important if he collects coins that he has the most coins. oh, for example, honestly, as soon as i restored it, and i lose such a serious interest in it, and i don’t even know how much it’s honest here, because i don’t keep this account. well, there are more than 80 of them, but it could definitely be 86, maybe 89, and this, of course, was the first thing for me, interesting not in terms of collecting, but in terms of restoration. and even if now, if i'm looking for some devices, well, that were rare. i had to study the compositions of varnishes that were used a century ago, learn how to cook them myself, learn the technology of application not to mention the fact that it was necessary to

thoroughly study all the technical stuffing in my house. igor even took a small room specifically for the workshop. this is his original. e view of this red tree. uh, outside is this part. i have already removed the skin. and i can show you now. so you can say on the fingers. and so, in general , before it happened with such a tampon, inside the natural wool hash fabric varnish was poured there and then with such movements many, many times. this is done for a very long time, applied, then again with a jacket, then again applied with a criterion. know what is to be seen by your eyes and only from birth. that's when you saw your eyes there, well, let's assume that you polished it well. this is a long, painstaking work that requires great patience, but igor likes it, he says, it’s nothing

an incomparable feeling, when the old broken faded apparatus, after decades of oblivion , begins to sound again, it is like an athlete won the competition. uh, how the scientist invented the eureka formula is the same. you get the result of your work. not only that, but it often happens it exceeds your expectations.

despite the fact that i have listened to this many times already, i don’t know when i will rock it. i have goosebumps. show me it's true. why is this difficult to understand? i have a record from home, which is chaliapin, but it's just you, it's just that everything trembles and it's a live sound such an impression that this is happening somewhere behind a screen next to you, they often say that collecting is not for the poor, in part. igor agrees with this. yes, he can buy a broken device, then restore it and thereby save on the work of a restorer or a mechanic, but in any case, funds must be allocated for such a hobby. moreover, the collector has a dissenting opinion on this matter. i know for sure that if i hadn't spent some 300 dollars there, i wouldn't have bought this device. we just ate them, and they would never

saved, and would never have accumulated, and i would never have been able to buy it for her at the same time, because i would not have such an amount and i never thought about what i would do now, then someday i would sell it. uh, well, that's a little off target. although if someone wants to keep it, i don't think it's much better to increase it, but to keep it. eh, the same money, then, investing in old things, especially in good condition, they are unlikely to depreciate these things. igor is absolutely sure that if a person becomes a zealous collector, it fills his everyday life with new colors. it captivates addicts. in the end, prolonging life and it’s not at all about the value or the cost of collecting at least matchboxes. the main thing is to test. cool emotions and get joy weekdays shadow night work house they erase in memory and plots

and whole times, while doing something. i think every man should do something . i need something for him to spend his free time on, it is there when a person tells me. i am very busy. there is no time. i'm talking to myself. well, you just don't have to organize it, it doesn't happen like that. well get up half an hour earlier and you will learn the language in a year 100% it’s just that we are lazy, uh, well, it’s necessary, yes, about some stage, maybe you can force a connection, but it’s better to captivate yourself with something and a person will understand that this is a very interesting stereotypical image of the owner valuable collection looks like approx. so these are the rich man who sits at home enjoying the solitude of his collection, does not like publicity and communicates with a very narrow circle of connoisseurs. igor borisevich is a completely different cheerful enthusiastic person. talking about their hobby with such with a fervor that it inspires and arouses

sincere interest even among people very far from that era. a collector for whom the main thing is not to collect more, but to give a second life to antiques and get tremendous pleasure from this alone. it all starts with the origins and traditions, the memory of our ancestors, the preservation of the culture of belarusian rituals and crafts. but the world is changing.

generations change views and creativity does not stand still. when people realize the value of traditions and understand where to move on, art takes on new bright colors. thirties minsk resembles a gigantic construction site , the architects have an ambitious task to give the city of stolichny losk . thanks to the architect joseph langbard, the authors of the project, architects, founded the warriors, professor, vanford, preklodotel, all the forces to constrain these

plans with the supply of an eminent master in the main city . the building of the government house of the main building of the academy of sciences of the red army will appear in the bssr. religious buildings. a few years later they will become the hallmark of the megapolis, it is the longbard that will be entrusted the construction of another legendary building. his idea of ​​the bolshoi theater, yes, was ahead of the pawnshop in its time and in such dignity that he saw how it would be for translation and all its buildings , as if they were city-forming, they formed a new scale of the city and they are today. eh, not morally obsolete , he was probably one of the five best theaters of the soviet union, he received a big title.

eh, in the thirty-ninth year there is. uh, in this regard, the orders of joseph stalin retained this name only large in moscow and the great cultural construction of the young soviet country is proceeding at an accelerated pace, and the old bourgeois values ​​are being replaced. a new genre of socialist realism, opera and ballet, comes. caught between a rock and an anvil, art faces the question of whether to be forgotten forever or to rebuild in a new way, there were heated discussions, even on the pages of the uh media. do we need ballet and is it really an art or does it just mean a demonstration of naked female legs and so on, yes, but still, it means that common sense has won and the ballet classics have taken their place of honor. i

don't know where i'm going to work. i stop my activity as the president of the ussr, who almost ruined the construction site for centuries , employees passed somewhere around 47 witnesses, the phantom of the opera, how the legendary theater actually survived the war and the world, his corpse lay in this basement, the red terror, who until the last fought for the color of the cult the buildings were eliminated in general, it was precisely the theatricality with the

belarusian there, raise it, like a woman, they invited me upstairs and they said, that's why a performance about god the devil and around which passions boil to this day, we were three, baby. something's going on here. let me go through all the secrets of the largest theater in the country. the history of the belarusian opera and ballet began long before the appearance of a cult building in

the center of the capital, the foundation of a professional school was laid by fortress theaters. the belarusian gentry did not skimp on the spectacle. as mentors, the best conductors were nesterov and the singers of the old world began their operas. uh. this is already from the nesvizh opera productions, whether it was signed in 1752 urshula radivil. well, naturally, uh, with which the court wrote music, this music has not survived to this day . it's a pity at the peak of popularity, french and italian operas, as well as musical works of his own composition, became a turning point, 185. the second year it was then that the creative tandem of the composer stanislav with the playwright

vincent dunin martsinkevich gave birth to a production that is considered to be the starting point in the creation of a national opera the famous idyll of russian theaters, have a history of 100-150 years, well, or something length, uh, but nevertheless, uh, the minsk uh theater, uh, from the moment of its creation, could be built into this system and become very leading uh positions until the beginning of the 20th century. belarusian opera and ballet goes hand in hand with the drama theatre, the belarusian state theater has been the first home to host performers for a long time. charista ballerinas and opera primas were forced to share the stage with dramatic

actors. in 1924, musical technology opened its doors in minsk. a couple of years later , specialized ballet and opera classes were opened in it. became evident as two great art forms. closely in one place and the city authorities. we decided not to trifle, but to build a separate theater for the opera and ballet, the project was not made in such a way that it gave you a task. yes, design by hand. have been ill. the conditions there were also for those times in the construction of these cultural buildings, and especially theaters. well, everything so -called, developed over decades and centuries in the construction of theaters, was rejected, everything bourgeois had already surfaced. the new world was put forward like this. and uh that was all over the soviet union, not only in belarus

, was supposed to build such universal buildings of culture, that there would be a huge building in which they would be held. uh, some kind of uh events, such as a demonstration festival, sports events, there will be circus performances, including the main opera and ballet theater, were grandiose at the mercy of the future theater. we singled out a hill in the center of the capital , a place that was clearly visible from the very ends of minsk, which was the best suited for the construction of a new temple of art from the very beginning the construction was entrusted to the architect georgy lavrov. there used to be a trinity bonfire here. at the beginning of the 19th century, a very large fire broke out on trinity hill. basically burned out. everything was re-planned from the point of view of

the architect, which means that the place is very important, where we were not in the upper town. or even here on the avenue we see a theater, and here was the trinity bazaar. there were. uh, the little houses are all unkempt, but this is an elevated place. it’s better to find another place in the city of minsk, probably, it was impossible to take it on the spot trinity bazaar, the first stone was laid. here is the architect's design. lavrov georgy lavrov, but lavrov's avant-garde ideas were sent to the table, and the project was entrusted to another eminent architect, joseph longbard. the author enthusiastically set to work when the drawing was ready. discussed in the union of architects and given the go-ahead by professor lanberg, the council of ministers supplements the salary with

vulgar details. this is how we will look at the new furnishing of the zehutz opera and ballet theater, with comfortable tiers, a lie, it remained to be approved in moscow at the capital the project was also appreciated, but then one of the high officials of reason noticed that the opera and ballet building in minsk would be much larger than the older brother of the moscow bolshoi theater ; they simply could not allow this in the main capital as the project was developed . the cost of the creative team goes out and the author of the program had to slightly adjust the hall was reduced by 1500. actually, closer to what it is now and uh, some have been reduced. uh, facade decoration elements, cultures with the lambard project was liquidated. well,

a few. in dick, it was the theatricality of the image that the endless edits of the longbard began, creaking heart again and again reworking the project with the number of visual places. it was necessary to urgently reduce first from 3,000 to two, and then even to one and a half thousand, the shape of the building turned from an ellipse into a circle. it changed several times and the appearance of the buildings all this aroused the indignation of the author, the temple of art could not do without other excesses and could only remain on the drawings of some of the selected money mysteriously. evaporated first project. it was made in red in color. it was done. it was something. that's a little like the colosseum because he was forced to such requirements. here is the bank.

well, i didn’t think, this was not my best project, of course, as always, as in many places, there was a trial of former construction workers without theft. uh, the opera and ballet theatre, a certain head of a department, a certain kafman, appropriated a lot of money. somewhere there is such a sum of one million eight hundred with something. yes, and that means, uh, a trial took place and, uh, there were about 47 witnesses, construction went on at an accelerated pace, the young soviet country, no matter what you did, tried to prove its power first of all through pompous architecture and strict lines. outside the buildings inside luxury, expensive, velvet gilded chandeliers, antique statues, soviet

constructivism had to show everyone. and for everyone, the inviolability and status of the new country. the fact is that he liked to be in the royal box, he felt like the emperor of all russia there, and therefore the opera becomes the main genre in the thirties, plus these parallels with ivan susanin, because the russian school began with ivan susanin. now we will stage these ivan susanins in all the republics, that is, the patriotic historical opera, as such, the state opera and ballet theater of the bssr appeared much earlier than the iconic building itself on may 25, 1933, the start of the season thundered on the stage of the belarusian drama theater

isse carmen there was such a musicologist, a belarusian rather well-known grazer in his time. here the opera was prepared in the studio of this opera and carmen was opened on may 25th. eh, the opera and court theater opened its doors to the first spectators . the bolshoi theater only in 1938 gracefully art instantly wins the hearts of the garage . all the years, the opera theater in general in the soviet union it was very prestigious. it was a business card. eh, any republic. i mean, they were gods. it

were the stars. they say that they had some. so, if these were people with titles with regalia, then they knew that they were people's artists, which means that they had some kind of benefits there, they received something else. that is, they had. they aspired to stream, they had such a competitive struggle, very tough. with the advent of its own building, the bolshoi theater of belarus was actually challenged to catch up and overtake other eminent opera and ballet houses unions, the number one task is to create a national repertoire in school of moscow e, was famous for its male cadres leningrad on it peter was always famous for women who, well, somehow managed to do it but is it thanks to the teachers who were from both moscow and st. petersburg to create a

school of cats that, in general, are approximately equal share. mastery and investing in both men and women in the thirties was originally planned for moscow. and that opera will be the most democratic art, even the requirements were for the opera. this should be an operation so that there are absolutely such here, which means understandable numbers in couplet form. uh, song dance march, and for the people to come out of the opera house and along the road. here are those song marches that he just heard him on the big plans. in the forty-first year, the war will destroy, do not forget the wounded, minsk the bitter smoke of its ruins during the occupation minsk was under attack after countless bombings, the city was completely in ruins, the luxurious building of the bolshoi

theater miraculously remained unworked, and while the artists fought at the front, the germans turned the temple of art in the barnyard during the war were located in the left wing, and even here there were stables and german troops. uh, they stopped, so here they find some other sounds of war. there were grenades , shells, and so on, they bombed minsk . uh, a bomb hit, the hay left the bodies, the germans, they set up a stable here, there were red workshops. e. well, they say, all the same, they killed a lot. another legend is associated with the turning point of the war in 1943, when underground fighters and partisans killed the gauleiter of belarus wilhelm kube turned the cold plinth of the theater

into a morgue. the body of hitler's viceroy in belarus lay here for several hours . old-timers said that under the vestibule, during the war, you will remember who the cubes killed, his corpse lay in this basement. well , apparently, the coldest place was, damn it, to save when minsk was liberated, the artists returned to the building again, the theater season of forty-four years opened with the premiere of the opera by yevgeny chakotsky olesya, but after the exhausting years of the war, the building was pretty battered and it took 3 years to restore a loss after the reconstruction, to which joseph langbar himself had a hand. tiered balconies appeared in the theater, and

a park was laid out around the building after the war, in view of the fact that the left wing was destroyed and the facades were actually restored. anew were separate plastered and carried out and made on the wrestlers of the sixth forty-eighth it was preserved. now the war years have returned to this, the bolshoi theater has again become the center of life in the capital, the audience rushes to the temple of art to remember peacetime, and opera performances are an enviable frequency broadcast on the radio while the audience admires the productions. many artists are forced to barely make ends meet in the post-war devastation. many many simply have nowhere to live, even i remember that artists lived in some fungi who did not have a place to live, some buildings were smashed after the war and far from quickly and not all at once. it

has been refurbished. the atmosphere was. as far as i understand, now such a friendly warm forties is enough, and their own square meters in the capital could only. read in the queue for housing even stood opera and ballet primas. i remember myself, probably from 3:00 i remember these corridors are long then they seemed very large to me, probably, you know that i was little, when the trees were big. here. uh, well, i remember that in the corridors everything was fried and steamed. well, of course, i don’t know, there were culinary delights, well, fried potatoes, there was always a real star of the post-war years, a ballerina. basya karpilova, shone on stage in the role of esmeralda, the famous prima lived in the theater with her family and main partner on stage

a live goat lived for several years, of course, in small rooms. for example, i only remember a sofa like this black monster stood, and in obito's room with dermantin. here is the closet, in my opinion, left over from the germans. this cabinet was so deaf, deaf, but it had such holes like tea strainers. here and uh, this closet and sofa. i remember for the rest of my life there was such a charlene market in minsk. she bought this goat and, uh, she settled in a little room nearby. and her mother taught her, she was in a tambourine, in which she went on stage in an esmerada. she put there a little bit of food and the goat got used to it and on the stage one could be calm for it, but after a while the bureaucrat didn’t know who wrote that the goat playing the role of the goat hurts to hurt esmeralda to take off with pleasure to free the room in the sixties were

marked by a new the status of a large theater was given the title of academic, but a recognized temple of art. needed. in the urgent repair of the sixty-seventh building , the reconstruction was again updated. later they recognize the rights of the flat roof, they replaced it with a hipped roof because of this, the opera and ballet theater became. commemorate the circus chapiteau so it was necessary to make a roof that would not flow, therefore, we decided to make it such a dome. yes it is e. well, if you've seen the pictures, then it's certainly, uh, ruined so many years of theater. it's kind of like a circus. they even called it chapiteau, that we had a theater in tibet for years, two huge halls. uh, a little more than walking, but there were always stains on the ceiling because the water ran right through the row. he had to repair

performances were going on, and here she was on duty. uh, fire department. since all this ischatra the structure above the roof was made of wooden structures that were not impregnated with fire- retardant joints, which could catch fire at any time. a project that will be appreciated by everyone who follows the events in belarus and the world we compile useful digests so that you are well oriented in our broadcast schedule and know which projects and films will definitely cheer you up, take care of the health of our viewers and find the original. and most importantly, useful

ways to keep the body and spirit in good shape and do not forget to inspire you to travel and following the beauty of the country online you have never seen such belarus, just a braid. now i do not sit on the internet. that's all there is. here. it 's amazing here in belarus, we meet every friday evening in the projection broadcast 24/7, watch the dance on belarus 24 tv channel. this is the pulse movement. breathing is the rhythm of life. the art of conveying fashionable ideas to visual form new theatrical forms the author's reading of classical works the search for sacred meaning every week we are in a new

place, see the fashion for culture project on wednesdays on tv channel belarus has been working for 240 years, a real galaxy of talented musicians and performers. a special pride of theatrical teenagers. the first female conductor in the soviet union, tatyana kolomiytseva, made legends about her severe burrow . she was remembered for her diet of coffee , ice cream, cigarettes and endless devotion to

work, she was near hole and she had a big big dog ice cream scary, uh loved this dog too, and she naturally approached this kiosk. well, they knew each other . naturally with this saleswoman, because that every day tatyana mikhailovna bought. she has quite a lot of ice cream for her dog, the ice cream maker says, oh, tatyana mikhailovna, you see, there is no one. and i urgently need to call. well, wait a minute. here, yes, please, and the children call, and then a whole group comes up, which means what they sold you about. uh, a certain number of these same ice creams, a woman in a tailcoat at the conductor's stand, already fought everyone and everyone to the floor, but that evening was amazing.

the tourists were shocked by how the lady from the ice cream parlor is an excellent conductor stick in the evening. e loin. greene, tatyana mikhailovna goes out to the console, of course, the light turns on applause, she turns into the hall, it is planned to raise the orchestra in the first row. uh, the very germans who bought ice cream from her in the morning are sitting, what did they think at that moment, namely, tatyana kolomiytseva, for the first time in the soviet union, staged an opera performance of an arrest, an antique plot in the processing of sergei taniyev. not only was he remembered by the belarusian audience, but he was also highly noted by the most severe soviet critics of the opera and passed on vinyl and a mythological story e. it seems to be

it would seem to be something quite far from the soviet reality. yes, there would be a lot of banknotes. but it really was the development of a new territory of the opera territory, and mm recognition. uh, this opera found e in the fact that it was recorded on a melody company record, and it was the only record in the entire soviet union , the next appeal was only in the 21st century , you know, yes, that is, all of a sudden , the belarusian opera house becomes in the center in general the entire universe of cultural life of the ussr even eminent artists at that time could not travel abroad, and gastronomes outside the iron curtain. one can only dream, the only opportunity to refresh the staff and introduce a new

stream is to invite to the belarusian hundred. there was no need to talk about the unified professional school from the best performers from all over the soviet union , because solo artists from other cities in the soviet union came from moscow from leningrad, the team had enough fees and none of the soviet people could go anywhere to work and only in within the soviet union, the most talented artists, let's say. of course they stayed. well, at home and here there was a very strong pipe. well, some conductors, and i will name this absolutely legendary personality of yaroslav antonovichah or prev. hmm, or there the moshensky seventies became a real golden

age in the history of the bolshoi theater of belarus crazy full houses, kilometer-long queues at the box office tickets only by pull, equals were together in the theater people's artist of the republic valentin elizaev it was just a hype tickets were not possible to buy and sold them at the register. uh, only with the condition that you buy at the same time a few more ballet flats for the opera for the least popular. you can thread there, but the main thing is that you bought the tickets. glory to the beaver, the belarusian ballet thunders throughout the vast country in the epicenter of the cultural life of minsk, the young were together mr. valentin elizariev, 73 years old. i just finished. the choreographer’s department of the leningrad conservatory and from the

third year of the conservatory tracked me down, our former minister of culture and yuri mikhailovich is a wonderful person, in the third year, received an award at all union competition. uh, here, probably they were looking for a person who kills when his cork, therefore, it so happened that i was assigned to the republic of belarus and on the tenth of october everyone from the third year. i started my activity the era of design began when he came to our theater. he was as young as we are. those were his. well, we can say the first steps in great art. his first performance was carmen seita with us and he still lives this performance and i pass it on to the fourth generation, unshakable and

infinitely, devoted to the cause, it seemed to the ambitious choreographer. the unthinkable was succeeded. to reach out to the audience in an instant, art is not for everyone goes to the masses. on its production, people will storm the box office. i really appreciate the performers who are completely different in the same part. with the advent, even valentin nikolaevich or from wood, of course , that's what concerns ballet. he has grown in many ways. and it was very interesting for us to work, because it was such a fresh stream. it was so interesting to work , you know, if these performances were staged by him, which even now go through such a number, and they are not outdated critics converge into one valentin elizaev has raised the bar high. and he created something fundamentally new for the entire soviet ballet. her girl is somehow like some kind of tool. sasha hug her,

like a woman, the cult production of the seventy- sixth year of the creation of the world will become a real hymn to man for all time of life, conquering death. good conquering evil only refers to this plot, and through the story of adam and eve, he suddenly builds a parable about the apocalypse about what is relevant at that time and today, yes, how we protect the world. then it was the threat of nuclear war. yes, today, probably, these are some kind of environmental disasters and so on. yes, but suddenly the fragility of the world comes to the fore, and the need to protect it and some kind of hymn to a woman at the end, because it is a woman who revives something that can die and die forever, and while

some admire the philosophy embedded in the choreography of others see the performance of fashionable anti-church propaganda one way or another , soviet citizens treated the sensational production as well as to any other deficit to get, at any cost i was invited upstairs and they said, for some reason you should do a play about god the devil with hells. and maybe it wasn't really necessary to run the car. uh, everyone already had their suits sewn on already. stage rehearsals were simply not late with the invitation. that's after there was, well, a staggering success with the performance. eh, it's just that the question fell away by itself no one asked, why god why the devil and what does he do there? i often demand the impossible from actors. and on

the verge of the impossible is born new at the time, uh, it hurts the creation of the world, he is first . uh was perceived as such a sexy bomb, because, firstly, the artists were on stage in tights of three colors of human skin. and wow they're naked and they all went to this ballet. that 's it to see this sexual revolution. although in fact, naturally. gradually , painful and operatic art becomes the hallmark of the ussr opera and ballet prima, the public literally idolized kupala in the rays of glory, but they said about their cool temper

legends. this is the status, it really existed and quite tough and cruel. all this was when they were accept when they are there, baby, something is going on here. yes, and give way to me to go there. i this very big attention was on the neck to the opera house. he loved very much. uh, the theater itself loved the singers, knew everyone by name, there and so on. that is, and this, probably, also influenced the fact that if he goes to the theater after him, the whole office follows him. and the all-union glory sometimes didn’t mean anything, the stars of those years often lived absolutely nothing, like ordinary soviet citizens. stood in lines of shops huddled in tiny apartments, and they could only dream of traveling abroad. he changed this heaven and earth, because like they are still

lying somewhere at my house, we had to fill it with varnish with glue, dry the carrot sock with a rub, and sheathe it so that uh pointe shoes could withstand one performance, or even two pairs had to be done. this little onanichnikov's people's artist of the soviet realized then the whole soviet union she sang today tomorrow she sang, uh. chanterelle in a teremka you know, it didn't count. uh, below her dignity, so the soloists. uh, such leading opera stars, they also sang the second parts of the second position, so they were such interchangeability, despite the high status, many eminent opera singers, even after countless full houses, remember their first appearance on the big stage, as a

lucky ticket to life, for example , part of lyubasha in uh, the royal bride, i just graduated from the conservatory, and in september i came the season opens and the performer of the main part falls ill. well i understand if i now go out and my own successfully, then i will sing this part in the future. but there is still another side, whom i replace, i replace svetlana's clip with danilyuk, for which the audience took tickets. this is how i should sing so that they are not disappointed, and the next time they come to the theater for the first time on this stage. i was once entrusted, so to speak, at the carmen opera there is such a character, when i started singing, it turns out that i was already lagging behind. the conductor was already ahead of me. a flurry of criticism

addressed to me. to put it mildly, but it was baptism years in the 1980s, the bolshoi theater companies are again in search of an acute question of expanding the national repertoire. the 84th recognized classic of literature dies. vladimir karatkevich by that time, the theater’s repertoire already included an opera based on the story the gray-haired legend, but in the big one they decide to perpetuate another work of the writer, the wild hunt of king stakh, opera singer viktor skorobogatov, and to this day remembers with awe how the work on the legendary masterpiece went to the crossroads, and there it means the union of composers is smoking near window. you never thought anything about the wild

hunt, king astakh. well, why didn't you think? well , as they thought, i think, but he already wrote something. yes, there are already a couple of fragments. well , show the edges come up. ale won't play these couple of fragments. it's a waltz. hmm, param-pam-pam. well, actually. ah, hunting. yes, pam-pam-pam-pam, the work was in full swing day and night, and the rich literary heritage only increased the degree of responsibility over the work .

theater performers will show the wild hunt to the audience in 85. but the triumph was overshadowed by a sad event before the premiere yaroslav vashchek did not live. this is one of the specials of such bright , real professional powerful belarusian operas and, of course, it aroused tremendous interest, and then, and the helicopter also worked so hard on this procedure, unfortunately, he then fell seriously ill and already followed suit. uh, behind the console was one of the most magical. i performed beloretsky. i could not get used, well, about 10 performances, although i knew all the music from and to by heart. eh, but here's a feeling that's it could not imagine. stop. it was so, well,

really scary, from this music here in these scenery. uh, a thriller, a real crowded hall and a standing ovation from the grateful spectators of criticism. they will immediately name the wild hunt of the king, stakh, the main belarusian romantic and national opera. the production will stay on stage for a record number of seasons. the king's wild pouring. astakhov also did not leave the stage for 21 years, the scenery and costumes were already worn out. it's already been changed. well, the costumes always change according to the artists, that's all 21 years found. well, these are the legends of our theaters, these costumes from the legendary performance. king's wild hunt. sugar, which

is currently not in the repertoire , but it was a huge success. and now, at some concerts, sometime they are also involved in balls. the nineties have become a real test for the theater, but despite the difficult time for the whole country. the bolshoi theater lives a busy life in minsk hosts an enviable number of international festivals, and belarusian artists are frequent guests in the best opera and ballet houses of the old world, some of the first opera houses were completed only in the nineties , when sergei kottez became the director. it would seem terrible years. uh, for the first time we have a mandalena. which is the first opera by prokofiev, which

has not been staged anywhere before. yes, some other interesting works are being staged that attract e moscow st. petersburg criticism to the life of the bolshoi theater and those who serve in it, this is far from only applause and applause an injury to the public or loss of voice is the worst nightmare of most artists, often taking months to recover. and during this time, even a recognized performer can find a replacement to return to the stage. how to rise from the ashes? every time you go out you don’t know, what if this is the last time the voice does not forgive violence against yourself. here you put a lot of pressure on your hand. you will have a bruise. she ligaments push. and what are four acts of a performance, and you can’t sing all the performances one spectrum for a month and then you will be for a year. in the party chat the operas are written

in such a way that it is hard labor at the limit of human capabilities, it is associated with successes and failures, and it is very important to gather your will into a fist not to be afraid, psychologically, the life of ballerinas, without a pointe shoe and a ballet tutu, becomes an occasion for scrupulous analysis. the tabloids are full of the standard set of questions do they eat fast food and is it true that for every kilogram they gain they have to pay for months of training and in order to look good, they did not always have to follow me. and i can snacking on some very, very small portions, because it ’s also dangerous to go on stage very, very hungry, because you may not have enough strength. but there must be absolutely ease. these are different stages when we lose weight and when we get fat. well, when you plow. for 3 hours, in principle, you can afford something extra. the life of an artist

of the bolshoi theater is not complete without curiosities. after all, even hundreds of times rehearsed parts and performances are not immune from force majeure, iron. will from steel nerves. not once performers rescued. this morning is war. i had an artist khur, one cannons shoot, and suddenly she does not know. how does the floor not collapse. right in the east, in short, she falls to the chest, but she continues to sing these guns, they thought they fired, maybe she was killed by this gun. for example, in a play. m-m magic flute that was, for example, with me there i sang the part of a lady from the stage, which is lit by spotlights and descends in full force, and you fall and break your legs, well, the performance is on, no one will replace me now, therefore. and you you run, the sick blood is flowing with your foot

, you run all this and run out onto the stage, stepping. art is lame in the new millennium. it needed repair again, the grandiose architectural monument did not accommodate numerous artists and the technical equipment did not correspond to the time in 2006, the largest reconstruction in the history of the bolshoi theater began. the hall was flat. and we, in view of the fact that the round edition, it was more logical to have a radial construction of the stalls. it corresponded to both the general address and the building and the hall for holding works attracted the best specialists, decor and mosaics according to the sketches of joseph langbard himself, marble and granite on the floor, restored facades and unique interiors by restorers. whether giusto worked for three years for the state

, the reconstruction of the bolshoi theater became a real cultural mission, and now, as it were, the state has released quite significant funds for the reconstruction of the restoration of the theater , almost the entire decor of the theater, in particular, the portal has been preserved there. the only thing that needed to be done with it was refurbish, then have to put new gilding. eh, there were some chips somewhere. there are cracks. this had to be repaired when we used all the historical documents. we saw how it actually looked originally at the pawnshop and completely restored it. here is all this decorative element on the balconies. it was completely created by the special pride of the reconstruction - the ultra-modern stage, which is clearly visible from any point in the auditorium, has increased and the area of ​​​​the theater stage is the absence of a dead zone. provides small but important

the trick scene is at an angle. it is one of the best in europe in terms of its equipment. the stage is also tilted here. well, as it should be, there is 6 °, uh, on what? well, at one time, he insisted, uh, the director of the theater at that time, valentina nikolaevich elizariev, all decent theaters have, uh, a very precise price level so that the public, uh, this performance here it turned out like this yes, so that everything can be seen at a glance . at first, for me , it would seem to be some kind of catastrophe, because the most difficult thing turned out to be even don't dance. the most difficult thing turned out to be one not even just to stand the building expanded inside, but this did not affect the external appearance of the temple of art. it has additional rehearsal and technical rooms and improved acoustics. the stage was equipped with modern silent

mechanisms, the national treasure of the bolshoi theater. belarus played with new colors. we are near the control panel for raising the fire curtain, intended for separation. scenes from the auditorium now i turn it on there is testing. here now i can lift. not only the theater was transformed, but also the famous square around it, the fountain. before the main passage, it became a favorite resting place for the townspeople. supplemented the ensemble of a full-fledged cultural couples earlier. it was a transit square. that is, everything to shorten the path, uh, from that street to this one they passed it. our task was for the

designers to acquire the square. uh, some kind of theatrical sound was made such a proposal, where in the center there was a fountain , what we see now was a monument, if you remember, bogdanovich move it further to create two diagonal alleys, one alley is the operas and the second is the ballet alley today, like decades ago, the bolshoi theater of belarus remains the cultural mecca of the capital. the repertoire of more than 80 ballet and opera productions from world classics to arthouse performances and already the aesthetics of classical dance, yes, and the idea of ​​​​ballet and ballerinas. e. they rushed forward. and of course, this has already happened a fusion of gymnastics and tricks and classical ballet, yes.