oxygen in the winds of the forest is all here ole and chanterelle yana gave her age such i'm sure non-specific. which are characteristic only for this fungus, and it was transferred to the seed. perhaps i want to say that now it’s not thinly spruce thinly, but the flour has radiated something else. all this in this component is the same and the poor karate came off, dotting, buried mushrooms near the forest. all for the sake of some pretty cherished bottom grass. get yourself healthy. how do you have your children grow up healthy and i'll come, i'll tell you the recipes before you learned, dear. great will be you alena bartan. we hurry up to you, no break. so it came off and did not come off, deliciously not deliciously

not rising rise. i guessed so. well, ramonka, no, no, yak didn’t call me. yes, i didn’t call, let me, let’s do everything, i’ll try a special potato. potatoes, carefully cut. yes, some carrots . yeah, like a mushroom, here it is and a piece of meat. okay robim, so i'm coming to you so well, boulevard bulba queen queen of our flight hmm here, what kind of remote control did you have? aroma

yes ate something and bulba uh-huh and you will not cough. this is probably yes, relatives of dill smells like anise. well, i'll say it's for a cough. well, here the potato larisa has several flavors of fennel, green onion, er, tarragon, tarragon, that's how the carrot gave its sweetness. well, we decided salty. this is how to cook such a side dish, beauty, codfish, foxes, how it hangs not only you leave, but the wolves call it a fox. well, the tongue hangs well. the savory ones came off

practically i bought i don't know. kolki you idly smashed great breeze were such savory formed. yep right. well my grandma wheel said on the fox. i'm on some rubber so here you have no fish. i'm not savory, dear friends, that's all for today, but very soon we'll be back to treat you to a new portion of recipes with history and talk about dishes that have stood the test of time. cook with us. delight your family and friends in the belarusian cuisine. all the best to you and goodbye.

what is leading the world around today? this is an idea, this is far from being a resource, far from being an oil and gas resource. and this is an idea and today, the one who knows how to generate an idea is the one who gives birth, then he earns today. he can earn money sitting, even if there are stars somewhere in the village. the main thing is to generate people and he will be sent there by helicopter to bring bags about it, so today this is what helps art, what helps . and today i can name a lot, probably by name, who graduated from

our academy, who, let’s say, didn’t go further, but who became professionals, well, in any, therefore art. in any case, it is necessary, like air. why, when he asked merkel what three qualities should, well, a strong state, of course, is the economy, of course, this is the history of art around his name and a soap of provocative stories. myths that only stir up interest in creativity, what is the rumor that gleb otche paints pictures of mayonnaise, the audience wants to know the truth or pr, and now they are already carefully examining the paintings, which was required. in academy art teacher exhibition i exhibited one of these works. i came up. volodya beretsky teacher says what it's

done, says mayonnaise, it looks like i'm saying it's mayonnaise. well, let's go let's go it 's actually a very strong technology of special such resins, yes, that is, textured pastes. i have added 12 more works to this collection. and that is, it took root, that is, it was a kind of provocation. that is, she worked very hard in the plan. and by the way, pr of the same, that is, it happened unexpectedly, because ethical only here in memory we remained of this mayonnaise series for work, and the most interesting thing is that they ended up in a serious museum of work. that is, it turned out to be such a double, that is, they asked me what the next provocation was and asked to repeat it, but i have such a principle, yes, that is, i work with projects. that is, i did one project, it took place and i do not do repetitions. that is, i am asked to repeat some work. i say no, all this time is gone. well further we move forward and think and time changes. you see, it does not stand on place, now it’s been three years already. or

maybe tomorrow it will be a year in five. gleb otchiy, a participant in numerous competitions of biennale and open-air exhibitions, belongs to the so-called new wave of belarusian artists among his works and fresco painting of the temple and the project of the future museum of the history of the republic and even a monument to the beloved belarusian condensed milk, the master’s paintings are stored in museums and private collections in dozens of countries around the world, his mother and father tatyana and anatoly otchek were predestined to art from birth union of artists of belarus parents. anatolia region. the village of the neck of the kolenkinsky district. he became an artist, too

, he knew a very interesting story, only shishkina passed to enter and received two points. studied at art school. after that, he entered moscow, then transferred to penza to the penza school, she is very famous herself from russia from the city of penza . there they met and after that they went to minsk to the academy of arts. well, in childhood, let's say children in general forgot that i need to be taught to draw, and in art school. i entered very late, that is, in fact, when there were already six months left before admission. dad, he says, so you have to go to school and they say that you need to go there. she says, you need to draw a still life composition and literally there in a month. i even narrated a still life and entered, despite this, the first zero. that is, well, after all, this tomato opened up, but i sculpted very well here. and i remember perfectly in the second grade. if i drank a dragon, i looked, the first such plot. well, there, like cocaine, then some kind of dragon

and blinded such, well, 30 centimeters of a large dragon with details with detailing and my whole school come. all classes came, only there was fame. everyone was jealous of what a cool dragon and everyone began to ask for a gift. i tell me i won’t give it, and then i’ll dress a boy like that, he had a commercial streak, like me, he probably came up. he says, let's change it for a jar, condensed milk, i say, there are a lot of banks. well, i say, a little, or rather up to two, and the next day he brought two cans of condensed milk. i told him changed and here in the second grade my first commercial experience. the fact is that this is a kind of art object turned out. all foreigners are photographed here now, all weddings are photographed, of course, this is not an architectural form of sculpture, whatever you call it, it is not enough of an architect 's form, but this is a brand, this brand, which we know even before the soviet period, and it has not changed, and it is for everyone he is familiar to everyone. and how could it be given to him so that it

really was like that. here is our diamond, yes, that is, this is a mosaic mosaic glass. uh, a sheet is bought, it is cut into a small module centimeter by centimeter, then it is manually laid out in reverse set and then mounted. this is the very effect - this, of course, is at night, when the backlight is on, and it shimmers all over, like this one, like crystals like such emeralds. when i studied at an art school in the city of gomel, i had a teacher nikolaevna, she really wanted me to enter the scooter, she says, you grab everything so quickly. you are such a talented sculptor, he says, be sure to enter the scooter. dad, says it is very difficult and did not allow me

to enter the sculptor. i entered a college in minsk. and crap, like nikolaevich gymnasium. parnassus so-called entered the painting. and after that, i still had the gravity of the sculpture. by the way, here among the works. this eye of david this is my first in the format of physical education. i saved it so i sculpted the eye of david in the first year, although i studied. she was interested in everyone. i went as a sculptor and completed their task, and yet it was monumental. it's something in between sculpture and living everything, yes, that is, it is also hard enough work. this is work with material with stone bunnies stained glass windows. graphite frescoes, that is, in principle, i found my niche between sculpture. the artist likes to experiment in different genres and techniques of sculpture and decorative work, the painting canvas is the same. it is interesting ambitions and energy not to take confidence gives experience

and school after the gymnasium colleges and crap me. he entered the belarusian state academy of arts with a degree in monumental decorative art, and since 2008 is a teacher at the department of drawing, painting and sculpture in his alma-mamata. we are setting off on an expedition along the ridges of our ukraine, a road that is not close, we drove 200-38 km to captrap at the edged carriage of friends upstairs on and passerby the weekend of the lake until we follow. i told her the story of meat images, one magical ritual idea of ​​seeing off a mermaid project. he walks richly in water, like a mermaid and something demonic and unreachable for a person. mermaid ham-pa-night, let's give the second

tradition a new life, okay? i will be with you watch our tv channel. in belarus , it’s easy to explore only the report of our trip. baranovichi station. the central historical place from which the railway boom seems to have begun. in the country, this is the first secular residential stone building of the late 18th century; the naturalist built not just a house. he raised not even chekhov's cherry, but i'm not ashamed of this word, a real paradise apple garden landscapes of complete thoughtfulness and

sorrows enchant even the most fastidious travelers. and if there is no such possibility, the city of belarus is what you need, but for now the whole world in the photographs does not let the leaning tower of pisa fall down. i am supportive in every way. project on our tv channel and travel online i didn't have a plan as such, that is, in fact, when you leave the academy of arts. this is our yesterday from adulthood you have to earn. money. it was necessary to somehow arrange and there was a distribution. yes, that is, i was asked to teach in

art school. and i got a very interesting course. it was an experimental course. so they were called then punks, even by senior teachers, because they all usually go to college after the eleventh grade. after the ninth it was adults. some have even been in jail there. i had one my age. that's what i really liked. everyone was afraid of them, because they were so shaved at the back of their heads, there are all of them. well, i was like that, having gone through a big school of life myself, that is, not easy. i taught them to draw. and i asked them the first question. you want to learn how to draw they say, right? he says, then we will learn to draw and we started from such a very low level and in the end they drew better than in the academic arts one and the same of our mrs because of the artists. it was my idea to implement. so let's say in all education systems, and art is a correct

understanding of art, because what happened with us today, we have grown up a whole large generation of young people, who are wealthy quite a very small percentage, because that they weren’t taught in childhood, who weren’t taught to look at the picture, who weren’t shown it who didn’t try it, it’s hard for them myself and i can say that there are many children who have been studying, who have learned from many businessmen who know in moscow and even in the uk there are our graduates who have studied it very much helps them to generate ideas further. you know that a fresco is very difficult and it is such a kind that is very demanding such precise craftsmanship and preparation of certain walls, and i wanted to paint a natural fresco for you, but in due to the fact that the ceiling was plasterboard. he could not keep such layers, but we chose such an average between a natural fresco and an artificial fresco. well, the effect is

almost the same. well, the idea itself came. this, of course, thanks to our academy of art, when we traveled, in our second year, copied frescoes in the city of pskov in the svyatogorsk monastery, then they got acquainted with our famous restorer, who would already submit to the rabyanovs, who told us a lot and still our work stored in the pskov museum three of our students. that was an amazing time that was it was then, in 2000, that i was infected with the idea of ​​painting a church, at least one, because today is wonderful. we have masters, a wonderful school, but silicate painting. she gives such a plan. danger, and here's the fresco. yes, such depth, dark blue fans of byzantium, it gives depth. that is, you are at least a small temple. so, when we painted it, everything was in the forests, there was nothing. it can be seen that the parishioners were worried, the priest was worried, he probably says in a dark background dark blue. it will be hard. we had such a bright temple, and when the scaffolding was opened, the parishioners were crying now. i say what a huge temple we have become. what space

has expanded and, by the way, after the painting of the temples. i realized that we had a lot of different objects, and we painted the palace of independence and the embassy of kazakhstan dome 170 m in 5 days. that is, huge deadlines are compressed. well, there were a lot of different experiences. well, when you paint a complex space, how about us. yes, where there is a lot of plot, where everyone ornament, where there is a lot of responsibility, then you understand what a mural artist is, that you are only at the beginning of your journey. that is, it seemed to me that i already knew how to do everything , yes, that is, i painted the entire district of minsk. yes, i realized that this is just the beginning. my last personal exhibition was

created in 20-21 and it was called three in one. i the fact is that contemporaries i do what surrounds me the way we did her writers in the field with my colleagues such a project there letters i made an alphabet, the belarusian alphabet letters that have their own legend of your plastic. they are semi-abstract semi -realistic meter by 20 meters only a series of works. right now it is over before the exhibition in mogilev will be opened soon in bobruisk. then a project dedicated to such a series of steam fogs from the memories. we were in china, a very beautiful place. this is called the xinjiang ygur autonomous region, urumqi, and we did an excursion there for 8 days. we looked at the mountains from red to green from gray to purple. it was so unique. everything, the border. this is kazakhstan kyrgyzstan mongolia even we are on they locked up their passports and let them go to mongolia for 4 hours, he says, if you don’t come back, then

you will never come back. that is, even such conditions were there, the largest fault , a very beautiful place, the largest fault after the earthquake. there are stones in the form of two-three-story houses. it 's just a colossal impression. that is, altai, that is, it is also very beautiful. and after this trip, i had vivid indelible impressions that still excite me. well, for the first time in my life i tried, well, i didn’t try, i’m completely from where i didn’t eat meat did not eat dairy products fasted and i have tverskoy when we stretch large canvases there are small trimmings. that is, it is a meter by 30 there 20x10, that is, yes, and i ordered stretchers from me, pulled all these trimmings. i got about 30 works. i wrote a series of fish series of fish because i ate fish exclusively. yes, and i wrote, well, it’s not just that there is a very big allegory, where the fish eat each other, where they kiss somewhere, yes, that is, if the fish is even a symbol of christ, the fish and just i think i well, fasting. and that's why i do what

i see. in the artist’s studio, the illusion of chaos, in which if you look closely, you don’t want to change the space, as if it lives its own life and inspires creativity, the artist admits at the beginning he paints a picture in his mind and only then transfers it to canvas. but only what really excites and expresses one's own impression of feeling, what one wants to share. after all, true art is always born from the depths of the human heart, and only a sincere statement finds a response in other hearts. an interesting project that we did in 6 months, no one believed we won the tender and bypassed the germans and russians. this is a project of the historical museum. that is, this is a unique project that our guys worked on. probably not. in our

country, this is the zest that can come and gather to unite our nation, because this is the idea itself. you know that we have 20,000 800 years 10,800 lakes in belarus. why is she not an eye, if not an eye, yes, that is, the whole story, was built around a century, we made the main concept of this river, which lead the viewer to four floors that unite where the rivers they go along the illuminated floor. yes, that is, where there are military events, they turn red crimson, that is, completely dipping into history, that is , multimedia is completely at the highest level there. the very last word, where you can plunge there and take part in the battle to learn many zones. schoolchildren for all classes, that is, with immersion, that is, the sound effects are maximum, yes, that is, at the end we we fall, having passed through all the primitive society, i take part in all the battles. we find ourselves in the hall of statehood, where the latest achievements of our state and in the center are a

stylized fern sculpture. yes, we touch them and light up. this factory light is the happiness that all belarusians have been looking for for so long, but cannot find . what is the role of youth in the religious life of

the country, but in fact, when you enter the temple, among people of almost the same age, our youth, it is especially noticeable in the temple and also especially noticeable. and in general, in church life , what experience must be passed through in order to realize the deep meaning of the faith you are the roof and the way of the skin, it was paid for us sinners. what should a believer do in order to get closer to god on a path, again, our chan is better than they are jesus through the fault of being a faithful thought to him and christian men. and uh, he gave us freedom and we are already deciding whether to invite

him into our hearts or not. look, spiritual and educational projects on belarus 24 tv channel. maybe when the first notes of the first bars start playing the performance and then yes, but i think that it will dissolve when we hear singing, when we tried on this color. i realized that this is not what it is. i see her as a blonde, well, nothing else and a skin day that others share their taliment dolls with the vocal light went there, and when she drove up, they were already open in open boxes , it turns out she wraps up and the first thing she shouted is here, it seems to me, this is the highest level of art, when your art does not leave an indifferent person. i'm like

teacher. eh, one thing i can say is that the children love the belarusians on our tv channel very much. it's one thing to create in a studio, it's one thing to do with colleagues in the same space. this is also very difficult, but thanks to these baliers, there is growth above yourself. you talked, looked at the technique, looked at before , what kind of kitchen? yes who has what palette, what colors? what kind of brushes, there and so on, that is, this is a dialogue that is very important. in general, how the idea itself was born, before the thirteenth year, i visited more than 40 international examples and all users each organizer and its participants. you need to glorify that little corner where the wine passes and

decided to glorify our country here we have such a project was born. yes, that is, it is such a droplet or in the form of a-a in the form of a balloon in the form of rain, and right where we had the event, there and on the map they put an art-droplet of such an artery, so they started like this throughout the republic. since 10 examples have already passed artem, and our second general idea is a bridge between our orthodox church, yes, and the artist. and this really no less very interesting project, because this is a charity project, we help children and disabled people with cerebral palsy in the city of venice and not only with this plenary. he just comes to them. there , angels are painted with them, we communicate, participate in their new year's greetings and really go. uh, a very strong growth of artists, because often this life with the society to which we live is very fast. it seems to us that this is some kind of race, but sometimes, and

there you come, chat with them and that's it. everything pales in comparison. that's when with these kids and in fact, we do not help them, but they help us. when we communicate with them, we grow above ourselves. we had all the authors of different tomography and the opening of the painting was just somehow enchanting, because, well, about a couple of thousand spectators came to this exhibition at 9 in the morning, it started, people did not want to disperse. three times three to four circles went to

see the work. i can hardly say, well, soon we will get wet here, they took autographs there, and those who asked to be photographed there left again came some questions asked. that is, for a long time i could not understand what attracted them, that is, there were 40 participants from china, but no one was present in these halls, everyone was near our works, and i realized that, in fact, our success with us, by the way, in this day all work bought. here it is, just like it is now. here is an example, when they all helped children with disabilities, too, everyone works, a team was assembled, which is very low to itself. yes, that is, it was honest art, and secondly, there is no official religion in china. and that energy which our works radiated, i already understood. yes , they slowed people down, they wanted to hang out, hang out, communicate, they were comfortable in this environment. and so we created this environment where the chinese were very comfortable with two things, that is, the first is honesty. yes,

it should be in art, and the second is that the artist must clearly understand that what he creates is not for his own glory, the glory of god. and if these two components converge, yes, then he, despite the bad time, is not on his own litigation. it will still be successful. anyway, he will buy.