[000:00:15;00] it may be a big kohane, so many kokhans and what death has overcome, it passed by the world under various names of janotsa according to the italian kolvichor, their romeo and juliet i sailed the ocean for a hundred years, wearing shakespeare over

vera over the righteous, and there were no maps of the earth left at my borders in the expanses of the absolute the twentieth haystack was not sticky and it divided from once all the rapists on the planet into two fortune-telling clans at klaus, lessons on educated manteks and capulets with broyu and reveled in the spilled, crooked on the one that youth was brought to his lachlar reconciliation. one could only master. the pakul of humanity was seized by the wind, but between the minds of the warriors, sergei prokofiev translated a very native plot on new music over the dramatic basis of the ballet, the director sergei rodlol and the playwright adrian petrovsky, at the same time with the composer, in 1935 , the ports, the tour was ready, the aleppokulkirov grand theaters, expressed the formal nutrition of the premiere romeo and juliet of the narrow

version left in the city of bruno in 1938. soviet for a summer residence. your ballet is only a holiday after the czechoslovak 1940 staged by bolitma istra leonid lavrovsky. in 1988, the belarusian stage received a masterpiece by sergei prokofiev, together with a yeast director gennady provorov, presented by the people's artist of the ussr and the bssr valentin elizariya innovative, the reading of the master was marked off by the slammed air, the ballet was given an epithet and given. yes, i have become an allegoal censor for dachas, my skin theater has become an allegorical censor, anyone and any uvakha broke through the performance. posters 30 years. right up to the full turn of the reograph de shakespeare 's tragedy. music about coffee, i learned enough

early with this music he lived on this music and defended his diploma in the moscow classical ballet. but it is difficult for everyone to imagine a more ideal theme for ballet in a musical theater. he worked hard on this performance. and somehow i have it, well, it lay down in my heart like that. uh, the rehearsal was on. well, i would say how the performers quickly fell in love with these characters, the work was very creative and generally lucky with the performers in life. yes , at my first performances there were very good performers, my average. creativity period also painted with wonderful names, but often very talented young people. there really

is someone to watch. another premiere of romeo and juliet departed the snowy 2018 jackal eggs with glass and on the spring valentine or zar and withered at the theater and vertale teatru one from his left-handed and favorite ballets, the production was not a reconstruction for a renewed corpse. the choreographer propanaval to the artists and they look shamb. pen. san savannah paltorno, the material lived by the new author's edition, the handwriting of the master has not changed ali has obtained firmness and strength and what primed on experience and wisdom is born through here, uh, inside, that is, here it is, first emotions come from the inside, and from these emotions a certain plasticity of certain

choreography is born, that is, not like that, as i liked it, let's say the movement, and i inserted it performance, and the basis is born through certain emotions. it is very important that not just a tutor works with them. and the author yes , and in this case it is not just a resumption of the play. this is a new author's edition. there are banknotes. there are open banknotes. there there are prices that have undergone serious choreographic revision; i had a new author's edition arrested with costumes or scenery, they are such serious work carried out by the theater. and i think that for many years you can be calm theater that he is guaranteed to have. uh, a performance that collects well. ballet shakespeare and prokofiev

valentin ilizarov ’s choreographic fantasy went mad specificity and detail, and put the highest for everything the spirit of traeda, and the absolute session. elizario promoted as an artist such a plastic talk, where music mocked from emotions , emotions became a sensation, and sens was considered a porta , tours of poetic crayfish and dancing like that. prokofiev, not looking at the technical folding, he was natural and i was about to cry. in almost every ballet i concentrate on the main characters, i am no less interested in the secondary characters that i leave the foam only where they crash, still, yes, maybe in literature. so it is necessary, and on the stage there should be

the quintessence of everything. yes, because, well , literature, sometimes, there is a multi-volume essay. yes, and we only have a two and a half hour performance to which you can say everything. the story of romeo and juliet with a bang, the type straightened out so many interpretations of the clip was not spiritual and i go through and sense the criminal commandment to put on a man, the commandment of kohani. the roles of juliet for the ballerina getta and the lesson of the classics and the call to the artistic tallinn and the market are filming juliet tansheleshi stubbornly decided or zariva zahalyalas her heroine. joking her in the poetic mouths of the pedestrian, alas, different music. prokofiev's coreographer has traded for an artist from the bright images of the cinema

. and the lion, what is more important to the soul, is the reservation of open natural emotion. it's emotional, of course. at a very high level, the performance is the role itself. she is very, very emotional, and he has elizarov's third act. it is built generally on one juliet. she is actually the whole act is alone on stage and hold. ah, the viewer's attention. uh, you can only with your gut, only with your emotions, with your experiences, if you have real ones, and in order to feel them, you must first feel it inside, that is, experience these emotions

for real yourself. their skin day is reaped by one whom of significance, well hello, the native lake of nevers is suitable for the sleazy yanas, you improve the history of your little native painting, the island of the commission he asks that he saved up to live there for eight, but also off katya's island the chinese brought. yes, this place is a show to sell bright calms since childhood. so the very swam on this inquisitiveness. i always asked my dad. why so many taxes? each owner had his own boat, his own pier. about where the world will be to the lake in place, then we will try, everything will be blown up. watch the surplus project on the tv channel, belarus twenty-four. for

real lovers of the garden and the garden, whoever you come to visit, everyone will find something unusual and very tasty. we are setting up an experiment. more precisely, he wants to be early get a harvest. so we need seedlings. if later it is possible with a grain, we share secrets. it’s a little bit inside, if you look, it’s a light, light variety, it ’s like it’s made of porcelain, we enjoy the result when you come here and every time something incredibly kind and good happens, then the tomato is ripe, then the apple turns red. it will be 100% sweet corn, even it is something super, we master all the tricks of garden science in the

dacha program on belarus 24 tv channel. and romeo accepted the pea party irresistibly artist. i wanted to take the montage to the hero beyond the scope of the role, and we’ll take the performance to the knees. i sewed on foot his editorial office asked to give him the role of you bastard oleg once, with the blessing of ilizarov and khrusyushtaki, trache spiz in the canal of the tsk-khan. juliet was given tasks, but there were no specific boundaries. that is, all the same, each person each experiences in his own way, each sees. uh, in my own way, this performance situation was helped by my partner every moment, because i know that she is very emotional and can be the first performances, how would she compensate me, that is, she helps support, maybe i

start from her. here are thanks to the teachers, with whom we seemed to be looking for some moments that would be comfortable for me, because again there is a text. but if you're clumsy in it, then no one will believe what's happening on stage. the fashionable dramatic step-by-step harmony of the layers of such economically folded moments of the actor's made it possible for the leader to easily and clearly read the story told to her by her choreographer. about my pedagogical quotation marks. i don’t know the gift, i just showed what i showed in a waking dream and, uh, i tried these acting feelings. give it

to the performers. they take place in the school, there are subjects of acting skills on the spot and everything, but in every performance. it seems to me that there must be a vision. not only a dancer, but also an actor. it's the combination of these two professions that gives birth to great people, right? that is, that the composer was guilty of sewing away his stomas with a skin cell, assigning music anxiety and pain, tight anger, hopes and prayers for the reconciliation of valentin ilizarov. dvozhisya draw to the surface of the shakespearean story. human actions are unexpected, even they are present everywhere. you just need

to rise above it all. yes and there are 10 commandments, fulfill these ten commandments and no enmity will get close to you. i'm sorry for comparing like this. here are the christian commandments yes, with this plot. here but nevertheless, it exists at all times. and now it exists, i would add more hostility and now envy, which, of course, gnaws at humanity in general. well, you need to somehow rise with all this for so that the young can love each other, and that the young do not die and infect families. arm yourself, inflaming discord, arm yourself with yahidnites, arm yourself, raging on the cuttings of man and humanity. i am our motob personally and usudoistnaya. i endlessly tremble with weakness

and sunburn. all this web of enmity is here, it is in the scenery. yes, here is an artist, he somehow got carried away with this idea, and he read it. here's what we need for our overall solution. in addition, the same web of hostility, riddled with costumes. performers of enmity. yes so that this is here and there is some kind of here. uh, well, is there a connection between the scene and the costumes? yes, uh, and uh, it seems to me that this is one of the most successful uh paintings, uh and production by this artist. kohane, what, don't know, mass was going on. the angry orphans looked at them. who forgot to bestow yak, kokhanya to redheads, who withdrew their hands to the sky in

prayer for blessings and the roof of my wine akhvyara, stretched out on the grave rain, are sinless. the lamb of god shares the purchase. the rumble of a man. i love very much. it means a woman's love for a family for children and grandchildren. here the closest thing to me is not an empty phrase and love for the motherland. uh, and, probably, the main thing to which i devoted my life. this is the love of ballet. yes, it was i who somehow engaged all my life in my favorite art and my favorite profession. i guess i'm the lucky one who got lucky. maraprakh happy ending, what a flattery i was not allowed to sergei prokofiev ask shakespeare and win back romeo and juliet and death from the ballet dancer valentin ilizar and sparked the triumph of the kahani, and at least

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