mikhail savitsky, the largest artist of the 20th century, the

tragic events of belarus, the great patriotic war and the chernobyl disaster, are inextricably linked with his name; his work marked an entire era in the national contemporary art. mikhail savitsky forever went down in the history of belarus as the greatest master of pictorial art, a wonderful teacher and public figure. he was the first who was awarded the order of francis skaryna, and later he became the only one in art. who was awarded the title of hero of belarus the time spent in captivity left its mark on the future artist, the main theme of the master's works was chosen by fate itself already in the sixties. mikhail savitsky becomes famous thanks to his paintings. on a partisan theme, and his painting the partisan madonna, presented in 1967

, impressed me so much that it was acquired by the tretyakov gallery, it showed a judicious regime to the oka in one of the few bridges, uh, he rode a golden horse of this nazi occupation. with the rich fragrant hay of our belarus, he endlessly, well, as if taking off from us, what is called the shavings of life. you are his right to write this kind of picture becomes this kind of aesthetics, what was the impetus for the creation of this series, first of all, he nurtured the idea throughout. 30 years you have to stand in front of this canvas. why are they standing in a field of rye in the creation of a personal gallery? it was the cherished dream of mikhail andreevich savitsky , one can say that his work remains relevant. e, even in something prophetic , many complex pictures are written. there under the

texts there are many controversies in it pictures. our story is the life and work of a great artist. what his paintings are silent about, see right now. the life and work of mikhail savitsky one of the most characteristic phenomena in the art and history of our time, in order to correctly understand the meaning of the painting of a folk artist , it is necessary to understand the sequence of events in his life in his paintings is our story, because

each new canvas is a personal path of suffering. in art. mikhail andreevich sovetsky absorbed the most important historical exchange. twentieth year twenty vladimir prokoptsov general director of the national art museum of the republic of belarus honored art worker of the republic of belarus candidates of art history artist and this is a witch. outstandingly, i, skrara pomostatsku, showed my immeasurable curds, and those worthy have become classics today, our majority. he went through a difficult life for them, especially his youth, yes, during the great patriotic war, viktor alshevsky, honored art worker of the republic of belarus, artist, student of mikhail savitsky, in fact, it was such a very part of the harsh life. and, of course

, teaching this left a hard imprint on his work. it is impossible to consider creativity separately from his biography yuliya kovaleva, head of the department of exposition and exhibition work and the museum of the history of the city of minsk, his work is very autobiographical and his works reflect, but the main milestones of the events of his life, his feelings of his experience. but speaking as a whole, then in general creativity is dedicated. prussia to the belarusian people in the context of world events in world history february 18, 1922, a simple belarusian, a village boy was born kirill melnik assistant professor of the belarusian state university candidate of art history artist the boy faced a difficult fate historical fate mikhail andreevich was born in a village ringing in the

vitebsk region of the tolochin district. in the family. the peasants are his father. andrei petrovich worked on the railroad, and his mother anna konstantinovna was on the collective farm in the family for five years for the sake of the children. there were also three older brothers. they all died at the front and the younger sister. and as mikhail andreevich said in many of his interview his childhood was cloudless so joyful, and he has been since childhood. in general, both. all the main agricultural work, well, like any village child of that time, he also learned carpentry, since his father was a master of this business. well, since childhood, he has shown a talent for drawing and let's say. so he dreamed of becoming an artist in many ways, of course, this was facilitated by his friendship with his cousin valentin savitsky, who was the eldest mikhail andreevich and even before the war managed to

graduate from the vitebsk art school. and here is mikhail andreevich, would you like to follow in his footsteps. well, mikhail savitsky had to put aside his dream of becoming a great artist for a while. after graduating from high school in 1940, he was drafted into the army. and a year later to the front. it's tricky it. e, the anti-aircraft artillery colonel began in novorossiysk, then he served in grozny, and in 1941 the great patriotic war began, and he met her in sevastopol, and now he was one of those thousands of soldiers who participated in the defense of sevastopol for 250 days, es october uh, forty the first year to june forty-second the defense of sevastopol is a very dramatic and heroic event of the great patriotic

war, the defense of the city lasted 250 days from the symbol of mass courage and heroism of the soviet wars, about 200,000 soviet soldiers died here, and many were captured. there, it turns out, and mikhail savitsky from this event. it happened on the 4th of july forty-second year begins on such. well, and probably the most terrible period in the life of mikhail savitsky , when he learned from his own experience what death camps are. he passed a huge number of steps. these are rimmarum prisoner of war camps, a leading employee of the department of clothing sources of the fund at the belarusian state museum of the history of the great patriotic war, starting from nikolaev and from there, the city of nikolaev was there on the territory of ukraine and from there they were driven to germany and there was a dusseldor labor

camp, then a dusseldor prison, and participated in the underground resistance movement that also existed in these camps or repeated attempts. run escape- escape, but u failed michael savitsky is taught welding and put to work as an electric welder at a wagon factory , along with other prisoners under supervision. george kornilov, they organize a sabotage group. but they welded the wagons, they welded the wagons, uh, but they didn't make them strong. well, in the future, they made an escape, that is, they introduced themselves, er, forged documents under the family of blacksmiths kornilov was the father. e kuznetsov mikhail savitsky his son and mother was a woman by birth. she was from ryazan or a chair. i do not remember exactly. here she is was a mother, and the three of them made the escape,

but soon went into hiding for a long time. e under this fictitious surname kuznetsov, but then, unfortunately, they were caught. eh, and again they ended up in a concentration camp. mikhail savitsky is sentenced to death, but later the decision is changed, he is sent to the concentration camp buchenval, then he is exiled to the quarries of the concentration camp, mitel baura. and after them, closer to the end of the war, he was placed in a camp. da hao near munich will be liberated by the allied forces on april 29, 1945. the prisoner will be found without consciousness, in fact, spent uh, 2 years and 9 months in concentration camps. well, he still was. well, miraculously survived, of course, he was a young man, the body coped with

all these stresses, yes, which he had to endure, he recovered. he even continued, then serving in the army in germany until the forty-sixth year in the fall was one mobilization. he returned to his homeland. arrived in minsk well, since there was already a free man, the war ended, he began his education to fulfill his dream of becoming an artist. soviet returning to his homeland already an adult with a deeply wounded fate after demobilization there is no doubt that the artist's talent must be developed mikhail savitsky enters the minsk art college. the current art college named after glebov and after moscow, after all, the capital of the bssr did not yet have its own higher art school. entered the moscow art institute

named after surikov and studied there with a well- known artist from mochal, who influenced him in the formation of his creative style, and he studied well. finished. uh, an institute with a diploma with a diploma in 1957. eh, his graduation work song was dedicated to belarus, as he himself also recalled. e. well, this is also, one might say, such a work as a childhood memory of probably years. his childhood was about the ringing village, where the song always rang, as he said that even the very name of this village is so musical in vitebsk it is the center of cultural life of the pre-revolutionary period after the revolutionary period, the coolest center nikolay a piok. artist, honored art worker of the republic of belarus conversations such as ah, yavich korzhenevskaya,

kukharev keeps shouting noisily. about something about something about something this is the fifty-seventh year. they came from minsk to our republican artist and saw, what they saw they don’t remember, but all noise noise as they say, the noise and fuss around one surname, they say, who is where you understand? how did this tina appear, what picture am i listening to. yes, listen, speak and what are the figures, and what are the horses, and what is the truth, and what is the truth of life in the village, the picture gave rise to all artistic to the forces of the republic of belarus at all levels with any education, but, especially in this cultural center of vitebsk, to the prescribed chagall and malevich, and suddenly such an explosion. he

rode on a golden horse. with the lush fragrant hay of our belarus, having received a red diploma and qualification, the artist, painter mikhail andreevich, at the end of november 1957, his wife returned to minsk. yes margarita she studied at the theatrical art, and the institute and, well, she begins to work actively. ah, entered. yes, the russian union of artists. well, it should also be noted that he graduated from the institute and he was already 35 years old, and here he is, uh, therefore, as well as in his interviews. she just remembered saying that he had a lot of tasks, and he spent most of his life, so to speak. in the workshop and spent the main theme of the works of mikhail savitsky was chosen by fate itself, most of his artistic heritage is

a work on military subjects with his brush. he reflected on the canvases. the terrible truth about the cruelty of war, the pain and suffering of people is not religiosity. it's not mystical art it's not uh, closedness or art for art's sake is humanistic art, where the man himself is god in the center, the man himself is in the center of art mikhail savitsky became famous for his works on military subjects in the field of easel and monumental painting for the artist is characteristic. publicistic emotionally expressive disclosure of historical and contemporary topics, although the artistic style of his work was not immediately accepted and there were cases when his paintings were removed from the exhibition. mostacom easel painting genre of easel painting subject-thematic painting the alley was an outstanding mastak yaki who introduced a way of

divorced decorative and applied monumental remnants of orphans - these are the tapestries of the ussr the stages are great. the way of leninism is a painting on the side of the museum of the great quiet war fame comes to mikhail savitsky in the 1960s during the khrushchev era, the artist starts working on a theme extremely close to the people of belarus in the theme of partisan struggle thanks to the painting created in 1963. partisans the artist immediately declares himself as one of the largest masters of the severe style and as an artist philosopher. in the heroic departure, the meaning of the picture is expressed both by the plasticity and rhythm of movement and the characteristic silhouette of each character, only one of them stops the general

movement of the departing for a moment, saying goodbye to the woman, the face of an elderly partisan. the only visible viewer and in him is the endless warmth of love and the pain of separation and the desire to encourage and unshakable determination dictated for a long time everything that can be said, and thousands of farewells to mothers, brides and wives, the drama of life itself, cleansed of everyday random moments appeared in the picture as the spiritual essence of my picture, and partisans. they did n't come about by accident, of course. i myself was not a partisan, however, you see, i wrote. he wrote many works. the fact is that when i returned to belarus, i still lived with these memories.

memories heavy and some bright, that is, those events that we just experienced. why was it necessary to write these works. i already said that it was time. a very massive manifestation of patriotism in general of the people's movement by the same people. and of course well, it was impossible not to write about it. dance is the pulse of movement. breathing is the rhythm of life.

fashion illustrations the art of conveying fashionable ideas to a visual form dear, a spoon for dinner new theatrical forms author's reading of classical works the search for sacred meaning we are in a new place every week, watch the fashion for culture project on wednesdays on belarus 24 tv channel. her famous work, the partisan madonna, who calls the artist’s calling card, bought it tretyakov gallery. and, of course, it made him very famous. ah. well, then we 'll tell you. so quickly won such

public recognition reproductions with the partisan madonna are printed in thousands of copies in encyclopedias, textbooks , magazines and albums, the picture becomes a genuine national treasure and makes an incredible impression on the audience . the partisan madonna is even awarded the silver medal of the academy of arts of the ussr . outstanding i'll say as she is we always we are talking about what she might be like somewhere. there doesn't seem to be one or the other specific crisis thematic. well, as it were , direction, but he had his own, uh, his own expressive composition and color plasticity. yes, that is, he created just such a work, which, well, took its rightful place, and in the history of the great what

is called a talented artist after 11 years in 1978, his own madonna appears at the state art museum of the bssr , whose director elena alaladova. orders a soviet copy of the painting, the artist does not copy did and refuses, but a completely new version is being written in the painting the partisan madonna of minsk mikhail savitsky refers to the eternal symbol of life, motherhood, at the heart of the composition of the famous renaissance painting by raphael, the sistine madonna, but instead of biblical characters, the artists depict ordinary people who witnessed the horrors of fascism. and in the seventies, he creates the heaviest powerful series in his

work, figures on the heart, uh, which is dedicated just to his, well, his experience in the fascist death camps. and why do we say that his biography and work are inextricably linked with a series of paintings of figures at the heart of a phenomenon that has no analogues in the art of service and the scale of solving artistic problems, while the author is distinguished by his technique, manner and vision of topics about those canons that were adopted in belarusian artistic environment. pearl is creativity. well, these are, of course, the numbers of the great patriotic war. let's say well for me as a specialist. i already watched them. i saw it there with school. it's hard for me to see first time. so to say, another person of schoolchildren, will have to see this for the first time.

he they usually have. this already says something during the seventies, that is, until 78. he created 13 works or canvases. ah , the last three of these survived freedom and mourning. these are later works of the eighty-seventh year. it ended, which was the impetus for the creation of this series, firstly, he nurtured the idea for 30 years, that is, a long period of time, but he needed to comprehend everything to come to something and choose. eh, the artistic language with which he will express this basic such a difficult idea and it all started with the fact that in the seventy- fourth year the union of artists, uh, received a letter addressed to mikhail andreevich savitsky. eh, the letter was written by him. let's just say a friend with whom he went through all the torments of this fascist hell, with whom he was at the end of

the camps, in germany and made escapes. it was georgiy ivanovich kornilov, hmmm. as a matter of fact, he invited him to his place in tuapse. mikhail andreevich savitsky came to to visit him. and he asked him if he had written anything about it, about what they had to go through. well, as a matter of fact, this is the impetus that served as the beginning of this series. it was not typical and too frankly too cruel. and well, even pathologically. well, as it were, it caused some kind of, well, misunderstanding, because. yes , this really exists. e cruel. uh, fascism, a cruel feature of this war. as a matter of fact, constantly passes happening. on the ground on the neck and this, well, a big tragedy, everything is blurry, that is, there is no

border between good and evil, everything is blurry. and he is specific. here is good, here is evil. here it looks like this. and here it looks like evil, and good looks like this, and uh, that's it, it's being built. well , in these works, it is precisely on this that mikhail savitsky's fame is growing rapidly . yes, and after surikovka he did not leave his native, minsk for 11 many mastokov light, the ocean showed a wonderful regime. uh, this fascist occupation is not only alleys on the territory of belarus, and this is a zhahe concentration camp, but simply the nazis not only mirrored themselves, but simply burned these e. people without riot police is a cycle today. this is me, hiding such a side of the blog. the history of the number

on the heart and all military cycles, they literally repeat and repeat that my human life is the same for everyone, the price of each small child or elderly person is the inadmissibility of bloodshed, the inadmissibility violence. after all, this is the motif of, e, soviet creativity, and it remains relevant. the cycle consists of 16 paintings. prisoner 32 815. many people consider mikhail savitsky to be a self-portrait. well, we got used to it at most mikhail savitsky he never called this work a self-portrait. he portrayed himself as young in those conditions, but this is a collective image. that is, in this image of a prisoner, he showed those who survived and those who died in front of us, a young man is exhausted, extremely

exhausted, but at the same time we see that he, uh, well, we feel some kind of spiritual strength in him, that is, that he did not lose heart, that he, er, this life remained in him. the prisoner represented by the camp is stamped on it, two letters to l. the concentration camp, a small red triangle with the letter r, denotes a russian political under it, as well as on a token suspended overnight, the number under which prisoner 32 815 was listed. this is not a number, not the camp number of mikhail of the soviet himself. he had another. although many of you know when you read, they all mean exactly that this is his number, but no. he was distinguished by one the figure is 1975, the picture is a summer theater, as the ss slang called pits for burning

corpses, raked there with bulldozers. and so, in fact, the artist depicted this bulldozer, and it symbolizes this infernal machine that the fascists created in 1977, the picture is the selection on the canvas of the figures of girls similar to gold, ingots in the center of the canvas are a group of young girls of beautiful healthy strong they shine like ingots of gold . uh, the nazis selected these girls for the experiment, and a on the ground are the corpses of women mothers with the nazis destroyed their children and pregnant women immediately, he went through a long life. it is his right to paint this kind of picture, from what kind it is worth in the end now

to understand what is aesthetically beautiful there, i have aesthetically beautiful. he is very different. yes. eh, as the israeli historian said, uh, yuval harari beauty in the eyes, looking in the eighties, on his initiative, creative academic workshops of the academy of arts were opened in minsk, and he was their leader, and then they began to be called creative academic workshops live all graphics and cultures ministry of culture. this is already from the nineties , it turns out that he led for 30 years. i've been a creative workshop of the academy of arts for a year now. the most capable graduates of an art institute enter this creative workshop. the fact is that within the walls of the university, even though they receive a diploma, they are still far from becoming an artist. we first

met him, then when well, as before, i knew met. well, when the question directly arose and there was a search hand since five people was the first set of his creative workshop and of course . everyone wanted this period. yes, i was just finishing the academy of the monumental department. well, and of course, my candidature was also proposed by the composition of the creative workshops of mikhail andreevich sovietsky was not only me, who faithfully served alain, but did not dance on a scale without entrance, and he was his teacher. add, then, and he founded them. like your own settings. it wasn't on it. a-a from the ussr bridge academy on

street. nekrasov, it was a guild, what was it ? the installations where the mastoks after graduating from the highest theatrical remnants of the institute just under the kirovist islam andreevich what is called honed their skills? and i'm the masters, yakila of the school, it's not like that myself. i think the authors are not only in belarus a distant lion for land surveying, that an artist must strive all his life to become an artist, he endlessly, well, as if he took off from us, what is called shavings? yes, maybe they rewrote several times doc says obscurations. yes, and before that the canvas became somewhere in the finger of the paint was already thick. yes, when they washed with a palette knife and remade it is important for me that work becomes a

necessity for them. everyday need second, that they be artists of principle. convinced, he is very picky and then fair. regardless of the authorities, this is the character of the two soviet before him such a value or a sakave value. he says what he thinks, but rightly there is no drawing, no color composition. they are a decided idea not plastically solved, because that they ruined it with their character. listen , artists do not understand his terminology, because he could express the idea, but did not overshadow the form. if the form prevents me from expressing the idea, it means that the form is bad. the digital army

struck the idea, and the soviet one completely, you know how he has thousands of faces, thousands of characters, thousands of paintings, that is, figures the soviet entered art with his understanding of the role of the artist and creativity in society from his personal position with a new look at the military theme, in contrast from the artists of the forties of the fifties of the xx century, who sought to create a heroic chronicle of the war years, mikhail sovietsky talks about the tragic phenomena, and not the human trials that befell people during the war years. his art arouses genuine interest in society due to the often controversy and controversy of the soviet as an artist of his style was sometimes perceived with hostility simply as no, he

does not get this kind of painting, uh, his still life. well, they are passable there 2-3 characters are also passable. oh, of which he focused his thinking precisely on so that the picture says something, even a film was made, they said, that is, uh, the viewer comes to these halls already some kind of walk. uh, verbal contact from a silent canvas with applied paints. that is, in any case. this is some kind of conversation between this artist and the viewer, some kind of conversation for everyone. he probably individualized this conversation in 1972. mikhail savitsky is awarded the honorary title of people's artist of the belarusian ussr and after 6 years he is people's artist of the ussr in the early eighties international the political situation is becoming tense just recently the war in vietnam ended the soviet-afghan conflict began iran the iraqi war israeli

troops invaded. the territory of lebanon in 1984 , the artist writes his triptych of aggression. there he spoke, in general, with hidden meanings, about three, in general, hotbeds of conflicts of our time - this is a brown plague, the middle east region and the region of far asia, you see the points, they remain painful chains. sovietsky was always surprised by the depth of the subject. his works are bright contrast, although the artists use dark colors in them, one of the most outstanding works of the artist is the field, which he writes in the post-war period in 1973, but it touches on the main theme of the work of the master war. if to speak, here in the field. listen, i thought and still think that if we were open and loving, this is the whole

thing. mikhail andreevich savitsky is a masterpiece about the period of the great patriotic war, which the boot walked on the belarusian land and our guys met him in the golden field of jean, a battle ensued. i'm counting picasses with mine gelnik mikhail andreevich with this canvas for some defense of sevastopol or there in a layer the fascist flew in, this is an equal picture of the epic field, and the sacred struggle, according to the artist, is a work, for him the most expensive group of our fighters, having entered into hand-to -hand combat, holds the offensive of the nazis a huge eared field . here, as the personification of the earth. and the homeland field on the right we ask. listen show some. i

wear here. it won't be calm. the decision is completely the solution of the field is a completely simple composition, and he is really just one a strip of horizon from there, cockroaches, black beetles crawl here, and here ours started a fight. what could be simpler in composition, but what expressiveness in everyday life mikhail andreevich was very different, he is sometimes remembered as a cruel person, but fair, silent and sociable, always necessarily always in a creative form and modest, which is typical for an artist of a severe style, he is devoted to his work and all evaluate from an artistic point of view. the main thing is that in his small workshop hung with canvases

were from ceiling to floor. paints and brushes and autumn should always have fresh apples. we had some kind of kind human, as it were, form of communication, since he was truly a sincere man on horseback. anatolyevich was a man of an open contract, he had to, the mother of people, and without a word, and he lashed out and young masters and with bridges became adults. and, of course, he had open doors for masters everywhere. i do n’t have a single one myself, that i happened to have a swamp on my side, and in my stubble on nekrasov street and, of course, it was a unique person. cross over. he was a velma illuminated at the bridge. shmat read it was an outstanding library. i went to her, who was hotter, he had the most walking renditions to him as still students

in moscow. he did not want to go to bars to dance, because he was the same age as salakhov smolinov. these guys are an adult, who went through the war and an adult by the age of more than thirty, which means that he bought 35 and bought up the library of one of the followers in scientists. bought it for a cheap price. if today you had such a library, this miracle is unique humanity philosophical philosophical aesthetic treatises. that is, it was very interesting to him, and therefore this art here, but of course it became so deep philosophical mikhail savitsky is known as an outstanding portrait painter among his portrait works janka kupala pushkin and goncharov dostoevsky tolstoy mickiewicz heartfelt

with great love. the artist has been painting portraits of people close to him, the father, mother, wife rita and son andrei since 1999. soviet begins work on a series of ten portraits of the presidents of the national academy of sciences in syria belarus, mikhail andreevich, being an academician , not only fulfills the order, but studies these people. the artist continues to work on portraits until 2009, and he does not work from nature, but only from photographs, but there is an exception for the portrait of a people's artist. ulyanova e. well, it is known that he began to write from nature, what is rare for the soviet, he is pressed into the workshop is a separate shade of the soviet hmm from the moment already, so to speak, when he went to the orbit of his fame. well , literally attracted people in a variety of professions. this is a very long list, despite

its complex nature, many paintings were still attracted to these people, the folk artist devotes to the theme of the history of the formation of the belarusian national culture, the theme of peasant labor is also present in the master’s work, these canvases are made with expressive light colors and filled with some special sincere nobility written in 1971 about people caring about the future crops in front of this canvas. why are they standing in the field in rye? this is the post-war period. who plows the whole earth? this is a woman who has almost no husband and no groom. so sociology is a field mined. he gave the viewer the opportunity to think to stand

and remember the story. what happened yesterday, where does this bread grow from? why is the theme of war in his work? is life and bread. this is also life in the nineties already. he creates. well , although it began work on this series was still the end of the eighties. this is a series of works dedicated to the largest man-made disaster in the history of mankind, the accident at the chernobyl nuclear power plant, he was a pioneer. here, in the development of this theme in painting, it is in belarusian art that in the paintings the sighted evacuation, the cross of hope, the abandoned share mikhail savitsky reflects the events of the post-chernobyl life of people, the difficult path of overcoming the catastrophe is captured in the works of the requi. chernobyl madonna allegory chernobyl his

series of paintings, black dust marks the gold medal of the academy of arts for a long time, the artist keeps these canvases in the workshop in the last years of his life. he will give them to his native city. and then, basically, these are works on biblical stories such christian themes. this is also the end of the nineties and the beginning of the 2000s after the collapse of the soviet union in the nineties . through dozens of canvases, the master openly declares his christian worldview through his canvases. he is still looking for answers to eternal questions about good and evil, truth and righteousness of man and gods, he writes a series of beatitudes on the plots of the new and old testament. a new facet of the artist's creativity is evidence of his ability to think in images

of a broad philosophical universal nature. mikhail savitsky in 1998 writes a picture on a biblical theme and about there is a version that the council depicted itself in the picture in the image of the modern job our program for those who are interested in their health today i received an injection of hyaluronic acid. she was absolutely painless in vain, she was absolutely afraid and immediately got up, in fact, like a miracle, some

urgent questions and exciting topics, that's how mr. begins. first diagnosis. confirmation or exclusion of arrhythmias in the patient and the recommendations of experienced professionals that protect against cancer in this i mean, an apple has a lot of anti-carcinogenic properties, 24. we set off on an expedition along the ridges of our country, a road that is not close, we drove 238 km to drink near the bordered carriage of dry scum to the shore and a passer-by step of the lake of the same name until we follow. i told her the story of fleshly images, one magical ritual idea of ​​a mermaid's wire about them. yes, in this, she walks richly along the long distance, near which mermaid

something demonic and incomplete for a person . our lesson is mine marry me, i'll show you , look at the fifth minute on our tv channel. mikhail savitsky quite deservedly went down in the history of belarus as the greatest master of contemporary art. the uniqueness of his skill lies in the fact that throughout the entire period of his work his works have not lost their relevance and significance . the creation of a personal gallery was the cherished dream of mikhail andreevich savitsky galina ladisova. the director of the museum of the history of the city of minsk, an art historian, began to

carry it out with the decision and awarding him the title of hero of belarus and at the end of 2007, but the order of the head of state was adopted. he created this personal gallery, but naturally this process was very difficult. that's because the gallery had to choose a building. and this building, of course, had to correspond, but to this, uh, unique artist, but i must say that there are not so many in our country. here's a personal gallery of, uh, individual artists. uh, well, mikhail savitsky really deserves it and the gallery - this is such a place. the main place of his memory. and here is creativity, that is, there are permanent exhibitions and visitors can come and see at any time. e of his works, the decision to

create a gallery is made during the life of the artist, it is mikhail andreevich who chooses this building, as the location of the gallery, with his consent, the building is reconstructed and completed as a dual- use museum object, combining the actual art gallery and the exposition associated with the history of this building . several rooms were offered. and along the bit street here and according to cyril methodius here but uh, like a real artist, he saw it in this one in this old mansion he saw. here, probably, i saw my gallery, and my works, because really this enfilade is such a construction of halls hmm classical architecture. it naturally

contributed to this image, but the gallery is located in a building on the territory of the upper city at 15 svobody square, a former city estate of the 18th century with an extension at different times by the owners. estates become famous wedding in the middle of the 19th century, the house acquires the mayor leopold delta. then the building was transferred to the male religious school in the post-war period and until 2004. here is the recruiting office of the minsk regional military commissariat, because the gallery has a permanent exhibition, that is, which is represented by the work of mehol andreevich a. that is, this is the beginning of his work. this and his personal items, and this. and here is a fragment of the hmm

workshop. uh, so to speak, transported here from nekrasov street. but, uh, that wonderful the fact that m-m gallery has an exhibition hall. an exhibition hall in which we have the opportunity to represent artists of various levels, not only the work of belarusian artists, but also many foreign projects for years of his soviet life, he has been seriously ill, he suffers a stroke, but until the last day he works in his workshop with his signature sweater under the throat and felt boots, as the consequences of being in

concentration camps, but at the same time the soviet walks a lot in the studio, he is energetic and always with a brush in his hands, when i painted him in our face. even though he asked me to come, he told everyone. you like me, freezis canvas. well, how can i write, i'm a little artist, so to speak. and i can write the great one whom i worship and adore, but suddenly i write, badly, it's best to write it. it would be possible to be abstract, then he would not find fault with anyone - the artistic law is very picky and then fair. i wrote it. e. well, he says, finally he took the canvas and came to me, but listen. if the husband only allows not good.

if possible, he will allow me, that is, i need to paint two more canvases and then i can leave. i didn't ask, i was embarrassed and still embarrassed. it's good that you didn't ask. well, you know what thought mikhail savitsky died on november 8, 2010 was buried at the eastern cemetery in minsk. well, the memory of him, of course, continues to live today. the artist’s work is in the national art museum of the republic of belarus funds of the belarusian union artists and the ministry of culture of the russian

federation, the tretyakov gallery in moscow, the exhibition association of the central house of artists, the national art gallery in sofia, as well as in many other collections , sovietsky himself had a principled position about his works. he did not sell on the side of a private collector, not one of his paintings, of course, is important. that's all . creativity from patchina i know, he glorified belarus and of course, he has a great way of life, like juveniles, here are today's graduates of the mostatsky academy of our installation niches cultures took the butt of faithful service with their zeal, and now mikhail andreevich is on my oath. this is a local temple butt man. i gave you all my dance to my own tyoma for this bridge and

idleness, i became famous for the people’s father, a man in his native vitebsk region, where he was born and his native belarus, the creativity of the soviet large, diverse, he was treated differently in different ways, but the fact remains this is the largest artist of the republic of belarus

live news at noon in the studio dmitry talyuk, hello, and in this issue. the cultural and educational day of belarusian writing in dobrush brought the holy fire