for example, for a book about a youth television audience, i did two large surveys of about one and a half thousand. each of them involved dealt with exactly how people watch tv. what gadgets do they use? what programs do not remember, and so on. and again, an analysis of the comparison seen with the data of media meters and summing up what the creators did, what did not. why did it work out and where is it better to refine the product? a young scientist spends most of his time studying the body of the audience, since these changes inevitably entail changes in the way content is presented. and all this as a whole forms our state information policy. people may not watch, this device may not use the tv. here but they watch television. it's just that the way content is presented is actually changing. yes, here, uh, everything is changing very rapidly, so uh, is that also what is striking

about journalism? that it’s like this today, but tomorrow in a minute the agenda has already changed, and hmm, some trends are already completely different, so ah, we must continue explore, and then we'll see. she has been engaged in science for more than 10 years and olga is right, she studied in bouguire, and like the first heroine of our report, olga remained at her native university to work now as an assistant professor. the department of information security of the university of information of radioelectronics admits that he loves his work for the lack of routine. first of all, i was interested in learning. and, secondly, it was interesting to interact. e with those teachers who taught us, well, by the way, these same teachers along the way. at in general, besides transferring professional knowledge. and they also reported that at the university you can still engage in scientific activities, therefore, but at the end of the

third year. i realized that i was interested in trying myself on this path. but then, uh, when i graduated from the master's program, and later i realized that there is, probably, a place to continue scientific research, so i decided to go to graduate school. the research conducted by the young scientist is interdisciplinary in nature. i can say i work at the intersection, uh, of materials science and issues of information environmental security, and my developments are related to materials that absorb electromagnetic radiation. and these materials are related to information security in the part related to reducing the radiation energy of computers, but, in fact, they are already widely known. today, the fact that the radiation of computers can be intercepted , converted, and attackers can see the same image, which the victim sees on the monitor of his computer.

the fact that such information interception is possible was proved back in the mid- eighties. the same opinion, scientists adhere to now. in certain situations, when computers process information of interest, either for some organization or for the state as a whole, otherwise it turns out that such materials, or there are other solutions that are aimed at reducing the radiation energy of the computer, do not need to. another research direction of olga regarding information security. this is the so-called integrity assurance. if you open law number 455 on informatization information protection and read the definition of the term information protection, then you can understand that this direction is associated with the implementation of a comprehensive measure that is aimed

not only at ensuring the confidentiality of information, but also the integrity and availability and authenticity and integrity information that is processed, for example, using the same computers. it also directly depends on how, say, favorable electromagnetic environment in the room where the computer is located, if, for example, the level of the so-called electromagnetic background. in this room it is high enough, then hmm the computer equipment will simply fail and it turns out that the integrity of this information, which, in general, is processed by computer equipment, will be violated. olga is also concerned about the issues of environmental safety from electromagnetic radiation. the fact that radiation affects a person has long been proven. investigator's opinion. can be solved with the help of special materials, their creation has become a practical part of scientific work. it can also be these partitions that are used for zonal shielding.

it can also be e, which means panels with which walls are lined. e of an office space, well, provided, of course , that there are sources of electromagnetic radiation adjacent to this room, and the rooms are. further, the researchers and their team plan to work on optimizing the production of such materials, because it is both expensive and very energy-intensive science. olga chose not only because such work improves the quality of life of our population. well, because science gives her the atmosphere in which you want to live and, of course , create. in my understanding, indeed, scientific activity. this is the direction in which continuity is clearly visible, that is, uh, perhaps, if you are already engaged in scientific activities, then you will always be surrounded, firstly, by people from whom you can learn something. moreover, you often you see what you still need to learn from these

people, well, in a certain situation , it appears in this activity, people whom you can already learn, but, accordingly, this is the very activity, and to involve, well, this is a kind of such, probably very a comfortable state for a person's development, how professional it was an addiction project. i'm ekaterina beretskaya see you on the air. a marvelous jump of the tin of the natural wealth of belarus , a bunch of prostrate people can be scolded on the braslav bus, here there is a ball into the lake for a reason. name god's wok, called the lake, tearing off ikea, which is dimly shaped by its shapes, guessing wok, in maya lake the shape of the correct circle, i don’t

change like that for a long stretch, there is a long distance , that wok sews for the right people from heaven and shmaters of such spherical chandeliers in belarus mikhail savitskaya is the largest the artist of the 20th century, the tragic events of belarus, the great patriotic war and the chernobyl disaster, are inextricably linked with his name; his work marked an entire era in the national contemporary art. mikhail savitsky went down in history forever belarus as the greatest master of pictorial art, a wonderful teacher and public figure. he was the first who was awarded the order of francis skaryna, and later

he became the only one in art. who was awarded the title of hero of belarus, the time spent in captivity left its mark on the future artist, the main theme of the master's works was with fate itself, already in the sixties, mikhail savitsky became famous for his paintings on partisan themes, and his painting partisan madonna presented in 1967 i was so impressed with my impression that it was acquired by the tretyakov gallery, it is one of the few bridges in the world, i showed you a judos regime. he entered this fascist occupation on a golden horse. flash fragrant hay of our belarus, it is endless, well, as if filming us, what is called shavings. he lived a great life. it is his

right to write this kind of picture that becomes with this kind of aesthetics the impetus for the creation of this series, first of all, he hatched an idea throughout. 30 years you have to face this canvas. why do they stand in the field in the rye creation of a personal gallery - it was a cherished dream. mikhail andreevich savitsky , it must be said that his work remains relevant. e, even in something prophetic , many many complex things are written in the pictures. there subtexts there are many disputes in his paintings, our history of the life and work of the great artist. what his paintings are silent about, see right now.

the life and work of mikhail savitsky one of the most characteristic phenomena in the art and history of our time in order to correctly to understand the meaning of the painting of a folk artist , it is necessary to understand the sequence of events in his life in his paintings is our story, because each new canvas is a personal path through suffering. in art. mikhail andrei sovetsky absorbed the most important historical menu. twentieth stage, 25 vladimir prokoptsov general director of the national art museum of the republic of belarus honored art worker of the republic of belarus candidate of art history artist and

this is a witch. outstandingly, i, skrara, showed my immeasurable curds, and those, standing today, our bridge has become a classic, and it went through a rather difficult life of youth. yes, during the great patriotic war, viktor alshevsky, honored art worker of the republic of belarus, artist, student of mikhail savitsky, in fact, it was such a very uh part of the harsh life. and, of course, it left a very hard imprint on his work. here, creativity cannot be considered separately from his biography. yulia kovaleva, head of the department of exposition and exhibition work and the museum of the history of the city of minsk, his work is very autobiographically and in his works the main centuries, the events of his life, his feelings of his experience are reflected. but speaking as a whole, then

in general creativity is dedicated. the belarusian people in the context of world events in world history on february 18, 1922, a boy kirill melnik was born in a simple belarusian village, assistant professor of the belarusian state university, candidate of art history, artist, the boy faced a difficult fate historical fate mikhail andreevich was born in the village of ringing, vitebsk region , tolochensky district. in family. peasants him father. andrei petrovich worked on the railroad , and his mother anna konstantinovna was on the collective farm in the family for five years for the sake of the children. there were also three older brothers. they all died at the front and the younger sister. and as mikhail andreevich said in many of his interviews. he had a cloudless childhood, we are so joyful, and he, uh, from childhood, in general, teach. yes, to all the

main agricultural works, well, like any child of a village and of that time , he also learned carpentry, since his father was a master of this business. and well, since childhood, he has shown a talent for drawing and let's say. so he dreamed of becoming an artist in many ways, of course, this was facilitated by his friendship with his cousin valentin savitsky, who was the eldest mikhail andreevich and even before the war managed to graduate from the vitebsk art school. and now mikhail andreevich would you like to follow in his footsteps, but mikhail savitsky had to postpone his dream of becoming a great artist for some time. after graduating from high school in 1940, he was drafted into the army. and a year later to the front. uh, his service, uh, started at novorossiysk anti-aircraft artillery

colonel served. well, uh, in grozny, and in 1941 , the great patriotic war began, and he met her in sevastopol, and now he was one of those thousands of soldiers who participated in the defense of sevastopol for 250 days, uh, from october uh, the forty- first year to june forty-second the defense of sevastopol is a very dramatic and heroic event of the great patriotic war, the defense of the city lasted 250 days, looking for a symbol of mass courage and heroism of the soviet wars, about 200,000 died here soviet soldiers, and many were captured. there, it turns out, and mikhail savitskaya from this event. it happened on july 4, 1942. it starts like this. well, and probably the most terrible period in the life of mikhail

savitsky, when he learned from his own experience what death camps are. he went through a huge number of galleries. these are rimmarum prisoner of war camps, a leading employee of the department of clothing sources of the fund at the belarusian state museum of the history of the great patriotic war, starting from nikolaev and from there, the city of nikolaevka on territory of ukraine and from there they were driven to germany and there was a dusseldor labor camp, then a dusseldor prison, and participated in the underground resistance movement, which also existed in these camps or repeated attempts. e-e run, escape-escape, but e unsuccessful mikhail savitsky is taught welding and put to work with an electric welder at a wagon factory, along with other prisoners under supervision. george kornilov, they organize a sabotage group. but they

welded the wagons, they welded the wagons, uh, but did not make them strong. well, in the future, they made an escape, that is, they introduced themselves, er, forged documents under the family of blacksmiths kornilov was the father. e kuznetsov mikhail savitsky his son and mother was a woman by birth. she was from ryazan or a chair. i do not remember exactly. here she was a mother, and the three of them made the escape, but soon hid for a long time. uh, under these fictitious surnames of the kuznetsovs, but then, unfortunately, they were caught. eh, and again they ended up in a concentration camp. mikhail savitsky sentenced to death, but later changed the solution sends him to the buchenwal concentration camp, then he is exiled to the quarries of the concentration camp, the mitel

of the baldora. and after them, closer to the end of the war, he was placed in the dauhaus camp near munich , the liberation by the allied forces will take place on april 29 , 1945. the prisoner will be found unconscious, physical concentration camps, spent uh, 2 years and 9 months. well, he still was. well , miraculously survived, of course, but as a young man, the body did not cope with all these stresses, yes, which i had to endure, went on the mend. he also even continued, then serving in the army in germany until the forty-sixth year in the fall was one mobilization, and he returned to his homeland. arrived in minsk well, since there was already a free man, the war ended, he began his education to realize his dream of becoming an artist. soviet

returns to his homeland already an adult with a deeply wounded fate after demobilization there is no doubt that the artist's talent must be developed mikhail savitsky enters the minsk art school. the current art college named after glebov and after moscow, after all, the capital of the bssr did not yet have its own higher art school. entered the moscow art institute named after surikov and studied there mochal's famous such artist, who influenced him in the formation of his creative style, and he graduated well from his studies. e, the institute with a diploma with honors in 1957, his graduation work, the song was dedicated to belarus, as he himself also recalled. e. well, this is also, one might say, such a work as a childhood memory of probably years. his childhood is about the

village of the ringer, where the song always rang as he said that even the name of this village is so musical in vitebsk it is the center of cultural life before the revolution after the revolutionary period the coolest center nikolai apiok, artist, honored art worker of the republic of belarus conversation noisy loud conversations such as am, yavich korzhenevskoy, kukharev, keeps noisily scream. about something about something about something this is the fifty- seventh year. they came from minsk to our republican art church and saw, what they saw they do not remember, but all noise noise as they say, the noise is now and that's it. it's around one single surname, they say, who is this from where? how did tina appear what picture i'm

listening to. yes, listen, speak and what figures, and what horses, and what is the truth, and what is the truth in the life of the village, the picture gave rise to all the artistic forces of the republic of belarus at all levels with any education, but, especially in this cultural center of vitebsk, the prescribed chagall and maleviches and suddenly such an explosion. he rode on a golden horse. with lush fragrant hay of our belarus, having received a red diploma and qualification as an artist painter mikhail andreevich returned to minsk at the end of november 1957. his wife was margarita. she studied at the theatrical art school, and began to work actively at the institute.

e, joined the belarusian union of artists. well, it should also be noted that he graduated from the institute and he was already 35 years old, and he, uh, that's why, in her interviews, she also, in principle, recalled that he had a lot of tasks. well, so to speak, he spent most of his life in the workshop and spent the main theme of mikhail's work savitsky was chosen by fate itself, most of his artistic heritage is a work on a military theme with his brush. he reflected on the swamps. the terrible truth about the cruelty of war, the pain and suffering of people is not religiosity. this is not mystical art, this is not, closed art for art - this is humanistic art, where in the center is god himself, in the center of art is man himself mikhail savitsky became famous for his works on military subjects in the field of easel and

monumental painting for the artist typical. publicistic emotionally expressive disclosure of historical and contemporary topics, although the artistic style of his work was not immediately accepted and there were cases when his paintings were removed from the exhibition. mostakom of the easel genre of the easel painting, the plot-thematic picture of the alley was an outstanding mastak yaki, who introduced a way of divorced decorative and applied instantaneous remnants of orphans - these are the tapestries of the ussr stages, the great way of leninism. this is a mbodenko mural of the great quiet war museum fame comes to mikhail savitsky in the 1960s during the times of khrushchev saw off the artist begins to work on a theme extremely close to the people

of belarus in the theme of partisan struggle thanks to the painting created in 1963. the partisan artist immediately declares himself as one of the greatest masters of the severe style and as a philosopher artist. in the heroic departure, the meaning of the picture is expressed both by the plasticity and rhythm of movement and the characteristic silhouette of each character, only one of them stops the general movement of the departing person for a moment, saying goodbye to the women, the face of an elderly partisan. the only visible viewer and in him is the infinite warmth of love and the pain of separation and the desire to encourage and unshakable determination dictated for a long time everything that can be said, and thousands of farewells to mothers, brides and wives, the drama of life itself, cleansed of

everyday random moments, appeared in the picture of the spiritual essence of my picture, but partisans. they didn't come about by accident, of course. i myself was not a partisan, nevertheless, you see, i wrote. he wrote many works. the fact is that when i returned to belarus, i still lived with these memories. memories heavy and some bright, that is, those events that we just experienced. why was it necessary to write these works. i already said that it was time. a very massive manifestation of patriotism in general of the people's movement, the people lived by this. and, of course , it was impossible not to write about it.

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e wrote, probably, her most famous work, the partisan madonna, which is called the visiting card of the artist, she was bought by the tretyakov gallery. and, of course, it made him very famous. and well, and then e, he will already say. so quickly won such public recognition reproductions with the partisan madonna are printed in thousands of copies in encyclopedias, textbooks , magazines and albums, the picture becomes a true national treasure and makes an incredible impression on the audience . the partisan madonna is even distinguished by silver medal of the academy of arts of the ussr partisan madonna one of such interesting works of his outstanding, i will say because it is we always say that it can be somewhere,

it looks like it doesn’t look like and another, as they say, thematically defined , but he had his own expressive and composition and color plasticity. yes, that is, he created just such a work, which well took its rightful place. ah, in the history of the greats. what is called talented artists after 11 years in 1978, their own madonna appears and of the state art museum of the bssr , whose director elena aladova ordered a copy of the painting to the soviet, the artist did not make copies and refuses, but a completely new version is being written in the painting the partisan madonna of minsk mikhail savitsky refers to the eternal symbol of life, motherhood, at the heart of the composition of

the famous painting of the era. raphael's sistine madonna, but instead of biblical characters, the artists depict ordinary people who witnessed the horrors of fascism in the seventies . he creates the heaviest there a powerful series in his work figures on the heart. e, which is dedicated to his uh experiences in the nazi death camps. and why are we talking about the fact that his biography and work are inextricably linked with a series of paintings of figures at the heart of a phenomenon that has no analogues in art in terms of the complexity and scale of solving artistic problems. the author is distinguished by his technique, manner and vision of those canons that were adopted in the belarusian

artistic environment. pearl is creativity. well, it is, of course, the figures of the heart. it's already clear. great patriotic war. let's say. well, for me as a specialist. i have already looked at them. i saw it there with school. it 's hard for me to see for the first time. so to say, another person, a schoolboy, guys will see this for the first time. they are usually. there is. this already says something during the seventies, that is, until 78. he created 13 works or canvases, and the last three of these survived freedom and mourning. these are later works of 87. he completed them, which was the impetus for the creation of this series, firstly the idea he nurtured for 30 years, that is, a long period of time, but he had to think everything over to come up with something and choose. eh, the artistic language with which he will

express this main one. perhaps the idea and it all began with the fact that in the seventy- fourth year, the union of artists, uh, received a letter addressed to mikhail andreevich savitsky. eh, the letter was written by him. let's just say a friend with whom he went through all the torments of this fascist hell, with whom he was at the end of the camps, in germany and made escapes. it was georgiy ivanovich kornilov, hmmm. as a matter of fact, he invited him to his place in tuapse. mikhail andreevich, the soloist, came to visit him. and he asked him if he had written anything about it, about what they had to go through. well, as a matter of fact, this is the impetus that served as the beginning of this series. it was not typical and too frankly too cruel. and well, even pathologically. well, as it were, it caused

some kind of, well, misunderstanding, because. yes indeed there is er cruel. uh, fascism, a cruel feature of this war, which, as a matter of fact, constantly passes takes place on the ground on the neck and this, well, a big tragedy, everything is blurred, that is, there is no border between good and evil, everything is blurry. and he is specific. here is good, here is evil. here it looks like this. but here he looks like evil, and good looks. that's how everything is built. well, in these works, it is precisely on this that mikhail savitsky's fame is growing. reproductions of a series of paintings are growing rapidly ; frontier. yes, and after surikovka did not leave his native, minsk in 11 many most of the world, the ocean showed a wonderful regime. uh,

this fascist occupation is not only alleys on the territory of belarus, and this is a zhahe concentration camp, but simply the nazis not only mirrored themselves, but simply burned these e. people without riot police this cycle today is such a sparkling side of the blog. the history of the numbers on the heart and all the military cycles, they literally repeat and repeat that my human life is yours, it is the same for everyone. the price of each small child or elderly person the inadmissibility of bloodshed the inadmissibility of violence is the leitmotif of the uh of soviet creativity and it remains relevant to this day . well, we got used to it at most mikhail

savitsky, he never called this work a self-portrait, but he portrayed himself young in all conditions, but this is a collective image. that is. uh, in this image of a prisoner, he showed those who survived from all those who died in front of us young man emaciated extremely malnourished, yet we can see that he is uh. well, they felt some kind of spiritual strength in him, that is, that he did not lose heart, that he was this life that remained in him. the prisoner is presented in a camp uniform. on it are printed, two letters to l. the concentration camp, a small red triangle with the letter r, denotes the russian political under it, as well as on the token suspended overnight , the number under which prisoner 32 815 was listed. this is

not a number, the non-camp number of soviet mikhail andreyevich himself was different. although many of you know, when you read, they all mean exactly that this is his number no. and it was distinguished by one number. 1975, the picture is a summer theater, as the ss slang called pits for burning pipes. they dug it in with bulldozers. and so, in fact, the artist depicted this bulldozer, and it symbolizes this infernal machine that the nazis created in 1977. the picture selection on the canvas of the figure of girls is like gold, ingots in the center of the canvas are a group of young girls of beautiful healthy strong they shine, how the nazis selected these girls for gold ingots for the experiment, and on the ground lie the

corpses of women, mothers with children and pregnant women, the nazis immediately destroyed them, he went through a long life. it is his right to paint this kind, there is a picture, what kind it is worth, in the end, now to understand what is aesthetically beautiful or not aesthetically beautiful, it is very different. yes , as the israeli historian said. uh, yuval harari, beauty is in the eyes that look in the eighties, on his initiative , creative academic workshops were opened in minsk academy of arts, and he was their leader, and then they began to be called creative. academic workshops are alive , all graphics and culture. ministry of culture. it's been since the nineties. it turns out that he led for 30 years. i have been leading the creative workshop

of the academy of arts for a year now. the most capable graduates of an art institute enter this creative workshop. the fact is that in the walls of the university, even though they receive a diploma, they are still far from becoming an artist. you already met him for the first time, then when well, as before, i knew i met, but when the question directly became and there was a search on his part, since five people was the first set of his creative workshop and, of course . everyone wanted this period. yes, i was just finishing the academy of the monumental department. well, of course, my candidacy was also proposed by the composition of the creative workshops of

mikhail andreevich sovetsky, i was not only a true master, serving as a freemasonry all the time and working on hopeless masters, but he was also a hydrogen teacher, he demands where he founded, as he himself about his installations. is not it was, but from the ussr bridge academy on nekrasov street it was in the film. what is this installations where, after graduating from the highest theatrical and massage institute, just under the kirovist islam andreevich what is called honed my heart, and it's me, the masters, yakily his school. it's not like that on its own. i think the authors are not only in belarus. and the lion is far from the idea that an artist should strive to become

an artist all his life, he endlessly, well, how would he take off from us, what is called shavings? yes, may be rewrote several times until, as they say, insanity. yes, and before the canvas became, somewhere in the finger of the paint was already thick. yes, when they washed with a palette knife and remade it is important for me that work becomes a necessity for them. everyday need second, that they be artists of principle. convinced, he is very picky and then fair. despite the authorities, this is the nature of the two soviet before him such a value. he says that he thinks reproducibly no drawing no color composition. they've decided the idea is not solved plastically, because they

ruined it with their character. listen , the artists do not understand his terminology, because he could only express the idea in newform. if the form prevents me from expressing the idea, it means that the form is bad. filtrova, 8, how he struck the idea, and sovietsky absolutely know how they are. for thousands of years, thousands of characteristic thousands of paintings, that is, figures, soviet entered art with his understanding of the role of the artist and creativity in society from his personal position with a new look at the military theme, in contrast to the artists of the forties of the fifties of the xx century, who sought to create a heroic chronicle of the war years. mikhail sovetsky talks about the tragic

phenomena and human trials that befell people during the war years. his art arouses genuine interest in society and often controversy and controversy of the soviet as an artist of his style was sometimes perceived with hostility before the picture was simply as no, he did not get this kind of picture, er his still life. well, they are passing there for 2-3 weeks. here, too, he focused his thinking precisely on the fact that, after all, the party was saying something, even a film was made, they said, uh, the viewer comes to these halls already some kind of walk. uh, verbal contact from a silent canvas with applied paints. that is, in any case, what is the conversation between this artist and the viewer going on here? what kind of conversation does everyone have? probably, this conversation is individual in 1972. mikhail savitsky was awarded the honorary title of people's

artist of the belarusian ussr and after 6 years he people's artist of the ussr in the early eighties the international political situation becomes tense just recently ended the war in vietnam began the soviet afghan conflict was in iran the iraqi war israeli troops invaded. the territory of lebanon in 1984, the artist writes his triptych of aggression. there he spoke, in general, with hidden meanings, about three, in general, hotbeds of conflicts of our time - this is a brown plague, the middle east region and the region of far asia, these points remain painful chains. the soviet was always surprised the depth of the topic covered. his work has a bright contrast, although the artist uses dark colors in them, one of the most outstanding

works of the artist in the field, which he writes in the post-war period in 1973, but it touches on the main theme of the work of the master war. if to speak, here in the field. listen, i believed and believe that it is if we were open and treated with love. this is a masterpiece. mikhail andreevich savitsky is a masterpiece about the period of the great patriotic war, which the boot walked on the belarusian land and our guys met him in the jean golden field a fight ensued. i count the pictures with my gelnik mikhail andreevich with this canvas of the defense of sevastopol or there plastov the nazi flew it on a par with the picture of the epic field, and the sacred struggle, according to the artist, is a work, for him the most

expensive group of our fighters, engaging in hand-to -hand combat, holds the advance of the nazis a huge spiked field here, as the personification of the earth. and the homeland of the field. we ask. listen show actually any. i wear here. some will not decide completely decision field completely a simple composition, and it's really just a horizon from there cockroaches beetles black sinuses here, and here our lead began to fight. what could be simpler in composition, but what expressiveness in everyday life mikhail andreevich was very different, he is sometimes remembered as a cruel person, but fair,

silent and sociable, always necessarily always in a creative form and modest, which is typical for an artist of a severe style, he is devoted to his work and all evaluate from an artistic point of view. the main thing is that in his small workshop they are hung with canvases were from ceiling to floor. paints and brushes and autumn should always have fresh apples. we had some kind of kind human, as it were, form of communication, since he was truly a sincere person. anatolyevich was a man of an open contract , he comes to inspect people and without a word, and from the line he was all young masters and with mastoks became adults. and, of course, he had open doors for me everywhere, so they themselves one person on nekrasov street

and, of course, this was a unique person. cross over. he was confidently enlightened bridge. shmat. i read it was an outstanding library. i go to her who is hotter, he had the most walking renditions, he is brilliant, he is still a student in moscow. he did not go to bars to dance, because he was the same age as salakhov smolinykh. these guys are an adult who went through the war and adults are over thirty in age, which means that he bought 35 and bought up the library of one of the followers in scientists. i bought it myself, it was not expensive. if today you had such a library, the miracle is unique, that it screams philosophical philosophical aesthetic

treatises. i mean, it was very interesting for him. and this is art, but of course it has become so deep philosophical mikhail savitsky is known as an outstanding portrait painter among his portrait works janka kupala pushkin and goncharov dostoevsky tolstoy mickiewicz heartfelt of great love. the artist has been painting portraits of people close to him, the father, mother, wife rita and son andrei since 1999. sovetsky begins work on a series of ten portraits of the presidents of the national academy of sciences of belarus mikhail andreevich , being an academician, not only fulfills an order, and studies these people. the artist continues to work on portraits until 2009, and he does not work from nature, but only from photographs, but there is an exception for the portrait of a people's artist.

ulyanova well, it is known that e began to write from nature, what is rare for the soviet, he pressed, in my opinion, this is a separate issue in the workshop, the soviet hmm from the moment, so to speak, when he went to the orbit of his fame. he literally attracted people in a wide variety of professions. this is a very long list, with its complex nature, everything likewise, many paintings were attracted to these people, the people 's artist devotes to the theme of the history of the formation of the belarusian national culture, the theme of peasant labor is also present in the master's work, these canvases are made with expressive light colors and filled with some special sincere nobility. harvest must stop before this canvas. why are they standing in the field in rye? this is the post-war period.

who plows the whole earth? it's u women, u who are almost alone in every meeting, there is no husband and no groom. this field is mined. he gave the viewer the opportunity to think to stand. and remember history. what happened yesterday, where does this bread grow from? why is the theme of war in his work? - this is life and bread - this is also life in the nineties already. he creates. well , although it began work on this series was still the end of the eighties. this is a series of works dedicated to the largest man-made disaster in the history of mankind - the accident at the chernobyl nuclear power plant, he was the pioneer. here in mastering this theme in painting, it is in

belarusian art that the sighted cross of hope, the abandoned share of mikhail savitsky reflects the events of the post-chernobyl life of people, the difficult path of overcoming the catastrophe is captured in the works of the requi. chernobyl madonna allegory chernobyl his series of paintings, black dust meets the gold medal of the academy of arts for a long time the artist keeps these canvases in the studio in the last years of his life. he will give them to his native city. and then , basically, these are works on a biblical story and such christian themes. this is the end too nineties and early 2000s after the collapse of the soviet union in the nineties . through dozens of canvases, the master openly declares his christian worldview through his canvases. he is still looking for

answers to eternal questions about good and evil, truth and truth, man and goddess, he writes a series of beatitudes on the subjects of the new and old testament. a new facet of the artist's creativity is evidence of his ability to think in images of a broad philosophical universal nature. mikhail savitsky in 1998 writes a picture on a biblical theme and it exists a version that is in the picture in the image of a modern and both advice. portrayed himself

oh, you don’t have mom here next to dads, what are your children doing? oh, costing dads should now stand with trays and sob. happiness, design, empire here, maybe a new pierre cardin is growing. you know nobody knows how it starts, that is, nerves. you are so comforting. yes? it is in front of you that you are a little worried, bears in the forest are not difficult and the most important thing to remember. and what can stand here now, where he is now replacing the cameras outdoor surveillance, how beautiful people are, how

beautiful, watch a good satchel and belarus with svetlana borovskaya on our tv channel. to prepare a dish, like in a restaurant , you need to think like a chef, if i see in the recipe that the tomatoes need to be cooked , then i immediately replace them with tomatoes in my own juice. it is much more profitable in a project for a week together with a culinary guru. we test recipes from the internet and in search of new recipes, we look at culinary sites, but are these recipes that are gaining a million views and so many likes. today we will check it and turn them into real masterpieces. they certainly complicate the recipes we have already. amazing delicious potatoes already have our usual cutlets, you can start

dinner, but no. look how beautiful we turned out look just gorgeous on belarus 24 tv channel. we offer the best routes for large and small trips around our beautiful country. it seems to me that all seas and oceans are equally boundless, and almost all lakes are different abandoned estates and hidden treasures of small towns , a two-story red brick building has been preserved next to the lord's house. servants used to live and work here. uh, a huge amount of recording a huge amount of memories and local people. it knows who had the peak. this palace, untouched nature, unique architecture, people believe that the place is also the spring of saints. and he even sees special signs on the surface, supposedly the keys are beaten in such a way that they form an orthodox

cross. watch the program the route was built on belarus 24 tv channel. mikhail savitsky deservedly entered the history of belarus as the greatest master of contemporary art. the uniqueness of his skill lies in the fact that throughout the entire period of his work, his works have not lost their relevance and significance, the creation of a personal gallery. it was the cherished dream of mikhail andreevich savitsky galina ladisova. the director of the museum of the history of the city of minsk , an art historian, began to implement it by making a decision and conferring on him the title hero of belarus uh, at the end of 2007, the order of the head of state was adopted. about

the creation of this personal gallery, but of course this process was very difficult. that's because for the gallery it was necessary to choose a building and this building, of course, had to match. but this, uh, unique artist, but it must be said that there are not so many in our country. here are personal galleries, uh individual artists. well, mikhail savitsky really deserves it, and the gallery is such a place. its main place memory. and here is creativity, that is, there are permanent exhibitions and visitors can come and see at any time. e of his work, the decision to create a gallery is made during the life of the artist, it is mikhail andreevich who chooses. the building as the location of the gallery , with his consent, the building is reconstructed and

completed as a dual- use museum object, combining the actual art gallery and an exposition related to the history of this building. several premises were offered, several buildings and along zabitskaya street. here's to cyril methodius here but uh, like a real artist. he saw exactly in this one in this old mansion he saw. here, probably, i saw my gallery, and my works, because really this enfilade is such a construction of halls. uh, hmm classical architecture. she naturally contributed. but this image. the gallery is housed in a building on the territory of the upper city at 15 svobody square, a former city

estate of the 18th century with an extension at different times by the owners. the estates are becoming famous minskers. in the middle of the 19th century the house acquired by the mayor leopold del paza, then the building was transferred to the men's religious school in the post-war period and until 2004. here is the recruiting office of the minsk regional military commissariat, the lithium gallery has a permanent exhibition, that is, which is represented by the creative works of alla andreevich a. that is, this is the beginning of his work. this and his personal, and objects. and this and here are the fragments of the workshop. and let's say transported here from nekrasov street . but, uh, the remarkable fact is that, mm, the gallery has an exhibition hall

the hall in which we have the opportunity to present it to represent artists of the most varied. at the level of em, not only the work of belarusian artists, but also many foreign e projects a and this raincoat and this one, something that, in general, mikhail andreevich dreamed about in the last years of his life, the soviet one is seriously ill, he suffers a stroke, but until the last he works every day in his workshop, a sweater with a neckline and felt boots, which are signature for him, as the consequences of being in concentration camps, but at the same time, sovietsky walks a lot. in the workshop he energetic and always with a brush in hand when i painted.