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christmas christmas miracle will live again alexander hello. good evening. i'm very glad to see you. thanks for coming to us. your life, like a raging sea, you have conquered absolutely all media spheres, you are both presenters and actress and producer and singer. uh-huh how did it happen in your

life that all spheres submitted to you. well, you know, probably, uh, that's how i was brought up from childhood and my grandparents always told me. here you should remember only one thing, that the more a person knows and can, the more valuable it is and somehow this thought is always in my head and i understood that if we assume i choose any one path. and i don't just have to wake up in the morning. yes, and there, being a famous singer -songwriter, suddenly tell you, why not host some wonderful program on the main channel of our country? no, i always thought that in order to do something serious professionally, you need to learn to study hard for a long time and therefore something like that. here, with me, probably, heaven gave her the opportunity to always learn to develop, because all these directions and activities, which have just been mentioned, are, in principle, parallel, they are going in

common, but because today, probably. it's not enough to just have a voice to be a good vocalist. uh today, well, the laws of the stage stage, especially dictates. as if some of their own, probably already. m-m requirements and here everything must be intertwined. you know, i hmm would probably say that i am an artist today, because to be a singer. yes, it is necessary to own, of course, both facial expressions and plasticity knows how to move on stage. all this is experienced without acting abilities. and it's simply impossible to pass all this through yourself so that people believe you, and the profession of a tv presenter is a separate profession. you understand me better than anyone, because i was just finishing school for 3 days at ostankino as a news anchor, but i went a completely different path, because for me at a certain point in

my life, when i realized that i could do it. and it was very important that they treated me as the leader for this seriously we needed a very serious project, powerful projects. we made it, if you remember the program of the figure, then it was the first national channel, it was thanks to this program that the audience in general began to treat me seriously on the air of the program of the figure. i am its host alexander gaiduk again glad to meet you. well, in this program. you were also a producer. uh, at that time i was the general producer of the white tv channel, let's say my own commercial channel, and therefore it was a program and a project channels to white tv that i did, as a turnkey author's project. something like this, so you understand all these professions, it was intertwined from one to another and every time. i understood that going out in some new quality, but i still have to and i

still have to be very convincing, because i do. well , you have a very entertaining fate and such a life. the path is interesting and professional no less interesting. you come from central asia. yes, your dad is an officer, your mom is a musician. well, i'm assuming that the love of creativity is after all, from the mother, the father, maybe he saw you in some other way, nevertheless. you nevertheless went on a creative path, and for about 8 years, in my opinion, you lived in st. petersburg and at the age of 15 ended up in belarus in brest, that is, your father was transferred to serve and you all moved with your family. and how did you perceive the crossings, you know, it was really difficult, but because here is that small town of central asia in kyrgyzstan where the landing brigade was stationed, i remember

you still know with some such trepidation and with the feeling that it was the brightest time. i really had the happiest childhood, as you can imagine, and grandparents were nearby, they were nearby, and we all lived there then, because this is hmm the sun, probably, yes, b first of all, it gives some special energy, and the people who live there give their hospitality. here, as if the breadth of the soul, and you know, i remember some childhood hmm moments when the door of every house on our street was always open. and all the kids that lived on this street. today. we were going to someone's house for lunch conditionally. can you imagine, there is pilaf kebab lagman, and well, national cuisine and hospitality. well, he probably doesn’t know. here are the borders of central asia and i have the warmest memories and feelings of that particular

time, because my mother she spoke actively. she then hmm was an artist, and she worked with the famous frunze orchestra , she went on tour. and i remember that when we were going to the kindergarten, getting on the bus, every time i gave my solo concert. here and there this is the desire and understanding that there will be no other profession at all, no other way . that is, in me it was a feeling of six years, well, at school you studied in st. petersburg, well, in leningrad, yes then , well, in fact. yeah, well, i mean, we practically. well, this one is already for some circles, how in general, what kind of active were you at school as a child? calm you know, as i would say, probably from my mother, really. here is some kind of natural, innate, probably, intelligence craving for art. ah, got it,

that we visited all theaters, all musical institutions, because, well, if not in st. petersburg, but in parallel, i was engaged in choreography at the vaganov cryography school. and i really liked it, but from my dad, since he is still a paratrooper and just before the age of 15, he did not understand at all that he had a daughter. he was in full confidence that it was a boy, along the way. he just coached me. that is, this is combat sambo. this kung fu is hand to hand combat. it 's skydiving. i shoot with any type of weapon. you see, i drive any vehicle. e from a motorcycle to a tank, therefore, this is a school, this is it, yes, in me it has always somehow struggled and tried somehow. here, in general, get along. these two states are absolutely polar things in character. so you moved to brest, but at some point in your life your parents separated. what time was it? how

old were you? how did you endure this stage too? you know how calm it is, because it was probably already 15-16 years old, and i was already so mature in brains. i was already at that time, in principle, working myself, so mm. well, i probably understood that this happens and parents do not choose. anyway. mm. my mother will always remain the closest person for me, my beloved mother, after a divorce from her father, she left for moscow correctly. and you stayed with dad, no, i stayed, i left on my own. when i was 20, she lived in brest before that time. yes, she lived in brest. my father, too, he stayed in brest. and my mother got married and left for moscow. such an interesting moment in your biography. and you are

quite open about this young mother you become 18 years old, right? well wandered first. but what, it was crazy love in general? children should be born in love, this is the main thing and already further relationships, but there are circumstances of some higher power and maybe people, i just don’t know, they shouldn’t be together in life, but nevertheless. and i also have one conviction. and what does a woman primarily reflect for herself? well , i always think it takes over. first of all, he gives birth for himself and takes responsibility first of all for himself. and further, probably. well, everyone has their own story, how it turns out their way, so when hmm some women allow themselves such a beautiful expression. how do you

understand that you owe me, i gave birth to two children for you. it always touches me directly amuses, because. well, i don’t know, i gave birth to children for myself. i knew for sure already at that moment that i would not stay with this person at the moment, of course. of course, 100%, but i understood that, well, probably, the first thing is this is the real feeling that i experienced for this man, but, probably, here somehow god sent it to me. the first son from a beloved man and rightly so, but the second child. as far as i understand, this is from the second marriage. i have everything as it should be. the first from the first second second. here i am, i did everything very quickly. and how much space between 2 years you managed to get married so quickly and also quickly managed to divorce safely. e, you are amorous, this is not even because you are

amorous, but. well, this is how the circumstances developed, and i understood that at that moment i wanted it. but when you know when you really want something, and you get it, and then there comes a moment, probably, of this everyday communication. life with a person, and not even life of communication. i would say so, and you begin to understand that you are not just different. you are like two poles, and i understood that i would never be able to understand some things anyway, and i would not be able to accept. well, you see, i'm talking about that age, i was 20 years old. i already have my second child. and this is the feeling that mm due to its nature. and i have it. i would expressed. i could not just not understand not

to accept some things to forgive. or maybe today i would look at the situation differently, but at that moment this categoricalness is absolutely mine, i don’t know a disadvantage or advantage. they didn’t give me the opportunity , after all, as you know, to remain a married woman. because i know hmm the philosophy of some women who say that well, the main thing is that he should have a husband nearby, so that he would simply be a must for me. well, it just did n’t matter what kind of man next to him he was, anyway, but for me at that moment absolutely not. questions

in these quizzes are absolutely unpredictable answers, all the more, guess the riddle sit down without legs, dandelions name the most capacious football stadium in russia unfortunately there, you just remember that these are dogs, let's already, because i will later and you won’t forgive me for this. these are italian volcanoes. but mont blanc is the highest mountain. valerie

second tour in the history of the show spend time in the company of belarusian scholars and watch intellectually entertaining projects on our tv channel. about the weather and not only that's what to navigate, so as not to get lost in the forest on the north side of the moss, in fact, i do not recommend such ways of orientation. still, it is better to stick to normal cartographic material and discuss current topics with invited experts. is it true that they can diagnose by pulse. it is absolutely. true, they expose the early stages of pregnancy by pulse. miracles yes, miracles, the gender of the child is determined by the pulse, how do they do the gender of the child? i don't know, to be honest, some people think that gmos are harmful, others think that gmos are extremely useful, as always, as always, in my opinion, one should be

somewhere in the middle of the teleborometer. watch on tv channel belarus 24 salt, salt, ordinary salt. i myself have seen on the packaging written non- gmo, how can gmo salt be amazing? 20 years, two children are already behind two divorces and yet. you go ahead and at a certain moment is decided to move from brest to minsk wrong not in min. you are aiming for moscow . yes, as it happens, how

, in general, what happened, in principle, you decided to know what helped me make this decision. to leave brest in the first place was generally. well, as it were morally very difficult. but because because in this city. in principle, it was difficult for me with ex- men. you weren't in a relationship. as i understand it, at that time, no, i didn’t support it, then i realized that if i still follow some path of my own and in this profession, it is clear that this is definitely not the city of brest, i need to move on, but thank god that my grandmother has the kingdom of heaven, that she was nearby, that i had the opportunity, at least to leave the children for some time in order to to go and try something, it doesn’t matter if it’s minsk moscow or somewhere else. it is very important. and you probably

know this one. character and yet this is the determination that has always been in me, i have always had little and i always wanted more and you know me at that time i can’t frighten absolutely anything, probably, at this youthful age, when the sea is knee-deep on the shoulder of the mountain, and you feel that you can absolutely do everything. imagine i’m 20 years old. i have two children and i decided that i would still become an actress, and i would go somewhere to do it, and i would do all this, and moreover, i almost reached moscow, but on the way it happened. here is the execution again. just some kind of meeting. and that means i came to minsk by way of transit. you needed some kind of package

transfer to someone there was asked to transfer something. and it was sunday. i understood that i had, in principle, a day before the train. it was raining unreal. a city completely unfamiliar to me, believe me, in which i didn’t know anyone for the ninety-fifth year, just nobody at all, so i’m walking like this in this rain, walking. victory square kiseleva unfamiliar street begins to rain. i am hiding under some kind of visor, but some beautiful building with columns. well, i turn around the house of the radio , a policeman comes out on sunday. hello, you say this to us. well maybe. he says, well, you probably have ether. i say not yet. well, they're probably waiting for you. i say, well, probably, well, she is lyudmila georgievna of the colonel, just today you agreed to work here. i say, well, practically yes, practically. yes, he

says, well, let's go, he is gaining some kind of lyudmila dahlia, his colonel, and at that time she, in general, worked on radio by the state, we had no other and on television. actually , the editor-in -chief did everything here special musical projects. she's coming down, lovely woman. let's go have some tea, as i'm on duty today . tell me, let me listen to your song, i look at it. i think, what songs, as if you know, a scene from the movies. i think, lord, how did i even get here , but i think, well, it’s better there in the office with tea than on the street in the rain we rise and so she says, come on, let's have a cassette. let's listen. what do you have there. i look, and i'm going to the theater to do. i have pugachev's songs recorded i have everything recorded, and who is this song, we sit and drink tea. and i say, well, actually i i’m going to the theater, you know, lyudmila georgievna well, the actress and you want to

say that, well, i don’t know how it says about the actress, but here, well, here are the artists, the artist, we need young stars. you see, we need a new stage. here is a real belarusian one or we don’t examine it. she says, we have a festival in a week, you will have a front, theatrical one will still have time, she says, let's go to the festival with us. go. you still have time available. i say, of course, there is still a week left there somewhere. here , perform beautifully. only there need a song on western polish language is such oh good. oh, such. no big deal, amazing. she says it's okay. i am now the composer's lady. that's when no mobile represent anything booth. hello hello. i am lyudmila colonelova. oleg eliseyankov urgently comes to us to him on the same evening. he writes some song lena tour in the western polish language, that's all, so i

return to brest, write it all down, go to some western festival along the forest, hardly a pancake. yes, he is not just in principle, ivanovo a. brest region, playground light sound, my god beauty. i'm coming there. my first appearance on the stage was the ninety-sixth year exactly 25 years ago. and from that moment i realized that i would definitely become an artist and move poplavskaya and alexander tikhonovich these are your godparents on stage, do you call them that? how did you get to know them? at that time, it was the only song theater and m-m. i’m the only one with sasha, they always differed in such, you know, m-m, very incredibly touching and very warm sincere attitude, in principle to people. but e to young artists,

special beginners, my uncle said that she saw in me some such incredible touching purity, some such, well, not corruption, and such some very much as she said so very much. the inner strength that speaks is rarely seen in such young performers. just behind all of this. i also had some specific background. human and so feminine about this is not enough. who knew. but sasha tikhonovich , in general, he was always a merry joker, and he knew how to support, so the first concert first tour. yes, there are first songs on tour, the first album was recorded at the tikhonovich poplavskaya studio, but nevertheless from the idea. you did not refuse her to leave for moscow, after a while, after all. we went there to go to moscow, i refused this idea. i just decided for myself that i would still

stay in belarus, and at the same time, nothing prevents a person from developing, yes, i went on to study, and i left in order to graduate from the ostankino television school at the time. and acting classes in general, probably there they offered to stay in moscow later, right? i was offered a job on the tv channel vesti novosti. yes, news, can you imagine, why not? why not? it seemed to me that, perhaps, this would not be enough for me. because i really love everything related to television and a little later. of course, i entered into this process of such a real deep television, because it was necessary to understand. you understand on the channel in everything from tv production to how you have fiber optics and how is your music-tv signal hmm i

i love tv work very much. all because you know, there, it is very different from the stage from the stage, because it is such a serious team work, just like in the movies. why am i always drawn to the movies? why do i like to be in the atmosphere of filming television, and in 2005 you blew up the radio broadcasts of the song the sweetest place on the body. well, we will look with you in our bed for a bed too good. yes, this is a line. she was just on everyone's lips. we will look for our beds with you, the sweetest place on the body, we will look for ours with you . bed, how this song was born, who produced you then in general, how did this project turn out like this and were you not afraid to

enter with this song at a time when, in principle, there was some kind of trivial, yes pop, like some kind of everything so modest and here bach and you are straight, well, somehow, too. at first, you know, i warmed up the audience, because from 90 there, the sixth year to 2,000, the fourth, this song came out in 2004. still, it's a pretty long period. during this time i managed to give several solo concerts and somehow i already had my own audience public. basically. i sang, of course, such beautiful romances, such a blond girl with a touching voice. love a beautiful country a beautiful country, and only in it happens after all some moment when? that

happened. here is this here is real mutual love mutual. i had a feeling that from such a buzz of flight and freedom, this is why the album, and, in principle, it turned out to be so provocative, because before that i had never worked in this genre at all. well, how would i understand that i can, but there were no materials and there was no desire , probably, and at that moment everything was like that it happened that i just annealed and when everyone sang about poplars and birches. i wanted to drink about this sweetest place on the body, lord god, we generally have a song called sweet love, and well, probably those people who have a sense of humor, they somehow immediately realized that this was some kind of, well, cool banter song , but those who do not have a sense of humor, they did not understand anything at all, because the lord is only lazy,

probably, he did not scold me for this song, but an indicator that it was on time. this is exactly the feeling, the drive. yes, exactly like that emotion. needed by the viewer. well, at least for my audience. i already had it at that time, and according to the indicators, there were radio stations and channels, because no one forced them to air this song, as they say from every iron. well, firstly, we have a large number of radio stations. we already have a large number of television channels. and when i brought clips to them or we brought a composition, well, the guys put it there 20 times a day 25 now this song is performed somewhere, you know, sometimes on some such closed events, but sometimes they ask for it, i have it in a remix version, well, dance like that. well, yes. well, you know how everything has its time. at that moment, probably, yes, it

was cool. and i saw myself in this and felt very organically. how did you get into the movies, someone recommended you at the casting, like or maybe through the sweet spot on the body. well, yes, there is such a thing. i didn't even say it was a warning. but this is really the case, because there is an expression that is already on everyone ’s lips that you can only get into the cinema through the bed. but, probably, in my situation and in my case, this is just an exception to the rule, when i received, in general, an acting education, which i really lacked . i really wanted to. i studied in

moscow with panin, i understood. this does not mean that tomorrow i will suddenly be invited to work there in a tv series or some kind of film, that i need to do some other kind of production work on myself and on myself and, let's say, in terms of communication with this area. i'm with the sphere of cinema, probably in i was more connected, maybe, to the film festival, as the hosts of the concert as a singer, so at that time i already had some kind of a certain circle of acquaintances and such very good close warm good human relations with the directors and producers who had already appeared at the moment -m with the acting environment, probably, it also helped me a lot alexandra and what kind of image is closer to you after all, you played the roles of both provincial women and women with a bitchy

character to you, which is closer, what do you like more? what role is comfortable do you feel? i wouldn't say more comfortable. i would say it's more interesting to play not yourself is always interesting. that is, just the negative characters are characteristic, they are somehow more interesting for me. which role is most memorable what role is most memorable? well, recently there was a film and there is such a very bright character, a characteristic one called an ugly girlfriend. i play there such things that can be folded normally, usually the patients themselves lay out their things. listen to your guidance. something sang to me here, and vip service. i understand that to see this boring face of yours all the time is some special conditions, right? in general, i'm out there trying to kill trying to give me plastic surgery. uh, a man left me, we are beloved, m-m, and in

the process of this communication of mine with completely staff. the medical center is under investigation. and now all the intrigues around me are twisted, as it were. hmm but when i meet the surgeons there, whom i fall in love with, he plays whitefish, by the way, our imagine we have there. the cast was still balding's i made this movie and i love it. i understand that i do not need. no operation, that you can refuse many things in life, and i play such a very famous artist, in general, such a famous artist, such a very funny, or what, character? so i understand that the most important thing for a woman is that this very man of yours is there, that he looks at you with this very one. with a look of complete admiration of some

incredible tenderness, so that you understand that this is the man who is not for himself, who is able to give. thank you very much for coming to us for a frank and very interesting conversation, wish you creative success. thank you thank you for inviting me, because it's always nice to communicate in the same language alexander by tradition. we have a blitz in our program - this is a short question. well, short, accordingly, the answer is delicious food or a strict diet. not both massage, how do you feel about criticism. it's great, good. healthy criticism. this is very important for an artist for the sake of art. are you ready for all such an interesting question almost money or success? if there is success, then there must

be money, however, you have enemies. well , as far as i know, such obvious open ones. no, i don't know talented people are born or become. talented we are born.

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