on tv channel belarus 24 everything starts from the origins and traditions the memory of our ancestors the preservation of the culture of belarusian rituals and crafts. but the world is changing. changes generations views and creativity does not stand still. when do people realize the value of traditions and understand where to go next? art takes on new bright colors. mikhail savitskoy, the largest artist of the 20th century, with his

name, the tragic events of belarus, the great patriotic war and the chernobyl disaster, are inextricably linked, his work marked an entire era in the national contemporary art. mikhail savitsky entered the history of belarus forever as the greatest master of pictorial art, a wonderful teacher and public figure. he was the first who was awarded the order of francis skaryna, and later he became the only one in art. who was awarded the title of hero of belarus, the time spent in captivity left its mark on the future artist, the main theme of the master's works was chosen by fate itself already in the sixties. mikhail savitsky becomes famous thanks to his paintings. on partisan themes, and his painting the partisan madonna, presented in 1967

, was so impressed with its impression that it was acquired by the tretyakov gallery for one of the few in the world, the ocean showed a judicious regime, uh, he entered this fascist occupation on a golden horse. with the lush hay of our belarus, he endlessly, well, as if he took off from us, what is called shavings, he went through a long life. this is his right to paint this kind of picture becomes this kind of aesthetic impetus for the creation of this series, firstly, he nurtured the idea on stretch. 30 years you have to stand in front of this canvas. why are they standing in a field of rye in the creation of a personal gallery? it was the cherished dream of mikhail andreevich savitsky , one can say that his work remains relevant. e, even in something prophetic

, many many complex pictures are written. there texts, there are many disputes in his paintings, ours and the history of the life and work of the great artist. what his paintings are silent about, see right now. the life and work of mikhail savitsky one of the most characteristic phenomena in art and the history of our time in order to correctly understand the meaning of the painting of a folk artist , it is necessary to understand the sequence of events

in his life in his paintings is our history, because each new canvas is a personal path of suffering. in art. mikhail andreevich sovetsky absorbed himself. the most important historical event of the twentieth stage, 25 vladimir prokoptsov general director of the national art museum of the republic of belarus honored art worker of the republic of belarus candidates of art criticism artist. and this is the witch, i showed my immeasurable curds on the right along the bridge, and those are our classics today. he went through a rather difficult life, especially in his youth until during the great patriotic war viktor olshevsky, honored art worker of the republic of belarus, artist, student of mikhail savitsky, in fact, it was such a

very part of the harsh life. and, of course, she left a very hard imprint on his work. here creativity cannot be considered separately from his biography yuliya kovaleva head of the department exposition and exhibition work and the museum of the history of the city of minsk, his work is very autobiographical and his works reflect, but the main milestones of the events of his life, his feelings of his experience. but if we talk in general, then in general, creativity is dedicated to belarus to the belarusian people in the context of world events in world history on february 18, 1922, a simple belarusian or rather, a boy was born kirill melnik associate professor of the belarusian state university candidate of art history artist the boy faced a difficult fate historical fate mikhail andreevich was born in the village of zvenyachy,

vitebsk region, tolochin district, into a family. the peasants are his father. andrei petrovich worked on the railroad, and his mother anna konstantinovna had five children in the collective farm. there were also three older brothers. they all died at the front and the younger sister. and as mikhail andreevich said in many of his interviews, he had a cloudless childhood, we are so joyful, and he has been since childhood. in general, i learned all the basic agricultural work. well, like any village child of that time, he also learned carpentry work. just like his father was a master of this business. well, since childhood, he has shown a talent for drawing and let's say. so he dreamed of becoming an artist in many ways, of course , his friendship with his cousin valentin savitsky, who was the

eldest mikhail andreevich, or even before the war managed to finish the vitebsk art school, contributed to this. and now mikhail andreevich would you like to follow in his footsteps, but mikhail savitsky had to postpone his dream of becoming a great artist for some time. after graduation high school in 1940, he was drafted into the army. and a year later, this service was his, and began in novorossiysk, anti-aircraft artillery regiment, then served in grozny. and in 1941, the great patriotic war began, and he met her in sevastopol, and now he was one of all the thousands of soldiers who participated in defense of sevastopol for 250 days, from october, forty-one to june, forty- second the defense of sevastopol is a very dramatic and heroic event of the great

patriotic war, the defense of the city lasted 250 days of mass courage and heroism of the soviet soldiers. about 200,000 soviet soldiers died here, and many were captured. there, it turns out, and mikhail savitsky from this event. it happened on july 4, 1942. it starts like this. well, and probably the most terrible period in the life of mikhail savitsky , when he, ah, learned from his own experience what death camps are. he went through a huge number of galleries. this is the rimmarum prisoner of war camp, a leading member of the fund's clothing sources department. belarusian state museum of the history of the great patriotic war, starting from nikolaev and from there, the city of nikolaev there on the territory of ukraine and from there they were driven to germany and there was a dusseldor labor

camp, then a dusseldor prison, and participated in the underground resistance movement that also existed in these camps or repeated attempts. escape-escape, but unsuccessful mikhail savitsky is taught welding and put to work as an electric welder at a wagon factory , along with other prisoners under supervision. georgy kornilov, they organize a sabotage group, but they and the cars were engaged in welding the cars, er, but made them fragile. well, in the future, they made an escape, that is, they introduced themselves, er, forged documents under the family of blacksmith kornilov was the father. e kuznetsov mikhail savitsky his son and mother was a woman by birth. she was from ryazan or a chair. i do not remember exactly. here she

was a mother, and the three of them made the escape, but soon hid for a long time. e under this fictitious surname kuznetsov, but then, unfortunately, they were caught. eh, and again they ended up in a concentration camp. mikhail savitsky is sentenced to death, but later they change his mind, he is sent to the buchenval concentration camp, then he is sent to the quarries of the concentration camp, mitel, baura, and already after them, closer to the end of the war, he is placed in a camp. da hao near munich will be liberated by the allied forces on april 29 , 1945. the prisoner will be found unconscious in fact in concentration camps, spent uh 2 years and 9 months. well, he still was. well , miraculously survived, of course, but he was young

the human body did not cope with all these stresses, yes, which i had to endure, went on the mend. he even continued, then serving in the army in germany until the forty-sixth year in the fall was one mobilization. he returned to his homeland. arrived in minsk well, since the war was already a free man, he did not start his education to fulfill his dream of becoming an artist of the council. and he returns to his homeland as an adult with a deeply wounded fate after demobilization, there is no doubt that the talent of the artist is necessary mikhail savitsky enters the minsk art college. the current art college named after glebov and after moscow, after all, the capital of the bssr did not yet have its own higher art school. entered

the moscow art institute named after surikov and studied there mochalsky famous such artist, who influenced him in the formation of his creative style, and he studied well. finished. uh, college with a degree. with a cry in 1957, his graduation work, the song was dedicated to belarus, as he himself also recalled. e. well, it's also possible to say such a work is a childhood memory , probably, but in years and in childhood. from the village , a ringer, where the song always rang, as he said, that even the very name of this village is so musical infuriating. this is the center of cultural life before the revolution after the revolutionary period, the coolest center nikolai epik artist, honored art worker of the republic of belarus noisy shouting,

conversations such as ah, yavich korzhenevskaya, kukhorev keeps shouting noisily. about something about something about something this is the fifty-seventh year. they came from minsk, all of our republican artistic church and saw, what they saw they do not remember, but the whole noise noise as they say, the noise since and the tsar around one single surname, the soviet say, who is how this picture appeared? what picture am i listening to. yes, listen, speak and what are the figures, and what are the horses, and what is the truth, and what is the truth in the life of the village, the picture gave rise to all the artistic forces of the republic of belarus at all levels with any education, but, especially in this cultural center of vitebsk, the prescribed chagall and

maleviches and suddenly such an explosion. he drove into golden horse. with the lush fragrant hay of our belarus, having received a red diploma and qualification, the artist painter mikhail andreevich returned to minsk at the end of november 1957. his wife margarita she studied at the theater arts, and the institute began to work actively. e, joined the belarusian union of artists. well, it should also be noted that here he graduated from the institute. he was already 35 years old, and now, uh, that’s why she also recalled in her interviews saying that he had a lot of tasks, and he, so to speak, most of his life workshop and conducted the main theme of the work of mikhail savitsky was chosen by fate itself; most of his

artistic heritage is a work on military subjects with his brush. he reflected on the swamps. the terrible truth about the cruelty of war, the pain and suffering of people is not religiosity. this is not a mystical art, this is not uh, isolation or art for the sake of art - this is humanistic art, where the man himself is god in the center, the man himself is in the center of art mikhail savitsky became famous for his works on military topics in the field easel and monumental painting for the artist is characterized by journalistic emotionally expressive disclosure of historical and contemporary topics, although the artistic style of his work was not accepted immediately and there were cases when his paintings were removed from the exhibition. mostakom easel genre of easel painting, uh, the plot-thematic

picture of the alley was an old remnant of the yaki introduced a way of divorced decorative and applied instantaneous residues. anyway, these are the tapestries of the ussr. the stages are great. way to leninism. this is a mbodenk mural painting of the museum of the great quiet war fame comes to mikhail savitsky in the 1960s during the khrushchev era. otteny the artist begins to work on a theme extremely close to the people of belarus in the theme of partisan struggle thanks to the painting created in 1963. the partisan artist immediately declares himself as one of the greatest masters of the severe style and as a philosopher artist. in the heroic departure, the meaning of the picture is expressed both by the plasticity and rhythm of movement and the characteristic silhouette of each character, only

one of them stops the general for a moment. the movement of the departing, saying goodbye to the woman face of an elderly partisan. the only visible viewer and in him the infinite warmth of love and the pain of separation and the desire to encourage and unshakable determination dictated for a long time everything that can be said, and thousands of farewells to mothers, brides and wives, the drama of life itself, cleared of everyday random moments , appeared in the picture of the spiritual essence of my painting, and . partisans, they arose, of course, not by chance. i myself was not a partisan, however, you see, i wrote. he wrote many works. the fact is that when i returned to belarus

still lived with those memories. memories heavy and some bright, that is, those events that we just experienced. why was it necessary to write these works. i already said that it was time. a very massive manifestation of patriotism in general of the people's movement, the people lived by this. of course , it was impossible not to write about it. we offer the best itineraries for large and small trips, in our beautiful country, almost everything is different from each other abandoned estates and hidden treasures

small towns, a two-story red brick building has been preserved. here once lived and worked servants of a huge number of records of a huge number of memories and the local population. it knows who had the peak. this palace, untouched nature, unique architecture, people believe that the place is also the spring of saints. and he even sees special signs on the surface, supposedly the keys are beaten in such a way that they form an orthodox cross. see in the program the route was built on the channel belarus 24. my teacher gave me interesting pieces to play. i also played classical jazz pieces. well , somehow i liked the sound itself. this is such a synthesis of an asian ancient instrument and the first european sound, is it a moment

of some kind of uncertainty, or what? and of course, when it works out, it's, well, it's. it 's nice, it's nice. well, we are different instruments. i love him and treat him with tenderness and warmth. so the cymbals are the ancestor of the piano, because the piano harpsichord clavichord materials from which they can be made is a very huge spectrum beginning. here, from a tree there, ending there with some nuts and from the same coconuts, but extracting sounds. watch the project sounds in a case on our tv channel. in the sixty- seventh year, he painted, probably his most famous work, the partisan madonna , which is called the artist’s calling card, it was bought by the tretyakov gallery. and, of course,

it made him very famous. and well, and then e, he will already say. so quickly won such public recognition reproductions with the partisan madonna are printed in thousands of copies in encyclopedias of textbooks magazines and albums, the picture becomes a genuine national treasure and makes an incredible impression on the audience. the partisan madonna is even awarded the silver medal of the academy of arts of the ussr partisan madonna , it looks like there is not like the other, as they say, thematically defined, as it were , orientation, but he had his own e expressive and composition and color plasticity. yes, that is, he created exactly this

a work that well took its rightful place, and in the history of the great. what is called a talented artist after 11 years in 1978, his own madonna appears and at the state art museum of the bssr , the director of which elena aladova ordered savitsky, a copy of the painting, the artist did not make copies and refuses, but a completely new version is being written in the painting the partisan madonna of minsk mikhail savitsky refers to the eternal the symbol of life to motherhood at the heart of the composition, a well-known painting of the who era. raphael's sistine madonna, but instead biblical characters, the artists depict ordinary people who witnessed the horrors of fascism in the seventies. he creates

the heaviest and most powerful series there in his work, numbers on the heart. e, which is dedicated to his uh experiences in the nazi death camps. and why are we talking about the fact that his biography and work are inextricably linked with a series of paintings of figures at the heart of a phenomenon that has no analogues in art in terms of the complexity and scale of solving artistic problems. the author is different technique, manner and vision of those canons that were accepted in the belarusian artistic environment. pearl is creativity, well, this, of course, is the numbers on the heart, which is stored at the bottom of the great patriotic war. let's say. well, for me as a specialist. i have already looked at them. i saw the school there,

it's hard to see me for the first time. so to say, another person, a schoolboy, will see the guys. this is the first time. they are usually. there is. this already says something during the seventies, that is, until 78. he created 13 works or canvases, and the last three of these survived freedom and mourning. this is a later work of the eighty-seventh year. he completed them, which served as an impetus for the creation of this series, firstly, he nurtured the idea for 30 years, that is, a long period of time, but he had to comprehend everything and come to something and choose. eh, the artistic language with which he will express this main one. heavy idea and it all started with the fact that in the seventy-fourth year, the union of artists, uh, received a letter addressed to mikhail andreevich savitsky. uh, letter

let's say a friend wrote it, with whom he went through all the torments of this fascist hell, with whom he was at the end of the camps, in germany and made escapes. it was georgy ivanovich kornilov and. as a matter of fact, he invited him to his place in tuapse. mikhail andreevich savitsky came to visit him. and he asked him if he had written anything about it, about what they had to go through. well, as a matter of fact, this is the impetus that served as the beginning of this series. it was not typical and too frankly too brutally. and well, even pathologically, as it were, it caused some kind of, well, misunderstanding, because. yes indeed there is here. here is cruel fascism, a cruel feature of this war, which, in fact,

is constantly taking place on our land. and this, well, is a great tragedy. right now, how we perceive everything is blurry, that is, no, the boundaries of good and evil are all blurry. and he is specific. here is good, here is evil. here it looks like this. and here it looks like evil, and good looks like this, and uh, that's it, it's being built. here e, in these works it is precisely for this that mikhail savitsky is famous. reproductions of a series of paintings are rapidly growing; the figures in the heart diverge in different parts of the entire soviet union. the soviet himself did not accompany his exhibitions abroad. yes, and after surikovka, he did not leave his native minsk, she was at 11 at many bridges in the world. i showed you the zhuldosny mode. e fascist here this occupation, not only on the territory of belarus al. this is the jache of a concentration camp. uh, it’s just that the nazis not only mirrored themselves, but the alleys and just, uh, burned people in

these uh and are crazy about this cycle today. this is me with such a bloody side of the blog. the history of numbers on the heart and all the military cycles, they literally repeat and repeat that my human life is yours for everyone, it is the same. the price of every small child or elderly person is the inadmissibility of the passage of the inadmissibility of violence. remove motive. e creativity of the soviet it remains relevant cycle consists of 16 paintings painting prisoner 32 815 many consider mikhail savitsky's self-portrait is it considered to be his self-portrait? well we got used to it actually michael savitsky, he never called this work a self-portrait. uh, he portrayed himself as young in those conditions, but this is a collective image. that is, uh, in this

image of a prisoner, he showed those who survived from those who died in front of us, a young man is exhausted, extremely emaciated, but at the same time we see that he, uh, well, we feel his some kind of spiritual strength, that is, that he did not lose heart, that he, er, this life remained in him. the prisoner is presented to the camp uniform. on it are printed, two letters to l. concentration camp, small red triangle with the letter r denotes the russian political under it, as well as on the token suspended overnight , the number under which prisoner 32 815 was listed. this is not a number, not the camp number of mikhail andreevich soviet himself. he had another. although many of you know when you read, they all mean exactly that this is his number, but no. it was distinguished by one number. 1975,

a picture of a summer theater, as the ss slang called pits for burning pipes. they dug it in with bulldozers. and so, in fact, the artist he depicted this bulldozer, and it symbolizes this infernal machine that the fascists created in 1977, the picture of the selection on the canvas of the figures of the girls is like gold, the ingots in the center of the canvas are a group of young girls of beautiful healthy strong they shine, like ingots of gold these girls were selected by the nazis for the experiment, and a on corpses of women, mothers with children and pregnant women, the nazis immediately destroyed them on the ground, he went through a long life. it is his

right to paint this kind, the picture is worth it. with what kind of aesthetics in the end now concept, what is aesthetic beautiful there is not aesthetically beautiful, it is very blurry. yes. eh, as the israeli historian said. e, yuval, harari, beauty in the eyes of the beholder in the eightieth year, on his initiative, creative academic workshops of the academy of arts were opened in minsk, and he was their leader, and then they began to be called creative academic workshops. all graphics and cultures are alive . ministry of culture. it's been since the nineties . it turns out that he led for 30 years. i've been a creative workshop for a year now academy of arts. the most capable graduates of an art institute enter this creative workshop. the fact is that in the walls of the university, even though they receive

a diploma, they are still far from becoming an artist. we met him for the first time, when well, as before, i knew i met, but when the question arose and there was a search on his part, since five people were the first set of his creative workshop and, of course. everyone wanted this period. yes, i was just finishing the academy of monumental department. well, and of course, my candidacy was also proposed to the composition of the creative workshops of mikhail andreevich sovetsky was not only me, to the master, serving bridges all the time, and what processes of hopeless masters, and he was his teacher to demand. means where he founded so himself

about his installations. it wasn’t for that, but from the academy we stas in the ussr on nekrasov street it was a great place. here is such a setup where the mastokes after graduating from the highest theatrical remnant of the institute are just under the kirovist and andreevich’s hall. what called honed their skills? and i was the master of his school. it's not like that on its own. i think the authors are not only in belarus, but a lion far away for a hedgehog. to tame them to the idea that an artist must strive all his life to become an artist, he endlessly, well, as if he was taking off us, what is called a shaving? yes, maybe they rewrote several times doc says obscurations. yes, and before that the canvas became somewhere in the finger of the paint was already thick. yes,

when they erased with a palette knife, they redid it, it is important for me that work for them becomes need. everyday need second, that they be artists of principle. convinced, he is very picky and then fair. despite the authorities, this is the nature of the two soviet before him such a value. he says what he thinks, but rightly there is no drawing, no color composition. they solved the idea not plastically solved, because you ruined it with your character. listen, the artists do not understand his terminology, because he could only express the idea in a mission form. if

the form prevents me from expressing an idea, then bad form. petrova a. soviet is completely, you know, how he has thousands of characters, thousands of characters, thousands of paintings, that is, figures soviet entered art with his understanding of the role of the artist and creativity in society from his personal position with a new look at the military theme, unlike the artists of the forties and fifties of the xx century, which sought to create a heroic chronicle of the war years, mikhail soviet tells about the tragic phenomena, and not the human trials that befell people during the war years. his art arouses genuine interest in society and often controversy and controversy the soviet as

an artist of his style was sometimes perceived with hostility simply as no, he does not get this kind of painting, uh, his still life. well, they were not there 2-3. you would be a prisoner too. oh, i focused my thinking precisely on the fact that the picture said something , even a film was made they would say here, that is, uh, the viewer comes to these halls , there is already some kind of verbal contact from the silent canvas with applied paints. that is, in any case. this one is coming the conversation of this artist with the viewer is a kind of conversation for everyone. he probably individualized this conversation in 1972. mikhail savitsky is awarded the honorary title of people's artist of the belarusian ussr and after 6 years he is people's artist of the ussr in the early eighties , the international political situation becomes tense just recently

, the vietnam war ended, the soviet-afghan conflict began, iran was in iraq, the israeli troops invaded. the territory of lebanon in 1984, the artist writes his triptych of aggression. there he said, in general, hidden meanings about three, in general, hotbeds of conflicts of our time - this is a brown plague, the middle east region and the region. far asia these points they remain painful chains. sovietsky was always surprised by the depth of the subject. his works have a bright contrast. although the artists use dark colors in them, one of the most outstanding works of the artist is the field, which he writes in the post-war period in 1973, but it touches on the main theme of the work of the master war. if to speak, here in the field.

listen, i believed and believe that it is if we were open and loving. this is a masterpiece. mikhail andreevich savitsky is a masterpiece about the period of the great patriotic war, which the boot walked on the belarusian land and our guys met him in the golden field of jean, a battle ensued. i count the picases with my gelnik mikhail andreevich with this canvas of the defense of sevastopol or plastic there. uh, the fascist flew in on an equal footing with the picture of the epic field, and the sacred struggle, according to the artist, is work, for him the most expensive group of our fighters, engaging in hand-to -hand combat to hold the offensive nazis a huge spiked field here, as the personification of the earth. and the homeland of the field. we

ask. listen, show me something in czech. i wear here. some kind of decision will not be completely a solution to the field, a completely simple composition, and it really is just one strip of the horizon from there, cockroaches , black beetles crawling here, and here we took ours from the hair , which may be simpler in composition, but what expressiveness in everyday life mikhail andreevich was very different, he is sometimes remembered as a cruel person, but fair, silent and sociable, always necessarily always in a creative form and modest, which is typical for an artist . severe style, he is dedicated to his work and

evaluates everyone from an artistic point of view. the main thing is that in his small workshop they should be hung with canvases from ceiling to floor. paints and brushes and autumn should always have fresh apples. we had some kind of kind human, as it were, form of communication, since he was truly a sincere person, an open person. yes, i had to, the mother of people without a word, and he from the line all with young mastoks and with mastoks became adults. and, of course, he had open doors behind the master everywhere, so they themselves suddenly had a chance to pamper him on my side, and at my stubble on nekrasov street , and, of course, this was a unique person. cross over. he was confidently illuminated at most. shmat read it was an outstanding library. i gave her an injection, oh, he was hot on

foot in libraries, all sorts of brilliant things he had in moscow. he didn’t go to bars to dance, because he was the same age as salakhov resin. these guys are an adult who went through the war and an adult pig is over thirty in age, which means that he bought and bought a library of one slave in scientists. bought it for a cheap price . if today such a library of you miracle is unique, he screams, ru- philosophical philosophical aesthetic treatises, that is, it was very interesting. and this is this art, but of course it became so deep philosophical mikhail savitsky is known as an outstanding portrait painter among his

portrait works yanka kupala pushkin and goncharov dostoevsky tolstoy mickiewicz heartfelt of great love. the artist has been painting portraits of people close to him, the father, mother, wife rita and son andrei since 1999. the soviet begins work on a series of ten portraits of the presidents of the national academy of sciences of belarus, mikhail andreevich will be chao academician not only fulfills the order, but studies these people. the artist continues to work on portraits until 2009, and he does not work from life, but only from photographs, but there are exceptions, the portrait of a people's artist. ulyanova e. well, it is known that e began to write from nature, what is rare for a soviet pressed into the studio is a separate issue, soviet hmm from the moment, so to speak,

when he went to the orbit of his fame. he literally attracted people from various professions. this is a very long list with its complex nature, it still attracted many paintings of these people the people's artist devotes to the theme of the history of the formation of the belarusian national culture the theme of peasant labor is also present in the work of the master these canvases are made with expressive light colors and filled with some special sincere nobility , the picture in the field was painted in 1971, and people who care about the future harvest should stop in front of this canvas. why are they standing in the field in rye? this is the post-war period, who plows this land? this is a woman who has almost no husband and no groom. here esotericism

is polozamirovanno. he gave the viewer the opportunity to think to stand and remember the story. what happened yesterday, where does this bread grow from? why is the theme of war in his work? - this is life and bread - this is also life in the nineties already. he creates. well, although it began work on this series was still the end of the eighties. this is a series of works dedicated to the largest man-made disaster in the history of mankind, the accident at the chernobyl nuclear power plant, he was a pioneer. here, in the development of this topic in painting, it is in belarusian art in the paintings of the evacuation of the sighted, the cross of hope, the abandoned share of mikhail savitsky reflects the events of the post-chernobyl

life of people, the difficult path of overcoming the catastrophe is captured in the works of requisition. chernobyl madonna allegory chernobyl his series of paintings, black dust meets the gold medal of the academy of arts for a long time the artist keeps these canvases in the studio in the last years of his life. he will give them to his native city. and then, basically, these are works on biblical subjects such as christian themes. this is also the end of the nineties and the beginning of the 2000s after the collapse of the soviet union in the nineties . through dozens of canvases, the master openly declares his christian worldview through his canvases. he is still looking answers to eternal questions about good and evil, truth and truth, man and god, he writes a series of

beatitudes on the plots of the new and old testament. a new facet of the artist's creativity is evidence of his ability to think in images of a broad philosophical universal nature. mikhail savitsky in 1998 paints a picture on a biblical theme and off there is a version that in the picture in the image of the modern job, litsky figured out himself. mikhail savitsky quite deservedly went down in the history of belarus as the greatest master of modern art, the uniqueness of his skill lies in the fact that throughout the entire period

of his work, his works have not lost their relevance and significance, the creation of a personal gallery. it was the cherished dream of mikhail andreevich savitsky galina latisova. the director of the museum of the history of the city of minsk , an art critic, began to realize the decision and awarding him the title of hero of belarus at the end of 2007, an order was adopted by the head of state. he is the creation of this personal gallery. and of course, this process was very difficult. that's because for the gallery it was necessary to choose a building and this building, of course, had to correspond, but this, uh, a unique artist, but i must say that there are not so many in our country. here are

personal galleries, uh individual artists. well, mikhail savitsky really deserves it, and the gallery is such a place. the main place of his memory. and here is creativity, that is, there are permanent exhibitions and visitors can come and see his work at any time, the decision to create a gallery is made during the life of the artist mikhail andreevich chooses this building as the location of the gallery, with his consent , the building is reconstructed and completed as a dual-use museum object. combining actually. an art gallery and an exposition related to the history of this building were offered in several rooms in several buildings and along zabitska street. that's according to cyril and methodius that's but uh, like a real artist? he saw exactly

in this one in this old mansion he saw. here, probably, i saw my gallery and my works, because really this enfilade is such a construction of halls hmm classical architecture. it naturally contributed to this image, but the gallery is located in a building on the territory of the upper city at 15 svobody square, a former urban estate of the 18th century with an extension at different times of the owner. the estates became famous for weddings in the middle of the 19th century, the house was acquired by the mayor leopold del pasi, then the building was transferred to the men's religious school after the war and until 2004. here is the recruiting station the gallery of the minsk regional military commissariat, after all

, has a permanent exhibition, that is, which is represented by the creative works of alleyavich. and, that is, this is the beginning of his work. this is his personal, and objects, and this and here is a fragment of the hmm workshop. and so let's say transported here from nekrasov street here well, it's wonderful that the gallery has an exhibition hall. ah, the exhibition hall in which we have the opportunity to present it to represent artists of all kinds. e level not only of the work of belarusian artists, but also of many foreign e projects and this raincoat and this one, something

that, in general, mikhail andreevich dreamed about in the last years of his life, the soviet one is seriously ill , he suffers a stroke, but until the last day he works in his workshop with his signature sweater under the throat and felt boots, like the consequences of being in concentration camps, but at the same time sovietsky walks a lot in the workshop, he is energetic and always with a brush in his hands when i wrote it in our commission, even though he asked me. come with canvas. do you like fredy with canvas? well how can i write? i'm a little artist, so to speak. and i can write the great one whom i worship and adore, but suddenly i write, badly, it's best to write it. it could be abstract,

then he would not find fault with anyone artist. and so he is very picky and then fair. i wrote it. e. well, he says, finally he took the canvas and came to me. but listen if your husband only allows. not good. if possible, he will allow me, that is, i need to paint two more canvases. two and then i can leave. i didn't ask, i had awkward and still awkward. it's good that you didn't ask. do you know what thought mikhail

savitsky died on november 8, 2010 was buried in the eastern cemetery in minsk, but the memory of him, of course , continues to live today. central house of artists national art gallery in sofia as well as many other collections about his work had a principled position. he didn't sell us side to a private collector, not one of his paintings, of course. creativity from patchany i koyu. he glorified belarus and, of course, he had a great way of life, young people,

today the graduates of the bridge academy have become our niches of cultural installations, they took the stock correctly, their dear service, and here mikhail andreevich is in my opinion. that told me, he's a butt man. i gave you all my dance, my own tyoma , for this bridge and an idle remnant at he was famous for his own father in his native vitebsk region, where he was born and his native belarus , the creativity of the soviet large, diverse, he was treated differently , treated differently, but the fact remains that this is the largest artist of the republic of belarus

when you are in nature, it seems that the world has plunged into silence. all the sounds of the bustle are gone and only the songs of the wind are specially caressed by your ears so that you look around and understand what

silence is all around at every opportunity, go to nature, go to forests, fields on the river and lakes, breathe fresh air. admire clear sky. listen, the song of the bird plays tricks on the leaves, smile at the sun. enjoy. notice this beauty around in harmony with nature belorus 24. amkodora

presented samples of four new machines at once, all models for agriculture and forestry, will help the holding to occupy niches that have been vacated due to western sanctions. for new products, there is already a main market for the union state. also, at the beginning of the year, the holding created about hundreds of import-substituting units and assemblies by the end of this year at amkodor. they promise to release a new batch of science-intensive products of orders, a huge number of consumers are waiting today for us to give these machines to them for testing, therefore, as soon as they are convinced of those declared characteristics. we have no doubt that our cars turned out to be extremely competitive

in technical terms. to whom and in terms of economic indicators, then volumes? i think next year will be surpassed, even our wildest expectations, because of pent-up demand. today it is colossal and every day it becomes more and more a new round of belarusian-russian cooperation and increasing integration, these topics are discussed on the sidelines of the eastern economic forum in vladivostok trade economic partnership between our countries is growing rapidly only with the primorsky territory from january to june of this year increased almost two and a half times. among others, the issues of tourism were discussed ; messages. e with the republic in order to quickly build tourist routes and exchange tourists. in addition, the region is interested in further deliveries of belarusian equipment, including. of the pak plant

, the iron removal station is a rather sensitive position for them, and according to the first deputy governor, the issue will be taken into consideration and presented; reasonable development of digital markets , cartel collusion and the development of competition were discussed today at an international conference in minsk dedicated to the 30th anniversary of antimonopoly regulation in belarus , elegi from countries and the cis share their experience and declare their readiness to work together. maintaining a balance of interests of the state, society and business, our market is common and within the framework of the eurasian

economic union we are also from the interests of our enterprises in terms of violating antitrust laws and protecting competition in our common markets and here our antitrust authorities are actively involved in the work of the rome economic commission. so if such cases arise, we actively put the interests of our manufacturers, suppliers, digital circulation in the economy. it is growing and the scrutiny of the antimonopoly authorities of all countries, including the european economic union, will be more and more. e is directed this way more and more cities of the northern region of the country are joining the civil-patriotic marathon, the project has been retrained by the day of national unity on september 17th. the state flag and towels will be delivered to vitebsk, from all regions of the north of the country, from the strip to novopolotsk, transfers were made along the water surface of the western dvina, a huge number of young people from neighboring cities joined the initiative, and athletes also

brought the state flag along the main novopolo street. and delivered to past the real complex. the first tent marathon participants laid flowers to on the plates with the names of the first builders in the verkhnedvinsk region, the participants of the marathon made a stop in the village of volyntsy at the monument to the wars, the liberators held a rally in memory of the fallen heroes with almost a minute of silence. it is a pleasure for us to participate in this action, which unites the districts of our region, which educates patriotically, and we are proud to say that this is the flag of our state, that we were united thousands of children from the regions of belarus and russia, the most affected by the disaster at the chernobyl nuclear power plant, were rehabilitated in the sanatoriums vouchers from the union state. this year. for each child, an individual rehabilitation scheme has been developed in the children's health center of the lepel district. it is possible to carry out more than 80 types of medical procedures. now together with the young belarusians here.