mount lighthouse is the best observation point of the national park. the absolute height of this hill is 174 m above sea level. the tower , it has become not quite relevant, the forest has risen and the view that used to open. it uh closed and people became uninteresting. this year we have built, well, a tower, it is 14.5 m . you see, what a view and how you can not love. this place is not to love this national park. i

started to be in nature when i didn't walk yet. to school, my great-grandfather worked as a forester on a collective farm. he still took me with him to the forest from that time i fell in love, probably, the forest is comfortable in a pure pine forest, when there is nothing else besides the pine and the age of this plantation is about 780 years old. when i arrive, i pass by this here is a section of the forest, i sometimes want to stop and just walk around for a while. i somehow feel very comfortable here, i

rest my soul to gather. you can think something with some thoughts, decide something for yourself, draw some conclusions, communicate with nature. i think it makes a person more reasonable, more balanced , calm, probably, yes, this is my place of power. when i was a child, we lived in a village in the sharkovshchina district, which is located directly on the border with the sbraslav district, and during my school years, when i visited braslav with my parents. and i probably decided for myself then that i want to work here, uh, in the future, uh, and live, when i finished my studies, after some time it was 2000. i came uh to work at

the national park. i work nationally park, 21 years old, worked as an assistant forester for 10 years. i headed the overseas forestry. at present i work as the deputy general director of the national park. when there are days that repeat every day in its own way, unique in its own way, it’s hard to even imagine in the morning how it will pass for you, how it will end. and what will happen in this case? this is probably the most important thing. i love national parks, i love this region, i love this place. therefore, i would like to work here for many, many more years. and bring some benefit.

the national theater is glorious not only for its actors, directors yen sloun, the repertoire of the authentic unique original work of leakey is called out to the ambition for their ukraine, their culture, their history.

belarusian repertoire, fortunately, never ceases to have courts of belarusian authors, one from a performance based on action materials, the ballet anastasia to the music of vyacheslav kuznetsov , naturally, the question arose, what are we going to do next? i really wanted to keep this team. as far as possible, and do something new and interesting. i choose i tried to find a topic historically significant enough at the same time very theatrical, so that something could be invented there, so that there would not be such a hard path along which the right cannot be turned to the left. here it seemed to me just such a theme. the idea of ​​the choreographer yuri troyan poisoned the good gleba, i undermined the corpse and the production team for the excitement of the jackal dota, where is

the annalistic material? and for years to create a ballet , the treve was from scratch and did not base either music or nonsense. this is just her story about the princess felt nice the work of which we put as a basis or breta and the whole performance gave me a book, two scripts, two screenplays. this is one film anastasia and the second television film prince mikhail glinsky lived at the same time, often lived in the same places, were at about the same level of communication, for sure. they were familiar. and there was some kind of relationship between them, we decided to combine these two scenarios. then richer. history. then it has more literary facets, the scope of the performance increases the expectations of the choreographer. anatole dialectic. wrote the libretto on

framed by bret yura trojanism, the scenario plan was forged for a day and i’ll split only busy artists into episodes, and only then they took it back to the composer over the creation of ports, tours, vyacheslav kuznetsov jumped for six months. yura troyan was the first censor of the creative vyacheslav kuznetsov, for musical phrases, the choreographer in the thoughts would give the ice of the production, from his emotions , there was a repulse of glyadatsky spitting. there is one place in the second act where the tatar invasion torments the protagonist and their children. when i saw, uh, in the clavier, i listened to this very moment in the recording. let not the most completely such a worker. i wrote right on the beak i listen and cry. this is the first time in

my life i've written this. because my first reaction was like this. the panorama that the performance would be tremendously violent became visually at the first stage of zverkov's walkie-talkie , not only all the actors were corpses, alleys, interns, archers, and graduates of the choreographic college. the data warehouse is not due to the judgment of its professionalism exactly at the little artists got up, those who decided would like to channel their princely son and daughter ivan petrashevich and elizaveta kudidina spontaneity and not wisdom, and the young dancers perspire jazz, and hesitate to keep up with the older ones. on the other hand, i

was in the ranks of the corps de ballet dancers of yura troyan. i always say to cardio dancers. what are many of them? if they dance as a whole, they can dance in the good sense of the word any of the most talented soloists. powerful, well-practiced and understanding what he is doing? this is a huge strength of us strength. hallelujah images of teram, the tents of the

month and the sun anastasia's ballet became one of the worst works. you are vietnamese, alexandra kostyushenko. on foot to leave the earth, the master left the completion on the face of their saints and heals the sick hall, the slutsk prince's palace, prays not only the young anastasia in the smallest way, daring the earthly bow of the skin who comes to look at the performances to fade, the atmosphere and the bohemian edge. so subtle from a year on such for me, the atmosphere in which everything happens was important. i really like the icons that are there uh exists in the design, they are in two forms - icons that pray and burnt icons. these are two such states that can

inspire a person to do a lot and protect his city, his family, his people, and we defend our faith. in the absence of a single plot, such a story was little revealed in our country, than the deepening of the era was a rival to its image. we were friends with him for a very long time, but we didn’t do almost a single performance together, everything didn’t work out. we wanted to do, we sat with him, talked , discussed some things, and gradually here in this discussion appears some visits. he listens to me. i listen to him. and we were fine with that. we were friends, and we have normal human relations. alexander's team entered the bridge. so sow the

tuesday market on the bridges by the type of content from nikolai yarunin and the vyvydny theatrical costume channel with a rest in the era of posture tea uminoga cut and materials include axamites on the footer of winter departments and at the same time anastasia belorusskaya jeanne d'arc is not exposed in the image of the fit remnants of the canvas great and the prominent amal is iconic in its power and virtue. to create the image of anastasia of a woman, a beautiful woman, a warm, romantic , loving woman, they are absolutely not created to lead the troops, lead the fight, and so on,

but then you find yourself in a difficult situation and will you show this quality and figure out where these qualities come from? jean-tire the commander staggering yura the trojan is not only full of fluff. advayi, not since dormas, the hermits chanted the princess's sweater. i'm to the saint and ready to snot love and from the given loyalty to the husband of the family and to his people. i pray the choreographer and the lyre for a romantic story with a tragic and old-fashioned ending, not a thoughtless feat full of priceless heroism, but the width of a man’s croc for any smart man. and it was a great pride for me that i can now touch this story, and i remember that for me. uh , it was the plot itself that was paramount. that's

exactly what and about what it seemed to me it was so about me, i just remember that at that moment, but there was such an emotional state. um, just the same far from lyrical of a lyrical woman. namely, as women warriors. for some reason, they always seemed to think that i should. but to defend yourself to fight. it was just such a period of life, especially very close it was anastasia's children. and how much more the director. that put the meaning in these. children they are very visible throughout the performance. not this way. it was close. i so, uh, belligerently defended my children there as romkina. technologically,

the boundary matsyna also finished off from the devilish grabbing to the kindly need of a widow. so, i lay down the trouble not only about ali's domineering children a whole region of yakirui are swinging. in my opinion, in any ballet , the basis of the performance is some kind of relationship between a man and a woman. it even turned out, most likely such a triangle between anastasia semyon mikhail and those life barriers that i do not face in my life relationships. love hate is masculinity, when a woman has to make some decisions for a man, because he is not around. there is all the choreography where it can be performed absolutely without emotion. and you really look satisfaction. it’s just that

there are such plots for the choreography itself, where no matter how hard you try. eh, to perform choreography, no matter how you spin there, you have spin on your head, but you didn’t put all this in. emotions don’t look good. the protagonist and the play are through and through the gascons with their jocularity, and in the most manifest emotions of the power of the war, only the main heroine. one of the most striking figures of the performance was khan akhmat, who gave the hero to the dancer for asian blood, the choreographer did not lose such stewed otshiam. mine didn't just shine with a donutless sheep canal dough. yoon he molded it into an image with a fit-bellied tower, suffocated it all with a fire-breathing smoke. let the sleepwalker, theatrical a already knew that

it was necessary to do some nuances , so that without this akhmat this performance would not pass. yes, if you are the main role and well, the character is somehow not what he came up with, it just came by itself. here, a here is how it should be played. if this is the music, this is how you should walk. this is how makeup should be. this is how you should behave. any ballet does not set itself the task of reproducing what is written in history textbook. this is more of an interpretation for the soul, so that a person comes and on the basis of what he learned at school. i saw these

people, their humanity, their materiality, that they are the same as we are, they are bare letters on the pages of textbooks the whole story, it is based on this , that we must remember to learn to draw our own conclusions. uh and being prepared for the future is one of the criteria for the success of a performance. i always have the attitude of performers towards him. because the premiere is taking place, if something is not interesting, then gradually under various pretexts, people begin to dissolve from the compounds here, until this effect is observed. everyone is trying to dance the performance. it means they enjoy it. and if the actor gets pleasure from playing the role , then the viewers of this pleasure are transmitted. his significance and strength, as she is a knight and stumble to gain from the trail, take a

significant hammer with the path of truth and then the womanhood of wisdom.

news is now live in the studio pavel lazovik, good afternoon to the transport complex belarus needs virtuoso logistics the work of this sector of the economy in the face of sanctions today's meeting in the palace of independence is devoted to almost half of foreign exchange earnings. from the export of services, it is transport that brings. today, the industry is forced to work in new extreme conditions, many logistics