nature turns a dwelling for insects, firstly into a convenient place for them. secondly, in an aesthetically pleasing object, in my opinion, this is the most common question and the most correct solution. if you thought out that you need to dig potatoes with a shovel, and you are so skillful, you took the villas , you feel the aroma of lavender, a real antidepressant. here you and i are sitting purple lavender blossoms and we would like to give. a little lavender, see the dacha project on our tv channel. we are going on an expedition along the ridges of our country for people, which is awesome. ispardzh, we will not be slaughtered by raw foodists goblets of pravda that stellabashit and all the fears of cooking to leave shima beach and here is the soap of the grandfather’s garden , that near the new york area you decided to stare, you will prick his mines, we will investigate her

history and the meat images on the carriages were hauled and curled back beard. dozhinkov's abrat siyat about the piston, a sheaf of god's full beard , so they said on the news. have a pivotal day of harvest. let's give the second tradition a new life, say, let's say my heart, what do you think , look at the project on the pirates on our tv channel. in one of your interviews you said about such a phrase that you do not build your work on western traditions of values, but are guided precisely by the films of past years and well, this is great and orientation. after all, yours is somewhere in the soviet cinema. the

soviet past is soviet cartoons. well , let's say with meaning, yes, what is close to us is close to belarusians, and on what we would like our children to grow and continue to grow. this is very important and one of your paintings, and the stars of the seventh sky. how was she born? how was it formed?

let's just say the hottest pie is the picture, which was released recently last year, its premiere took place. first , it took place in minsk in the cinema house in ours, and then a few months later in october. it has already taken place in the moscow cinema house, so the picture, let's say, is very adequate and in demand by the audience. that is, after the premiere , both parents and children came out. we listened to the warmest words. they are. well, i think that , after all, the roots of this work belong. here's the script writer. our author of the project was gennady davydko, that is, we are c uh already. well, let's just say we encountered fairy tale, which, uh, already had a good realization. e hmm well, at least in belarus. that is, it was like a performance in

the gorky theater, uh, there, in my opinion, gennady was also the stage director of this performance. here, uh, she came out like a book for children, a younger age. well, or parents of young children, so that you can play with children . hmm, play at home, do small theatrical performances or at home or in younger groups of kindergarten, and wonderful pictures were awesome in marshak's picture so bright juicy and here is the then head of hmm the general director of the film studio. igor porshnev. unfortunately, he passed away recently. he got excited about this idea. e hmm implement. uh, this fairy tale . this book he had in his hands, here is a bright one. here in animation he turned to uh igor blinovsky in the studio of animated films. and so you had such an idea at the cartoon studio to create such a project. and the thing was

, and that there were several difficulties first. and that we have never before encountered a project of such a volume is clear it was that it was a full meter, that it was a full-length film. we don't have a very big studio. uh, we don't have a lot of people, and we have n't done a feature yet. e pictures, and we have, well, let's say hmm the most like this. er, well, which could be considered a full-length movie. uh, the famous fairy tales of nesterka igor volchok , he made this fairy tale for many years, but he rather created this tale in stages like an almanac , uh, one after another series then, yes, then they were combined into one block, and here it was clear that there was one the plot is straight through from the beginning. until the end and run it now here half a meter - well, let's say in a sense, bleed the uh cartoon studio, that is, then it will be necessary to work only on one project and others, for example, the directors will be idle, that is, this is a technical problem that had to be reckoned with and was a

very difficult decision was made to do it all the same, and this one is done in stages, and the project is like five animated films, that each film had its own structuring, so that it would be like a separate film. well, something, then there was an opportunity to collect them into one, uh, story, and so that it was not a set, after all, films, but just one story. this is a very difficult task with a similar one. i faced. probably only once in a lifetime. as a child, i saw the cartoon the adventures of captain vrungel , a fairly well-known funny film. yes, everyone saw david of cherkassy and it looked like, in my opinion, here is the story, uh, and i looked, well, how did they solve this problem. they made text pads. uh, between episodes here, and in the meantime, the yacht, went there there, they glued it like that. well, i thought that well, then you can try to get out in this way, but with over the years, here are the years that we have been

working on these projects. e suggested an even more interesting solution. we have abandoned these texts from pads. we removed a small sixth part, which, as it were, glued these parts together. we introduced the character of an astrologer who tells this story and was, as it turned out, a direct participant in these events and his little friend. eh, firefly. and here is firefly photon who is helping this star tell this story. this character is iconic, because one of the very first one of the very first characters known here to our animation studio. it was exactly the firefly firefly film by yuri butyrin, an old cartoon, which probably, well, maybe the audience does not even remember it. well, not everyone, of course, remembers, but the song is a firefly. here she is preserved. and i think that this is the case when, like this, well

, the sofa of generations, and here is our film, this seventh heaven. he is exactly what he is original in, that this is a musical film, that is, in this film it is collected, but 45 songs. i don't say how much in musical numbers, because there are also musical numbers, in addition to songs, here are these 45 songs. let's say there were such a complex picture, yes, they were written in tandem with the composer leonid shirin. here, and with whom when e, studied together at the belarusian university, and now they met after many, many years. ah, on such a joint work, but what are your plans for working on? we are currently working on a new painting. this is a fantasy picture, not an adventure fantasy. e song sirin she e, so, e is created according to the script e hmm which hmm took

first place in the competition for scripts, uh, feature-length animated film among young screenwriters, this competition was held several years ago by the film studios of belarus and this song sirina won first place and now a few years later. uh, here was hmm this film was put into production. well, let 's just say, and if very in general terms, then it is connected with ours, as you can say, cultural slavic values ​​​​with our slavic. mythology, that is, which, unfortunately, is enough so in runaways slipped through in schools, that is, maybe someone heard something about perun there is a sales god, but someone there knows something like that to me very much, but they know very well who zeus is who is there? which? who is finn there apollo is all known, that is, we know the greek gods very well, we know who the one cake is, there is the north and their gods, our pantheon practically remains unhyped. when we took up this

material. it's just that our eyes opened wide from how interesting it turns out to be. and this plast is not dug. how many of these interesting characters. we can see this picture. unfortunately, and not so quickly done. hmm uh animation uh, let's just say what we are, so the picture is designed for 4 1/2 years of production. we're working for now, anything at the moment with us. the storyboard of the picture is created, the characters are created, the sketches of the backgrounds are created by the animatic. that is, well, here in the future, and over the next few years we will need to make the animation of this all directly. elena viktorovna thank you very much for the conversation. and i wish you creative success. uh, more such e pictures of projects with meaning. it is very important. well, this is just great. that you are doing this, your team and the whole

belarus film, so all the best. thank you very much and by tradition we have a blitz survey. this is a short question and a very short answer a clear plan or spontaneity is better than a plan when you can improvise in it. what era would you like to live. i am a very romantic person. here, the pushkin epoch, here i like the number one director for you, the first thing that comes to mind. perhaps this is more correct? answer e to me. connections decide everything, they certainly help, but to say that they decide everything, well, i wouldn’t say, i’m not so pessimistic , let’s say talented people are born or become born

definitely stick instruments rich history played, probably, on many instruments, but mentions that he played around with scores about it. no, it was immediately possible to start off in bald's hammer and immediately the sound of culture, belarusian, correctness and hospitality flew out, and everyone tried their guests deliciously and the architecture of belarus, and here we can play.

hit arts flying buttresses cultural projects on our tv channel everything starts from origins and traditions. the memory of our ancestors the preservation of the culture of belarusian rituals and crafts but the world is changing. changes generations views and creativity does not stand still. when people realize the value of traditions and understand where to move on, art takes on new bright colors. let's put

it on, this is not a movie, and this is not a theater, this is a television theater, grigoryevich's teacher is an absolutely outstanding director and person. in the summer of 1967 in the circles of the minsk creative the june issue of the theater magazine became very popular among the intelligentsia, it published a review of the performance of the minsk television studio, which was shown on central television, was called the play collapse, and in petrograd for 10 years now,

blaspheming and mocking russia, lately, the box of the last tsar, one can safely say that without rasputin and his influence on nicholas ii and the empress is almost impossible to understand the last reign. well hello. well i kiss you. well, another hundred years. my curve. torment in the central the work of a provincial studio in relation to moscow is still a unique phenomenon for television throughout the multi-million country. moreover, a review in an all-union magazine. unfortunately , the review turned out to be not very pleasant, its author, people's artist of the ussr yuri lavrov , by the way, the father of

kirill lavrov, also people's artist of the ussr, called it sharply not accurate , not yet accurate . of course, the director of my hooks are addressed to the direction, the artist and it is mainly the actor's miscalculations that betray their failure, the indifference of the actors, their negligence. imagine . with what feeling could viktor grigoryevich karpina read this review, one of the most venerable directors of belarusian television, the author of the play. viktor grigoryevich was born on december 8, 1927. in minsk, he graduated from the belarusian theater and art institute, was an actor in the russian theater of the bssr since 1956, the

director of the republican television studio, at the same time worked as a teacher at the belarusian theater art institute, where he founded the course of television director, honored art worker of the belarusian ussr, passed away on may 3, 1994 . what the broadcast looked like then, there were no foreign films, there was no series of the series , i remember much later there weren’t any, in general, even our films were in short supply. and so , as they say, she filled this whole broadcast network with her own programs, except for news news - this is understandable. they were on their way. but everything else was filled in. blizzards with broadcasts were children's broadcasts. these were literary and dramatic programs. these were popular science programs. it was sports when television was a theater, in general

television was created by theater directors. these are masters. uh, theatrical ones like viktor grigoryevich karpilov. konstantin georgievich pelsin, and anna ivanovna pinigina, it must be said that television productions were quite a popular genre in the early years of the existence of the minsk television studio, and later bt, judge for yourself the first broadcast of belarusian television at that time by the minsk studio television took place on january 1, 1956, and in the same year, in honor of the 75th anniversary of the death of fyodor dostoevsky, the mida studio showed a play, the village of stepanchikov and its inhabitants. it was from this performance that the chronicle of the belarusian television theater began in the first year six performances were released, and today in this list of 245 titles i will sing ivan, and the prince about the

brave, cheerful prince who is always on the sword, but no, his heart is not protected by a shield. he defends the principle of the high, as there was no principle. onische said shield to beggar chained by vlada, a well-fed rich person laughs at a rich one . this is weighty, and everything else, and everything else is smoke, and everything else is smoke, and everything else is smoke, everything else is the director of the minsk television studio. mikhail dosin in the newspaper

literature and bridge 1964 the problem of original productions on television is one of the most difficult performances in the theater created for many years. a film has an even longer life, and a tv show often has only one screening. is it worth spending so much efforts and means for the sake of a single display. but let such a program take place, only once so many viewers see it. how many do not collect any theatrical performance, even for a decade. well, of course, this is a genre, if you answer, a separate genre is very interesting, because this is not a movie. and this is not a theatre, this is a television theater. it's kind of a very special atmosphere. this is a special picture, as we call it people who work in television, and actors and directors. this is a special

picture this is a special light, special special the manner of existence in the frame, this is some kind of special atmosphere well, that's what you say klyushkin turned off, you didn't refuse my food. become anxious vladimirovna all the time to put on the same one. for perseverance, i darutino escort you to your office, vladimir dmitrievich pie.

my teacher gave me interesting pieces to play. i also played classical jazz pieces. well, somehow i liked the sound itself. this is such a synthesis of an asian ancient instrument and the european first sound, here is a moment of some kind of uncertainty, whether? and of course, when it works out, it 's, well, it's. it's nice, it's nice. well, these are my native tools. i love him and treat him with tenderness and warmth. so, the cymbals are the ancestor of the piano, because the piano harpsichord clavichord materials from which they can be made have a very huge spectrum starting. here, from a tree there, ending there with some nuts and from the same

coconuts, but to extract sounds, see the sound project in a case on our tv channel. belarus is easy to explore only our report travel station baranovichi the central historical place from which the railway boom seems to have begun. in the country, this is the first secular residential stone building of the late 18th century, the palace would be directly worth it . he raised not even chekhov's cherry, and i'm not ashamed of this word, a real paradise apple garden. landscapes full of thoughtfulness and sadness enchant even the most fastidious

travelers. and if such a possibility no city of belarus is what you need, but for now the whole world in the photographs does not allow the leaning tower of pisa to fall. i will support the finnish, watch the project on our tv channel and travel online. at first, the staged works were broadcast live on the stage and the performances were played right in the studio in front of the camera, both the small studio and the large pavilion 300 were involved. here are the actors running back and forth. everything was live. yes, this performance is still old equipment, there were old cameras that turned.

so this is a lens to quickly snap on close-up, then there was a possibility of shooting first on film, and then on video. this made it possible to preserve in the archives of proteins or radio companies the works, outstanding masters and founders of such a genre as the belarusian television theater. why? are you shaking? i'm probably doing great. don't get hot. budyonny's cavalry is now spread out like a quarry. come on, come on, come on, so small in battle, keep up. ai-ai-ai-ai-ai-ai-ai, in addition to the difficulty of recording performances, there was another problem in there were no full-time

actors in the minsk television studio; only one full-time structure, a children's television theater studio, was actively working. we had a children's theater, there was a complete school of acting, after that there were rehearsals and there were rehearsal rooms, which are now generally not on television, or they are for official purposes. and then they were real. here are the rooms, large enough rooms in which rehearsals took place and the whole process of rehearsal is the same as in the theater, it took place on television, and then come out. we went on the air with a live performance. we schoolchildren danced and sang, well, of course there were dialogues. and it's all live for about two hours. under the lamps in costumes in makeup, of course, in big adult performances. the guys did not participate as television directors,

they tried to attract actors from belarusian theaters to their work; they dream of korpilov. dreamed. many. after school, i came to television and began working first as an assistant director, then as an assistant director. and, of course, that's fate, brought me to victor grigorievich karpelov my teacher, absolutely outstanding director hmm and a person who, uh, largely determined the atmosphere, and, uh, the level of those, uh, programs and performances that generally appeared on television. the club filled to the brim. come to the bright foreman from binarka, and harmony is the brink of the brink,

when i started working as a very young actor on our belarusian television, and this was the eighty-first year and almost immediately i got to audition for the great work of the fedra for our great belarusian television director karpilov. and uh, and was approved. true, not for the main role, for which i tried. unfortunately for another character, but i starred in a fedra, and i plunged into the world of a teleplay, and he remained in my heart for the rest of my life . this is what the scenery was built in the pavilions. it was a tv test. it was the work of the editors. it was a serious painstaking and very interesting process, no

less interesting than the same process, for example, in the cinema. let's talk about the future your princess. my dad dead my soul has been cooking for a long time. my turmoil is not measured, yes, pleasing one you became free. i turned off the gas. be complete, lord, not over your heart and over yourself. shaking denullada my right, where did you choose free will you? free for me. i'm afraid. rollercoaster change, so i'm mile by moon to

replace t. i filmed, only once i was lucky, and it was completely by accident. uh, because i didn't learn from him. and he just watched as he told me 2 years behind me, because he taught directors, and i i studied acting and somehow there was silence at the institute. probably everyone was at the lectures, and i ran away somewhere, ran away, probably, and i ran up the stairs very quickly, i remember, and suddenly there was a huge figure in front of me that said, wait a minute. i look, viktor grigorievich, he says, angela, i want to say a lot of kind words to you and said them and i want to invite you to my name day film, but my happiness knew no bounds, because, firstly, i saw these eyes

that looked at me with such love such paternal attention and as a teacher, as a person. like master. he was not indifferent in the morning. the waters of the lake go quickly, i give him a lot of space for her a lot freedom a ray of the sun seagulls wing of silver a ray of the sun wing. nebyri, but that this shot is not a lovely seagull, she died trembling in the reeds joking

her rail hunter unknown. we it was such an intelligent director that he could never ever raise his voice not to the operator not to the production team not to the sanctifier, because he appreciated, uh, the work of everyone an employee who worked in the studio and his relationship was great. it’s me, i don’t remember , there was no such thing that he raised his voice very tenderly somewhere, he treated the actors, but because he knew that this work is very difficult , hard, and when you wallow in the ground and in the sand and in the snow . in our program, only

the most pressing topics and questions. let's figure it out. why do we need these psychological settings. what are the boundaries of our self and where are we real stars and experts psychotherapists, in fact, i am a well- deserved artist. i'm very bad artist. to me very many consider it strange and crying. yes, you see. and he will ask around in the street. i thought that if i suddenly have some hints for the crown, then my talent has become less than it is, it will teach me how to safely resolve any conflict situations. we continue to dislike. i'm not insisting in any way. watch the program to understand and neutralize on belarus 24 tv channel. what is the role of youth in the religious life of

the country, but in fact, when you enter the temple among people of respectable age, our youth, it is especially noticeable in the temple and is also especially noticeable. and in general, in church life , through what experience it is necessary to go through in order to realize the deep meaning of the faith, you are the guardian and the faithful way of the skin, i am more aware and mind the same great price was paid for us sinners. what should a believer do to get closer to god on our way? better they esusa. guilty to him with a word that is true to thought, and christian scientists are waiting and uh. yes, we have the freedom to invite him into the heart or not, look at the spirits. clergy projects for

tv channel belarus 24 to work on the original television version of the play by shchegolev and tolstoy, the conspiracy of the empress karpilov invited outstanding masters of the belarusian theater filipov tarasov , the brovarsky play in the television version was called collapse, it was she who deserved a resounding slap in the face from the author of the review in the theater magazine her imperial majesty alexandra fedorovna, born princess alice of darmstadt from the hessian house. yes, he is the emperors autocrats of all russia, the king of the polish grand duke, finland and other things other things, and everything else. he also deserved it.