continue the sentence. i wouldn’t have succeeded as a director if it wasn’t for well, if some person in the forty-fifth year in the corridor in moscow at the headquarters wouldn’t tell my dad, the city of grodno and i, with my grandmother, came to this city in belarus for my dad and i would never have taken place in any of the union republics, either in the baltic or in the central asian or in the transcaucasian, simply because they are a national frame, and belarus accepts everyone and how much the lord does not give us the strength we will work for belarus to glorify her and e. by the strength of its ability to raise the level of belarusian art, if

a movie was made about the life of my guest, it would turn out to be an exciting historical film in the adventure genre with elements of drama and melodrama. today i am visiting. film director. screenwriter and writer vladimir orlov vladimir alexandrovich good morning. of course, good. what kind of woman are you from baku when was the last time you were in your small homeland in the ninety-second year, when i flew there for 2 days to bury my mother , nothing connects me with this city now, except the fact that for some reason i am an honorary member of the azerbaijani diaspora and for many, many years now, all ambassadors change, and i am invited to these, so to speak, meetings of memories

although i left there for eight years, like your parents, if you were married, azerbaijanis would not similar. no, of course, uh, they are, uh, full-blooded slavs, father is russian, mother is ukrainian. dad was there, probably at about 12 years old at 13:00. uh, because he's with his mom and his grandma. eh, i'll tell you honestly from tbilisi expired. fled from the bolsheviks to get lost in the proletarian side, and my mother in the same years, too, years, probably at 13:14 fled from ukraine from the holodomor. i was 8 years old, i was with my grandmother there all the time, because dad and mom worked, and this grandmother respected dad. yes, i'll tell you more than that valery evgenievich the fact is that because of my grandmother i ended up in belarus and

this is when your parents divorced, yes, they divorced before the war, as they say shortly after my birth. well, they were very good. e familiar friends. mom and her husband came to grodno, and dad came with mine. stepmother they came to baku extinguished each other. so uh, well, again ironically. before the war they lived in the same yard and my stepfather. mom and dad lived in the same yard. and so, when he returned, he saw to his stepfather from captivity that mom my freedom is everything. and then, as it were, well, your parents divorced. eh, when you were still a child, as we found out, and what is interesting, which is not typical of the soviet era. you stayed with your father, that's more . whose choice was it, yours or your parents'? dad happened to be in belarus, but it was a happy occasion, because the

general called the pope from baku and was looking for him in moscow. orlov needs to raise defense work in the liberated areas into the corridor. 10 minutes think three options, belgorod grodno velikiye luki in 10 minutes, tell the decision father goes out into the corridor. and who is in the corridor of the military, who just liberated it all, says orlov belgorod absolutely destroyed city, velikiye luki yes, this is a big village, grodno grodno polish city is a beautiful city, absolutely general, grodno everything turned out to be there, he came there that's it, and dad forever, taking his mom leaves for grodno and dad. he says, son, i'm leaving. i say dad forever. yes, you will come with me, i had one question, but my grandmother would. well, of course, i

said without hesitation, dad. i'm going with you after you moved to grodno, you often managed to see with my mother, which means that every two or three years i came to her there when i was very seriously ill in the fifty-first year. their marriage came to grodno, that is, well, as it were saw each other constantly correspondence. mom loved to write letters. i had a wonderful family there in baku with my stepfather and my dad with his stepmother. eh, it was too. they definitely have love. can you just envy? and how did you get to the shooting of the legendary film mikolka parovoz, i am finishing the tenth grade, i dream of becoming a director at this moment, the mother of my friend yura gladkikh, his mother says, vova, you are going to become a director. yes, you know

that the group from the movie mykola ko parovoz opened an account with us and they will be here for half a year there, yes october. well, of course, i nailed to this to this group. i was called an 18 year old. well, how was the young man called to minsk to work for belarus in the film. well, can you imagine such a miracle? maybe because i crave these miracles of joy. and they come to me all the time. in general, as i understand it, after uh mikolki locomotive, the work that was brought out on the set of this other films. you only strengthened your desire to become a director, and after school you went to conquer film universities, but you didn’t pass twice entrance exams, what i didn't like about entrance exams, you know that now i sometimes analyze myself and think, of course, it's a pity that they didn't accept me, uh, in the university, but on the other

hand. i understand that i looked so pathetic. you see, a grodno provincial boy who graduated from a ten-year-old school, and then igor dobrolyubov was recruited, he acted with me, who had already graduated from a white university and worked as an artist in the theater for young spectators, in my opinion, andron konchalovsky acted then nikita later. that is, people from the creative intelligentsia acted, and i came. i realize how stupid i looked like me, of course that's me. i often think about it now, and so it was the next year, you understand, but, uh, fortunately , in the year 1958, our director's workshop was organized. i also wanted to, uh, ask you. here's what from your dreams. you did not refuse and you, uh, went

as an assistant director to belarus film. yes , yes, all these years i worked as an assistant director on five films. i worked. they were mikolka. steam locomotive our neighbors red leaves. uh, the girl is looking for her father. after graduation institute. e you got a job in a tv movie and a bill of a tv and radio company, so in your interviews. you said it was a special privileged department. and here's what it was. its peculiarity came to me two applications for belarusfilm and for a tv movie seeing what was being done at belarusfilm at that time. i think i did the right thing by choosing the tv movie. it was just being formed , just starting its own television production, you know, and it was interesting to me. it was important to me, and i understood that the leaders of the first uh tv and radio companies, and then it was called

radio, they relied on a tv movie, because they didn’t understand that they would represent everyday penny programs belarusian television and belarus in general at festivals, but only films and that’s how we became a prosperous film, firstly, we had a very good directing school for everyone. secondly, the newsrooms were all engaged in military broadcasts of sports broadcasts of children's broadcasts. uh, there on popular science broadcasts, social-politics broadcasts. that is, there were these one-time broadcasts are all some things that came today. tomorrow they're gone. that 's it. and we were television, we shot on a wide thirty-five-millimeter film, and we took it all to moscow. moscow accepted us. what is the role of youth

in the religious life of the country, but in fact, when you enter the temple among people of respectable age, our youth, they are especially noticeable in the temple and also especially noticeable. and in general, in church life, what kind of experience do you need to go through in order to realize the deep meaning of the faith ? you are a goat leather way more faithful to myself and my mind, i poop, a great price was paid for us sinners. what should a believer do in order to get closer to god on the way to our chan, it’s better they are jesus through fault on beat him with the right thought of a word and christian men are waiting and have given

us freedom. and we are already deciding whether to invite him into our hearts or not. look, spiritual and educational projects on belarus 24 tv channel. dance is the pulse of movement breathing is the rhythm of life. fashion illustration art of conveying fashion ideas in visual form dear, dinner spoon new theatrical forms author's reading of classical works search for sacred meaning every week we are in a new place, watch the project of fashion for culture on wednesdays on belarus 24 tv channel

. i'm still flying. you started your career with documentaries, and among the heroes of your films were astronauts and composers. musicians plant directors, chairmen of collective farms. in general, these are completely different fates, but in your opinion. what do you have

they had in common i was interested in the idealists? for example, i made a film about the first secretary of the vileika city party committee, which, as they say, the former vileika region he wanted in a separate, taken his district. to build market relations he was a communist. he was an idealist, you know, moreover, we flew with him in june 13, 1983 with my large film crew to georgia, we traveled around georgia and watched how it all happens. the so -called abazh experiment was a film i made. and i'm not a couchette for the general director of the production association. alesya knitwear. here's some. yes, he tried

to build market relations within the framework of his factory. she was then called this olesya, they had their own rest home, their own dining room, their kindergarten, or there were all sorts of benefits, you understand, they were ahead of their time, these wonderful people, with whom i will not hide. after that, i met many times and shared feasts with them. you know, because they continued to be interesting to me and dem to walk. i know that you m-m more and for the longest time they filmed songwriters, and you even met vladimir lyavin under very unusual circumstances, as it was two such funny artists, they began to court me, because they were told that

there is a young director on television who makes musical films and is very loves. but they, then invited me called. everything. i say, well, i must see they invited me to their content philharmonic held for some reason at 3:00 in the afternoon. okay, i'm coming. it's three minutes to three there, firstly it's raining, secondly no one in front of the philharmonic. no, well, i knew how raikin spoke through back cyrillic. i go to the service entrance to the philharmonic. they are waiting for me. yes, here the concert in the large hall was canceled, that means. there we go there, well, let's say we sit in stolbtsy, then we take the bus. well, here we go, and next to me sits a beautiful woman who introduced herself as lydia karmalskaya, she performed in a genre that is now dead does not exist, and artistic whistling. as soon as we left, she unfolds. uh, it means that there is some kind of treat there, and he would give me

says something to me, tell that man, i tell him. she says this is my husband. volodya him. well, your sector also said it was. volodya with mules. well, you have begun to cooperate with them. uh, in the early seventies and filmed until the age of 21. yes, how pesnyary has changed over these 30 years. you know, until a certain period before the ninety-eighth year, they grew, and then the role of an icebreaker became unbearable, which split this team , you understand, and that's it. you somehow never know that you very often had to work through your projects with difficulty.

and what was the reason the topics were too bold or you asked too much. i don't know there were babies, somehow i er, it's hard. uh, everything, i forgot, you know, i keep forgetting it, well, they tried me at startup. again damn cozy home. it was a miracle to shoot on the basis of television not a belarus film, even on the basis of television, to shoot 33 episodes 16 months of filming period for editing then a year of downtime, because, well, there was a need for this on television, but, as it were, under my project they bought for hardware sounding currency and then another year of voice acting understand? it was a miracle, and someone smart understood that orlov was about to break out somewhere, but at least some advice, how was it at first.

ok then. let's let him shoot a pilot or two and see what i can hardly contain myself. yes, we are renovating the house. in which, by the way, i had to, of course, we will sew on 56 actors. uh, costumes, we'll get props. we are this this and when i have all this i will already shoot two pilot episodes or 33 anyway. i need it there, well, and so on, then it happened. for half a year there was some kind of parade of planets. i went through the authorities, and i got some people who supported me. here at that stage of the launch, the same e, engines in the launch vehicle that were

given. uh, push, you understand, i was supported by georgy dmitrievich chubat. uh, the director of the telecentre supported the chief engineer, nikolai nikolaevich golub, i remember all of them , you know, they supported me, they gave me win-win technical directions. and cut off on the cheek of my love, goodbye god at dusk, vladimir alexandrovich, you are probably told about this very often, that you are not only a good director, but also an excellent storyteller and you have a huge number of off -screen stories that are included in your books, you already have more than a dozen of them. and here's what started it all. when did you decide that you should

write down everything that happens to you? well, as always, uh, at the beginning of all my business, skill projects, good people appear who guide me in the ninety-ninth year. i had two premieres. uh, or rather the premiere, two performances were m-m of mine a variety performance from an orchestra with a jazz orchestra is not an instant, but on the stage of the musical comedy theater, which was called along with the song of leonidautin. well, i'm always an old-fashioned person. i understand that i am always an artist after the performance after the premiere. moreover, it is necessary to cool down at the table so that we have something poured in our cups, except for tea and coffee, you understand, and after this first one and maybe after the second performance. again, i started talking

about the cliffs, and about the fact that it fell, that it was on the eighth of the ninth e, exactly 70 years ago in in the twenty-ninth year it premiered then yes, yes, yes. then the deputy editor-in -chief or already, probably, the editor of the newspaper kultura was an old friend. lyuda krushinskaya tells me that you tell everything, tell me. so take it, write it, write about what you experienced today about what you will tell me today, well, i came home there, so i quickly typed something there on a typewriter . brought it to the editor today. she printed it, then already there a year later i had already accumulated it for a book. well, as if book i rewrote me inserted into the plans. i am printing the first book of my magic of the white screen at the same time they are printing my book for the

personnel history of films. all the king 's men started like this. well, then my books began to buy well and the magic of the multi-color screen went headline behind the scenes backstage friends. there, and actresses, fiction books appeared; i had a trilogy in a two-volume edition, then it was published separately. the book of their portrait with the doomed emperor in magazines began to print me, and there they are in mostatsi, but i became a regular correspondent for the newspaper kultura with which i am friends to this day. a broadcast about unique personalities breaking stereotypes with an example from their own experience , someone is resurrected there by machines, please,

a hint, through someone i don’t know what bracelets, than watches and smartphones. i also like more stories. by the way, this is quite a rare device. it was launched during the war, it was called either trench or tank, very compact and i think that it really participated in combat battles, but a good thing. she's well small quantities are done. there can't be too many quality items. i know for sure that if i hadn’t spent some 300 dollars to buy this device, we just ate it up, investing in old things, especially in good condition, they are unlikely to depreciate these things. i think that it is possible to make this, this, this, this magnum, we will fasten it while she waits, watch the program to break stereotypes on belarus 24 tv channel. we are a teacher. he gave me interesting pieces

to play. i also played classical jazz pieces. i somehow here is the sound itself liked it. this is such a synthesis of an asian ancient instrument and a european first sound of the moment of such, uh, some kind of uncertainty, or something, of course, when it turns out, it's, well, it's . well, this is my native instrument, i love it and treat it with tender warmth. so the dulcimer is the ancestor of the piano, because the piano harpsichord clavichord material from which they can be made is a very huge spectrum starting. here from a tree there ending there with some nuts and from the same coconuts, but extract sounds separately do, watch the project sounds in a case on our tv channel.

you are an incorrigible workaholic, you write , hold creative meetings with the audience , shoot and act in films yourself, work on television. rest anyway. i don't get tired. and here i am the day before yesterday on sunday, somewhere from three to half of the 20th century, without releasing a guitar. i'm with my friends. it was a singing company singing a song with them, you know? i am not tired. it was a joy for me, because people sang with me it was eh. well, here i used the word again friends. these were my wife's friends, but this is from all the first composition yesterday down, where i grabbed her once my current wife,

you know? i don’t get tired, you know, i don’t get tired, because this work does not bring joy, change of activity, it’s like i say. wrote something rested, shot a film rested. eh, i sat there with my friends, i sang, i worked, i rested, life is a continuous rest. well, oh, i understand that you are quite comfortable in your condition, and how does the family relate to your hard work. you know the family now consists of me and my wife. e, with whom we have been living for 42 years. i have already lived half my life with her , you know, therefore, yes, uh, well, she is 20 years younger than me, and therefore she has already lived 2/3 of her life with me and i think that for our children and for our grandchildren. this is an example. uh,

happy happy marriage in your busy schedule with your children and grandchildren. how much time is left? from the second to the seventh of may, my star son and his wife came from moscow, they live very well there. why did they come to baptize my son fourth grandson. sasha, the eldest grandson, 35, then 17 12 and now a year and a half, why did you come to minsk because the rectors of this church, peter and paul, by the way, are also father georgy yes, he was the head of the sunday school, where my daughter, anna and my son george and this rector is also father george, and when my son george in 2000 was very seriously ill and at my request, father george prayed for him , begged him, then was in jerusalem and brought my george from there. icon of saint george

from jerusalem is illuminated, with which my son does not part. here he came. it was such a joy for me. uh, maybe if we lived together. i would probably not take it so sharply. but it's a blessing that they come to me. uh, you see , my minskers come to me. uh, grandchildren, my great-granddaughter, seven-year-old already. you see, this year she will go to school, that is, i communicate with them, but no one lives with me anymore. well, maybe also because maybe it would be more difficult to get along with me now, because that i, uh, like, i think that i poured all my such parental love on my two youngest children. i'm afraid, i think, maybe even so good, because i wouldn't dare not be able to give so much already, because she, like in every person, has a resource of some

feelings. so, probably me too. well, this is presumably anyway, i am pleased with how everything in my life has not only developed, but also how it has all been geographically distributed. vladimir alexandrovich our program is called the meaning of life for you. what is the meaning of life when i first time the editor called and said that the program was called the meaning of life. the first thing i remembered was the scene from the golden calf, when stap bender came to the indian guru to understand the meaning of life, what should he do with this million of his, he began to tell how he was at school. and as the pioneers tied a tie to him and began to tell, leave it said, wait for this . i don’t need to translate. let's when the meaning of life and so on translate. for some reason i remembered this here this chapter.