this year, until april 21, they were operating in the capital , selling someone else's living space, and the owners were evicted to houses in conditions that can hardly be called suitable for life. the investigation established that the defendants appropriated the proceeds from the transactions for themselves only sometimes acquired, 11 episodes of criminal activity of the defendants for a short time were recorded for the victims of uninhabitable housing. after the transactions were completed, the defendants kept in touch with the victims, handed them alcohol and promised to return the money as soon as possible. time, and then completely stopped communicating. for 4.5 years, according to the prosecution, gray realtors under the pretext of real estate transactions, they seized the owners' living space for a total amount of more than 880,000 rubles. and this is the latest news to this minute. see you at 19:00.

i greet you, dear tv viewers, someone wise said on the air the program of shots of life, how good it is when a person has the opportunity to choose a profession not out of necessity, but in accordance with spiritual inclinations. and these words are the best approach our guest about how to turn a hobby into a profession, learn to combine incompatible ones and live with everyone in a world of love and harmony, we will talk today with a charming and cheerful person, honored artist of the republic of belarus stanislav

trifonov. probably, there is no singer, musician or creative person in general, who would not at least once in his life say, yes, why am i even in the woods in this matter? something left at home as a keepsake, a medal. i have the money, but the money was paid, there was no money left for memory, looking. on you to you all the time i want to break out of the traditional performance of hooliganism, of course, and sometimes i want to be given freedom, but i had very little of it. one day he carried me to these mountains. i would work at a factory there, drive a truck there and invent something altogether. why do i need this? well , i'm just interested in touching, because i hardly got this experience somewhere else. and we have the bach theater. you can try this already like this again. well, that's it, please. stanislav vladimirovich trifonov

was born on august 13, 1972 in tobolsk in in 1993 he graduated from the glinka minsk musical college, the class of the honored worker of culture adam osmanovich murch, and 5 years later, the odessa state conservatory , the class of the honored artist of ukraine vasily vsevolodovich navrodsky. in the same place, he completed an assistantship internship since 1997, soloed at the odessa national academic opera and ballet theater in 2007, joined the bolshoi theater of belarus, collaborates with the opera houses of russia, tatarstan, bulgaria, laureate of the state prize of the republic belarus of international competitions and festivals winner of the medals of francis, skaryna stanislav trifonov honored artist of the republic of belarus stanislav good afternoon,

hello, you have never been compared with the famous russian actor vladimir mashkov, of course, yes, and how did you like such a comparison very much? as artists, as an actor, how shall we say? well, even as a siberian, because we pass from some places in siberia. well, i, too, in general, in some way, are such a siberian in our program. we will often turn to rich funds belteria radio company after seeing a lot of videos related to your life and work. and now i want to know what the following shots have to do with you, let's look at our wounds.

auntie i don't need bread, i don't need water, and i can't live without a station. this is a bee apparently this is a cartoon that you say was created at our studio, belarus in the film is dedicated to the formation of the belarusian ballet. here i played one of the roles here, i think about two years ago i was offered such an interesting experience. i even don't know, what is the name of the technique, when first they shoot a live, so to speak, character lightened in make-up, a costume, and then he serves already, uh, as a model for the embodiment of the animated one. that's what my friend prince zorch, you were friends with his serene highness prince potemkin, but in everything you are obliged to continue his work, so, in my opinion, it was i who was there a little piece, or what? yes, you can know.

it's interesting, to be honest, i've never seen it, but you managed to find it somewhere, the release was slightly delayed and guys. they promised me that they had already done it. you already got it, but i haven't seen it yet. well, that's interesting from what i've heard. i mean that in those places the people are talented, you are my weakness, you know, don’t let me down, my dear, i obey the empress. well, it's interesting that this experiment was continued completely unexpectedly for me, because at first i had to give in only how the artistic model was drawn and that's it, and then i was asked to try again and voice this cartoon in its entirety. that is, i still spoke interestingly with my voice there. well, i was worried. i am very, because, well, not my specificity to drink. well sing. this says one thing, on the other , your task is completely - to find them better and learn their skills, i am sure that in a year or two the best metropolitan theaters will envy us. but the following shots have

something to do with you. let's see now. now i doubted, if you found modern tobolsk, tobolsk interest, thank you very much, abundance. these churches are more of a costume. i look, i didn’t recognize it, who didn’t recognize it, this moment was caught by the shock a little, it looks like grodno on a cliff, this one on the old castle. to be honest, i have never been there.

well, as if he was there by the fact of birth. i know that the kremlin is here. i mean, i 've heard a lot about it, but i've never seen it. and how the family ended up in grodno, but this story is worthy of the berdiyev troubadour, that is, no one really knows the content. this i know that young teachers. you were friends with families and one of the families and radically decided to move and dragged several friends along with them, including my family. and so we moved to grodno. first, dad moved. he arranged some kind of life here, then my mother and i so they flew in a plane and moved to dad, and mom was already offered a job in grodny, respectively, to enlightenment in a pedagogical school. reasons for moving. actually it was, because the living conditions were much. better here in belarus for the smell, like the guards of the soviet union and this is grodno right there they are the famous theater, ours, which has, so to speak, the uniqueness of a certain one. yes, it's also green. you see, our kaluga church

of the eleventh century is mute. wonderful green western such a town with its own character people miraculous. i really love to come back to walk along these streets like this. soviet beautiful city they say that too obedient sons never achieve much. and what kind of child were you ? there were periods in life. i had different swings. i was an activist secretary . quarters. well, that's how there were all sorts of breaks. well, that is normal everything was normal and the guitars, the yards, the songs, the bicycles. boys and girls are skating rinks, in winter football in summer is a

normal childhood of a normal soviet child. probably, after all, he escaped the music school, clung with his teeth, but throw away your freedom. it wasn't my parents who made me very tight music, i either went to school for two classes, music is less even anyway, you ca n't hide anywhere. yes, yes, at first the guitar arose just songs to the guitar damn, then they already showed you in russian the city's temple, grodno and its church choir. i fell in love with this music immediately because. well, probably, i really did it somewhere in the external after all, music. family and brother and dad and mom and this music constantly sounded in the house and so it happened. so i came to the office of the intercession cathedral of the city. grodno it was the threshold of the eighties, when i became a little bit possible and the teachers of the grodno pedagogical musical school. we gathered a more or less decent choir, and we have already taken some works by serious arkhangelsk turquoise composers chesnokov, interesting church music. well, here i am

in this year and a half. here's what i led. here is this cathedral, i, perhaps, began to form. he told me this is some kind of desire to engage music. i still vaguely understood which one, but more, of course, i am a burdensome choral music, of course. elder brother, then i suggested that maybe i should try to study this matter more seriously, so to speak, not just sing there in church. well, the glinka music school arose. who else was involved in you? who is in fact? well molded you into a musician. well, that's all you do, and it so happened that dad passed away early enough. here i am, that is, on the threshold of my sixteenth birthday, i was completely like that. here is such an age, not mmm, not the best for boy. yes, that is, this is how transitional formation is. mom naturally was in such a shock, probably for about a year, maybe twice at that time. i finished school and finished it. now, in this state, these here, well, no one where to

do what? i didn't have any programs to go there. i didn’t prepare at all, so naturally i didn’t go anywhere. i didn’t enter. it was then that some kind of work, a factory, life experience arose already at the cathedral, cutting this money from my brother for a bass guitar is serious, because i still played there. around the music it was very fashionable then these seancembly all that. so i had to give money somehow. so i went to work. to say that i was someone specially like something here. well, i don’t know so no , well, here, brother, he really said and advised and did not lead the teacher by the hand. i'll give it to my beloved. that's why i was in the school . he made a singer out of me, because he completely came to me. well, well, well, let's sing in the choir. well, something, well, how to spend time. oh my god, this is when they i fixed my eyes, but nevertheless , it was your brother who played a very important role in your fate . hmm

talk a lot meet. he lives in nagilev. i work there, yes, it’s him in odessa together, well, let’s say a lot in life, but what’s the difference between you, andrey, how much are you? it’s such an interesting fate to choose, that is, a pianist, after graduating from the conservatory for graduate school already a lot. we will have time to inspire this instrument, then we all wanted to sing, and everything sings too. you have chosen the odessa conservatory to continue your studies. i know that there were still other options, there were many options, but here i chose odessa. odessa, i have

an interesting moment here, when my mother and i are a teacher, maybe he said, well, we must try to escape somewhere, where -something to sniff another of some school is different, if we are more typical of choral singing, ceremonial with it for whole holidays a huge number of cows. it was here when you were younger. now for some reason it's gone somewhere in vain, but there are a lot of very people who sing just songs, loud , vociferous people, solo singing, and of course, the odessa conservatory was such a vocal mecca there. it was so blagovidova, after her ivanov professor these are the people who laid down the tradition of such stones, so to speak, scattered such stones there that, even when they left , the students, the accompanists, died. well , there was a vocal conservatory, that is, there the rector of the conservatory was a vocal one. yes , it says, so we talked about the odessa conservatory. well i started thinking about something and suddenly turned out to be perfect. it seems to me accidentally. i never somehow went to the route near the philharmonic on foot.

for some reason, i walked. and suddenly i see vladislav uspensky, that is, the performers, there alice is a living mountaineer. anatoly kapustin vasily navrodsky, odessa vasily novgorodsky did not say that this is a teacher now at the conservatory in odessa who, in general, took the place of the legendary professor ivanov. so, how can things like this happen? i came and said here i 'm talking about the philharmonic. here is a rehearsal says so. yes, there is there in such and such a class , or you went to him. he came up and asked. so i want to talk to you about in odessa, please come closer and feel for me a couple of some exercises. here then, when within one or two days somehow it was decided literally after our conversation, when you have a mother, then where to go? i didn't think anymore. well, then odessa is a city with such a train with such a charisma, the sea, privoz i have never been there . something i think is warm, although in odessa it was fabulous. i just arrived there, and i

remember now, on november 9 frosts hit, terrible frosts. i was completely unprepared for this. and there, now, this humidity is the sea and it's scary. i froze where or where this mild climate of yours, where this south is. this is where i came, odessa is still a wonderful city. this is my youth, the day now, when the first musician's friends are my wife. so odessa is also a huge huge piece of my life for me, which i am very grateful to, i love very much. the famous japanese writer haruki murakami once said that the profession should initially be an act of love and not marriage in any way. carried away by the art of opera. what is your goal? you know, as they say in the first year, all the soloists are rocks, and the second is already a metropolitan, the third and fifth courses are, well, in phase to the local philharm. understand something like that. well, that is, well, everything is

shrinking, narrowing, of course, romance. there is, like someone has a moment. right there i want the whole world to stop when i sing. i've been here for 25 years practically the skill they bring. i just want to mind my own business. bring joy for as long as possible public. to find understanding and not be ashamed of the fact that you go on stage, that you take time for something so that people come out , uh, in their performances, well, with some baggage , this is already a certain happiness for a creative person. it seems to me that you gave 10 years to the odessa opera stage, do you remember your first part. it was eugene onegin here. well, it so happened that i won the competition in karlovy vary received an invitation to take part in the production of eugene onegin in the prague state operation to stand up not the debate of dust, as it is called in czech and i'm still a future student at the conservatory and i ca n't seem to get into the field of view of the odessa opera house obviously. he was already invited

there and worked on the production and sang about the performances on september 23, 1997 . this is my first outing, so to speak. well here is the creative divider. having returned to odessa, i found a note on the watch in the hostel that stanislav trifonov please call such and such a number. here is less often the management of the odessa theater it turned out that they are going through a preparatory period horsemeat, literally a week later the release of the performance, but they don’t have onegin. this is how it happens. you know, here, that is, but someone there, or someone’s voice injured his leg. i merged right into the production in a week. after all these things. naturally, they did not offer a place for a socialist. odessa will be one of the most beautiful theaters in the world. i, well, in many, really very beautiful. very concise, very correct, from the point of view, but here, as a theater, a classical understanding of you and the

hall and outside, in our career, unfortunately, we do not have your first performance, but we still managed to find something. let's see, come on. i don't have my first performance either. this is yerevan armenia yes, this is also, by the way, there was an interesting moment with this girl. we drove together from the kazan theater to the airport. here we drove literally 15 minutes from the theater to the airport there leila from the gazaryans. just in case it's winter. recorded my phone number. and after a while. it may have been a week. i don't remember the call. here such a misfortune, we have our singer brings us. he was offered some kind of contract there, he is

leaving. we have a performance the day after tomorrow . we have everything charged, the audience is all sold and two performances. i say you know, here, wait 20 minutes to call. now i just have to sit down and put my brains together and well, i sat down and thought with my wife. well, she says, well, she will come, what, well, anyway . well, if you come, you can do it there, i don’t know, i didn’t see it here, i didn’t understand where. and this is not a theater, they are devotees there, they are at the base the philharmonic halls once in a season make a production with the help of philharmonic groups, and here bakhov brings them to onegin, they, like an agent, called and said that this time they were waiting for him there. i need to fly away immediately. and i flew there, and it was interesting there. uh, history means, well, we're getting ready for the play. we all make peace. well, i met the guys. with whom will we work, they all go bearded, but they can’t go there, bearded men can walk. and onegin lena

times. now i’m still coming up, you’re already making up. now i understand what it is an armenian man is now forced to shave off his beard. this is how we will interpret that this one came from st. petersburg. well, these are shaved. they are the local village. well, that's how it was. you know it comes out together. i'm so sorry, no, well, uh, with these victorian bowler hats, these scarves are bearded with such. well, this is just such a real comedy turned out. here is one of such creative ones, sort of like jumps under jumps, when somewhere in the unknown. it turned out to be such an interesting adventure. well, experience.

stanislav in my opinion, onegin is very different from your other heroes superbook kitgail scarpey mugbit most of these characters villain intriguers merciless people. and you look like your heroes, of course, yes, you intrigue and tell. probably it is some features. it is interesting for me to endow these characters with some of my qualities , to peep somewhere, to experiment, to prevent the viewer from seeing people on stage, not divorced from the reality of some characters. you see, understand what is happening to her and you know yes. it would probably be so, because a person also models some ideas about behavior there , therefore he says how well he played. how well he played. so well played hit. here it is for the public. yes, there, as it should be, you are not perceived as a comedian

, but a bear. mourning hooray, i don't know exactly why you need this mourning. this is true. take a look at the windows. we started my sweat when work on the bear was also very hard at first, the material, this training, all that, but then when we plunged, after all, it was chekhov’s, this story, humor, it was difficult to ignore this

from the film, which we all already know perfectly well, where zharov is, there is this bear, so it was more interesting to change it somehow restart. if something else comes up with another wonderful microclimate team, lenochka will be yura balatko. uh, such partners, well, we both laughed and cried, and in general, we really enjoyed it. this was really unusual for me. and this is one of the first experiences in my life. such a theater of a real other is almost not an opera house. after all, there is practically this dramatic singing there , such as we used to say, here is the singing of operas on this there aria duets some form. you go out and demonstrate your voice, these tasks are not here. there were completely different aesthetics of the game style here. in general, other highs, that and i am very grateful to fate that such an interesting experiment happened in my life. this was unexpected and great. don't do it to me, i

don't like it. give money let's say the lion's share of my repertoire. it 's just, well, such serious guys who stand loud enough to sing at someone before slaughtering him, at best , there or with a bite. it's just, well, these are certain roles that are fixed. if i say funny, then there are about 300 there, nothing, really in the theater, there is a need, if there is a magnet there, if there is holland, well, then it has to be done again,

of course. that's all. there's nothing like that. no need. why was there really a bear there was a siberian barber sub-enviously mixed up, he was very unusual there and not easy. it was a comedy a and also in the tradition of playing this comedy art. it was interesting and not easy and very energy intensive. this recording was made 11 years ago. let's see, let's see. interesting, i remember, of course, how we made this number huge. yes, we have

to work with him a lot. now a good partner. it 's a pleasure to work with him. well, why timed to a concert, i don't remember. ah, ah, today , years later, i am reviewing these records. how are you take care of your performance. something like this can be done better when you especially look at yourself. you see what could have been done better, where there are some bad moments or something like that. in general, we are

unfortunate people in this regard. it’s not like i ca n’t watch my own someone else’s performance so calmly, because you sit in the hall and start to calculate all the time that somewhere, well, such a mathematical approach is going on to evaluate the performance. this, of course, is a little deprived of misfortune, because it is difficult to be distracted sometimes it is possible when the master of such an unsurpassed heard says everything. yes , you can really forgive everything you want. what do you think about the next shots? this is so young, young, like this, but this is just my debut at the odessa front in general in life in the party of a fig.

kaskadurchilandze, he is considered a student and heir of the odessa school, he came to visit . how the guest performers can perform the role of john basil in odessa with all my love for this theatre. unfortunately it was such a stalemate. creative in the sense that there was very little money for staging for this entire creative life. still, you are not there in the capital, and therefore, well, they played it, i only told you every month, well, how much you can earn in your life, again, this is a step towards the dramatic repertoire. there was no such thing in odessa, that is, the repertoire was quite easy for me. here we have just looked at the fig robert

fat. well, in general, everything about her, that is, four parties, which, that is, in a circle. i performed further growth was not much and therefore gradually, gradually, in some way, he established himself with his desire to try. at least offer. here, if anything, what will happen next, it was interesting to see it in the minsk theater, well, really i was not deceived. although we came a year for another reconstruction, the slag from here is a little bit. buttocks were in these rooms in the officers' palace. yes, we performed and on the site of the palace of the republic there were some ballet concerts in the performance, and then we returned to the miraculously completely restored theater. and in general, for 10 seasons we lived such a very active creative life. we have a recording of one of your first performances as a soloist of the bolshoi theater of belarus in our funds

. just started working. it was one informer of such concerts concerts, well, because we really needed to keep the corpses of people in a certain tone. well, save the audience. this is also orlovsky or bats are also a hit. at us all the times harsh so

hard for yourself to look with me is not so it is not necessary. each role is for an artist probably it's like a child, well, how to love your child for your hero, if he is a notorious scoundrel, it's fine, you can find a lot to justify. well here he is, the interest of the work. well, the farther, the more it's already darker, it's just easier. well, of course, each person has their own circumstances. each person does his own. well, there is the same scarpe, he is here, by the way, hmm, this thing does its

job for the benefit of society, cleans it from bad from everyone he has a lot of excuses. well, the fact that there is something very bad in it, but so we are all not without bodily angels, yet sinful people with all their vices. so nothing even interesting. here is some kind of nasty nasty one to find in him, but i don’t know, well, he feeds the bird. lord , beautiful performance okunev costume designer designer decorator his performances always stand out with a very bright palette on the stage. they took part in several performances, always very beautiful. all the light from the costumes are all saturated with such such

deep colors. the soprano girl's name is tatyana larina in life. so onegin comes to them and i say, interesting, although they write, when you sing tatiana larin tatiana larina performs tatiana. you were offered, when you were not yet 30 and you did not refuse. although this is an age role. don't regret your choice now. and what would they say to novice artists who aim at such a serious repertoire. well, now i don’t regret regretting that this opera took place 29 years ago, it really didn’t happen on the first day when they offered me a priori the part that can break a voice that can cause harm so let's say there is a repertoire that is a plus. and there is one that is at an expense in skype -

this is it. it is to scatter a voice is to scatter emotions. you won't get anything here. so let's say in favor early on. it was difficult, but it was necessary to sit down and think, by what means to decide in such a way as to say this from life, to preserve the singing long and before the dramatic repertoire. well , that’s how every apartment had to work, that is, first the material is taken, it has time, and then they are already in the classroom some places where you will rest somewhere where a voice will show somewhere, where they sleep somewhere. well, this is gradual, of course, year after year, then after five years of experience in performing this part on stage - this already happens automatically. i have such a personal record. well, how would geneva be and we had a tour, but with a scarpe with longing, he didn’t fly in. eh, partner, that is, a baritone, and it turned out that i was like in a movie theater at 16:00 longing, and at 20:00 longing on the same day. i sang the play twice. so another board of three acne operators. here we say, well off the map they didn't write anything in the third act. because

if they wrote something, he would die so there would be no need to kill, because this is a rather complicated game, very costly, and to young people, what would you advise, the later we start doing it better, because , well, in first, experience is necessary. it just comes down to something that young you often lose out on stage because they can handle the excitement of starting to sound out trying to do something, but it's hard. come to terms with this and, uh, the expense of a blow to the ligaments from a wheeze of some sort climbs right there with the psychosomatics of a young man. all lost voice. i've lost. i am bottomless misfortune and run away from the scene somewhere.

lord and death thunder sleep. do not forget. i, too, at the last moment. used to want to. previously, you have such a mistake. you throw and you start to go slowly from it, because you give nothing will happen many times you had to work with michael you will regret it. it seems to me that the largest number of your roles is collected in his performances. tell me how your acquaintance with this director took place. it was the first one of the first as an example of a troubadour for a performance, or now i was already going on stage with this. and slava bolich goes with such an uncle. so big, like

here along the corridor, he walked. so i went out. glory says it is. well, here it will be. we'll see the bamboo at my place, then we had a rehearsal. we really got to know each other a little. i have long wanted to meet such an effective good director, really. misha has arrived. it seems to me that in such a good creative dawn to us by day. he had many desires, a lot of such good enthusiasm to be realized, and, well, i was very lucky that i just got, let's say, his vision of the idea of ​​the theater, but mine also coincided. what about the parable of rage and are you also one of his works? and

this is how we received the state award for this performance, there was such a joint show in the theater, not only our guys show, not only we were nominated for the state award in the networks. drama performances from other cities showed their excerpts. they came. well, we showed slice. so we combined a little bit the song of these mercenaries here and the famous aria of the heath. oh, it's so interesting to see guys, some of them already don't work. young ones are still sluggish oleg melnikov is also like that. me and him, that is, we studied the mos water at night. well, how is it with a difference of 10 years? well, together and at the odessa conservatory, too, he met there. then he came here to work, and i came here to work for him. to the rehearsal

of our gray legend how the work on the opera went, how difficult the material turned out to be. at i didn’t have any special lines, because i knew the language well, after all, i grew up here quite enough. i drank hmm in belarusian without any questions or problems at all before i got acquainted with this material. i didn’t know this music, i’m mina ivanovna, only our kozlova , our beautiful singer, who will be nastya, but tomorrow she told me, listen, this is a month from the gail. aria is wonderful. this is exactly what is written for you. all great. then when they brought it, when they began to understand a little. so, when i started listening, well, gradually gradually captured, so to speak, the music is very cinematic, it is very convex and melodious in smolsky, quite

beautiful and the opera was rewritten for this production more concisely, or something, were denomized. eh, if i may say so? belarusian opera in our theater let's see a fragment of another production, which, to be honest, i really like.

now we've made a new one to really show people. it is she who is well-dressed in costume, beautifully staged music interesting enough. she listens well easily, catchy melodies of such a character, even song somewhere, well, folk traditions built on folk melodies are what you need to have and not at a good level to do it. it seems to me that we tried we tried.

many other awards, let's see the next frame on the stage. we won't see you, but i think that the moment of your triumph will be fully felt. well, let's go to the opera, the jerky honored artist of the republic of belarus stanislav trifonov for killing the role of grozny opera the tsar's bride nikolai rimsky national limitation the great opera and ballet theater of the republic of belarus. when i

listen to him, he is my colleagues. i think a roman-corsic would be happy. to see such a performer on the stage, he wrote his grand opera that's it for such a dirty, therefore, one who did not see that performance. please come visit us. you will get real pleasure from the work of stanislav trifonov thank you very much there is a singer or there are good artists, it is necessary that your colleagues tell you, so that the public speaks then somehow. well, probably it’s more correct not for joseph, but for this coryphaeus of our theater for many. uh, she listened to singers and dirty ones and many good performers, and such things were never heard from her. very nice. in vain part of the body to end in vain with a dump.

this is one of the so to say needy works, one of my favorite parts, because, well, firstly, the music is wonderfully completely roman written for this character. and in general, this is it, from the first installments to the last, it's simply impossible to come off, exciting at all relationship drama acting is a very interesting job. and in the first aria, she goes crazy, beauty. from the first sounds it captures and carries you, of course, you enjoy working with this material with this character. thank god it came to me. this idea came to my mind to stage this performance with us, and in general, without doing anything

on purpose, i got into this work with great pleasure. it is said that the environment and lifestyle have a great influence on a person's character. how do you manage, having only negative characters in your arsenal, to remain good-natured smiling person, devoted and

loving families. there at work on the shoulder. so to say the negative on their wards there or who? today i have someone like a king, then some kind of general, then i’m going to kill someone. you killed your wife such a planet with a choice of dramatic tone what is called therefore, you are the opposite, i'm already there, when i killed everyone and that's it. i come home good already. that's it, it seems to me, at least i think, i don't know, though. children, perhaps, maybe i'll say something different. stanislav we have yauf in our studio, here, non-traditional films are stored in it, and objects related to the life of our heroes. let's see what we have prepared for you personally. well, let's see what will be interesting well, just intrigue. oh, it's known. yes, and

that's not all. oh well, yes, yes, i didn’t take a guitar, i was 15 years old, yes. well, right, it lags behind, it was everything, everything was fine. yes, everything is good for its time. this is of course, 8 9 10 class and even here we managed to ride a little more on a graphic expedition all camping things. there is nothing tastier in the world. how

not even in such an ordinary wishlist, boiled, egg noodles there for 10 rubles for 40 rubles for 70 rubles. they were all sorts of pasta there. we have two falling out there. or better yet, three cans. here even the ashes of the hall, she returns there too. this taste of a fire nothing tastes better than this metallic one, then this is a ladle from our cook. natasha or tanks, who cooked this today, well, just the most delicious food and the most, of course, the impression is wonderful, because in the evening by the fire when