eh, so as not to follow the thieves of the pestilence of the azeris , never forget the heart of petrus. brock i greet you, dear tv viewers, on the air of the program shots of life, someone wise said how good it is when a person has the opportunity to choose a profession not out of necessity, but in accordance with spiritual

inclinations. and these words are the best fit for our guest about how to turn a hobby into a profession, learn to combine the incompatible and live with everyone in a world of love and harmony, we will talk today with a charming and cheerful person, a well-deserved artist of the republic of belarus stanislav trifonov. probably, there is no singer, musician, or even a creative person who, at least once in his life, would not say, yes, why did i get into this business at all? something left at home as a keepsake, a medal. i have money, but the money was paid, there is no mail left for you to remember. he looks beyond the traditional performance of hooliganism, of course, and sometimes i want them to be that they give freedom, but i had

very little of it. one day he brought me to these mountains. i would work there at the factory, i would drive there truck and something and would think at all. why do i need this? well, i'm just interested in touching, because i hardly got this experience somewhere else. and we could try the bach theater. this is already such a package. well, that's all, perhaps. stanislav vladimirovich trifonov was born on august 13, 1972 in tobolsk in 1993 he graduated from the minsk glinka college of music, the class of the honored worker of culture adam osmanovich murch, and after 5 years the odessa state conservatory, the class of the honored artist of ukraine vasily vsevolodovich navrodsky. in the same place, he completed an assistantship internship since 1997, soloed at the odessa national academic opera and ballet theater in 2007, joined the

bolshoi theater of belarus, collaborates with the opera houses of russia, tatarstan, bulgaria, winner of the state prize of the republic of belarus of international competitions and festivals , owner of the medals of francis, skaryna stanislav trifonov, honored artist of the republic of belarus stanislav good afternoon, hello, you have never been compared with the famous russian actor vladimir mashkov, of course, how do you like this comparison? did you love very much? as artists, as an actor, how shall we say? well, even as a siberian, because we pass from some places in siberia. well , i, too, in general, in some way, are such a siberian in our program. we will often turn to the wealthy funds in belteria of the radio company after seeing many videos related to your life and work. and

now i want to know what the following frames have to do with you, we look at our screen and wave our legs, how will you live. auntie, i don't need bread, i don't need water, and i can't live without dancing. this is a bee. apparently , this is a cartoon that was created at our studio in belarus or is not dedicated to the formation of belarusian ballets. i played one of the roles here, i think about two years ago i was offered this interesting experience. i don’t even know what the technique is called, when they first shoot a live, so to speak, character in a light make-up suit, and then he serves as, uh, a model for the embodiment of the animated one. that's what a friend

my prince zorch, you were a friend with his serene highness prince potemkin, but in everything you are obliged to continue his work, so, in my opinion, i was there a little piece, or what? yes , you can know. interesting, i honestly have never seen it. this is where you succeeded. here's where to find it, the release was a little delayed and guys. i was promised what to do? that's already been done. you already got it, but i have n't seen it yet. well, i'm curious how it turned out. i mean that in those places the people are talented, you are my weakness, you know, don’t let me down, my dear, i listen to the empress. well, it's interesting that this experiment was continued, which was completely unexpected for me, because at first i had to act only as an artistic model, they drew it and that's it, and then i was asked to try and voice this cartoon phone. that is, i also

spoke interestingly with my voice there. well, i was also very worried, because, well, it’s not my specificity to drink something. well sing. this says one thing, oh, it’s completely your task to find them better and learn their skills , i’m sure that in a year or two we will envy the best metropolitan theaters. but the following shots have something to do with you . let's see now. if you found tobolsk sounds, thank you

very much, the abundance of these churches here is a threat more than a church. i look who did not know that they did not know. this is the shock moment i grabbed a little bit, it looks like grodno on a cliff, this one on the old castle. it's interesting how, to be honest, i have never been there, well, as if i was there by the fact of birth, that is, i heard a lot about it, but i never saw it. how is the family ended up in grodno, but this story is worthy of a berdiev troubadour, that is, no one really knows the content, then i know that the young teachers were friends with their families and one of the families decided to move radically and dragged along several friends, including some of them, and mine family. and so we moved to grodno. first, dad moved. he arranged some kind of life here, then my mother and i flew in an airplane, moved in with my father and my mother was already offered a job in

grodny, respectively, enlightening things in pedagogical school. reason for moving. actually it was, because the living conditions were much. it is better here belarus back, how right of the soviet union and this is grodno, right there they are the famous theater, ours, which has, so to speak, originality. this is green yes, this is also green. see, dumb. our kaluga church of the eleventh century. such a wonderful green western town with its own character, wonderful people. i really love to come back to walk along these streets like this. soviet beautiful city they say that too obedient sons never

achieve much. and what kind of child were you ? there were periods in life. i had different swings . quarters. well, that's how there were all sorts of breaks. well, that is normal everything was normal and the guitars, the yards , the songs, the bicycles. girls, boys, like ice rinks in winter, football in summer, a normal childhood of a normal soviet pioneer child. after all, i escaped the music school with my teeth clinging to freedom, it was not my parents i was very tight with music, i either went to school for two classes, musicians are less even anyway, you can’t hide anywhere. yes, yes, first the guitar arose. just a song with a guitar was shown by the russian temple of the city, grodno and its church choir. i fell in love with this music immediately because. well, i guess i really had it somewhere for me. still, music. family and brother and dad and mom in the house constantly sounded this music and it

happened. so i came to the thief of the intercession cathedral of the city. grodno, it was the threshold of the eighties, when i became a little you can also teachers of the grodno pedagogical musical college. we gathered a more or less decent choir, and we have already taken some works by serious arkhangelsk turquoise composers, interesting church music. well, here i am in this year and a half. here's what i led. this cathedral, perhaps, began to form. he told me this is some kind of desire to make music. i still vaguely understood which one, but more, of course, i wanted you to choral music, of course. uh, older brother, then i offered me here, maybe try to study this matter more seriously, so to speak, not just there in the church and throw it. well, there was a musical school named after glinka. who else was involved in you, who, in fact? well molded you as a musician. well, the whole point is that it so happened that dad passed away early enough. here i am, that is, on the

threshold of my sixteenth birthday, i was such a completely such an age, not the best for a boy. yes, that is, how the transitional formation, of course, was in such a shock, probably for about a year, maybe two times at this time. i graduated from the school, i also finished it on this state, these here, well, no one where to do what? i didn't have any programs to go there. i didn’t prepare at all, so naturally i didn’t go anywhere. i did n’t enter. that's when a cathedral already arose, some kind of work, a factory, life experience, money that got out from my brother for a serious bass guitar, because i still played there. here's the music. it was very fashionable back then, it's a session ensemble, all that. so i had to give money somehow. so i went to work. to say that i was someone specially like something here. well, i don’t know so no, well, here, brother, he really said and advised and led me by the hand to my beloved teacher. adam , that's why he was in the school. he made a

singer out of me, because, well, i came to him completely. well, well, well, let's sing in the choir. well , something, well, how to spend time. oh, my god, it's the edge, fixed your eyes, but still it was your brother who played a very important role in your fate, well, of course, but we are now, in general, there are a lot of good good relations. hmm we talk a lot meet. he lives in nagilev. i work there, yes, it's him in odessa together. well, in life got so to say a lot. what's the difference between you here andrey you're so sorry. it’s also an interesting fate, that is, a pianist who graduated from the conservatory for postgraduate studies has been inspired by this instrument for a long time and then he still wanted to sing and still sings too. you

chose the odessa conservatory to continue your studies. i know that there were still other options, there were many options, but here i chose odessa odessa i have an interesting moment here, when my mother and i are a teacher, maybe he said. well, you have to try to escape somewhere, something somewhere. well, sniff another of some other school, if we are more inclined to choral singing. ritualism, there are whole holidays a huge number of choirs. it was here when we were younger. now, for some reason, it has gone somewhere in vain, and there you have a lot of very people who sing just songs, loud, vociferous people, solo singing. and of course, the odessa conservatory is such a loca was there. it was so good, after her ivanov professor these are people who laid down the tradition of such stones, so to speak, scattered

such stones there, that even when they left , their students, accompanists, remained dead. well, there was a vocal conservatory, that is, there the rector of the conservatory was a vocal one. yes this says a lot, but that's why we talked about the odessa conservatory. well, i began to think about something and suddenly i was completely. it seems to me accidentally. i never went on the route near the philharmonic. on foot. for some reason, i walked. and suddenly i see a poster for vladislav uspensky, that is, the performers there are alisan. anatoly kapustin vasily lavrovsky, odessa vasily novgorodsky did not say that this is a teacher now at the odessa conservatory who, in general, took the legendary instead of professor ivanov. so, how can things like this happen? i came and said here i'm talking about the philharmonic. here here is a rehearsal there is such says. yes, there is there in such and such a class, or you went to him. he came up and asked. so i want to talk to you about kissing in odessa, please end come feel me a couple of some exercises. then, when within one or two days somehow it was decided

literally after our conversation, when usmanych then where to go, i no longer thought. well , then ids, a city with such a train, with such charisma, the sea, privoz i have never been there. what did you think warmly, at least the first winter in odessa was fabulous. it's just that i arrived there, and i now remember that on november 9 frosts hit, terrible frosts. i was completely unprepared for this. and there, now, this is the humidity of the sea and the terrible cold, where where is this soft your the climate where this tree is. this is where i came, odessa is still a wonderful city. this is my youth, student friends. the first musician is my wife. so odessa is also huge for me, a huge piece of my life, which i am very grateful to, love very much.

experienced doctors of our country will tell. how to keep your health. if you are a beginner and you want to start just playing sports, then walking will definitely be the best for you. well , not just walking, but walking at an intense pace, they will give simple but effective recommendations. ah, champignons can be easily frozen, and all properties are preserved, they can be eaten raw. just slicing into a salad will answer the most exciting questions about health and beauty, if your child has inflamed tonsils, this is the protective function of almonds, that is, they work. watch in the program it's healthy to be healthy on our tv channel. they treat belarus with respect and warmth, and when i arrived in minsk i was. first

of all, they were struck by the wide streets. space and the sky for them is not just a second homeland. i don’t i know how much god has given me to live, but i think i will live it in belarus and when they ask me, where are you from, i say i come from the city, it is here that the heroes found themselves determined their place in life. i am proud that i am here, and i will point out even more that i was allowed to lead a team of belarusians. in general, i believe that belarus is a blessed place, a special place, and this place has a special mission. watch the project look at belarus on our tv channel. the famous japanese writer haruki murakami once said that professions should initially to be an act of love and not a marriage of convenience,

carried away by the art of opera. what is your first year goal? i was looking for all the soloists, and the second one is already the metropolis, such a third and fifth year - well, it’s getting into the local philharmonic society. you understand something like that , that is, well, that's it, shrinking, narrowing, of course, romance. there is some moment. that's where i want the whole world to stop when i sing. for 25 years now, i have been practically at a choice. i just want to mind my own business. how can keep the audience happy. to find understanding and not be ashamed of the fact that you go on stage, that you take time for people to come out, uh, in their performances, well, with some baggage, this is already invented happiness for a creative person. it seems to me that you gave 10 years to the odessa opera stage, do you remember your first part. it was eugene onegin here. well, it so happened that, having won a competition in karlovy vary, i received an invitation to take part in the production of eugene onegin

in the prague state dust. so to say, it is called in czech and is still a future student of the conservatory and does not get into the field of view of the odessa opera house obviously. he was already invited there and worked on the production and sang exemplary performances on september 23, 1997. this is mine, so to speak. first day off. here are the dividers. when i returned to odessa, i found a note on the watch in the hostel that stanislav trifonov please call such and such a number. here, less frequently, the reign of the odessa theater it turned out that they have a preparatory period for onegin is literally in a week of the release of the play, but they don’t have onegin. this is how it happens. you know, here, that is, but someone there, or someone’s voice injured something on his leg. i merged right into the production in a week. after all these things. naturally, they did not offer and the place of the socialist will be one

of the most beautiful theaters in the world. well, i've been to many. well, really very beautiful . very concise, very correct. here from the point. well, how is the classical understanding of the theater, and your hall and outside. and, well it you just performed onegin more than once in your career; unfortunately, we don’t have your first performance, but we still managed to find something. let's see. come on. i don't have my first performance either. this is yerevan armenia yes, this was also an interesting moment by this girl, by the way. we drove together from the kazan theater to the airport , so we left literally 15 minutes from the theater to

the airport there leyla dozaryan, just in case , she wrote down my phone. and after a while. he maybe a week passed. i don’t remember the call we got in such a trouble, our singer is letting us down. he was offered some kind of contract there, he is leaving. we have a performance coming out tomorrow. we have everything charged, the audience is all sold and two performances. i say you know, here, wait 20 minutes to call. i now have to just sit down and collect a bunch of brains and well, sat down thinking with my wife talking. well, she says go, because what's inside, well, anyway . well, when you come, i do n’t know what you can do there, i didn’t see everything from this, i didn’t understand, where am i going. and this is not a theater, there they are ascetics, they are on the basis of the philharmonic, once in a season they make a production with the help of philharmonic groups, and here bakhov brings them to onegin, as gen called , they said that this time there they were waiting for him urgently. well, i flew there, it was really interesting.

uh, history means, well, we're getting ready for the play. we all make peace. well, i met the guys. with whom will we work, they all go to the bearded ones, but they can’t go there, bearded men can go, and onegin is lena times. here is the director, i'm coming already. you make up now with a beard. it's just like that, you know, it's normal to say, the man is now forced to shave his head. this is how we will interpret it. something you came from st. petersburg to these shaved ones. they are the local village. well, that's how it was. you know, there are two lawyers, unfortunately. the essence of victorian wishlist is these beard shawls with such a beard. well, this is just such a real comedy turned out. here is one of such creative ones, sort of like jumps under jumps, when somewhere in the unknown. here turned into such an interesting adventure. well,

experience. lord stanislav in my opinion, onegin is very different from your other netbook heroes, as there is gaila scarpeya magbit most of these characters villain intriguers merciless people, and you look like your heroes, of course. tell probably it is some traits. it is interesting for me to endow these characters with some of my qualities, to peep somewhere, to experiment, to prevent the viewer from seeing people on stage, not divorced from the reality of some characters. you see what happens to her and you understand that

yes. it would probably be so, because people also model their ideas about behavior there, so they say how well they played. how well he played. so well played hit. here in the presentation to the public, but about how it should be, you are not perceived as a comedian , but a bear. mourning hooray, i don't know exactly why you need this mourning. this is true. snacks look at the windows. my sweat when working on the

bear was also very difficult at first, the material, this training, all that, but then we when they plunged, nevertheless, chekhovskaya this story was humorous. it was difficult to ignore this from the film, which we all know very well already, where zharov is, there is this bear, so it was more interesting to change it somehow to restart. if you come up with something else of your own wonderful microclimate team, lenochka will be diva yura bylchko. eh, such partners, well, we both laughed and cried, and in general we really enjoyed it. this was really unusual for me. and this is one of the first experiences in my life. such the theater of a real other is not almost an opera house. after all, there is practically a dramatic wheel. there is such singing as we used to say, here is the singing of operas on this there aria duet tercet some form. you go out and demonstrate your voice, these tasks are not here. there were completely different aesthetics of the game of manners. in general, other highs, that and i am very grateful to fate that

such an interesting experiment happened in my life. this was unexpected and great. m. telecom not spouses do not do me. i don't like it. so let's say the lion's share of my repertoire. it 's simple. well, such serious guys who stand loud enough to sing at someone,

scream before slaughtering him, at best , there or just bite, well, these are certain roles that are fixed. if i say funny, then there is really nothing in the theater somewhere, there is a need, if there is a magnet, if there is a dutchman, then, well, then the site comes again. naturally. that's all, there's nothing like that, but why was, really bear was a seville barber, he kneaded to set fire very unusual there and not easy. it was a comedic a and also in tradition. here to play this comedy billiards. it was both interesting and not easy and very energy-consuming. this recording was made 11 years ago. let's see, let's see. interesting again,

i remember, of course, how we made this number huge. yes, we have to work with him a lot. now a good partner. it 's a pleasure to work with him. well, why the timed concert i don't remember. today, years later, you are reviewing the records, how do you feel about your performance? if

yes, something can be done better when you look especially at yourself. you see what could have been done better, where there are some bad moments or something like that. in general, we are unfortunate people in this regard, not that you can’t watch your performance of someone else so calmly, because you sit in the hall and start to calculate all the time that somewhere, well, such a mathematical approach is happening at the end execution. this, of course, is such a deprivation of misfortune a little, because it is difficult to distract yourself. well sometimes it works when the master is not under the aspic. you hear everything, right? now you can really forgive everything you want. what do you think about the next shots? this is

so young, young, like this, but this is just my debut in odessa, oh before, well, in general, in the life of the party, a fig. he is considered a student and heir of the odessa school, he came to visit as a guest performer will perform the part of dunabasia. in odessa, with all my love for this theater. unfortunately, this one was beyond creative in the sense that there was very little money for staging the whole thing. so some kind of creative life, after all, the theater is not one hundred percent, and therefore, well, they played it, i

only tell you every month, well, how much you can earn in your life, again, this is a step towards the dramatic repertoire. there was no such thing in odessa, that is, the impertoire was quite easy for me. here we have just looked at the fig robert fat. well, in general , everything about her, that is, four parties, which, that is, in a circle. i continued to grow, there was no special growth, and therefore, gradually, gradually, in some way, i established myself with my desire try. at least to offer here and what will happen next in the accomplishment it was interesting to see it in the minsk theater, well, really i was not deceived. although we arrived a year more reconstruction. there was a bit of theater here. we stayed in these rooms in the palace of the officer of the lady, performed and on the site of the palace of the republic there were some ballet concerts in the performance, and then we returned to the miraculously completely restored theater. and in general, for 10 seasons we lived like this

very active creative life. we have in our funds a recording of one of your first performances as a soloist of the bolshoi theater belarus light of god, you lead the blood, in addition, respond, this is a lie. it is just these concerts in the palace of the republic yes, we just arrived. just started working. it was one of the formats of such concerts concerts. well, because we really needed people to keep the phone in a certain tone. well, save the audience. that's

what orlovsky or bats are too such a baritone hit master times. each steering wheel is for an artist. it's probably like a child, but how to love your child for your hero, if he is a notorious scoundrel,

it's fine to find a lot to justify. well here we have an interest of work. well, the farther, the more it's already darker, it's just easier. well, of course, each person has their own circumstances. each person does his own. well, there's the same scarlett, he 's right here, by the way, hmm, this is samara yeah, well , doing his job for the good of society, clearing this nasty of all that he has a lot of excuses. well, the fact that there is something very bad in it, but so we are all not without bodily angels, yet sinful people with all their vices. so nothing even interesting. here is some kind of nasty nasty one from him, but i don’t know, well, he feeds the bird. beautiful performances, costume designer,

decorator, his performances always stand out with a very bright palette on the stage. they took part in several of his performances, always very beautifully, everything is lordship, saturated with such deep colors. soprano girl her name is tatyana larina in life. so onegin comes to them and i say, interesting, although they write, when you sing an article, well larin tatyana larina is fulfilled. when you were not yet 30 and you did not refuse. although this is an age role. don't regret your choice now. and what would they say to novice artists who aim at such a serious repertoire. well, i don't regret it now. this opera

took place for 29 years, indeed it was not the first time when apriori offered me the part that can break the voice, which can harm, so to speak. if that repertoire, which is a plus, and there is one that is at the expense of the scalp is when to scatter the voice is to scatter emotions. you won't get anything here. so let's say in favor early on. it was difficult, but it was necessary to sit down and think, by what means to decide in such a way that to say this from life, to preserve a long singing life and sing the dramatic repertoire. well, it happened, every apartment works, that is, at first it is taken with material and then there are already some places in the classroom. where will you rest, somewhere where you will show voice. where? where are you sleeping somewhere. well, this is gradually, of course, year after year, then after five years of experience in performing this picture on stage. this is already happening automatically. i have such a personal record. it was geneva and we were on tour. here with scarpe with anguish and did not fly. eh, partner, that is

, he says, it turned out that i had longing at 16:00 in the cinema, and longing at 20:00 on the same day. i sang the performance twice so if that actor, here we are saying, well, let them not write anything in the third act. because if they had written something, he would have died and so there would be no need to kill, because this is a rather complicated game, very costly, and to young people, what would you advise, the later you start doing it better, because, well, in- first, experience is necessary. it just rests on the fact that the young you are happy to lose a fortune due to the fact that they can not cope with the excitement of starting to bombard the sound of trying something. well, it's hard. to come to terms with this and the expense of a blow to the ligaments from some kind of wheezing climbs right there psychosomatics fired young man. all lost voice. i've lost. i am bottomless misfortune and run away from the scene somewhere.

we set off to master the routes and lay new paths - this is a museum city. there is just a little bit left and crowds of tourists will go here. start yourself admiring the unusual landscapes of the chateau castle, the residence of the magnates' garden, sapegal

16-17. i am my housekeeper out to have you up to the walls of our castle. pay attention to the tower clock. they are not typical for orthodox architecture money. on them parishioners gathered. let's stop in small towns and learn their history. the town consisted of only one street. she branched out. in the area of ​​the confluence of the flight was reminiscent. the square is the so-called city center to imagine, but this building on lenina 14 is the building of the railway station. travel with us to belarus 24. about the weather in particular and about the climate on the planet as a whole, the level of e of the caspian sea is subject to e, fluctuations with a period of 20 e 30 years. that is, it periodically rises periodically decreases and we, using

we can consume drinks from this beautiful glass and lead, in some countries crystal is forbidden for such urgent problems. e of the current issyk-kul, again, according to literary sources, there is certainly a littering of the coast with garbage, where the most important thing is not the bottle that lies in the forest, but the person who left it there and threw it away, watch the tv meter on belarus 24 tv channel. do not forget, i also

left early at the last minute. before you have this kind of error. you throw and start to walk slowly from this you also give nothing will happen many times you had to work with mikhail, you will regret it. it seems to me that the largest number of your roles were played in his performances. tell us how you met this director. it was the first one of the first premier troubadour for a performance, or now i was going to see my son and slava was cured by such an uncle. it's as big as it is here. he walked along the corridor. so i went out. here it is. well, here, this will be our nabucco. we 'll see, we'll see, we had a rehearsal. we are a little bit really met. i have long wanted to meet, with such an effective good director, really. misha has arrived. it seems to me that in such a good creative dawn to us. he had many desires, a lot of such good enthusiasm to realize them. well, i was very

lucky that i got just, let's say, his vision of the idea of ​​the theater, but mine also coincided. the legend is also one of his works. and this is us, just the radiation of the state award for this performance was such a joint show in the theater, not only our guys show not only you and i are all theater, who would be nominated. yes, the state prize showed their excerpts, dramatic performances from other cities came. well , we showed a piece. so we combined a little bit the song of these mercenaries here and this is famously kisgaily's aria. oh , it's so interesting to see guys, some of them are already gone. they work, someone works.

young people are still like that. oleg melnikov is also like that. here we are with him, that is, we studied with adam equipped. well, let it be like this with a difference of 10 years at the odessa conservatory, i also have met there. then he came here to work, and i came here to work for him. to the rehearsal of our gray legend how the work on the opera went, how difficult the material turned out to be. i didn’t have any particular fears, because i knew the language well, after all, i grew up here quite well. i drank in belarusian without any questions or problems at all before i got acquainted with this

material. i didn’t know this music, i’m nina ivanovna, only she said, our beautiful singer, that nastya would be there, but tomorrow she said listen to me, it's been such a burn for a month. aria is wonderful there. that's right for you. it 's all well written. then when they brought it, when they began to understand a little. so, when he began to listen, well, gradually gradually captured, let's say, the music is very cinematic, he has a very convex and melodic, quite beautiful in smolsky, and the opera was rewritten for this production more concisely, or something, were denomized. eh, if i may say so?

always and a legend is not the only belarusian opera in our theatre. let's see a fragment of another production, which, to be honest, i really like. now we have made a new one, it's not a shame to show people, it's well sheathed , costumed, beautifully staged music is enough. well, interesting. she listens well, easily, catchy melodies of such

a character, even song somewhere, well, folk traditions built on folk melodies are what you need to have and it does not do it at a good level . well, it seems to me that we tried we tried. you are a laureate, not only gospramino and many other awards. let's see the next frame on the stage. we won’t see you, but i think that we will fully feel the moment of your triumph of triumph, yes, well, let’s mshinskaya role

in the performances of the opera from the people, the rebellious honored artist of the republic of belarus stanislav trifonov for forging the role of the terrible opera the tsar’s bride nikolai rymska on korsakov national critical you will see the great opera and ballet theater of the republic of belarus, of course, not stanislav trifonov, but i am very glad that the jury honored this brilliant work. when i i listen to him, he is my colleagues. i think rimsky-korsakov would be happy. to see such a performer on the stage, he wrote his grand opera that's it for such a dirty, therefore, one who did not see that performance. please come visit us. you will get real pleasure from the work of stanislav trifonov. thank you very much. it's hard to talk to yourself. well, i’m a good singer there, or

a good artist there, you need colleagues to tell you, so that the public speaks then somehow. well, probably it’s more correct not for joseph, for this brown of our theater for many uh, she listened to singers and dirty ones and many good performers, and such things were never heard from her . very nice. this is one of the so-called coveted works, one of my favorite parties, because, well, firstly, the music is wonderful, completely roman written for this character. and in general, this is an opera

; from the first note to the last, it’s simply impossible to tear yourself away and an exciting drama of relationships in general. this acting is a very interesting job. and in the first aria, she goes crazy, beauty. from the first sounds , it captures and carries you, of course, you get pleasure from work. it is from the death of material with this character. thank god that i came up with the idea to stage this performance here. and in general, i do nothing on purpose. i got into this job with great pleasure. glory to god where is the way? i

say to you that the environment and lifestyle have a great influence on the character of a person. how do you manage, having only negative characters in your arsenal, to remain a good-natured smiling person, devoted and loving families. there at work on the shoulder. so to say the negative on their wards there or who? today i have someone like a king, then some kind of general, then i’m going to kill someone. you killed your wife such a planet with a choice of dramatic tone what is called therefore, you are the opposite, i was already there when everyone was killed and that's it. i'm coming home already. i think so, at least i think so, i don't know though. children, perhaps, maybe i'll say something different. it

stores non-traditional films, but objects related to the life of our heroes. let's see what we have prepared personally for you. well, let's look interesting, well well, just intrigue. oh interesting, interesting. oh well, yes, yes, i didn’t take a guitar, i was 15 years old, yes. well, right, it lags behind, it

was everything, everything was fine. yes, everything is good for your name. this, of course, is 8 9 10 class , and even here we managed to ride a little more on a graphic expedition and all these camping things there is nothing tastier in the world. than not even in such an ordinary pot, boiled, egg noodles there for 10 rubles for 40 rubles for 70 rubles. they were all sorts of pasta there. we have and two fall out. better yet, three cans of stew, even ashes, she returns and adds there. and this smack of a fire nothing is tastier than this metal one, then this one here with a ladle from our

cook natasha, there is some kind of or tanks, who brought it down today. well, simply the most delicious food and, of course, the most wonderful impression, because in the evening by the fire, when people gather. there is some secret there. yes, lowering the fire, the songs burn. to the guitar well, all kinds of things there okudzhava vizbor sometimes so, well, interviews ask. but what kind of music do you listen to now uh-huh well, i listen to this music that i listened to when i was young, there is music with me, i stayed and there, as all the bands, those bands, these performers were with me. it was that era that the floy acquired. so they go with me through life question. i can ask endlessly, but, unfortunately, our time is limited, therefore, i propose now to come to the blitz. just give me your favorite color, black, probably, yes, your favorite, dishes, scrambled eggs, your favorite drink. uh,

they say, maybe there is no coffee, drink, you need to create water, and i have it from the tap. for example, i think so. well, well, okay , i won’t be visiting, but there she’s just delicious . favorite place in minsk. favorite place on the map . grotto. it’s probably your perfect vacation. well, this is the sea, the shore, it's quiet, that something was noisy and that's it and nothing happened. what is acting happiness is when you don't have to run after the director and run around looking for work, what is the meaning of life in life? it is beautiful in itself, human existence on earth is a miracle of happiness, so that everyone at home is alive and healthy. we wish you new interesting

works, we will definitely see you at the theater. but i have one for you. a small gift is such, uh, a small enough brochure that looks like it, but it is a very meaningful history of this arter from the padshin. what is its uniqueness, firstly, it is not for sale, it is not possible to buy it from sales. these are the pamphlets of our theater, our defragments of the typography. it has the history of the theater, the history of the creative team, the history of the building here, and your humble servant is present. well, our soloists of past years of today can be brought ocean. here and view information on virtually any performance, and the repertoire of our theater. here with pleasure i will leave this proshurochku. study. thank you very much until next time. thank you

, we’re going on an expedition to the patches of our ukraine to take our naked spadzh, raw foodists won’t burst our glasses with the truth that you’ll get rid of all the warts’ fears of leaving shima beach, and now we’re a child’s horse, that

you decided to pull up and prick his miners near the new york area . yeah follow her story name standing and cheering and back pouring beards. dozhin’s abrat siyat about the piston of a sheaf of a full load of god’s beard so they said on the news at the edge of the harvest day, let’s give the second tradition a new little one, say, let’s say my heart, what do you think, look at the project on the pirates on our tv channel. everything changes very quickly, time passes unnoticed minutes days. we never have enough time to stop and think about those who are waiting for us at this very moment it is worth remembering

those without whom we will be so lonely on this earth say, you know, i miss dads, exactly now, without delay, you need to say, i'm here, i'm nearby. appreciate the time you spend with your loved ones. hello, my name is marianna morenkova. i invite you to learn more about the classics of world cinema this evening. we will dedicate the picture

of ingmar bergman, summer with monika. it is generally believed that it is with this film that the mature bergman begins this particular picture, he finds the way to the heart of the mass audience, and compromises here with himself. we certainly do not notice the year 1952 was a very productive time in the work of the northern genius. after all a year earlier swedish film producers. a productive and at that time still little-known director suspended his work in protest against the swedish tax system. bergman, felt stagnation in his work, moreover, in order to somehow make ends meet. he began to shoot commercials for as many as nine commercials for the breeze company. however, later the money became secondary, because the master was given complete freedom of creativity to incite and harden his summer with monica melodrama in its best understanding. at the same time, in it no, berman's usual sorrows, melancholy and projections of personal crises. jean-lu

gadara, the eminent representative of the new wave, who initially became famous as did i consider it with monica perfectly, claimed that it was this tape that gave impetus to the future of the sixties in cinema? come on, get up, i have a cigarette butt in my pocket. bring his loved ones to eat, share among themselves. get up. mother mother i have not belonged to what current and waves in my life, took off, 74.