i am to my children and the eldest child and the youngest. uh, in general, of course, uh, as i already said, it is a great joy for me and as a mother as a teacher that there is an opportunity in our children to grow up in such conditions, we are pulling up the infrastructure to housing under construction. uh, the construction of the sports and recreation complex fanipole swimming pool sports hall is in full swing. next year. we will hand it over, we are starting the construction of the fanipole school. and here, uh, and one more object - this is a polyclinic. and here we are we are planning for 23-24, well, to complete the construction of the fanipol in a comprehensive manner with the solution of all the problems that have accumulated over the years. this is what i said, and the water supply and sewerage and roads of the streets of the fanipole kindergarten were built in just a year for the capital city of the satellite. this is the sixth object in all in the dzerzhinsky district. by the way,

almost 3,500 children attend preschool institutions. due to the abrupt onset of vision problems , the titled skier svetlana sokhanenko had to refuse to compete in olympic sports. they did not give admission to the national team after 2 years. she received an offer to try herself in paralympic sports. and a few years later, at the games in hyeongchang, she won three golds and a bronze about her difficult sports path, the champion. she frankly told in the program, say, don’t be silent, on our air svetlana sakharenko was ready to repeat and even surpass her medal success at the games in beijing, but she was not given such an opportunity, not all other belarusian russian athletes were given a dismissal of the team at a time when the athletes were already have never been to the paralympic village. here came the team of ukraine began hmm provocations. the name-calling began, the athletes began, and they directly called. so

here is the feeling of such you know neglect. olympic committee at that time that it is better to eliminate this problem. it may have been correct. if the situation became so tense, and the fact is that after all this is only one team, it created tension. they just didn't say hello. they showed with all their looks that everything that we are, the team of russia and the team of belarus is simply superfluous here at all on your triumfalnaya, like when at one moment received a certificate of a disabled person thanks to whom she came to the paralympic sport. what role does the guide and the unusual story of meeting a spouse play in competitions among visually impaired athletes, see the full version of the interview on youtube channel belarus 1. new information as early as 1:00 pm. see you.

i can’t say that they showed a bright game, but we took our points and comment thoughtfully his team's victory over the business head coach of molodechno. lida yury chuh, after a series of three defeats, the club earns its first points, but the coaching staff is worried about the large number of marriages that young players allow on ice. so here's the hard part. maybe, i think, in the end, somewhere, it was the performance skills that were lacking. eh, because it is necessary, in principle, to decide. this is in regular time, when 3 minutes. uh, we got that chance after the second period. lida conceded 1-2 score to equalize the team. i was able to third twenty minutes of overtime at the thirty-ninth second denis sergushkin scored the puck. robert lewandowski met with his former team in the second round of the champions league group stage duel. bayern barcelona ended in the defeat of the current club. pole 02 account was opened on the fiftieth. minute scored lucasnandes after 4 minutes. so the munichers entrenched themselves in the

first place of the group of death si the catalans are the second third inter victoria crawl fourth line

the national theater is famous not only for the artists directed by jon sloun, the repertoire is an authentic unique original creation for their ukraine, their culture, their history. belarus, fortunately, does not cease to be the curd of belarusian authors, one from the performance based on the action-packed ahmatriyali ballet anastasia to the music of vyacheslav kuznetsov, naturally, the

question arose, what are we going to do next? i didn't really want to keep this team. as far as possible, and do something new and interesting. i choose to try to find a topic historically significant enough at the same time very theatrical, so that you can think of something there, so that there is no such a hard path along which you cannot turn right to the left. here it seemed to me just such a theme. the idea of ​​the choreographer yuri troyan trapel convenient bread was undermined by the corpses and the production team for the excitement of the jackal dota, where alla’s chronicle materials to create a ballet treve from scratch did not base either music or nonsense. this is just a story about the princess vayunitsa. the work of which we

put the basis or bret and the whole performance gave me a book, two screenplays, two screenplays. this is one film anastasia and the second television film prince mikhail glinsky lived at the same time, often lived in the same places, were at about the same level of communication, for sure. they were familiar. and there was some kind of relationship between them, we decided to combine these two scenarios. then rich story. she then has more facets of the literary scenery of the performance, which increased the expectations of the choreographer. anatoly dyalendik. wrote the libretto on bret jura's framed trojanism the scenario plan forged the size of the day and for the episodes he discerned how much the art was busy and only then returned to the composer on the creation of ports tours vyacheslav kuznetsov protsevali

butt for six months. yura troyan was the first censor of vyacheslav kuznetsov 's creative work. in the musical phrases, the choreographer in the thoughts would give the ice of the production from his emotions , there was a repulse of glyadad's splashing. there is one place in the second act where the tatar invasion torments the protagonist and their children. when i saw, uh, in the clavier this very moment and listened to the recording, even if not the most perfect such worker. i wrote right on the edge listening and crying. this is the first time in my life i've written this. because my first reaction was like this. the panorama of the fact that the performance will be strong violence has become a sighting at the first

stage of the walkie-talkie. oh, from the mercolade trapezoid, not only all the artists of the corpses of the alley, the trainees, were taken into account by the graduates of the choreographic college. his professionalism, folded not out of judgement , just got up at the little artists who were moaning. i would like my channel to play the princely son and daughter of ivan petrashevich and elizaveta of kudina spontaneity and not wisdom, and the young dancers persevere jazz, and rushed to keep up with the elders. but before the corps de ballet yura troyan, i was in velmira. i

always say to corps de ballet dancers. what are many of them? if they dance as a whole, they can dance in the good sense of the word any of the most talented soloists. powerful, well-practiced and understanding what he is doing? this is a huge strength of us in the field. hallelujah, tents of the month and the sun ballet anastasia became one of the last works of the beaten glass of

alexander kostyushenko, who sang to leave the earth, the master left the completion on the face of the saints and weakened the ballroom, the slutsk prince's palace, prays not only to young anastasia in the smallest way, daring the earthly bow of the skin who comes to watch the performances fade, the atmosphere and fragrance so subtly from the year ago he for me, the atmosphere in which everything happens was important. i really like the icons that uh there are in the design, they are in two forms - icons that pray and burnt icons. it these are two such states that can inspire a person to do a lot and protect his city, his family, his people, and we defend our faith. the scenery is not the inspiration of one plot in our country, such a thing was

little revealed in the image of a transverse deepening in the era. we were friends with him for a very long time, but we didn’t do almost a single performance together, everything didn’t work out. we wanted to do it, we sat with him , talked, discussed some things, and gradually some entries appear in this discussion. he listens to me. i'm listening to his. and we were fine with that. we were friends and we have normal human relations. the majority team has a mind for alexander kostyushenko. we entered the lighter master and the tuesday market master by type of content nikolai yarunin and the outstanding

theatrical couturier of the boat on bulgakov. remnants of the canvas , eternal and dated amal icon-painting at his need and virtue i would like. create an image of anastasia of a woman beautiful women warm romantic loving absolutely not created to lead troops lead to fight and so on, but then found himself in a difficult situation and showed this quality and now figure out where these qualities came from. zhan-shina, the commander, teaching

yura the trojan, was full of not only hermits, fluffy from moisture, not from the dormace, chanted the princess of the illuminator. i am to the saint and speaks of his concessions of love and from the giving of fidelity to the husband of the family and to his people. choreographer and the lyrics of a romantic story with a tragic and old- fashioned ending is not a thoughtless feat full of sleepless heroism, but the width of the croc of a man of any kind of bondage. and it was a great pride for me that i can now touch this story, and i remember that for me. uh , the plot itself was paramount. that's exactly what and about what i thought. this is so about me, i just remember that at that moment, but there was such an emotional state.

am, just the same far from being a lyrical person of a lyrical woman. namely, how warrior women. for some reason, they always seemed to think that i should. but to defend yourself to fight. it was just such a period of life, it was especially very close to anastasia's children. ah, how much more the director put meaning into these children. they are very visible throughout the performance. not this way. it was close. i was so, uh, militantly protecting my children there. boundary matsyna also skilfully perfected it from the devil's grip to the kindly masculinity of the oud. otherwise, i lay down on my shoulders, not only about domineering children ali the whole region of the yakirui is nomadic. in

my opinion, in any ballet, the basis of the performance is some kind of relationship between a man and a woman. it even turned out, most likely such a triangle between anastasia semyon mikhail and those life obstacles that i don’t face in my life relationships love hate masculinity, when a woman has to make some decisions for a man, because he is not around. there is a choreography where it can be performed absolutely without emotion. and you really look with satisfaction. it’s just that there are such plots for the choreography itself, where no matter how hard you try. eh, to perform choreography, no matter how you spin there, here you are on your head and twist, but you didn’t put all this in. emotions don’t look good. the heroes of the performance

ask through and through, but you are endlessly joking, and revealing emotions, appeasing not only the main heroine. one of the most striking figures of the performance was khan ahmad , who gave the hero to the dancer of the zoziat region, the choreographer was not treated with such an extinguished oshiam. mine didn't just shine with a donutless sheep canal dough. yun sculpted into an image with godnozu power towers. he suffocated him all and with a fire- breathing smoke let the lunatic, theatrical scenes. i already knew that it was necessary to do some nuances, so that this performance would not pass without akhmat. why

, if the main role was to be, well, the character is somehow not what he came up with, he just came here. and this is what you need to play. if this is the music, this is how you should walk. this is how makeup should be. this is how you should behave. any ballet does not set itself the task of reproducing what is written in the history textbook. it's more of an interpretation for the soul, so that a person comes and on the basis of what he learned at school. i saw these people, their humanity, their materiality, that they are the same as we are, they are bare letters on the pages of textbooks the whole story, it is based on this , that we must remember to learn to draw our own conclusions. uh and being

prepared for the future is one of the criteria for the success of the play. i always have the attitude of performers towards him. because the premiere is taking place, if something is not interesting, then gradually under various pretexts, people begin to dissolve from the formulations here until this effect is observed. everyone is trying to dance the performance. it means they enjoy it. and if the actor enjoys the performance of the role followed by the viewer, this pleasure is transmitted. it understands its significance and strength, as it rummages and stumbles to find at the trail to take a significant hammer with a path of truth and wisdom hardened by fatigue.